λ A French green tortoiseshell and boulle marquetry mantel clock in Louis XV style, the eight day brass drum movement by Japy Freres striking on a bell and stamped with maker's pastille and '10217', with a gilt brass and enamel dial with Roman numerals, in an arched case, with a basket of flowers finial and paw feet, late 19th century, 31.1cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
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A large collection of parliament of owls and related items, in bronze, brass, pottery, porcelain, papier-mâché, spelter and other media, including: inkwells, a candlestick, boxes and covers, a clock, vesta holders, a pen-wipe, letter rack, a table bell and other items by various makers, including: Doulton, Crown Derby, Eichwald and B & G Denmark, 19th century and later, 27.9cm high (max). (79) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A George III mahogany longcase clock by George Quarman Bristol, the eight day movement with an anchor escapement and four turned pillars striking on a bell, the 12 1/8in silvered arched dial with Roman and Arabic numerals, with subsidiary seconds dial and date aperture, with engraved flowers and inscribed 'GEORGE QUARMAN TEMPLE CLOUD', the arch with a painted moonphase and inscribed 'HIGH WATER AT BRISTOL KEY', the hood with a swan neck pediment and brass urn finial with blind fretwork decoration, with a shaped trunk door and outline mouldings, with presentation plaque to inside of trunk door, 241cm high. Provenance: From the collection of Dr. J. S. Gordon.Click here to view the online page turning catalogue.
A late 19th century French bronze and ebonised clock inkstand, with a drum movement by Henry Marc, with an outside countwheel striking on a bell, stamped on the backplate, the white enamel dial with Roman numerals and signed 'HRY MARC A PARIS', flanked by two cherubs one with a book the other with a lyre, with a pair of glass inkwells flanking a pen tray and two lidded compartments, 29.8cm high, 47.3cm wide. Provenance: Warrens House, Bramshaw, New Forest.Click here to view the online page turning catalogue.
An early 19th century Portuguese painted chestnut longcase clock, the eight day birdcage movement striking on a bell, with an arched enamelled and brass dial, with Roman numerals and inscribed 'Jeremie Girod Porto e Coruna', the arch repoussé decorated with exotic birds, the case carved with an urn of flowers and leaves above a mask, 233.2cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A late 19th century French gilt brass repeating carriage clock with alarm, with a platform lever escapement, the repeating movement striking on a bell, the backplate stamped '1944', with a white enamel dial with Roman and Arabic numerals and alarm dial, in a corniche case, 14.2cm high.Click here to view the online page turning catalogue.
A George III mahogany bracket clock by John Davidge London, the twin fusée movement with an anchor escapement, striking on a bell, with an engraved backplate, the arched brass dial with foliate spandrels, with silvered dials with Roman and Arabic numerals, with Strike/Silent and date aperture, inscribed 'John Davidge London', the bell top case with a brass carrying handle and urn finials, 50.2cm high, 28.2cm wide.Click here to view the online page turning catalogue.
A mid-18th century mahogany longcase clock by Peter Hathornthwaite Kirby Lonsdale, the eight day movement with an anchor escapement and four turned pillars, the 12 1/8in arched brass dial with Roman and Arabic numerals, with subsidiary seconds dial and date aperture, inscribed 'Peter Hathornthwt Lonsdale', with crowned lion and unicorn coat of arms spandrels, the Cuban mahogany case with a shaped trunk door, with quarter split pilasters and blind fret decoration, 221cm high. Click here to view the online page turning catalogue.
A George III mahogany longcase clock by John Ross London, the eight day movement with an anchor escapement and five turned pillars striking on a bell, the 12in brass arched dial with a silvered chapter ring with Roman and Arabic numerals with subsidiary seconds dial and date aperture, inscribed John Ross London', with Rococo spandrels, the arch with a Strike/Silent dial, the brass mounted case with an arched hood with urn finials and Corinthian stop fluted columns, the case with outline mouldings and split quarter pilasters, 227cm high. Provenance: Kincraig House, Invergordon, formerly the home of the Mackenzies.Click here to view the online page turning catalogue.
A William IV ebonised repeating mantel clock by William Chambers London, the twin fusée movement with a platform lever escapement striking on a gong, the brass dial finely engraved with scrolling foliage and with Roman numerals, inscribed 'WILLIAM CHAMBERS 18 POWELL ST EAST KING SQUARE LONDON', in an architectural ebonised pear wood case with flattened bun feet, 25.3cm high. Provenance: Purchased by the vendor's family in 1966 from The Windhill Antiquary for £75. With original receipt.Click here to view the online page turning catalogue.
A George III ebonised bracket clock by John Ward London, the twin fusée movement with a verge escapement and striking on a bell, the backplate engraved with Rococo scrolls and leaves, the arched dial with three silvered dials with Roman and Arabic numerals, with subsidiary Strike/Silent and seconds dial, with date aperture and gilt foliate spandrels, inscribed 'John Ward Cripplegate Buildings LONDON', the ebonised case with a bell top and brass handle and flaming urn finials, the front door with herm and floral mounts, on brass feet, 49.5cm high.Click here to view the online page turning catalogue.

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