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460345 Los(e)/Seite
Mid-Victorian Mahogany Long Case Clock, by M. Young, Newcastle, the clock featuring a domed top and the hood with split baluster pillars. The hand painted arched dial depicting the Unity of England and Scotland and the corner decoration hand painted with village scenes, Roman dial with second and date aperture with stylised acorn hands, approx 215 cms.
A French 19th century gilt metal mantel clock of square architectural form, surmounted by a seated winged cherub on a pierced dome, applied mask, cartouche and feathers, ivory coloured dial with Arabic numerals, eight day keywound movement striking on a gong, pierced side panels, set on corner bracket feet, 36cm high
A French white marble and ormolu three piece clock garniture, circa 1900, the 8.5cm dial with Arabic numerals, transfer printed swags inscribed Malizara Valence, the drum case with eight day movement striking the half hours on a bell, inscribed C H, number 4932, surmounted by a gilt harvest basket, supported on four columns with flaming urns above, swag decoration to front and sides, on stepped shaped base resting on four brass feet, with a pair of matching urns
A late 19th century oak and gilt metal bracket clock, arch top case with flame finials, applied caryatid mounts to the canted corners glazed to sides, raised on lions paw and acanthus feet, glazed arch top door enclosing a brass and spandrel mounted face, silvered chapter ring with Arabic and Roman numerals, silvered advance/retard indicator at 12, two train chain driven fusee movement striking on a gong, signed Mallinson of Huddersfield, 4.3cm high
A mid to late 18th century oak and inlaid Longcase Clock by William Watson, broken swan neck pediment with carved rosettes and dentil frieze, square glazed hood door between turned columns enclosing a brass face with applied brass spandrels, silvered chapter ring with Roman and Arabic numerals, engraved silvered inner ring with date aperture, eight day two weight movement, shaped top trunk door between quarter columns, box base with canted corners and bracket feet, 214cm high
A Foley pottery `Intarsio` clock, circa 1900, designed by Frederick Rhead, the cream circular chapter ring with black Arabic numerals, the case with pitched roof above canted sides, printed and painted with a bright yellow sun above three tall lilies, sailing boats and a banner inscribed `Carpe Diem`, the canted corners with half-length portraits in profile of Art Nouveau maidens above the inscription `Dies Nox`, flanked by further side panels of tall lilies, printed maker`s marks and number `3160` to back of case, height approx 29.5cm.

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