A Chinese Porcelain Dish, Kangxi, painted in famille verte enamels with insects amongst flowers and rockwork within a foliate panelled border29cm diameterA Similar Dish, QIanlong, painted in famille rose enamels with peony and rockwork within an arrowhead and flowering and fruiting branch border34.5cm diameterA Similar Octagonal Plate, painted in green and brown with a flowerspray within a husk swag border23.5cm diameter (3)Kangxi - A section broken out of the rim around 6 o clock, re attached and proffesionaly restored. The rim heavily fritted. Qianlong - The dish has been in two pieces and re stuck, two further smaller pieces re stick inline with the larger break. Rim with heavy glaze fritting.Octagonal - a large flat chip to the rerar of the rim. A further two rim chips and a foot chip. Some general rim fritting and glaze pitting.
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A Gilt Metal and Onyx Inkstand, early 20th century, the square glass well with hinged jockey cap cover, on a rectangular plinth with horseshoe surmount15cm wideA Brass-Cased Clock/Barometer, cast with a fox mask and two horseshoes24cm wideA White Metal and Brass-Mounted Horse's Hoof12cm longA Cast Iron Flatback Horse and JockeyTwo "Horseshoe" Ashtrays (qty)
![A Smiths mantel clock and a Smiths desk clock. [2]](https://cdn.globalauctionplatform.com/d670c9f8-3d3c-4f88-840f-aeee00df64c2/922ae45f-738b-4b88-9936-af09009626fd/468x382.jpg)
Neo-Gothic clock, 19th century.Patinated and gilded bronze.The machinery needs to be repaired. It does not keep the key, the pendulum and the chime bell.Measurements: 41 x 20 x 13 cm.Bronze table clock, with an architectonically inspired design. It represents a gothic church reproduced in its minimum details: with high pinnacles flanking a façade with openwork doors of ogival profile, and a great central rosette that works as the clock face. The Roman numerals and black baguet-type hands stand out against the gilt background.
Empire table clock. France, early 19th century.Gilt bronze.The pendulum is missing.The machinery needs restoration.Measures: 54 x 36 x 15 cm.French table clock of Empire style and period. It is made entirely of bronze, with a sculptural concept typical of this period. It is a piece of classical aesthetics, with a base decorated with borders and borders in bas-relief in the form of a frieze. Above it is a round figure representing the muse of love poetry, Erato, together with her lyre, a laurel wreath and several notebooks of poems. All of these elements rest on the clock case. The dial is numbered in black Roman numerals. The dial is framed by a border of flowers.
Empire table clock. France, early 19th century.Patinated and gilded bronze.In need of restoration. No pendulum. It shows wear and tear.Measurements: 45 x 31 x 13 cm.Table clock made in gilded and patinated bronze at the beginning of the 19th century. The piece has been conceived through a sculptural concept characteristic of this period. It consists of a base with sharp edges, reflecting the taste for clean volumes characteristic of the aesthetics of the period. On the upper part of the base, which is decorated extensively with a vegetal pattern with a central cup, stands a lady wearing a toga in the classical manner, pouring a pitcher over the clock case. The latter houses the white dial and Roman numerals. Scenes of this type were very common in the decoration of table clocks, often depicting mythical or religious figures, linked to a historicist sense and aesthetic.
Restoration period clock, France, ca. 1820.Gilt bronze.The machinery is in need of repair. The dial does not retain the hands.It has some faults and damage.Measurements: 68 x 28 x 12 cm.Table clock made in gilded bronze at the beginning of the 19th century. The piece has been conceived through a sculptural concept characteristic of this period. It consists of a base with sharp edges, reflecting the taste for clean volumes characteristic of the aesthetics of the period. In the upper part of the base, which is extensively decorated with a plant-like pattern, in the centre of which is a pavilion that reveals the figures of two figures, there is a sculptural group composed of round figures representing two winged figures dressed in togas, following models inspired by the classical period. They rest on a crescent with a dial, without hands and with Roman numerals. Both figures hold a banner with a bust portrait of a figure. These types of scenes were very common in the decoration of table clocks, often depicting mythical or religious figures, linked to a historicist sense and aesthetic.
Louis Philippe period table clock. France, ca. 1840.Gilt and patinated bronze.Honoré Pons movement.The pendulum and the bell are missing. The machinery needs restoration.Measurements: 41 x 29 x 10 cm.Table clock made in gilded and patinated bronze at the beginning of the 19th century. The piece has been conceived through a sculptural concept characteristic of this period. It consists of a base with sharp edges, reflecting the taste for clean volumes characteristic of the aesthetics of the period. On the upper part of the base, which is extensively decorated with a vegetal pattern in relief, stands a gallant man dressed in the 18th-century style. The latter rests on the clock case, which is inscribed on the base of what appears to be a cut tree. The gilt-bronze dial has Breguet-type hands and Roman numerals. Scenes of this type were very common in the decoration of table clocks, often depicting mythical or religious figures, linked to a historicist sense and aesthetic.
Edward VII Art Nouveau silver mantle clock, London 1902, maker William Hutton & Sons Ltd. the triangular pediment above a tapering foliate decorated section, the silvered dial with Arabic numerals and blued moon phase hands, the case with central depiction of a Valkyrie, 31.5cm high, 12cm wide
An antique seaweed marquetry long case clock, the square bras dial inscribed Walter Morgan Hereford, with weights and pendulum - There is no date ring but there doesn't appear to be any marks on the dial that make it look like something is missing. The movement sits on the cheeks well so I would assume it is not a marriage. The hinges to the hood are original. There are signs of old damage and repair to the case. The door is locked and we don't have a key. I think the glass panel is a later addition.
A French porcelain mantel clock, late 19th century, the case surmounted by a bird's nest, with faux brick painted front and painted a fountain, with mask spout, height 24cm.Lot 1703The dial is cracked and there are losses on two of the leaves, the rear glass door is cracked.The movement appears to be inoperative.
A French Egyptianesque black slate and marble mantle clock, circa 1890, with engraved motifs and fluted stepped sides, the eight-day movement striking on a saucer bell, width 41cm.The dial is stained and scratched and there are a few small chips to the case.The pendulum is present but no key, we can not currently get the clock to work.
Chater & Livermore, A George III mahogany bracket clock, the arched painted dial with strike/silent facility and calendar niche, the twin fusee movement striking on a saucer bell and with engraved backplate, height 40cm, width 29cm, depth 21cm.Lot 1705This clock was owned by the vendor's father for many years and will require attention.The upper panel supporting the handle is detached and has veneer loss and the brass surround is loose.The pull repeat works and strikes but the clock currently does not appear to work.
A BRASS CASED CARRIAGE CLOCK the enamel dial inscribed 'MATTHEW NORMAN LONDON', 12cm high with carrying handle down Condition Report : glass and enamel dial intact wiht no sign of damage, metalwork a little dull, movement untested Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A 19TH CENTURY 8-DAY LONGCASE CLOCK the brass dial with subsidiary seconds dial and date aperture, strike/silent dial to break arch, signed 'Edw. Allen Oare No. 9', in an oak case 47cm wide 222cm high Condition Report : oak case rather rougn, new plinth to base Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
AN EDWARDIAN THREE PIECE FIGURAL SPELTER CLOCK GARNITURE the central clock with winged fairy 'Fee aux Fleurs' after Moreau, on onyx and gilt metal mounted base 61cm high, together with pair of figures after Bruchon Condition Report : overall good condition, clock movement untested. with key and pendulum Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A BRASS CASED CARRIAGE CLOCK the enamel dial with Roman numerals, 12cm high with carrying handle down Condition Report : with key, movement untested. glass and enamel all intact, retailers inscription rubbed Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A SILVER PLATED MANTLE CLOCK the enamel dial with Roman hour markers and Arabic quarter hour, French movement, 23cm high Condition Report : generally good. the swag decoration to the caddy top has been detached, currently attached with blu-tac Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
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