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Preisdatenbank abonnierenA VICTORIAN WALNUT DROP DIAL WALL CLOCK, having painted face with Roman numerals marked J.F Newton, High Street, Hampton. Brass bezel within inlaid scalloped frame, waist with foliate mounts and pendulum door, on a scrolled base with foliate inlaid decoration. Labelled Jerome & Company Anglo American superior eight day Anglo American Clocks, New Haven USA. 40" High, Dial width 13.5".
A 19TH CENTURY STAFFORDSHIRE POTTERY FIGURE GROUP of a lady and gentleman, on naturalistic oval gilt lined base. Together with a Staffordshire pottery clock group depicting a lady and gentleman in highland dress on either side of a clock, on naturalistic oval gilt line base. Height 14" and 12.25" AF (2)
ALBERT PRINCE: (1819-1861) Prince Consort of the United Kingdom 1840-61, husband of Queen Victoria. A.L.S., Albert, one page, 8vo, Buckingham Palace, 15th June 1861, to Lord Palmerston. The Prince requests a meeting with the Prime Minister, politely asking `Could I see you a moment this forenoon perhaps at 12 o`clock?` and continuing `I will not detain you but a few minutes.` Handsomely and professionally matted in gold and brown beneath an original carte-de-visite photograph of the Prince and framed and glazed in a gold coloured frame to an overall size of 9 x 15. VG Viscount Palmerston (1784-1865) British Prime Minister 1855-58, 1859-65.
A Lyre-Shaped Mantel Clock, circa 1900, the gilt metal lyre shaped case with mask, cockerel and floral swag decoration, upon an oval shaped base depicting snakes` heads, white enamel dial with Arabic numerals signed E Drevfous to Their Majesties, single barrel movement with platform cylinder escapement, 24cm high See illustration
A Sienna Marble Striking Mantel Clock, circa 1900, the arched case with gilt metal mounts to the front depicting a lady holding flowers wearing robes and bordered with floral decoration, rectangular base raised upon mask block shaped feet, 3-1/2-inch dial with Roman numerals, twin barrel movement with platform escapement, movement backplate stamped Daubree and numbered 8259, 33cm high See illustration
An Ormolu Striking Mantel Clock, Retailed by Lopes & Cie, 17 Rue des Tournelies, Paris, circa 1880, the elaborate case with scroll and floral decoration throughout, 4-inch enamel dial with Roman numerals, pierced gilt metal hands, twin barrel movement with striking on a bell, movement backplate stamped Marti and numbered 3022, pendulum bob also stamped 3022, 36cm high See illustration
A Marble and Gilt Metal Striking Mantel Clock and Garniture, the case surmounted by a basket of flowers and flanked at either side with winged cherubs, the base with beadwork and putti plaques and raised upon turned feet, 4-inch enamel dial with Arabic numerals, twin barrel movement with striking on a bell, movement backplate stamped Samuel Marti and numbered 2638 45, sunburst pendulum bob, 40cm high, together with associated two light candelabra, 22cm high See illustration
An Egyptian Revival Gilt Brass Striking Mantel Clock with Garniture, retailed by West & Son, Paris, circa 1870, the Egyptian influenced case depicting a bust of a lady in costume, bulls heads to the sides and the front decorated with bird mounts and an engraved presentation inscription, paw shaped feet and raised on a gilt wooden base, 4-inch silvered dial with Roman numerals, twin barrel movement with striking on a gong, movement backplate stamped AB with a star symbol, 57cm high, together with Egyptian influenced urn shaped garniture raised upon gilt wooden bases, 35cm high See illustration
A Marble Striking Four Glass Mantel Clock, circa 1890, the case surmounted by a gilt metal eagle, four bevelled glass panels, the base with beaded decoration, white enamel chapter ring with Roman numerals and an engine turned centre, twin barrel movement with outside countwheel striking on a gong, movement backplate stamped AD Mougin and numbered 5733, twin mercury tubed pendulum, 43cm high See illustration
A Tortoiseshell Striking Mantel Clock, retailed by Maple & Co, Paris, circa 1900, the case with a caddied top and flame finials, pierced gallery and side viewing windows, turned columns with Corinthian capitals, cast dial with twelve enamel Roman cartouches, below an elaborate plaque signed by the retailer, twin barrel movement with striking on a gong, movement backplate stamped Vincenti, Maple & Co Ltd, Paris and numbered 3159, 41cm high See illustration
A Rosewood and Mother of Pearl Inlaid Trunk Dial Wall Clock, John Fryer, York, circa 1830, the case with circular top and inlaid with mother of pearl, the trunk flanked with side ears, pendulum front viewing window and under curved base with opening door, 12-inch painted dial with Roman numerals, single fusee movement with shaped plates and anchor escapement, 67cm high See illustration
A Mahogany Quarter Striking Wall Clock, 20th Century, the nicely figured case with an architectural top and inlaid with boxwood stringing throughout, glazed side and front panels, waisted plinth, 6-inch white enamel dial with Roman numerals, recessed dial centre and bordered with a gilt cast bezel, triple weight driven movement with deadbeat escapement, two hammers striking on to two gong rods, 110cm high See illustration
A Mahogany and Brass Inlaid Wall Clock, the circular case with brass inlaid front, 8-inch white painted dial with Roman numerals and bearing inscription John Harrison, Liverpool, single fusee movement with platform lever escapement, maintaining power, 26cm wide (dial associated to the movement and to the case) See illustration
A Mahogany Striking Mantel Clock, Retailed by Aubert & Klaftenberger, Geneve, circa 1890, the nicely coloured arched case with a rectangular shaped base upon brass pad feet, white enamel dial with Roman numerals, recessed dial centre with visible Brocot escapement and signed, twin barrel movement striking on a bell, movement backplate signed, 34cm high See illustration
A Yewwood Striking Five Glass Table Clock, Penlington & Batty, the nicely figured case with five bevelled viewing windows, rectangular base raised upon brass bun shaped feet, 5-inch silvered dial with Roman numerals and finely engraved with floral and scroll decoration around the borders, double fusee movement with anchor escapement and striking on a bell, 32cm high (case possibly made later for the dial and movement) See illustration
A Mahogany and Brass Inlaid Striking Bracket Clock, Thomas Farr, Bristol, circa 1820, the arched top case with side carrying handles and pierced sound frets, recessed front with brass inlay, rectangular base raised upon brass ball feet, 8-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement backplate with engraved borders and secured with brackets, pendulum bob with matching engraving, 46cm high See illustration, Thomas Farr is recorded working in Bristol 1820-30. See Bailllie (GH) Watchmakers & Clockmakers of the World, pg 105.
A Walnut Striking Bracket Clock, signed Clerke, 1 Royal Exchange, London, No.5020, circa 1880, the nicely figured case with a top gallery and finials to the corners, pierced side sound frets, the rectangular base with applied gilt metal mounts and a presentation plaque to the front, raised upon scroll shaped feet, 5-inch rectangular dial with Roman numerals, elaborately scroll decorated borders, strike/silent selection above 12, twin fusee movement with anchor escapement and striking on a gong, movement backplate signed and numbered, movement secured by brackets, 42cm high See illustration
A Rosewood Striking Bracket Clock, circa 1840, case with arched top and applied carved mounts, side carrying handles and sound frets, rectangular base raised upon bun shaped feet, 8-inch silvered dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement secured by brackets, 44cm high See illustration
A Chiming Bracket Clock, retailed by Pearce & Sons, Leeds, circa 1900, the stained case with top and side viewing bevelled windows, 7-inch rectangular dial with silvered Roman chapter ring, two subsidiary dials for fast/slow and chime/silent, triple barrel movement with anchor escapement, striking four hammers on four gongs for the quarters and a further hammer string a larger gong for the hours, movement backplate stamped W&H Sch, 33cm high, together with wall bracket, 36cm high See illustration
A George III Ebonised and Gilt Metal Mounted Chiming Table Clock, signed Thomas Field, Bath, circa 1790, the inverted bell top case with finials and applied scroll decorated mounts, side carrying handles and pierced sound frets, front door flanked by mask and floral mounts to the canted corners, the base raised upon bracket shaped feet, 8-inch arched brass dial with silvered central dial and Roman and outer Arabic numerals, inner date ring with corresponding central date hand, dial centre signed Thomas Field, Bath, the arch with a silvered dial for strike/silent selection, triple fusee movement with verge escapement, quarter chiming with eight hammers striking onto eight bells and a further hammer striking a bell for the hours, movement backplate elaborately engraved with a central pagoda and scroll work, bob pendulum, movement secured by brackets, 60cm high See illustrations , Thomas Field is recorded working in Bath 1773-1812. See Baillie (GH) Watchmakers & Clockmakers of the World, page 108.
An Oak Thirty Hour Longcase Clock, signed Newby, Kendal, circa 1770, the case with swan neck pediment, turned columns, trunk door with crossbanding and flanked by inset fluted pilasters, the slightly reduced plinth with canted corners and crossbanding, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, finely engraved dial centre with scrollwork and signed Newby, Kendal, subsidiary date dial, the arch with rocking painted scene of a sealing ship, above signed on a arched silvered plaque Sic Est Vita Hominis, four pillar movement with anchor escapement and outside countwheel striking on a bell, 215cm high See illustration James & William Newby are recorded working in Kendal 1765-1800. See Loomes (Brian) Watchmakers and Clockmakers of the World, pg 170.
A Mahogany Eight Day Longcase Clock, the case with a later added pagoda top, fluted columns, arched trunk door, the reduced plinth with a quatre form moulding, 12-inch silvered dial with Roman and Arabic numerals and signed William Avenell, Portsmouth Common, date aperture, subsidiary seconds, the arch with a rocking figure depicting Tempus Fugit, five pillar movement with anchor escapement and rack striking on a bell, 228cm high (dial and movement associated to the case) See illustration
A Mahogany Eight Day Longcase Clock, signed Robt Roskell, Liverpool, circa 1810, the nicely figured case with swan neck pediment, turned columns, wavy shaped trunk door flanked with fluted sides, inlaid plinth with canted corners and upon bracket shaped feet, 14-inch painted arched dial with Roman and Arabic chapter ring, dial centre with subsidiary seconds and date, the arch with rolling moonphase, four pillar movement with attached falseplate stamped Osborne, rack striking on a bell, 235cm high See illustration
A Mahogany Eight Day Longcase Clock, the case with flat top pediment, fluted columns, arched trunk door with later inlay and flanked by canted corners, rectangular plinth raised upon bracket shaped feet, 13-inch arched brass dial with silvered Roman and Arabic numerals and a outer calendar ring with corresponding central calendar hand, dial centre with engraved scroll decoration and depicting a fish, subsidiary seconds, the arch with rolling moonphase and above signed Michael Heaton on a silvered arched plaque, four pillar movement with anchor escapement and rack striking on a bell, 235cm high (dial and movement associated to the case) See illustration
A Mahogany Eight Day Longcase Clock, signed Thos Wiggan, Bristol, circa 1780, the later added swan neck pediment with fluted columns and Corinthian capitals, nicely figured wavy shaped trunk door, flanked by fluted canted corners, plinth with raised panel and upon bracket shaped feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring signed, matted and engraved dial centre with date aperture and subsidiary seconds, the arch with rolling moonphase and above on a arched silvered plaque High Water At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, 245cm high See illustration, Thomas Wiggan is recorded working in Bristol 1760-1790. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 342.
An 18ct Gold Verge Pocket Watch, circa 1820, gilt finished movement with verge escapement, white enamel dial with Arabic numerals and inner Arabic dial, dial bearing signature Breguet A Paris at 6 o`clock, eccentric winding hole, case with sunburst decorated front and back, the back with a vacant cartouche, 52mm wide See illustration
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