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460345 Los(e)/Seite
Los 387
A French Empire figural mantel clock, unsigned, early 19th century, the eight-day countwheel bell striking movement with silk thread pendulum suspension and circular engine-turned Roman numeral dial fitted with steel moon hands, the case with surmount modelled as a Classical flautist resting against a rocky outcrop housing the movement over generous plinth base fronted with tied laurel wreath musical trophy mount to front over cast acanthus mounded skirt, 41cm (16ins) high, 27cm (10.5ins) wide, 10cm (4ins) deep This lot is to be sold without reserve
Los 95
A George III green japanned quarter chiming table clock, Markwick, Markham, Perigal, London, circa 1770, The seven pillar triple fusee movement with verge escapement regulated by short bob pendulum, quarter chime on a graduated nest of eight bells and hour strike on a further larger bell, the backplate with fine asymmetric foliate scroll engraved decoration around a central cartouche signed Markwick, Markham, Perigal, London, the 8 inch brass break-arch dial with calendar and false bob apertures beneath recessed signature plate Markwick Markham Perigal, LONDON to the matted centre within applied silvered Roman numeral chapter ring, with pierced steel hands and rococo scroll cast spandrels to angles beneath star-centred subsidiary STRIKE/SILENT selection dial flanked by conforming mounts to arch, the green japanned bell-top case with brass carrying handle to the smooth bell-top superstructure decorated in raised polychrome and gilt with chinoiserie garden landscape panels within lattice borders over break-arch glazed front door with conforming decoration to surround, the sides with circular over concave-topped glazed apertures and the rear with further break-arched glazed door set within the frame of the case, on generous cavetto moulded base incorporating bracket feet with shaped apron between, 60cm (23.5ins) high, 36cm (14ins) wide, 23cm (9ins) deep James Markwick senior is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as apprenticed in 1756 to Edmund Gilpin (through Richard Taylor); he initially worked at Croydon before returning to London where he gained his freedom of the Clockmakers' Company in 1666. In 1673 he took-over the former business of Samuel Betts at behind the Royal Exchange. Markwick had a turbulent relationship with the Clockmakers' Company - in 1676 he was fined for abuse of the Master at the Steward's feast and was often reprimanded for not attending court. James Markwick junior was born in Croydon in 1662 and was apprenticed to his father gaining his freedom (by patrimony) in 1692. He initially went into partnership with his father before gaining outright control of the business on the latter's retirement to Pevensey in Sussex in around 1700 (where he subsequently died in 1716). In around 1710-15 James Markwick junior went into partnership with his son in Law Robert Markham which lasted until the former's death in 1730. The business was subsequently continued by Markham and his successors with the firm forming partnerships with other fine makers including Francis Perigal in 1751.
Los 222
An impressive French Louis XV style gilt brass cartel clock, inscribed for Payne and Company, London, mid to late 19th century incorporating earlier elements, the current eight-day two train bell-striking movement with recoil escapement incorporating Brocot type regulation to pendulum suspension and engraved Payne & Co., London over stamped number 30751 to backplate, the dial probably early 18th century with strapwork scroll cast centre within blue on white enamel cartouche hour numerals and sculpted steel hands set behind a glazed hinged moulded cast brass bezel, now in a substantial cast gilt brass case surmounted by 18th century figures of a Flautist and companion accompanied by rabbit and hound over generous rococo scroll and floral trail pendant cast asymmetric borders enveloping blue glass inset panels terminating with a reversed c-scroll at the base, 122cm (48ins) high, 46cm (18ins) wide
Los 107
Ï’An amboyna and marquetry veneered eight-day longcase clock, Batty Storr, York, circa 1760 and later, the four pillar two train rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial, ringed winding holes and calendar aperture to the foliate scroll engraved matted centre within applied silvered Roman numeral chapter ring with lozenge half hour markers and signed Batty Storr, York to lower margin, with pierced steel hands and foliate cast spandrels beneath rolling moonphase to arch, in a case now veneered in Amboyna incorporating marquetry floral spray to the generous domed caddy superstructure over ogee cornice and conforming decoration to the upper quadrants of the hood door flanked by Corinthian columns and with rectangular scroll-pierced sound frets to sides, the trunk with caddy-moulded break-arch door decorated with central marquetry landscape panels within linked stylised cornucopiae and scroll motifs to upper and lower margins, the plinth fronted with a further marquetry landscape scene of a watermill at sunset over generous bracket feet, (marquetry and veneers probably early 20th century, 269cm (106ins) high, 59cm (24ins) wide, 30cm (12ins) deep Batty Storr is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, volume 2 as born in York circa 1710 and died in 1793. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Los 331
A French and black and red marble drumhead mantel clock, late 19th century, the eight-day bell striking movement with Brocot type regulation to the pendulum suspension and 7.5 inch circular two piece white enamel Roman numeral dial with visible Brocot escapement and with retailers signature CHRISTIES, CANNON STREET... to the recessed centre, with blued steel moon hands set behind circular hinged bezel, the case with moulded red marble cylinder housing the movement supported between swept side scrolls over generous moulded skirt base incorporating shallow bracket feet with wavy apron between, 35.5cm (14ins) high, 56cm (22ins) wide, 15cm (6ins) deep This lot is to be sold without reserve
Los 298
A French Empire gilt and patinated bronze figural mantel clock, unsigned, early 19th century, the eight-day countwheel bell striking movement with anchor escapement and silk thread suspension for the disc bob pendulum, the circular engine-turned gilt dial with star decorated centre, cartouche Roman numerals and steel moon hands set a behind a hinged glazed bezel, the case with central tombstone-shaped Verde Antico marble upright housing the movement flanked by a cast pair of Nymphs (one deshabille) supporting a gilt tablet, on stepped plinth base with foliate cast gilt moulding to skirt and paw feet, 66cm (26ins) high, 51cm (20ins) wide, 23cm (9ins) deep.
Los 247
A Victorian lacquered brass 'Westminster Abbey' skeleton clock, unsigned but attributed to Evans of Handsworth, circa 1860, the twin fusee hour-striking movement with half-deadbeat escapement regulated by cylindrical bob pendulum and six spoke wheel crossings set between elaborate Gothic tracery pierced plates in the silhouette of Westminster Abbey united by seven turned pillars, the front with additional pierced arched plate applied with a silvered Roman numeral chapter ring with steel Fleur-de-Lys shaped hands over gabled twin arch doorway to apron, on moulded white marble base with rounded ends beneath glass dome cover, the clock 51cm (20ins) high; the clock and dome 71cm (28ins) high, 43cm (17ins) wide, 22cm (8.75ins) deep overall.
Los 274
Ï’ An impressive gilt brass mounted amboyna musical table clock, the movement and dial by Ellicott circa 1770, the case late 19th century, the substantial nine pillar triple fusee movement with verge escapement, hour strike on a bell mounted on the backplate and playing a choice of eight melodies every three hours via a 7.25 inch pinned barrel and graduated nest of ten bells transversely mounts across the top of the leafy scroll engraved backplate signed Ellicott, London to centre, the 8 inch arched brass dial with matted centre within applied silvered Roman numeral chapter ring signed Ellicott, LONDON to the lower margin, pierced steel hands and rococo scroll cast spandrels to angles, the arch with twin subsidiary STRIKE/NOT STRIKE and CHIME/SILENT selection dials within conforming cast brass infill beneath arched silvered tune selection sector for Psalms 23, 417, 115 and 326 together with minuet, dance, song and jig, now in a gilt brass mounted burr amboyna veneered case with generous vase finials to ogee-shaped superstructure incorporating brass grille fret to the plinth upstand over brass-fillet edged glazed dial aperture and conforming upper quadrant frets to front door flaked by female caryatids to the canted angles, the sides with hinged carrying handles over arched apertures, the rear with rectangular glazed door, on generous cavetto moulded skirt base with brass ogee bracket feet, 93cm (36.5ins) high, 43cm (17ins) wide, 32cm (12.5ins) deep John Ellicott F.R.S. is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born 1706 to John Ellicott senior, a Cornish clockmaker who had gained his Freedom of the Clockmakers' Company in 1696 and died 1733. John junior worked from Swithin's Alley, Royal Exchange, London and was elected member of the Royal Society in 1738. He published works on horology in 1739 and 1753 and is particularly noted for the development of the cylinder escapement and a form of compensated pendulum; he also maintained a private observatory at his home in Hackney. John Ellicott was later appointed as Clockmaker to George III, and took his son, Edward into partnership in 1760 which lasted until his death in 1772. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Los 146
J. Jenkins, London, a small ebonised hooded wall clock: the thirty-hour weight-driven movement, formerly with alarm work, having a verge escapement and decoratively turned pillars, the four-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic outer five-minute numerals, meeting-arrowhead half-hour markings and signed either side of VI o'clock J.Jenkins, London, with a matted dial centre, cast-brass gilded cherub-head spandrels to the four corners and blued-steel hands, the flat-top ebonised pine case having barley-twist columns to the hood and scroll brackets to the backboard, height 32cm.*Note Probably James Jenkins who is recorded as being apprenticed in 1683, becoming free of the Clockmaker's Company in 1692, thereafter working in the Strand, London until circa 1708. A clock signed by him previously in the Wetherfield Collection of clocks. Or possibly John Jenkins who is recorded as working in London having been apprenticed in 1695, free of the Clockmaker's Company in 1704.
Los 145
John Drew, Londini Fecit, a late 17th Century black lacquer and chinoiserie longcase clock: the eight-day duration, five-pillar movement striking the hour on a bell with an outside countwheel, the eleven-inch square brass dial having a silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals and with 'meeting-arrowhead' half-hour markings, the matted centre having ringed winding holes and the date aperture unusually set below XII o'clock, with applied cast-brass gilded cherub-head and foliate scroll spandrels to the four-corners and engraved to the outer edge of the dial plate with tulip and foliate engraving, inscribed to the base of the dial below the chapter ring at VI o'clock John Drew Londini Fecit, the black lacquer case decorated with oriental figures within a garden landscape with a pagoda, further decoration heightened in gilt, the waist panel door with an oval bullseye glass lenticle, height 200cm. * Biography. John Drew was apprenticed to the eminent clockmaker Joseph Knibb of London in September 1676 and was freed in September 1684 when his address is recorded as Johnson Court in Fleet Street. He was appointed to the position of Beadle in the Clockmakers' Company in April 1712 with a duty to keep order during meetings. The position of beadle was often given to members in poor health or in some financial difficulty being a paid position. John Drew received charitable payments from the Clockmakers' Company from January 1713 until he died in the autumn of that year, just two years after Joseph Knibb.Ref. Brian Loomes Clocks Magazine. Pub. 2013.* Note Exhibited Treasures from West Country Collections, 1967, Bristol Museum No 98.
Los 148
Haley, Wigmore St., London, a small ebonised and brass inlaid mantel clock: the eight-day duration, double-fusee, five-pillar movement striking the hours on a bell with pull repeat, the shaped backplate engraved with the maker's name Haley, London and with border engraving repeated to the pendulum bob, the front plate stamped Holmden, London 206 for the movement maker John George Holmden, the five-inch convex white enamelled dial having black Roman hour numerals and signed Haley, Wigmore St., London and with gilded brass spade hands, the small ebonised case having a shaped top and surmounted by a pediment with a cast-brass finial on a dentil block, with brass inlaid decoration, brass frets to the sides, cast handles and standing on ball feet, height 39cm inc. finial. * Biography. Charles Haley was a renowned clock, chronometer and regulator maker recorded at 7, Wigmore Street, Cavendish Square, London having been apprenticed in 1762 and working alongside the chronometer maker Brockbank. He obtained his freedom from the Clockmakers' Company in 1781. In 1793 he was appointed to the select committee of the House of Commons reporting on the chronometers of Thomas Mudge. In circa 1832 the business was taken over by the maker and retailer James Grohé and again some thirty years later by the chronometer makers John Pennington and Herman Typke*Note John Holmden was a fine maker being free of the Clockmakers' Company in 1788 and working until circa 1844. He supplied movements to a number of well-known London clockmakers including the illustrious Benjamin Louis Vulliamy for whom Holmden, also a fine chronometer maker, was the main maker,
Los 736
A French marble and bronze mantel clock , late 19th century, the circular enamel dial set with Roman numerals and inscribed 'Mottu Freres Paris', the case surmounted by a putto riding a mountain goat, with scrolling grape and vine decoration, on a shaped base with bun feet, dial 9cm diameter 48cm high Provenance: Upper Swell Farm, Gloucestershire.
Los 750
A French clock garniture , late19th century, the drum head movement with an enamelled dial, signed by the retailer, 'A la Renaissance, Le Havre', on a gilt metal mounted columned base, together with a pair of three light candelabra, 20cm wide 35cm high 12cm deep (3) Provenance: Upper Swell Farm, Gloucestershire.
Los 694
A Junghans walnut cased musical mantel clock, late 19th century, the central dial with off-white chapter ring with Arabic numeral hour markers in black and a textured brass centre, the body surmounted with a central anthemion motif within a scrolling pierced framework over an ogee moulded cornice, over an egg and dart moulded frieze flanked by fluted columns with applied gilt metal foliate spandrels to the upper corners and an applied gilt metal lyre below, on bun feet, the clock movement above the music box mechanism and complete with an original Junghans cardboard box contaning a further four cylinders, 38cm high
Los 224
Five pocket aneroid barometers, Lennie, optician, Edinburgh, double-sided, with curved thermometer and compass, Mullard & Son, Oxford Street, with curved thermometer and compass in lid of leather case, Geo Edward & Sons Glasgow & London, leather case (small), Newton & Co, London. No.1322, and a clock/barometer by Richard Freres, Paris (5)
Los 621
A brass skeleton clock, late 19th century, by William Evans of Birmingham, in the form of a Gothic cathedral, the silvered dial set with Roman numerals, the case bearing a shield-shaped cartouche inscribed 'Wm Evans 57 Soho Rd Birmingham', on a stepped plinth and under a glass dome, 38cm high
Los 746
A George III mahogany cased bracket clock, by W Bull, Stratford, the eight-day movement striking on a bell with strike/silent subsidiary dial to the arched brass dial and silvered chapter ring, the case with carrying handle and on brass bracket feet, 29cm wide 20cm deep 50cm high Provenance: Upper Swell Farm, Gloucestershire.
Los 656
A marquetry and walnut longcase clock, c.1700, by Christopher Gould, London, the 11in square dial with an applied chapter ring and cherub spandrels and signed 'Christopher Gould, Londini Fecit', enclosing an eight-day striking movement, the hood with spiral columns, over a floral and bird marquetry trunk, the door with a lenticle, on bun feet, 39cm wide 22cm deep 168cm high
Los 731
A French marble and ormolu eight-day mantel clock , 19th century, the enamel dial set with Arabic numerals and inscribed 'Maniere Paris', the movement striking on a bell, the case surmounted by an urn, above profusely scrolling floral and foliate motifs and mask pilasters, the shaped base set with a relief cast frieze and raised on bun feet, dial 10.5cm diameter 44cm high Provenance: Upper Swell Farm, Gloucestershire.
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460345 Los(e)/Seite