An oak and mahogany crossbanded and ebony strung longcase clock, second quarter 19th century, the broken scroll swan neck pediment above a chevron strung frieze over an arched glazed door flanked by turned split balusters enclosing a 14" white painted enamel dial with roman numerals, subsidiary seconds hand and date dial marked T Cox Tipton, moon phase in the arch, and painted with ladies representing the seasons, 8 day movement striking on a bell above a boxwood inlaid frieze and triple pointed arch top, three quarter length trunk door lozenge inlaid, flanked by split balusters over a short panel and ogive moulding and further inlaid base board raised on a plinth 96" high
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460345 Los(e)/Seite
An oak cottage longcase clock mid 18th century, with restorations, the ogive cornice above a crossbanded square glazed door enclosing a 12" square brass dial with roman numerals subsidiary seconds dial and date aperture and foliate engraved centre and inscribed Ratcliffe Welshpool, 8 day movement striking on a bell between gilt capped Doric turned pilasters above a shaped top, bevelled trunk door, ogive moulding and base board and raised on shaped bracket feet, new back 76.5" high
Two William Ridgway, Son & Co. Humphrey's Clock series dessert plates, printed in light blue with a rural scene with Dickens' characters within a border of scrolls and flower swags, diameters 20.3 and 20.9cm, one with printed clock cartouche with series title and maker's initials, the other with printed title only, circa 1840-48 (minor chips behind one rim)
William Fenton, Newcastle, George III mahogany longcase clock with moulded dentil cornice, the arched face with moon phase and cast gilt foliate and c-scroll spandrels, silvered chapter ring, subsidiary seconds dial, silvered face, eight day movement, the arched door flanked by turned columns, the trunk with moulded edge arched door flanked by canted blind fret corners, the base raised on later ogee bracket feet.
Brockbank & Atkins, London No. 191, a Regency Gothic mantel clock, the mahogany case with fluted pediment top, turned finial above a lancet shaped case, with fluted baluster finials and quatrefoil ornament over cluster columns,circular painted dial with eight day movement and carved wreath ornament below on a plinth base. 55cm
A late 18th century oak longcase clock the swan neck pediment brass capped fluted column supports, the arched dial with strawberry and rose spandrels, with black Roman and Arabric five minute divisions, with subsidiary date and calendar, (defective dials), inscribed 'Mason Chesterfield', the case with Greek Key cornice above a serpentine topped door
An Edwardian blue leather travelling case enclosing a tortoiseshell mounted dressing table set with monograms, comprising; two oval hair brushes, two oblong clothes brushes, a comb, a boot hook, a button hook, a round hand mirror and a cartouche-shaped 8 day alarm clock marked 'The Goldsmiths and Silversmiths Co Ltd', and two oval trinket boxes of differing sizes with silver gilt hinges, London 1902-07, some items additional to the fitted case, the case 30.5 x 18.5 x 11.5 (12 x 7 1/4 x 4 1/2in) - 11
An oak and mahogany clock dresser, early 19th century, the moulded ogive cornice with arched centre section over a circular glazed door enclosing a 17" white painted enamel dial, restored 1984 by G W Bliss, roman numerals, eight day movement striking on a bell above a trunk door inlaid with a harewood and boxwood conche shell motif and musical trophy, the breakfront centre section flanked by panel cupboard doors centred by oval motifs of Britannia on the Lion and classical urns between ebony strung three quater round columns and panelled ends, the base centred by two short oak and mahogany crossbanded drawers above two panel cupboard doors centred by oval classical urn motifs enclosing small shelves and a recess and flanked by eight graduated short drawers with ivory kite shaped escutcheons and Victorian turned ebonised handles between reeded half columns and on plinth base, moulding losses, 84 in (213.36 cm) wide, 20.5 in (52.07 cm) deep, 88 in (223.52 cm) high
A tortoiseshell and gilt metal mounted French Louis Quinze style Boulle bracket clock, 19th century, the caddy top with replaced dolphin finial and inlaid with foliate brass strapwork between acanthus cast corners over a glazed panel enclosing a 9" thirteen piece enamel dial with roman chapters and eight day movement striking on a bell, with glazed side panels and foliate brass inlaid case door, applied with foliate castings throughout and raised on leaf lappeted shaped bracket feet, distressed, 28 in (71.12 cm) high, 16 in (40.64 cm) wide, 8 in (20.32 cm) deep
An oak and mahogany crossbanded longcase clock, second quarter 19th century, the broken scroll pediment above an arched glazed door flanked by inlaid reeded pilasters enclosing a 13" white painted arched enamel dial marked Ed Jones, Holywell with roman numerals, subsidiary seconds dial and dated dial, rolling moon phase in the arch, the corners painted with rustic cottages, eight day movement striking on a bell, now lacking, above an ogive moulding and bevelled lozenge centred short trunk door with three pointed ogee arches to the top flanked by reeded quarter pilasters over a raised panel ogive moulding and raised base board, distressed, 89 in (226.06 cm) high
A George III oak and mahogany crossbanded cottage longcase clock, early 19th century, the ogive cornice above a harewood and mahogany inlaid frieze over a square glazed trunk door flanked by fluted brass capped pilasters enclosing a 12" square enamel dial, later painted with roman numerals date aperture and marked H Banister, Lichfield 30 hour movement striking on a bell, bell lacking, above a trunk door with concave top corners flanked by fluted quarter pilasters over an ogive moulding and raised base board and on later plinth, distressed, 79 in (200.66 cm) high
A Regency mahogany longcase clock, early 19th century, the canted architectural pediment above a glazed door and 12" square silvered dial with roman numerals, subsidiary seconds dial and marked Whitehurst & Son Derby, 8 day movement striking on a bell, the back of the dial inscribed 1818, above a bevelled arched top full length trunk door between canted angles over an ogive moulding and ribbed base board and plinth on flat block feet, the hood with side apertures re-lined, 82 in (208.28 cm) high
A mahogany and inlaid longcase clock, second quarter 19th century, the arched and carved top over a shaped arched glazed door flanked by mirrored baluster brass capped pilasters and enclosing a 13" arched enamel dial with roman numerals, subsidiary seconds dial and date aperture, painted with rustic scenes in the arch and to the corners, eight day movement striking on a bell over an ogive moulding and chequer strung square top short trunk door, flanked by foliate carved brass capped quarter pilasters over a further ogive moulding and chequer strung baseboard and on bracket feet, restorations, 84.5 in (214.63 cm) high
A George III oak and mahogany crossbanded cottage longcase clock, late 18th century, the caddy top above an ogive cornice and blind fret carved frieze over a square glazed door flanked by turned pilasters enclosing an 11" square brass dial marked Sam Harley, Salop with roman numerals, date aperture and figural spandrels, representing the seasons, 30 hour movement striking on a bell over an ogive moulding and full length crossbanded trunk door with shaped top over a further moulding and baseboard, distressed, 80 in (203.2 cm) high
An oak and mahogany crossbanded longcase clock, 19th century, the arched lozenge inlaid top above a square glazed door enclosing an 182 circular white painted enamel dial marked Giles, Oswestry, roman numerals, subsidiary seconds dial, inscribed "Restored 1984 W Bliss", 8 day movement striking on a bell over an arched top and lozenge inlaid trunk door, cushion moulding and lozenge inlaid base board raised on shaped barcket feet, restored, 89 in (226.06 cm) high
An American mahogany veneered wall clock, 19th century, the cushion moulded rectangular case with a glazed door enclosing a 9.5" square enamel dial with roman numerals above a further glazed door printed in polychrome with a view of Branksea Castle, Dorsetshire England, the interior with paper label for Gerome & Co Newhaven Conneticut, 8 day movement, 30 in (76.2 cm) high, 16.5 in (41.91 cm) wide
A French wall clock, 19th century, in picture frame and gilded pine case, the 4.5" white enamel dial with roman numerals within a leaf moulded surround and stepped frame applied with foliate mouldings, sun burst pendulum, spring driven movement striking on a gong with pull repeat, 17 in (43.18 cm) high, 13.5 in (34.29 cm) wide
A late 19th century French porcelain and gilt-metal-mounted Sevres-style clock garniture; the eight day movement striking on a bell, the round convex dial painted with a panel of birds within Roman numerals, above a basal panel of Watteauesque scenes, the elaborate case mounted en rocaille and surmounted with an urn-shaped finial, 43cm. (17in.) high; and a pair of ovoid two-handled vases and attached covers ensuite, 30cm. (11 3/4in.) high, giltwood stand (some small 'jewels' lacking from porcelain sections)
A George III mahogany longcase clock, and associated later movement, the hood with gilt brass pierced foliate cresting and stop fluted brass capped pilasters, lacking door, the 12" Victorian brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and strike, silent dial in the arch, pierced foliate brass spandrels and marked William & James Miller, Lombard Street, London on a plaque over the date aperture, with a two tune quarter chiming three train eight day movement, also Victorian, over a bevelled arched figured mahogany trunk door flanked by stop fluted brass capped quarter pilasters over an ogive moulding and raised panel base board and on plinth and later block feet, lacking hood door, 93 in (236.22 cm) high
A George III oak mahogany crossbanded and boxwood strung cottage longcase clock, circa 1800, the broken scroll swan neck pediment with three eagle and ball brass finials over a square glazed door flanked by brass capped pilasters enclosing a later painted 12.5" enamel dial with Roman numerals and date aperture and marked C Blakeway, Albrighton, gilt foliate and blue painted corners, 30 hour movement striking on a bell above a rectangular trunk door inlaid with an ogee arch over an ogive moulding and crossbanded base board and plinth base, cut down, 82 in (208.28 cm) high
A Regency mahogany and ebony strung longcase clock, Scottish or North country, circa 1810, the broken scroll swan neck pediment above a round glazed door flanked by fluted corinthian columns enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date dial, eight day movement striking on a bell, above a rectangular trunk door between canted angles and over an ogive moulding and crossbanded base board raised on a later plinth, 85 in (215.9 cm) high
A mahogany longcase clock, early 19th century, the arched glazed hood with shaped cresting and flanked by fluted brass capped pilasters enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked Thomas, Ilfracombe, the arch painted with a view of Raby Castle, the corners painted with castle ruins, eight day movement striking on a bell above a three quarter length crossbanded trunk door between canted angles and over an ogive moulding, the crossbanded figured base board raised on shaped bracket feet, distressed, 86 in (218.44 cm) high
A George III oak and walnut crossbanded longcase clock, late 18th century, the square hood with blind fret carved frieze and glazed square door flanked by turned pilasters enclosing a 12" brass dial with Roman numerals and date aperture and marked Sam Vale Coventry, foliate engraved centre and pierced urn and eagle spandrels, 30 hour movement striking on a bell above an ogee arched top, bevelled door, ogive moulding and planked base board on a later plinth, distressed, 85 in (215.9 cm) high
An oak cottage longcase clock, 18th century, the ogive cornice above a square glazed door with brickwork border, within turned pilasters and enclosing a 9.75" square brass dial with Roman numerals and engraved to the centre with an asiatic bird and arch, and marked Sam Vale Coventry, pierced urn and flower finials, 30 hour movement striking on a bell above a bevelled arch top trunk door and ogive and cushion moulding over a planked base board and on plinth base, distressed, 75.5 in (191.77 cm) high
A longcase clock movement, 18th century, the 12" brass dial, with silvered chapter ring, Roman numerals, moon phase and date apertures, foliate engraved matted centre, the chapter ring marked Warmingham Ashton, pierced foliate spandrels, 8 day movement striking on a bell contained in a later carved oak case, the trunk door carved with a Roman Emperor within foliate borders, the sides and base board with similar foliate carving, distressed, 85 in (215.9 cm) high
An oak longcase clock, 18th century, with arched hood, brass capped pilasters, eagle and ball finial, enclosing an associated 12" brass dial with Roman numerals and subsidiary seconds dial and date aperture and marked Daye Barker, Royal Exchange, London, 8 day movement striking on a bell above a bevelled arch top door and ogive moulding and base board and deep plinth, 83 in (210.82 cm) high
A Black Forest Gothic walnut cased cuckoo clock, mid 19th century, the pointed arched top case with crockets and battlements over an open recess showing three bells, the hammers held by three polychrome painted figures over a turned wood dial with Roman chapters against a Gothic blind tracery carved body and between rope twist pillars over a carved blind balustrade and plinth with outfacing front corners and squat bracket feet, three train double fusee movement striking on the quarters, half hours and hours, 27 in (68.58 cm) high

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460345 Los(e)/Seite