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Preisdatenbank abonnierenJaeger-LeCoultre Marina Model Atmos clock, the 4.25" recessed dial within a plexi glazed case gilded with galleons to the front and sides, within a brass bound case, no. 291404, 9" high, with original white leatherette folding travelling case, packaging and various Jaeger-LeCoultre literature, and the original purchase receipt dated 7th April 1970 (front glass at fault)
French cylindrical boudoir clock timepiece with platform escapement, the 3.5" white dial indistinctly signed and the movement back plate stamped with the maker's trademark initials AD within an oval, the case with glazed pillared sides and swivel back door revealing two winding apertures, upon two short turned front feet and surmounted by a ring handle, 6.5" high
Burr walnut two train bracket clock, the Junghans movement striking on a gong, the 6.5" silvered arched dial signed John Smith, London to the engraved centre, with moon phase and date aperture to the arch, within a stepped case with applied gilt metal mounts surmounted by four acorn finials, swept caddy top and brass carrying handle, 18.75" high (pendulum)
French ormolu and porcelain mounted two train mantel clock, the movement back plate stamped with the initials J.T within an oval, with outside countwheel and striking on a bell (missing), the 3.25" pink floral dial with Roman cartouche enamel numerals, within an ornate case decorated with portrait panels and surmounted by two seated cherubs, 13.5" high (pendulum)
Good French aesthetic movement brass and porcelain mounted two train mantel clock, the movement back plate stamped Edward & Sons, Paris, London & Glasgow, B.R 66260, striking on a bell, the 4.75" convex porcelain dial painted with Roman numerals and swags, within an ornate porcelain mounted stepped case with fluted pillars, surmounted by a rounded arched front pediment with four turned acorn finials, 14" high (pendulum)
Good French ormolu and porcelain mounted two train mantel clock garniture, the 3.5" convex porcelain dial with Roman numerals enclosing a rural painted scene, the S. Marti movement striking on a bell, within an ornate pillared case applied with a cast mask and foliage, surmounted by a pedestal floral finial, upon a shaped giltwood stepped stand and under a glass dome, 23" high overall; also with a pair of matching urn side pieces upon a shaped stand under a glass dome, 20.25" high overall (pendulum and key)
Unusual French black slate and brass two train drumhead mantel clock, the S. Marti movement with outside countwheel striking on a bell, the 4.75" chapter ring enclosing a recessed centre with visible escapement, supported upon an angled flaring brass base applied with cast angels heads to the sides and foliage to the front, upon a plinth with foliate cast scrolling feet, 11.5" high overall (pendulum and key)
Small French white and black marble ormolu mounted two train portico mantel clock, the movement with platform escapement striking on a bell, the 3.75" convex white dial within a drumhead casing supported between two pillars and upon a rectangular base surmounted by a classical ormolu urn, 13.75" high (no pendulum)
Good early hooded wall clock, the 10.5" square brass dial with silvered chapter ring signed Joseph Shepard, Sheffeild (sic) Fecit on the silvered chapter ring enclosing a plain centre with calendar aperture and single iron hand, within a country pillared oak case surmounted by a stepped moulded cornice, 36.5" high overall (pendulum and weight) - **This clock is accompanied with two articles written by Brian Loomes in Clocks magazine which interestingly confirm Joseph Shepard as being Sheffield's earliest known clock maker and uncovers his connection to the renowned clock maker Henry Ogden, who was his father-in-law - Also see Darken & Hooper - English Thirty Hour Clocks, which has a description and illustration of a similar clock and notes a similar error in the spelling of Sheffield
Large Gothic oak triple fusee wall clock, the 14" cream dial signed WM Roskell, Liverpool, no. 2206, the movement striking on a gong attached to the inside back of the case and two bells above, within a substantial case with applied Gothic tracery designs, surmounted by a triangular recessed cornice, 37" high (pendulum and key)
Good mahogany single weight fusee tavern clock, the 13.5" circular white enamel dial signed I. Whaley, Wroxham within a tear drop shaped case inlaid with boxwood lines, 43.5" high (pendulum, weight and keys) - **This clock was purchased at Gardiner Houlgate Auction Rooms on 2nd June 2000 for £1950 - **Copies of correspondence detailing restoration work undertaken on this clock by Thomas-Ellis Rees MBHI can be provided
Walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed James Scholefield, London on an arched plate to the matted centre, with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the case with long rounded arched crossbanded door, the hood surmounted by a cut down caddy top and moulded rounded arched cornice, 86" high (pendulum, two brass cased weights and keys) *The seat board bears the retail label of Camerer, Cuss & Co
Mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed Thos. York & Son, London on a silvered plate to the dial centre with subsidiary seconds dial and calendar aperture enclosed by a silvered chapter ring and with a strike/silent dial to the arch, the case with long moulded rounded arched door and the hood surmounted by a moulded rounded arched cornice with two ball and spike finials, 87" high (wooden rod pendulum, 2 weights and keys)
Oak and mahogany thirty hour longcase clock, the 12" square painted dial signed Drake, Beaminster with calendar aperture, the case with long mahogany crossbanded pointed door and the hood surmounted by a swan neck pediment with two brass ball and eagle finials, 77" high (pendulum and weight)
Mahogany eight day longcase clock, the 12" brass arched dial signed Jas. Gregory, Basingstoke to the centre with subsidiary seconds and calendar dials, with strike/silent dial to the arch, the case with long rounded beaded arched door flanked by quarter fluted columns, the hood surmounted by a rounded wavy cornice and brass ball finials, 89" high (pendulum, two brass cased weights and keys)
Oak and mahogany crossbanded eight day longcase clock, the 12" painted arched dial signed J. Vey, Wimbourne to the centre, with subsidiary seconds dial, the case with medium length rounded arched door applied with carved foliage, shells and C-scrolls, the hood surmounted by a rounded arched pediment, 81.5" high (pendulum and two weights)
Good oak eight day grandmother clock, the 7" brass arched dial with moon phase over a silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial, the case with long moulded edged door and the hood surmounted by a swan neck pediment over a blind foliate pierced carved frieze, 61.5" high (pendulum and two weights)
Oak three train grandmother clock, the 8.5" brass arched dial with silvered chapter ring enclosing a matted centre, with slow/fast subsidiary dial to the arch, the movement playing on five rods, the case fitted with a presentation plaque dated 6th Jan 1929, with long rounded arched door and surmounted by a rounded moulded arched pediment, 52.25" high (pendulum and key)
Interesting early oak longcase clock, the 9.75" square brass dial signed William Monk, Barwick St John on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, the unusual three pillar cutaway movement with an extra wheel in the going train, the case with long door and the hood surmounted by a flat moulded stepped pediment over a blind foliate fret carved frieze, 75" high
Good three train musical longcase clock, the 14" brass arched dial signed Coventry Lever Co. Limited, Birmingham on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, with chime/silent dial to the arch, the substantial movement playing on a nest of eight bells and striking on a large gong behind the movement, the case with medium length bevel glazed and rounded arched pillared door, carved overall with stylistic and swirling foliage, the hood surmounted by a rounded arched foliate carved pediment, 93.5" high (pendulum, three weights & keys)
Oak and mahogany eight day longcase clock, the 13" painted arched dial signed D.L. Moses, Brynamman, with subsidiary seconds and calendar aperture to the centre, painted with castles to the spandrels and sailing boats to the arch, the short door inlaid with a lozenge and the hood surmounted by a swan neck pediment, 84" high (pendulum, two weights and winding key)
Mahogany eight day longcase clock with five pillar movement, the 12" silvered arched dial signed Joseph Trish, Havant, with rocking ship to the arch over a subsidiary seconds dial and calendar aperture, the case with long rounded arched door and the hood with foliate pierced caddy top and three gilded flaming urn finials, 92" high (pendulum, two weights and keys)
Mahogany eight day longcase clock, the 14" painted arched dial signed W. McKnight, Whitehaven, with subsidiary seconds and calendar dials, the arch painted with a romantic couple seated in a rural landscape and spandrels painted with standing figures emblematic of the four seasons, the case with long figured mahogany and satinwood crossbanded wavy door flanked by gadrooned columns, the hood surmounted by a swan neck pediment (at fault), 90" high approx (pendulum and two weights) *The swan neck pediment of this clock is in need of repair and the broken parts are with the clock
Mahogany eight day longcase clock, the 12" brass arched dial signed John Box, Launceston, with subsidiary seconds dial and calendar aperture, the case with medium length pointed arched door and the hood surmounted by a rounded cornice with three brass ball and eagle finials, 90" high (pendulum and two weights)
Good mahogany three train musical longcase clock, the 12" brass arched dial signed Weir & Sons, 104 Regent St, London.W. on a plaque above six o'clock, the silvered chapter ring with Arabic numerals and enclosing a subsidiary seconds dial, with fast/slow lever at nine o'clock and chime/silent and Westminster/Whittington/St Michael tune selector dials to the arch, the dial plate overlaid with engraved meandering foliage, the substantial movement chiming on nine chrome tubular bells, the case with long door incorporating an elongated oval bevelled glazed window and the hood with a rounded moulded arched stepped cornice, 86" high (pendulum, three weights, nine tubes and a winding key) *This clock has been in the same family since it was purchased from Weir & Sons in London and inherited by descent The clock has been regularly serviced by Tupra in Bath and enclosed are some receipts relating
Good black lacquer and chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Fra: Redstal Overton on an arched plate to the matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, enclosed by a silvered chapter ring and surmounted by a moon phase aperture and dial to the arch, the case with moulded rounded long arched door decorated with figures and birds in pagoda lakeland landscapes, with further foliate decoration to the base and sides, the hood surmounted by a caddy top and two gilded ball and spike finials over carved fretwork foliate panels, 94" high (pendulum and two weights)
Good English black lacquer and chinoiserie decorated month going longcase clock with five pillar movement, the 11.75" square brass dial signed James Girod, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long beaded moulded edged door fitted with a circular lenticle decorated to the front with figures and birds in pagoda rural landscapes, further decorated to the sides with birds and flowering foliage, the hood with a flat stepped cornice over the dial door fitted with a locking catch inside the case, 85" high (pendulum, two weights and keys) - **This clock was purchased at Bonhams Knightsbridge on 22nd April 1998 for £2900 (Lot 205) - **Copies of correspondence detailing restoration work undertaken on this clock by Thomas-Ellis Rees MBHI can be provided
Good mahogany regulator longcase clock, the 12" silvered circular dial signed Usher, Estd 1873, with subsidiary seconds and hour dials, the six pillar movement with deadbeat escapement and maintaining power, within a rounded arched glazed case with scrolling foliate pierced carving beneath the dial, 72.5" high (mercury pendulum, weight, pulley and keys)
Contemporary mahogany bracket clock case with aperture for a 7" x 6" rectangular dial, with stepped caddy top, 16.5" high; also a contemporary Georgian style walnut bracket clock case with aperture for a 4.75" circular dial, surmounted by a caddy top and brass carrying handle, 14.5" high (2)
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