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460333 Los(e)/Seite
Los 1010
An 18th century figured mahogany longcase clock by Thomas Atkinson Ormskirk dated 1778, the hood with blind fret pediment and lacquered glass panels, labelled "Martin Ormskirk", turned and reeded side columns, the trunk with full length door, blind fret panels and 1/4 turned and reeded side columns, having arched painted dial with moonphase to the arch with 8 day striking movement, ht 230cm.The case is in quite good condition. The glass panel with name, situated between the two hood swan necks, is cracked. The dial is fairly faded and requires work; the hour hand has the end broken off. A nice looking clock though.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.
Los 1011
A late 18th century mahogany longcase clock by Wignall Ormskirk, the hood with blind swan neck pediment, turned finials and glass panels (a.f), the trunk with blind fret panels and 1/4 turned and reeded side columns and full length door, with arched painted dial, moon phase to the arch and 8 day striking movement, ht 290cm
Los 9
NINETEENTH CENTURY BRASS SKELETON CLOCK, the 6 ¼” pierced and enamelled Roman chapter ring powered by a single fusee movement, striking on a top bell, and housed in a Gothic inspired A frame with turned feet, 14” (35.6cm) high, set beneath a glass dome with ebonised base, 16 ½” (41.9cm) high overall, the clock appears unsigned but is supplied with a collectors label attributing the clock to 'Thomas and John Ollivant'
Los 15
E. BELL & SON, UTTOXETER, GEORGE III LATE 18th CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with 8 days striking movement, arched painted dial wiht rolling moonphase in the arch under a chapter ring showing days of the month, white roman dial with subsidiary seconds hand and date aperture, the hood with swan neck pediment, turned baluster side columns to the hood, inset fluted side columns to the waist, shell lozenge inlay to the door, raised on bracket feet, two weights and pendulum, 7 3 1/2in (222.2cm) high
Los 12
JAMES TOPHAM, NANTWICH, EARLY 19th CENTURY FIGURED MAHOGANY LONGCASE CLOCK with 8 days striking movement, arched painted dial wiht revolving moonphase in the arch showing two full moons, chapter ring above including the days of the month, the white roman dial with date aperture and subsidiary seconds dial (lacks hand), the swan neck pediment having three brass ball finials, spirally fluted side columns to the hood and the waist, shaped apron and splay bracket feet, two weights and the pendulum, 7ft 11 1/2in (242.5cm) high
Los 10
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND BRASS INLAID BRACKET CLOCK, SIGNED HILLS, SUDBURY, the 8” enamelled Roman dial, powered by a twin fusee movement, striking on a bell, and housed in a moulded case with leaf carvings to the top and fore corners, conforming brass inlay beneath the dial and Gothic pierced brass side frets, raised on a plinth base with compressed bun feet, 18 ¼” (46.3cm) high, dial with re-painting, mostly to the centre and edge, not obviously to the name or place name, rear door possibly later?
Los 16
EARLY 19th CENTURY FIGURED MAHOGANY LONGCASE CLOCK, probably by James Topham, Nantwich, with 8 days striking movement, arch painted dial with revolving moonphase in the arch, chapter ring above showing days of the month, the roman dial with two subsidiary dials for seconds and days of the month, the hood with swan neck pediment, spirally lobed side columns to the hood and waist, on bracket feet, 7ft 10in (238.7cm)
Los 13
LONGCASE CLOCKS: George III 19th century mahogany north country longcase clock with arched rolling moon-phase dial signed Glover St Helens and eight day movement stamped William Whitaker (fl. 1820-1850), the hood with brass finials surmounts a paterae and checker line inlaid case with fluted columns, 8ft 1in (246.5 cm) H
Los 109
A FRENCH GILT METAL MOUNTED AND PINK PORCELAIN SEVRES STYLE CLOCK GARNITURE LATE 19TH CENTURY With eight-day bell striking movement The clock 51cm high, the garniture of two ewers, 41cm high Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, the gilt metal dirty and discoloured overall,Ceramic with rubbing and wear but no obvious serious damage detected, the gilt with discolouration The clock is complete with its pendulum (with matching serial number), bell, and an old winding key. the movement winds and ticks at time of report, also strikes when pushed through the hours - Dreweatts makes no guarantees as to the longevity or accuracy of the movement - we would suggest it needs a clean and overhaul from a professional clock restorerSome looseness to elements and mounts There is no glass to the bezel to the front, the rear door is present but again is dirty and discolouration Please see additional images for visual reference to condition Condition Report Disclaimer
Los 103
A FRENCH GILT METAL AND WHITE MARBLE CLOCK GARNITURE LATE 20TH CENTURY With eight-day bell striking movement with outside countwheel regulation, signed M CORPET to the backplate, the case of portico type surmounted by an urn 39.5cm high The garniture of a pair of three arm candelabra, 27cm high
Los 2
AN OAK AND MAHOGANY LONGCASE CLOCK CIRCA 1780, THOMAS READ, TARPORLEY The eight-day bell striking movement with 13inch arched dial, with moon-phase automaton and silvered Roman numeral chapter ring, signed Thos Read, Tarporley to the centre, the case of traditional 'North Country' form with fluted columns to the hood and quarter columns to the trunk 220cm high overall Condition Report: The case with marks, knocks, scratches, abrasions consistent with age and use old splits and cracks, chips and losses, one piece of moulding missing to the apron above the plinth - this is missing in the catalogue image and has never been present at Dreweatts.The seat board is later pine, the tops of the cheeks also with an inset piece of later timber - the cheeks appear to be the right height, the movement and mask fill the hood and the arch, the sides of the cheeks are grooved and the hood has been sliding in and out here for a long time - there is no clear indications that the elements aren't original. They have had some repairs and restorations, the rear boards with numerous holes The case of North Country (Cheshire/Lancashire) type and certainly in keeping with the dial's area of manufactureThe freize with blue glass inserts, these have breaks and are possibly replacements in any caseThe movement has been cleaned, the gut strings replaced with wire, the bell looks like it might be a later replacement, there is a pendulum, two weights and a winding key all present. the dial with pitting and spotting, small loss to the black numeral on the II (2)Dreweatts haven't tested the movement and give no comments as to accuracy or longevity Please see additional images for visual reference to condition Condition Report Disclaimer
Los 1283
Barraud, London, George III mahogany and boxwood line inlaid bracket clock, the brass loop handle above a dome top and moulded plinth, with brass ogee bracket feet, the circular painted dial with Roman numerals, signed Barraud, London, the two train fusee movement with floral engraved back plate striking on a bell, 27.5cm high excluding the loop handle
Los 109
Collection of ephemera relating to John Haughton Wickes, Citizen Clock Maker of London including the apprenticeship document of Alfred Nelson Wickes (son), together with various indenture type documents on vellum relating to the family and parishes of St. Edmund, the King and St. Nicholas Acons, along with a small collection of contemporary postal covers (mid to late 19th Century) and other ephemera including two Freedom of the City documents in a wooden cylindrical case
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460333 Los(e)/Seite