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460333 Los(e)/Seite
Los 457
A gilt metal mantel clock, late 19th century, with eight-day bell striking movement, the backplate stamped CHLES MT and serial numbered 23253, with white enamel cartouches to the dial, each with a Roman numeral and with a plaque signed for HOWELL JAMES & Co., the pierced case 38.5cm x 20cm x 18cmCondition Report: Dreweatts have not tested the movement and cannot make any guarantees or comments as to accuracy or if the movement is working we suggest getting the clock appraised by a professional clock restorer prior to use. The movement is ticking when wound but sounds 'laboured'. Not striking at present as the hammer arm is lackingWith a winding key, and pendulum. The case with marks, knocks, scratches, abrasions, consistent with age and use, dirt and discolouration and uneven finish to the surface overallThere is a chip to the IIII cartouche, the others with light signs of wear and age. The signature cartouche has wear to the Indian Ink inscriptionThe glass is missing to the rear door panelPlease refer to additional images for visual reference to conditionThe clock is 18cm deep overall Condition Report Disclaimer
Los 475
A French lacquered brass mantel clock, late 19th century, the movement by Samuel Marti, Paris, the circular eight-day two train gong striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with S. Marti, MEDAILLE DE BRONZE roundel beneath serial number 427 to upper left margin and further numbers 4, 8 to lower edge, the circular cream enamel Arabic numeral dial with pierced gilt rosette centre, vertical numerals and steel hands set behind a hinged bevel-glazed cast bezel, the case with eagle surmount to the domed caddy superstructure cast with rosettes within foliate borders to each side, over anthemion and scroll pierced crests and leafy spandrel infill around the dial, the sides centred with female mask sunbursts, on waisted leaf-cast moulded plinth base applied with lyre mount to front over lions paw feet, 42cm high, together with a pair of brass urn side pieces, each of square-section shouldered form cast with starburst panels over mask of Hermes within pierced leafy scrollwork infill to each side, each 29cm high (3)
Los 484
A Napoleon III ormolu and verde antico marble mantel clock, in Louis XVI style, Rodier Fils, Paris, circa 1860, the eight-day countwheel bell striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with JAPY FRERES & CIE, EXPOSITION, 1855, GRANDE MED., D'HONNEUR roundel to centre and with further oval stamp RODIER, PARIS above serial number 202 to upper left, the circular blue-on-white enamel Roman numeral dial with Arabic five minutes to outer track and scroll-pierced gilt hands set behind hinged bead cast convex-glazed bezel, the case with cherub and lovebird cast surmount to the concave-sided superstructure over a pair of cornucopiae draped over the dial flanked by marble inset concave panels to sides, on generous stepped inverted breakfronted base applied with rosettes at the angles over toupe feet, 34cm high, 20cm wide, 15cm deep, together with a pair of twin candelabra side pieces, late 19th century, each modelled with naturalistic flowers issuing from an Neo-classical urn over cylindrical marble upright with scroll-cast foot, approximately 25.5cm high (3)Rodier Fils are recorded in Tardy DICTIONNAIRE DES HORLOGERS FRANCAIS as working from Rue Charlot, Paris, circa 1850.
Los 133
A Regency ebonised quarter striking bracket clock, unsigned, circa 1810, the five pillar twin fusee movement with anchor escapement regulated by lenticular bob pendulum and two-in-one ting-tang quarter strike on two bells mounted to the upper margin of the geometric border engraved shouldered backplate fitted with pendulum hold fast to centre, the circular white painted convex dial with vertical Arabic numerals and steel spade hands, the break-arch case with hinged brass carrying handle to the moulded single pad surmount over cavetto cornice and full-height front door fitted with convex glazed circular brass bezel over concave-topped brass fish scale sound fret to lower margin, the sides with further rectangular fish scale frets and the rear with plain panel door within the frame of the case, on cavetto moulded skirt base with brass ogee bracket feet. 39.5cm high (handle down), 31cm wide, 19.5cm deepCondition Report: Movement appears complete and fundamentally all-original with no obvious evidence of alteration or significant replacements. The mechanism is working (will run and strike correctly) however is somewhat dirty/neglected hence a clean/service is required before putting into service. The dial has overall flaking/losses and wear most noticeably to the lower edge, the hands are probably replacements with the minute being a little kinked (has been bent and straightened).The top of the case (including the top mouldings) has been rebuilt with the mouldings replaced with a simpler single profile than the originals which would have most likely been of double profile and taller. This has required the upper margin of the arch of the front door to be extended slightly to allow for the shallower top mouldings. The top mouldings are also omitted from the rear of the case (originally they would have continued around all sides of the case). The back door is a replacement - the original was probably glazed. The rest of the case is otherwise in sound original unrestored condition with faults limited to age related bumps, scuffs and small repairs. There are no locks present - both the front and rear doors are now held by hook clasps.Clock has original pendulum but no winder or case key. Condition Report Disclaimer
Los 187
A French gilt brass mantel clock garniture, the movement by Samuel Marti et Cie, Paris, late 19th century, the circular eight-day gong striking movement with anchor escapement regulated by disc bob pendulum with Brocot type regulation to suspension, the backplate stamped with S. Marti et Cie, MEDAILLE DE BRONZE roundel over numbers 2049, 4 11, the circular concave gilt Arabic numeral dial with pierced rosette decorated centre and steel moon hands within moulded surround behind hinged bevel glazed bezel, the rectangular temple-form case with two-tier finial to the domed superstructure decorated with a relief cast Classical figural frieze and flanked by further vase finials, above cavetto cornice and free-standing Corinthian pillars to each corner over plain plinth base with disc feet, 40cm high, 19.5cm wide, 12.5cm deep, the side pieces modelled as twin handled ovoid urns each with flared lip, leafy scroll handles and repeating band of rosettes to waist over stepped plinth base with disc feet, each 23cm high (3)
Los 369
A Louis Philippe gilt and patinated bronze figural mantel clock, Pons, Paris, circa 1840, the eight-day two train countwheel bell striking movement with anchor escapement regulated by disc bob pendulum incorporating silk suspension and stamped with Pons, MEDAILLE D'OR, 1827 roundel over serial number 2131 to backplate, the circular silvered Roman numeral dial with blued steel trefoil hands within rope-twist cast surround, the case modelled with a 17th century mariner resting on a rocky outcrop with globe, anchor and a chart over plinth base incorporating generous gilt repeating leaf cast decoration to skirt and anthemion cast feet, 43cm high, 28cm wide, 10cm deepPierre-Honoré-César Pons was born in Paris in 1773 and after studying with the Jesuits in the rue Mouffetard he went to train under the eminent clockmaker Antide Janvier. Unfortunately the unrest of the French Revolutionary period disrupted his training but he was recommended by Janvier to the prestigious Lepaute family who took him on in 1798. Pons completed his training under the Lepautes and developed an interest in precision horology; in 1803 he opened his own workshop rue de la Huchette, near the Place Saint-Michel. In order to satisfy the financial demands of running a workshop, whilst taking time to work on the development of precision horology, Pons acted as supplier of movements to many the eminent horologists of the period such as Berthoud, Breguet and Lepine. During this time he developed several escapements and created improved wheel-cutting and pinion polishing machines. With the encouragement of Ferdinand Berthoud in 1804 Pons presented his 'Observations sur l'échappement libre' to the Academy of Sciences where it was praised by the jury and the Academy congratulated him. Around this time the French clockmaking town of Saint-Nicholas d'Aliermont was in crisis due to the collapse of the industry. Napoleon's minister responsible for Fine Arts, Industry and Commerce, the Count de Champagny, ordered the Académie des Sciences to find someone suitable to turn the industry around. Honoré Pons was approached as he had the necessary skills and had developed the tools and practices most appropriate for the task. After a period of reluctance he accepted on the basis that the state will pay him a generous amount for his machines as long as they were installed and used in the Saint Nicholas workshops. By 1808 Pons was producing fine quality 'blanc-roulants' for an affordable price which received high praise from makers such as Breguet and recognition by the Academie in their report to Napoleon Bonaparte. Over the following decades Honoré Pons expanded the Saint Nicholas operations and became a principal supplied of movements to the Parisian clockmaking trade from his premises in Paris's rue de la Barillerie on the île de la Cité. In 1827 he was awarded a gold medal and in 1839 was awarded the Croix de la Légion d'Honneur by King Louis Philippe. In 1846, at the end of an illustrious career, pons sold his firm to Borromée Délépine and retired, living in an elegant Parisian mansion at 20, rue Cassette.
Los 417
A French ebonised and gilt metal mounted dial wall clock, 19th century, the frame with wreath decoration, 56cm diameterCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, There are signs of old woodworm to the case, the gilt metal areas with dirt, discolouration, wear and some bending and misshapingLater plastic windows to the rear to boardsThe dial and movement are loose to the case - these would need securing before installation in a domestic setting. The movement, dial and case are very likely all associated to eachother Dreweatts have not tested the movement and cannot make any guarantees or comments as to accuracy or if the movement is working we suggest getting the clock appraised by a professional clock restorer prior to use. With a pendulum - this is broken and in two pieces. Two pieces of case moulding are detached but present with the lot - there are other pieces which appear to be missingThe dial is 25cm wide across the circular chapter ring, it is 27cm wide overall (octagonal)Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Los 189
An early 19th century mahogany and ebony strung bracket clock with pull repeatthe dial and movement signed Barwise, Londonthe arched case with moulded cornice and side panels on fluted banded stepped shallow plinth base and brass ball feet, the 8' painted dial with Roman numerals, the brass four pillar twin fusee movement with anchor escapement striking on a bell, with pendulum, case key and winder, 41cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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460333 Los(e)/Seite