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Preisdatenbank abonnierenAn early 20th Century Art Deco Clock Garniture, the black marble drum case centred with a white onyx panel, with an applied Arabic chapter ring and hands, to a plinth base set with a pair of cold painted metal singing birds, to a spring driven movement, height 11 ¾”; Together with a pair of similarly decorated side pieces, (3)
A late 19th Century ebonised and brass mounted Mantel Clock, plinth shaped case with cast and applied swing carry handle, and scrolling spandrels, to a cast brass bezel enclosing a 3 ½” Roman enamelled dial with outside minute track, and blued steel moon hands, to a circular brass movement with short bob pendulum and anchor escapement, strike on a bell, height 9”
An early 20th Century mahogany cased balloon Mantel Clock, the drum case on a waisted base set with satinwood surround, over floral garlands, to a cast brass bezel enclosing a 4 ½” Roman enamelled dial, with outside minute track and black painted spade hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, height 12”
An early 20th Century mahogany and line inlaid Bracket Clock, the case with a caddy top and cast brass carry handle, to a plinth base and raised on four compressed bun feet, to a spun brass bezel, with bevelled glass enclosing a 5 ½” silvered Roman dial, signed ‘Hampton & Sons Limited, Pal Mal, East’, and blued steel spade hands, to a square brass movement marked ‘D G Co’, with anchor escapement and strike on a blued steel coil gong, height 16”
An early 20th Century oak cased Mantel Clock, the architectural case with palladium pediment over reeded columns, to a plinth base, and a 5 ½” square brass dial with silvered Roman chapter ring and black painted spade hands, to a spring driven movement, with anchor escapement and strike on a coiled gong, height 16”
A mid 19th Century Scottish stained pine 8-day Longcase Clock, Jas Manners of Berwick-on-Tweed, the hood with swan neck pediment over reeded freestanding columns, to a convex throat and reeded quarter columns, to a long trunk door and raised on a plinth base, to a 13” arched painted dial, decorated with a sleeping child, to foliate spandrels and Roman chapter ring, enclosing a subsidiary seconds and date sector with pierced and stamped brass hands, to a movement united by four knopped pillars and anchor escapement, strike on a bell, height 86”
Murfitt, Sutton, a Regency mahogany and ebony banded longcase clock, the breakarch hood with reeded columns above cushion moulding, the arched trunk door flanked by quarter reeded columns, upon a rectangular canted base and splay feet with shaped apron, the arched painted 12 inch dial with shell spandrels, seconds dial and date aperture, with 8 day 4 pillar movement, 210cm high
Benetfink & Co London, an Edwardian walnut mantel clock, the inverted bell top case with carrying handle, the brass dial with silvered chapter ring and slow/fast adjustment above XII, with brass capped pilasters to the front and sides, and brass side fret panels, all raised on bracket feet, with German Lenzkirch '1 Million' twin gong movement, 37cm high, 29.5cm wide
A Chinese hardwood and mother of pearl inlaid automaton bracket clock, early 19th century, the arched case with 5 brass finials above an enamel dial with Roman numerals and centre seconds, the arch with two native figures above striking a bell, the foliate scroll engraved backplate with verge escapement and fusee movement striking on two bells, with nonsense signature, raised on brass paw feet, 60cm high
A Louis XVI ormolu mantle clock, the enamel chapter ring marked 'Gaston Jolly' with machine engraved centre surmounted by the sleeping Cupid and standing attentive Venus, upon a rectangular plinth base with turned feet, now with associated Vincenti 1855 Medaille D'Argent bell striking movement, 27cm wide, 38cm high
J & A Jump, London, a Victorian mahogany bracket clock, numbered 187, the breakarch case with single pad top and handle, arched brass scale side frets, 7 inch (18cm) circular silvered dial signed 'J A Jump, 1A Old Bond Strt, London' with two further scale frets below, raised on gilt brass bracket feet, the twin fusee bell striking movement signed and numbered 187 to the backplate, with adjustable pendulum and pierced hands, 38cm high, 27.5cm wide
John Wignall, Ormskirk, a flame mahogany and satinwood inlaid longcase clock, the swan neck pediment with reeded columns and gilt painted foliate frieze panel, the shaped top trunk door flanked by quarter fluted pilasters, raised on a rectangular plinth with canted corners, the 14 inch square enamel dial with painted spandrels, seconds and calendar dials, and 4 pillar 8 day movement, 221cm high
An oak longcase clock, 18th century and later, the hood with swan neck pediment and slender columns, the trunk with shaped top door and raised on a panelled plinth with ogee feet, the square brass 12 inch dial signed 'Wm Eastwood' between V and VII, the centre well engraved with two pairs of figures and exotic plants, scroll spandrels, calendar dial (non functioning), and associated 8 day 4 pillar movement, 221cm high
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