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460333 Los(e)/Seite
A Victorian Coromandel Travelling Vanity Case, containing silver mounted glass and ivory accoutrements, by William Leuchars, London 1881, rectangular, the lid inlaid with a cursive brass complex monogram, opening to reveal a fully fitted interior with hinged side cabinets, abbatant lid and interior drawers, comprising fourteen vessels including those for soap, powder, scent, mantel clock, five piece ivory hair set, "light" match box, wax seal, pen, and twenty-one other small implements including medicine spoon, compass, barometer, tape measure, cork screw, ear scoop, nail buff, and buttons hooks, with a mirror to the lid underside, 41cm wide (case damaged) See illustration
A Gilt Brass Striking and Repeating Carriage Clock, signed Henri Jacot, circa 1890, case decorated with bamboo style corners, carrying handle and repeat button to the top, bevelled glazed sides, cream coloured enamel dial with Arabic numerals, twin barrel movement with silvered platform lever escapement, striking on a blued steel gong, backplate stamped "HJ" (Henri Jacot) and numbered "14356", 19cm to hilt of handle See illustration
A Gilt Brass Striking Carriage Clock, signed Henri Jacot, circa 1880, the "gorge" case with carrying handle, bevelled glazed side panels, white enamel dial with Roman and Arabic numerals, spade hands, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, striking on a gong, backplate stamped "HJ" (Henri Jacot) and numbered "9522", 17cm high to hilt of handle, together with original outer fitted case (worn), numbered "9522" See illustration
A Brass Striking and Repeating Carriage Clock, circa 1890, the "corniche" case with carrying handle and repeat button to the top, bevelled glazed side panels, white enamel dial with Roman numerals, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, striking on a gong, 16cm high hilt of handle
A Brass Striking and Repeating Carriage Clock with Alarm, circa 1890, the "corniche" case with carrying handle and repeat button to the top, bevelled glazed side panels, white enamel dial with Roman numerals, alarm dial, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, striking on a gong, backplate numbered "2116", 16.5cm high to hilt of handle See illustration
A Gilt Brass Striking Carriage Clock, circa 1890, the oval shaped case with chased floral decoration throughout, fancy shaped carrying handle, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, striking on a gong, backplate numbered "4011", 18cm high to hilt of handle, together with original oval shaped fitted case See illustration
A Gilt Brass Striking and Repeating Carriage Clock with Alarm, circa 1890, the case with carrying handle and repeat button to the top, bevelled glazed side panels, light blue and white enamelled dial with Roman numerals and scrolled decoration to the centre, below alarm dial, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, striking to a blued steel gong, backplate numbered "705", 20.5cm high to hilt of handle See illustration
A Gilt Brass Striking and Repeating Carriage Clock, circa 1900, case with carrying handle and repeat button to the top, glazed side panels, white enamel chapter ring with Arabic numerals, twin barrel movement with "later" platform lever escapement, striking on a gong, 19.5cm high to hilt of handle See illustration
A Gilt Brass Striking and Repeating Carriage Clock, circa 1900, the case with carrying handle and repeat button to the top, twisted Corinthian columns flanked by glazed side panels, cream coloured enamel Arabic chapter ring, twin barrel movement with silvered platform lever escapement, bimetallic compensation balance, striking on a gong, 19.5cm high to hilt of handle See illustration
A Boulle Striking Mantel Clock, signed Hry Marc, Paris, circa 1880, case with boulle front with pendulum window and ebonised sides, 4-1/4-inch white enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped "Hry Marc, Paris", 37cm high See illustration
A Gilt Metal Striking Mantel Clock, circa 1880, the case surmounted by winged cherub holding bow and arrow upon the drum shaped case, raised on the back of a large gilt metal bull, red rectangular marble base raised upon claw feet, rectangular ebonised base, 5-inch cast dial with individual enamel Roman numeral cartouches, twin barrel movement with striking on a bell, 64cm high See illustration
A Gilt Metal Striking Mantel Clock, circa 1850, the case with a classical winged figure resting, the rectangular base with applied metal mounts and upon turned feet, 3-inch white enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, silk suspension, backplate stamped "Gillion Etablissement De Paris 1832", 36cm high See illustration
A Brass Skeleton Striking Mantel Clock with Passing striking, circa 1880, twin fusee movement with anchor escapement, half hour passing striking on a top mounted bell and striking the hours with a hammer on a coiled gong, skeletonised movement plates with the front plate depicting a cathedral, 5-1/4-inch white enamel Roman chapter ring, movement raised upon white marble base, (glazed dome missing), 60cm high See illustration
A Fine Porcelain and Ormolu Striking Mantel Clock, retailed by Lister & Sons, Newcastle, circa 1880, the imposing case with a large dark blue vase shaped porcelain body decorated finely throughout with gilt scrolled decoration, ormolu mounted mask sides supported either side of the base by figures, base with porcelain panels depicting cherubs and floral decoration, 4-inch porcelain dial with Roman numerals, dial centre with floral decoration and signed by retailer, twin barrel movement with striking on a bell, movement backplate stamped by retailer and "J.B.D" numbered "31515117", raised upon a purple baize gilded plinth, 53cm high See illustration
A Brass Lantern Clock, signed Edward Stanton, London, circa 1695, 6-1/2-inch chapter ring with engraved floral dial centre, single steel hand and central alarm disc, the posted movement with "later" conversion to anchor escapement, countwheel striking, the case with slender tapered corner columns, turned feet, turned finials and pierced frets, top mounted bell, iron back and spurs (missing), 40cm high (later alterations) See illustration
A "Vienna" Wall Clock Timepiece, circa 1890, the ebonised and walnut veneered case with shaped pediment, canted fluted corners upon a waisted plinth, 6-1/4-inch white enamel dial with Roman numerals, subsidiary seconds, triangular shaped movement with deadbeat escapement, backplate stamped "Schutz" and numbered "113765", 121cm high See illustration
A "Vienna" Striking Wall Clock, circa 1890, the stained softwood case decorated throughout with leaves and fruit, glazed front and side panels, 6-inch white enamel dial with Roman numerals signed, twin weight driven movement with deadbeat escapement and striking on a gong, backplate stamped "Lenzkirch, 1 million" and numbered "57821", 122cm high See illustration
A Mahogany and Brass Inlaid Striking Bracket Clock, circa 1830, the case with arched top and decorated with brass inlay to the front, carrying handles and glazed panels to the sides, rectangular shaped plinth upon brass ball shaped feet, 8-inch white painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, 43cm high See illustration
A Mahogany Striking Bracket Clock, circa 1830, the case with gadrooned top and turned ball finial, small canted corners and pull repeat cord to the side, rectangular plinth raised upon turned feet, 8-inch painted dial with Roman numerals and indistinctly signed, twin fusee movement with anchor escapement and striking on a bell, movement secured by brackets, 46cm high See illustration
An Ebonised and Brass Inlaid Chiming Table Clock with Calendars, signed James McCabe, No.2826, early 19th century, the arched case with brass stringing and arched top surmounted by a pineapple finial, inlaid canted corners flanked by carrying handles and pierced sound frets to the sides, rectangular plinth upon brass turned feet, 8-1/2-inch white painted arched dial with Roman numerals, strike/silent above 12, the arch with two dials for day of the week and date, twin fusee movement with anchor escapement, eight hammer striking the quarters on to a nest of eight bells and a further hammer striking the hours on a large bell, movement backplate signed and numbered, movement secured by brackets, 63cm high See illustration James McCabe was a fine maker and is recorded as working at Cheapside and Royal Exchange, London between 1778 until he died in 1811. His business was continued under the same name by his sons Robert and Jeremy until 1883.
An Oak Thirty Hour Longcase Clock, signed Joseph Butterworth Fecit, circa 1740, the ebonised oak case with caddied top, shaped trunk door, plain rectangular plinth with feet and skirting "missing", 11-inch square brass dial with chapter ring signed, matted dial centre with arched date aperture, "later" hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, 211cm high See illustration
An Oak Eight Day Longcase Clock, signed Jos Read, Knutsford, circa 1770, case with flat top pediment, (finials missing), fluted columns, case with mahogany crossbanded borders, wavy shaped trunk door flanked by inset fluted pilasters, rectangular plinth with canted corners and upon "later" bracket feet, 13-inch square brass dial with Roman and Arabic chapter ring, engraved scrolled dial centre with date aperture, seconds and signed, four pillar movement with anchor escapement and rack striking on a bell, 200cm high See illustration
An Oak Eight Day Longcase Clock, signed Lawson, Newton, circa 1780, the "later" carved case with swan neck pediment, front of hood with inset gilded glazed panel, wavy shaped trunk door with inset pilasters, canted plinth with raised panel, 13-inch square brass dial with chapter ring signed, engraved dial centre with date and lunar moon disc aperture, "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 220cm high See illustration
A Mahogany Eight Day Longcase Clock, the case with arched pediment and surmounted by three eagle finials, twisted columns, arched trunk door with inlaid stringing and flanked by inset twisted pilasters, rectangular plinth with inlaid stringing, 12-inch arched brass dial with Roman and Arabic chapter, dial centre signed "Blackford, Plymo Dock", date aperture, subsidiary seconds, the arch with rolling moon disc for lunar scale, and above "High Water At Plymo Dock", "later" hands, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, (dial and movement circa 1790) associated to case "later", 224cm high See illustration
An Impressive Dutch Burr Walnut Inlaid Ship's Automaton Longcase Clock with Calendars and Alarm, signed Jan Hermelink, circa 1760, the nicely figured burr walnut case with moulded shaped hood with central carved bird, (finials missing), "later" pierced front and side frets, trunk with canted corners, long shaped door with inlaid borders and a father time lenticle, curbed base with inlay and raised upon claw feet, 13-inch arched brass dial with silvered chapter ring signed, arcaded minute track, dial centre with rolling moon lunar disc, central alarm disc, month and day of the week apertures, seconds combined with date aperture, the corners with the worlds four continents, automata depicting Neptune’s chariot and ships before a painted landscape background, four pillar movement with anchor escapement, striking on two bells, separate small weight to drive alarm with hammer striking within the bell, levers connected from arbors to operate automata in the arch, (some imperfections to case), 245cm high See illustration Jan Hermelink is recorded as working in Amsterdam in the 2nd half 18th century. See Baillie (GH) Watchmakers & Clockmakers of the World, page 151.
A late 19th century French brass repeating carriage clock with alarm, the gorge case with white enamel Roman dial and alarm disc below, signed LE ROY & FILS, the twin barrel movement with lever platform escapement striking to a gong, the backplate with stamped trademark for DROCOURT and engraved LE ROY & FILS, PALAIS ROYAL, 13 & 15, PARIS, 16cm. high, contained in a leather travelling case.
A French brass repeating carriage clock with alarm, the anglaise case with white enamel Roman dial and subsidiary alarm ring, signed ELKINGTON & CO., MOORGATE ST, LONDON & PARIS, the twin barrel movement with silvered platform and lever escapement, having strike/repeat/alarm on one gong, the backplate with oval trademark JN with trident, 19.5cm. high.
A late 19th century gilt-brass repeating carriage clock with alarm, the gorge case with white enamel Roman dial and subsidiary seconds dial, signed AUBERT & CO., 252 REGENT STREET, LONDON, the eight day twin barrel movement with silvered lever platform escapement and bell strike, the backplate numbered 52, 16cm. high.

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460333 Los(e)/Seite