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Ralph Banks, Plymouth Dock (Devonport) mahogany longcase clock, c1780-1800, the 8-day movement striking on a bell, the brass break arch dial with raised Roman chapter ring, the centre with subsidiary seconds dial and date aperture engraved Ralph Banks, Plymouth Dock, floral spandrels to the corners and rocking ship automaton over, the hood with reeded pillars and brass capitols, the arch top with acorn finials, approximately 218cm tall. Ralph Banks worked in Plymouth Docks, Devonport and often used movements bought in from John Thwaite, London, and cases made by a local carpenter. He married Rebecca Palmer Collings at Stoke Dameral parish in 1782 (listed as clock maker on marriage certificate) by 1812 the business was listed under Rebecca's name
John Cameron and Son, Kilmarnock, c1900 mahogany longcase clock, the 33cm brass break arch dial with silvered Roman chapter ring, Arabic minutes, secondary seconds and date dials, masked spandrels to corners and dolphins in the arch. The door with scalloped corners, the arched hood with turned columns and 8-day duration movement striking on a gong, 214cm tall
Wrangler, Oxford, early to mid-19thC mahogany longcase clock, the 30cm painted square dial with Roman numerals, filigree brass hands and date aperture, the case with decorative escutcheon, the hood with swan neck pediments and brass rosette decoration and finial, turned pillars with brass capitols and reeded base, the 30-hour duration movement striking on a bell and the whole raised on bracket feet, 207cm tall
Archibald Siaman, Cumnock, c1800, mahogany longcase clock, the 36cm break arch painted Roman dial with secondary seconds, date, Arabic minutes and diamond pattern cut-away hands, the case with reeded quarter columns and boxwood shell inlay, the door with shell and string inlaid decoration. The hood with reeded columns and brass capitols, string inlay and swan pediments, the 8-day movement striking on a bell and the whole raised on bracket feet, 219cm tall
S & C Porters, Wokingham, early 19thC oak longcase clock, the 28cm square painted Roman dial with date aperture and pierced black hands, the case with reeded decoration, the door with ebonised escutcheon, the hood with reeded columns, brass capitols and swan neck pediments with brass rosettes. The 30-hour duration movement striking on a bell and the whole raised upon bracket feet, 198cm tall
Vick, Stroud, 19thC oak longcased clock, the 30cm painted square Roman dial with secondary seconds and date dials the case with reeded side decoration, the door with decorative inlay to centre, the hood with turned columns and brass capitols, swan neck pediments with brass rosette decoration and brass finial. The 8-day duration movement striking on a bell and the whole raised on bracket feet, 206cm tall
Victorian hallmarked silver lobed bonbon dish, Birmingham 1897 maker Miller Brothers, diameter 16cm, weight 98g, Edward VII hallmarked silver vesta decorated with an iris, Birmingham 1905 maker Henry Matthews, white metal handled pen marked 925, Art Deco style travelling clock, pair of plated candlesticks, plated salver, lighters etc
A Chinese blue and white dish, mid 18th century, decorated with incense burner and tools, beneath a willow tree with peony, and with peony and pine painted rim, 35.5 cm. CONDITION REPORT: There is a small V shape hairline scratch to the centre of the dish and a further light surface scratch to the rim (if on a clock face at 9 o'clock). There are numerous frittings around the rim which is to be expected. The plate rings out when lightly tapped.
Two Famille Verte dishes, 19th century, of dished form, with four female figures and a child before a dwelling, decorated with pine trees and with a cell border with vignettes of birds: a further dish depicting five female figures, one by a reading table having a floral chrysanthemum border with vignettes of birds on branches, and two 19th century blue and white plates, one decorated with a sage, being held aloft by two boys, a further two holding lanterns, the other with five sages and a child within an interesting stylised bat border, widest 23.5 cm smallest 19.7 cm diameter. CONDITION REPORT: The smaller Famille Verte plate has small losses to the enamel on the main body. This is a saucer shape with a raised centre, the raised centre has rubbed enamels. The plate rings out when tapped and there are no obvious cracks, chips or fractures evident. The second Famille Verte plate has a two small finger nail size chips to the rim (if on a clock face between 6 and 7). There are two very fine hairline cracks running from the foot rim to the outer rim. The gilding is 60% rubbed on the rim. The decorative enamel appears to be in good order otherwise. The blue & white plate decorated with the boys with lanterns is in good order throughout. The plate rings out when tapped. The blue & white plate decorated with deities has three small spots of fritting to the rim. The plate rings when tapped. There are no obvious faults visible.
A Victorian rosewood single weight Vienna regulator wall clock. Width 32.5 cm, height 98 cm (see illustration). CONDITION REPORT: We have not had this clock running. The pendulum suspension metal strip is snapped. The movement does however look very clean and we would be surprised if there was a great deal wrong with it. The weight and pendulum are present as is the winding key. The dial is in very good order. The case also is in extremely good condition with no damage, no repairs and no woodworm. It is also a good colour.
An Edwardian brass mounted mantle clock, in ebonised case, with two-train spring driven striking movement. Height excluding carrying handle 22.5 cm. CONDITION REPORT: The movement winds on both trains and appears to be ticking and striking when advanced. The dial is in generally good condition. There is one small area of damage to the left of the numeral 8 which is mostly obscured by the brass bezel. The case is in good structural order. There are no losses. There is some discolouration to the ebonised finish in places and the brasswork is all dull.
A Persian inspired black marble mantle clock, circa 1880, surmounted by a bronze Persian Sphinx, the gilt dial with Roman numerals, inscribed for "Benham and Sons, Wigmore Street, London", flanked to either side by two bronze winged Sphinxes, the eight day movement chiming on a bell, all on a cast bronze base. Height 37 cm, width 36 cm (see illustration). CONDITION REPORT: The movement winds on both trains. It appears to be ticking away and strikes as it should when advanced. The clock case is in extremely good condition with no significant marks or damage of any note. The Sphinx mounts are also all in good order with no damage. The rear door is present. The only minor issue is that the black paint to the numerals is a little rubbed in places.
A French gilt brass carriage clock by Paul Garnier, Paris, circa 1840/50, with eight day two train movement chiming on a bell, the silvered dial with Roman numerals with radial design to the centre within the chapter ring and a "watered silk" ground, with two winding holes, the front glass sliding upwards to access the winding holes, all upon a Cavetto moulded base with inset rounded angles, all within an original leather and brass mounted travel case with plush interior, height 14.5 cm including handle, 11.6 cm excluding handle (see illustration). CONDITION REPORT: The clock winds on both trains. It is ticking away and striking when advanced. The case is in generally good order with only minor surface marks and slight perishing to the original lacquer particularly around the top edges of the case. The sliding glass door has a chip to the bottom right hand corner but this is barely visible when the door is in position. The silvered brass dial is showing some signs of deterioration particularly around the right hand winding aperture and there is some slight loss to the black on the Roman numerals. The outer case is scuffed and worn but serviceable. We do not have a key.
A miniature brass carriage clock timepiece, early 20th century, having an enamel dial with Roman numerals and eight day movement, height including handle 9.5 cm. CONDITION REPORT: There is a small chip to the glass at the top left hand corner. The enamelled dial has patches of light brown staining, whether this can be removed with cleaning I couldn't determine. The handle has been knocked and is slightly misshapen. The hands have not been moved for many years and a ghost mark has been left where the hour hand settled.
A mahogany bracket clock, circa 1775, by "Chas. Bayles, Margate" the silvered dial with Roman and Arabic chapter rings beneath a strike and silent with a date aperture, with engrave foliate spandrels, having a double fusee movement striking on a bell, with foliate and scroll engraved backplate and brackets, with pear shaped pendulum behind a glazed door, the sides with pierced gilt brass scale grilles, all upon gilt bracket feet (see illustration). CONDITION REPORT: The movement winds on both trains and appears to be ticking away and striking as it should. The strike/silent mechanism operates. The silvered dial is dirty and showing signs of deterioration to the silvering. The mask around the dial has numerous old stress fractures. The front door is not warped. It closes as it should. There are two stress fractures to the bottom right hand side but no timber loss. The sides of the case and grilles are in generally good order. The left hand side has a timber loss to the top right hand side of the grille and an old repair to the front right hand side. The section of veneer missing to the front left hand return is present. When in place there is only a very small 4 mm square section missing. The rear door is in good order. The movement as stated appears to be operating it is however fairly dirty. We have an incorrect winding key. There are various small unimportant veneer stress fractures to the domed top.
A Victorian mahogany cased single fusee wall clock, the dial marked "Frederick Berry, Jermyn Street, St. James's". Diameter 40 cm. CONDITION REPORT: The movement winds. We have no pendulum but the movement is ticking away without it. The brass bezel is original and in good order. The dial is as you see it in the photograph. There are paint losses around the winding hole and at the top of the dial above the numeral 12 around the bezel. The case itself has small veneer losses and one small veneer losses and one small veneer repair by the hinge.
A gilt metal mantle clock, circa 1880, having an enamel dial with Roman numerals, flanked by a gallant and his lady companion all upon an alabaster base with gilt metal mounts and feet, in turn above a gilt wood stand and all beneath a glass dome with ebonised base, the dome 49.5 cm wide, 51 cm high.
A Regency mahogany bracket clock, brass inlaid, marked "Deayton" and with partially engraved backplate, two-train striking movement. Height including finial 57.5 cm, case width 28 cm, dial diameter 20 cm (see illustration). CONDITION REPORT: The clock case is in generally very good condition with no significant issues. Minor problems are stress fractures to some of the veneers particularly in the front right hand bottom panel above the plinth base. There is no movement of the veneer however. All brasswork is present and original. The feet are original and are all in good order. The movement winds on both trains and seems to be ticking away and striking as it should when advanced. We have a winding key and the front door release key but not the rear door key. The rear door itself has had some veneer repair which should be clearly visible in our images.
A Victorian rosewood inlaid mother of pearl drop dial single fusee wall clock, by Boyce, East Dereham (see illustration). CONDITION REPORT: The movement winds and is currently ticking away. There is a recent service receipt from August 2015. The brass bezel is original. It is a little tarnished. The face is as you see it in the image. It is in good original condition but does have some scratches and is a little dirty. All of the mother of pearl is present with no losses. There is a small veneer repair to the case just above the numeral 12. There are various other small scratches and minor stress fractures to the case but no significant issues.
An Edwardian brass inlaid oak mantle clock, inscribed "Rowell, Oxford", with two-train striking movement. Height 45 cm, width 25 cm. CONDITION REPORT: This not a fusee movement. The clock winds on both trains and is ticking and striking when advanced. The case is in generally first class condition with no issues. The dial is in very good order. We have the key and pendulum. All brasswork is present.
An Edwardian brass carriage clock, timepiece only, Roman numerals. Height excluding carrying handle 15 cm. CONDITION REPORT: The movement winds and the clock is ticking away. The case is generally very tarnished but all complete and in good structural order. The rear door is missing its handle. The glass panels are in good condition with no corner chips. The dial appears to be in good condition with no cracks. The pointers adjust as they should. We have the key but no case.
A French Carrara marble gilt metal mounted clock garniture, the clock with vase finial and enamelled dial signed "Masson Troyes", with eight day chiming movement and supported on four columns with pineapple and vase finial and rectangular base flanked by matching twin branch candelabra. Height 40 cm.
A Lalique "Coquille" opalescent glass plate, early 20th century, moulded with four scallop shells with opalescent centre, engraved mark and pattern number 3010. Diameter 26.5 cm (see illustration). CONDITION REPORT: No chips or cracks visible. There are some very light surface scratches to the underside of the outer rim just below 9 o'clock on a clock dial on the left hand side. Engraved mark "R Lalique, France" which I believe to be a later Lalique mark.
An Art Deco period silver mounted boudoir clock, early 20th century, the square dial with Arabic numerals, with ribbon and foliate pattern silvered centre within a bi-colour square, inscribed "for Hamilton and Co Ltd, Calcutta, Delhi & Simla", within a silver case with scroll decorated pediment and base with two fluted columns, struck verso stylo numbered 1181, width 8.6 cm height 9 cm (see illustration).
A Jaeger Le Coultre "Embassy Red" Atmos clock, circa 1969, the brass case with red faux marble front and side panels, the base with start/stop lever, the brass chapter ring with Roman numerals, all in a plush lined and fitted presentation case. Clock height 22 cm, width 17 cm (see illustration). CONDITION REPORT: This item comes complete with an outer carry case and its original cardboard box packaging. The glass appears in good order to the front and right hand side panels, the left hand side panel has very tiny 3 mm nick to the centre of the panel which can be viewed in the correct light with the naked eye and also felt with a finger nail. There appears to be some very minor pitting to the brass lacquer on the rear right hand of the base and up each of the sides, whether this is the lacquer deteriorating or not I am unsure. The vendor assures me that this item has resided in either the spare room or attic for many years as neither him or his siblings desire it. The faults mentioned are in my opinion very minor. The outer presentation case appears to be in good order throughout with only very minor tarnishing to the brass clasps.
A novelty inkwell in the form of a Vintage car, circa 1900/1910, modelled with a driver wearing cap and goggles, the rear forming the inkwell with ceramic liner, 16 cm. CONDITION REPORT: The inkwell cover is loose and is not hinged. The inkwell cover has a few small dark patches where the final finish has rubbed off. It has a ceramic ink liner which is in good order. There is some rubbing to some of the high points along the passengers door and also to the rim of the cushioned back and further small patches of rub spots to the opposing door and side of the hood. All wheels have rubbing to them which may be visible from the emailed images. There is a small fingernail hole to the rear of the car. This hole has a larger darker patch framing it. There looks to be traces of glue throughout the underside and the edges are sharp to touch. There are two small tears to the metal approx 4 mm in length and if looking at a clock face one would be at 6 o'clock and one at 9 o'clock. All faults should be available to see on our web images.
A set of four brass twin branch light fittings, each with oval Jasperware plaque. Height 48 cm. CONDITION REPORT: The metalwork on all appears to be in good order. All are missing an outer cover to the bulb fittings. One Wedgwood panel has numerous very fine horizontal cracks across the blue ground and further horizontal and vertical cracks on the sprigged figure which are not instantly visible to the naked eye. Another panel has very, very fine cracks to the sprigged figure again not noticeable to the naked eye but visible through a jeweller,s loupe. Ditto another plaque. I have removed one plaque which has chips to the top and left hand sides (on a clock face: 9 o'clock and 12 o'clock) which appears to allow it to slip into its aperture, however, the other panels do not have these chips. The body of the sprigging has numerous very fine hairline cracks but again the majority viewable under a jeweller's loop only. All plaques are impressed "Wedgwood, Made in England". Four pull switches have their acorn finials intact, whilst the other four do not. One pull switch would need to be lengthened in order to be operable. Given the faults mentioned, these are still attractive items and even on the plaque with the chips you cannot see the chips once it is placed within its housing.

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