A William III figured walnut 8-day longcase clock by Richard Baker of London, circa 1690, moulded cornice with floral fretwork, above barley twist columns, 10inch brass dial with silvered roman numeral chapter ring, subsidiary seconds, date aperture, cherub face mounted spandrels, signed engraving of Richard Baker, London, cushioned moulded panel door, moulded skirt on a plinth base. Weights, pendulum and key. 203cm H x 45cm W x 26cm DNote: Richard Baker is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as being apprenticed through the Blacksmiths` Company to John Chatfield before transferring to Richard Browne in 1683.He gained his Freedom of the Clockmakers` Company by redemption by order of the Lord Mayer in 1685. He is described as a `Great Clockmaker` and took on many apprentices including Peter Garon in 1687 for which he was fined by the Clockmakers` Company as Garon Clockmakers.
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460333 Los(e)/Seite
A George III oak and mahogany longcase 8 day clock by J Holliwell of Derby, globe finial on swan neck pediment hood, arch top with corner rose spandrels, roman numerals, date aperture, subsidiary seconds dial, flanked by turned flute pillars with moulded brass ends, satinwood strung, moulded panel door, raised bracket feet. 225cm H x 52cm W x 25cm D
A George III oak and mahogany inlaid 8-day longcase clock, circa 1780, three turned globe shape brass finials, swan neck scrolling pediment with brass floral inlay, above a square glazed door and square painted and brass inlay dial, Roman numerals, subsidiary second dial, moulded panel trunk with fluted pillars, raised on a platform base. 205cm H x 52cm W x 25cm
A good George III 30 hour oak long clock, domed top to hood supported on turned ringed columns, brass round 12in (30.5cm) dial, Roman chapter with outer Arabic minutes chapter, florally engraved centre, demi-lune date aperture, signed Dugmore/Derby 30 hour ringed four pillar movement countwheel striking on a bell, shaped top to trunk door, shaped brass escutcheon with original key, skirted base, wire rod pendulum and weight, 82in (208.3cm) high (3)John Dugmore (1721-1792) was apprenticed to Thomas Storer of Derby 1735-1742 and set up in business in Rotten Row, Market Place. In 1776 he was made an honorary burgess of Derby & he was also a property owner. He made both traditional and round dial clocks, also with eight day movements. His son Thomas (1766-1832) became an attorney at Thetford, Norfolk. A similar clock is on display in the kitchen at Pickford's House Museum, Derby.
A late 19th century walnut bracket clock, 12.5cm brass dial inscribed H Pomfritt, 40 Great Ancoats Street, Manchester, eight-day movement, striking on a gong, the backplate signed W&H/SCH/5 [Winterhalder & Hofmeier], the arched architectural case applied with gilt metal leafy spandrels flanked by fluted split turnings and draught turned roundels, 38cm high, c. 1900
A late George III mahogany bracket clock, 18cm white enamel dial inscribed Geo: Yonge, Strand, London, and numbered with Arabic numerals, twin-winding holes, 8-day movement chased with demi-lune borders and striking on a bell, moulded arched pediment crested by a swing carrying-handle, the apron and sides with brass scale fretwork, glazed door to verso, skirted plinth, rectangular base with brass bracket feet, 42cm high over handle, c. 1820
A 19th century French lacquered brass five-glass repeating carriage clock, 5.5cm white enamel dial inscribed with Roman numerals, 14-day movement striking on a gong, the case quite plain, swing carrying-handle, rounded rectangular top above reeded pilasters, bracket feet, the backplate inscribed Paris and numbered 25811, conforming numbering to base, 17cm high, c. 1880
A late 19th century gilt-metal mounted mahogany bracket clock, of small proportions, 11cm slightly convex white enamel dial inscribed J.W. Benson, Ludgate Hill, London, Arabic numerals, painted with ribbon-tied swags of flowers, chased scroll hands, twin-winding holes, 8-day French movement striking on a gong, caddy top with urnular finials, lotus frieze, foliate bosses at angles, skirted base with leaf-and-berry border, bun feet, 29cm high, c. 1900
A William IV oak and mahogany long case clock, the arched painted 12in (30.5cm) dial with moon phase, painted roses in spandrels, Arabic chapter, subsidiary seconds dial and date aperture, ringed winding arbors, signed Jas. Shipley/Derby, 8-day movement striking on a bell, curly pediment with brass paterae to hood supported on turned columns, inlaid mahogany frieze below hood, fluted quarter columns flanking trunk door with shaped top with marquetry urn in vesica shaped reserve, panel and canted angles to base, bracket feet, pendulum & weights, 87.25in (221.5cm) high.James Shipley (1784-1850) was son of William, of a clockmaking dynasty. He was apprenticed to his uncle 1798-1805 and worked with his elder brother Jonathan until the latter's death in 1811, after which he worked alone and later with his sons Bevel and Digby Shipley. In 1806 he purchased the bankrupt stock of William & John Holliwell of Derby, and worked from no less than four addresses, ending in St. James's Lane from 1843, where he was succeeded by his sons.
A George II Staffordshire oak longcase clock, square brass dial 11in (27.5cm) dial with Roman and Arabic chapters, cast brass spandrels, matted centre, pierced hands, date aperture,signed Redshaw/Newcastle, 30 hour movement, countwheel striking on a bell, hood with caddy top with wide cornice supported on turned columns, rectangular crossbanded door to waist with boxwood and ebony stringing, skirted plinth base, 85.5 in (220cm) high, weight and pendulum with brass bob.John Redshaw of Newcastle-under-Lyme was working from the 1740s to the 1760s before being succeeded by his son Daniel, who had taken over by 1771.
An early 20th century French gilt metal mounted moss green marble mantel clock, 8.5cm circular enamel dial inscribed with Arabic numerals and a band of flowering swags, twin-winding holes, 14-day movement striking on a bell, mercury compensated pendulum, the case with urn cresting and flanked by flaming finials and two pairs of columns, acanthus scroll feet, 52.5cm high
An early 20th century lacquered brass carriage timepiece, 4.5cm circular enamel clock dial inscribed Mappin & Webb Ltd, Roman numerals, on a fretwork ground of leafy scrolls, French 8-day movement with platform escapement marked B2209 on backplate, the case with swing carrying handle and fluted quarter-columns, , 15cm over handle, c.1925
An early 20th century mahogany bracket clock, 16cm silvered chapter ring with Roman numerals , the arch with three subsidiary dials, Chime/Silent, Fast/Slow, Chime on Eight Gongs/Come on Four Gongs, three winding holes, the movement W & H Sch for Winterhalder & Hofmeier of Germany, striking the hour on a large gong and eight subsidiary gongs with a pull repeat on the hour, the case with an arched moulded top with urn finials above stop fluted quarter columns, stepped plinth base, lions wined paw feet. 45cms high
A George III Revival ebonised musical bracket clock, inscribed W. Wordley, 84 Cannon St, London, 19cm silvered chapter ring inscribed with Roman numerals, surmounted by Chime/Silent and Cambridge Chimes/Chime On Eight Bells adjustable subsidiaries, three winding holes, triple fusee movement with anchor escapement, nine hammers quarter chiming on a nest of nine bells and striking the hours on a gong, urnular and scroll gilt-metal spandrels, oversailing arched moulded top with flaming finials above Corinthian pilasters, fretwork sides with twin-carrying handles, skirted base, cartouche scroll feet, 36.5cm high, c. 1880
An Edwardian mahogany and marquetry lancet bracket clock, 13cm silvered chapter ring inscribed with Roman numerals, surmounted by a subsidiary fast/slow chapter, twin-winding holes, 8-day movement striking on a gong, applied with scrolling leeafy spandrels, the cresting and plinth apron inlaid with satinwood paterae and leafy scrolls, the sides with axehead twin-carrying handles, bracket feet, 36cm high, c. 1910
A French Empire ormolu clock, 8cm engine-turned dial inscribed with Roman numerals and centred by twin-winding holes, 8-day movement striking on a bell, boldly surmounted by the figure of Orpheus and his lyre taming a lion with the beauty of music, the tablet frieze with a bas relief of Orpheus losing Eurydice to the Underworld again, skirted lotus base, turned drum feet, 43cm high, first-half 19th century
A 19th century French ormolu cartouche-shaped bracket clock, 18cm convex enamel dial inscribed Balthazard, Paris, Roman and subsidiary Arabic numerals, twin-winding holes, 8-day movement striking on a bell, the case crested by a scantily clad putto and cast throughout with scrolling acanthus, flowers and a musical trophy, 65cm high, c.1860
A fine 19th century French ormolu and Limgoes enamel clock, 8cm blue enamel convex rectangular dial inscribed with Roman numerals and painted with a putto and flowering leafy stems, twin-winding holes, 8-day movement striking on a bell, the sides and hinged door to verso with conforming enamel panels, the case surmounted by a sculptural pair of amorini, one crowning the other with laurels of love, oversailing top above scroll brackets and bellhusks, the shaped rectangular base cast in relief with ribbon-tied foliage, leafy scroll knees, the apron with an oval enamel musical trophy within a scroll frame, bracket feet, 30cm high, c. 1870
An unusual French gilt metal mounted veined marble cartographic library clock, 8cm dial with Arabic numerals, twin-winding holes, fourteen-day movement striking on a bell, surmounted by a figure cast after Rosseau, La Terre, she stands, holding a 4" terrestrial globe by Emile Bertaux, Delamarche, Paris, 78.5cm high, c.1900
![An oak and mahogany George III inlaid long case clock, painted round dial, Roman chapter, signed [ ]/Derby, 30 hour move](https://cdn.globalauctionplatform.com/dcfd7eef-22ef-4c39-aab1-ab620068c2c4/38a29fac-79dc-463c-a887-abb8011c68fc/468x382.jpg)
An oak and mahogany George III inlaid long case clock, painted round dial, Roman chapter, signed [ ]/Derby, 30 hour movement striking on a bell, architectural pediment to hood with central turned finial supported on turned columns, inlaid frieze above trunk door with shaped top, flanked by fluted quarter columns, panel to skirted base, pendulum and weight (3).
A George III oak and mahogany Neo-Classical long case clock, round painted 13.5in (34.2cm) dial, Roman and Arabic chapter, seconds dial, pierced gilt hands, ringed winding arbors, signed Condliff/Sheffield 8--day movement striking on a bell, Gothick trunk door with inlaid borders, inlaid in ebny and boxwood, curly pediment with marquetry inlaid paterae, grooved pylons to angles with central conforming fan, supported on unusual inlaid pillars with delicately carved Tower of the Winds capitals, shaped brass escutcheon with contemporary key flanked by fluted quarter columns, bracket feet, pendulum and weights, 85in (215.9cm) high (4)Martin Condliff and his brother Joseph (of Chapel-en-le-Frith) were apprenticed to Samuel Ashton of Ashbourne, Martin on 23rd September 1777 (having been born 1763); he set in Ashbourne in 1785, but by 1790 was married and working from 27, Far Gate, Sheffield. He was father to the eminent James Condliff of Liverpool (1790-1851)
A rare late 18th century Capuncine brass alarm clock, white dial, Roman numerals, steel hands and alarm marker, eight day French Morbier movement, bell strike to top with carrying handle, 29cm high, c.1815Capucine clocks were originally made for Napoleon's officers as an early form of travelling alarm clock
A Royal Crown Derby Millennium Globe clock, decorated in the 1128 Imari palette, specially commissioned by Sinclairs, limited edition 903/1000, 18cm, printed marks, certificate, boxed; an accompanying 1128 pattern Millennium globe thermometer and barometer set, limited edition 903/1000, 13cm, boxed (3) Condition Report: All good condition, first quality - no certificate for the thermometer and barometer
A German Rococo Revival porcelain clock, probably Sitzendorf, 10cm ivorine chapter ring inscribed with Arabic numerals, twin-winding holes, 8-day movement striking on a bell, the cartouche-shaped clock applied with classical figures and amorini, encrusted with floral bocage, scroll feet, 45.5cm high, c.1900
![A French figural mantel clock, the 8cm enamelled dial with Roman numerals, signed ]achev[ /a Courville, Breguet hands, 14](https://cdn.globalauctionplatform.com/dcfd7eef-22ef-4c39-aab1-ab620068c2c4/274f3b92-54e3-45d9-9dad-ab74012f71b5/468x382.jpg)
A 19th century Aesthetic Movement gilt brass repeating carriage clock, 5.5cm enamel dial with Arabic numerals, the field decorated in the Japanesque manner birds and blossom on a planished and patinated ground, the movement with platform escapement and striking on a gong, the five-glass case with turned pillars and carrying handle, 17.5cm high, c.1880
A 19th century Continental novelty landscape 'automaton' musical clock, the picture painted with a North European townscape, the church's tower enclosing a 2.5cm white enamel dial inscribed with Roman numerals and flanked by a pair of twin-winding holes, the oil on canvas 52.5cm x 64cm, contemporary giltwood cavetto frame, 68.5cm x 80.5cm overall, c. 1860
A 19th century French Boulle cartouche shaped mantel clock, 8cm convex enamel dial inscribed with Roman and subsidiary numerals, the dial with enamelled cartouche shaped Roman numerals, twin winding holes, eight day movement, striking on a gong, the case veneered in premier partie with strapwork and leafy scrolls, mystical beast feet, 39cm high, c.1850
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460333 Los(e)/Seite