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Preisdatenbank abonnierenA late 19th Century Mahogany, Rosewood and Boxwood Inlaid German Bracket Clock, C Werner 76095, the plinth-shaped case with detached base, to a cast brass bezel enclosing an engraved and silvered Arabic dial with outside minute track and blued steel spade hands, to a square brass movement, with backmounted count wheel and anchor escapement, strike on a coiled gong, height 12 ½”
A late 19th Century Simulated Walnut Mantel Alarm Clock, Winterhalder & Hofmeier, the plinth-shaped case with moulded base to a glazed door enclosing a painted square dial, with Roman chapter ring and outside minute track with blued steel hands and central alarm disc, to a square brass movement with anchor escapement, strike on a bell, height 9 ½”
An early 20th Century Walnut Cased Mantel Clock, the arched case with carved and canted corners, to a plinth base and raised on button feet, to a spun brass bezel with bevelled glass enclosing a 5” silvered Roman dial with outside minute track and blued steel hands, to a square brass movement, with anchor escapement and strike on a coiled gong, height 12”
A second half of the 20th Century Italian Clock Garniture, Zanardi, the large shaped case surmounted by an urn-shaped finial over cockerel head mounts and further finials, to a waisted base and flanked by satyrs each holding a detached fruiting vine garland, to a marble plinth and raised on a further cast base on splayed paw feet, to a glazed bezel enclosing a 3 ½” Roman and Arabic enamel dial, with pierced black hands, to a circular brass movement with strike on two bells, height 24”; and flanked by two similarly decorated seven light Candelabrum (3)
A 20th Century Italian cast brass three piece Clock Garniture, the case surmounted by a knopped finial over cast and pierced floral and foliate detail, on a shaped base and raised on paw feet, to a 3 ½” cast brass dial with Roman lozenge numerals, to a spring-driven movement with platform escapement and strike on a bell, flanked by matching six-light candelabra (one A/F) (3)
A late 19th Century black and variegated Marble Mantel Clock, the architectural case with central dome and overhanging cornice to freestanding columns, and raised on a plinth base, to a cast brass bezel with bevelled glass enclosing a 3 ½” Roman enamel dial, with outside minute track and matted gilt centre with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 14 ½”
A second half of the 20th Century Italian Clock Garniture, Zanardi, the large shaped case surmounted by an urn shaped finial, over cockerel head mounts and further finials, to a waisted base and flanked by Satyr’s, each holding a detached fruiting vine garland, to a Marble plinth and raised on a further cast base raised on splayed paw feet, to a glazed bezel enclosing a 3 ½” Roman and Arabic enamelled dial with pierced black hands, to a circular Brass movement with strike on two bells, height 24”, flanked by two similarly decorated seven light candelabrum (3)
A late 19th Century American Mahogany and gilt highlighted Mantel Clock, Seth Thomas, the arched case on a moulded plinth base, to a glazed and panelled door, the lower section decorated with a reversed coloured print, to a painted Roman dial with outside minute track and blued steel hands, to a spring-driven movement with anchor escapement and strike on a coiled gong, height 15 ½”
A mid-20th Century Mahogany and inlaid Mantel Clock, Empire, the arched case on a moulded plinth base with crossbanded detail, to a spun brass bezel and convex glass enclosing a 5” silvered Arabic dial with outside minute track and blued steel hands, to a rectangular brass movement with anchor escapement and strike on a blued steel coiled gong, height 9 ½”
A mid-20th Century American Mahogany Cased Mantel Clock, the lancet-shaped case on a plain moulded base and lacquered brass bracket feet, to a spun brass bezel, to a 4” Arabic enamel dial with outside minute track, signed Ansonia Clock Co, and with blued steel hands, to a twin spring-driven movement with anchor escapement and strike on a blued steel coiled gong, height 12 ¼”
An 18th Century 8 Day Long Case Clock Movement, unsigned, the 12” arched brass dial with wheatear engraved border, the arch (lacking nameplate) with dolphin spandrels over further cast mask and foliate spandrels, enclosing a silvered Roman and Arabic chapter ring, with fleur-de-lys half hour makers and inside quarters track, to a matted centre with subsidiary seconds, ringed winding squares and date aperture, to a movement with plates united by four finned pillars, and with anchor escapement with strike on a bell, height 16 ½”
A brass faced 8 Day Long Case Clock Movement, the 11 ¾” arched brass dial with applied and silvered nameplate to the arch, over dolphin and mask and foliate spandrels, enclosing a Roman and Arabic chapter ring, with outside minute track, to a matted centre with subsidiary seconds and date sector, with blued steel pierced hands, to a movement with plates united by four knopped pillars, and anchor escapement with strike to a bell (bell lacking, losses, incomplete), height 16 ¼”
A Mixed Lot comprising: a cast brass 12” dial Clock Bezel, with 11 ½” internal and 12 ¾” external diameters, with brass latch (lacking hinge); together with a further cast brass Bezel of concave form, and with 12” internal and 13 ¼” external diameters complete with hinge and pin clasp, and part of original moulded surround (both requiring full restoration); and a 8 1/8” diameter convex Glass (3)
A 19th Century French painted and gilt metal mounted Bracket Clock (incomplete), the waisted case on a painted dark grey field, and highlighted birds feathers and further cast brass foliate mounts (most missing and also missing glazed panelled door), to an 8 ½” Roman and Arabic enamel dial with outside minute track and pierced hands, to a twin spring-driven movement with anchor escapement (incomplete and not functioning), height 17 ½”
A late 19th Century black Marble and gilt metal mounted Mantel Clock, the palladium case set with six reeded columns to a plinth base, centred with a cast bezel, with glass enclosing a black 3 ½” Roman chapter ring with gilt centre and gilt spade hands, signed G C Last of Paris, to a circular Brass movement with anchor escapement, strike on a coiled gong, height 12”
A late 19th Century black Marble and Lapis Lazuli inlaid Bracket Clock, retailed by Jackson & Graham of London, the architectural case with overhanging cornice, surmounted by curved pediment flanking a central plinth, over inlaid square columns and raised on a double breakfront plinth base, to a cast brass bezel with bevelled glass enclosing a 4 ½” black dial with gilt highlighted Roman numerals and outside minute track, signed to the centre and with gilt spade hands, to a circular brass movement with anchor escapement and strike on a bell (losses), height 12 ¾”
A mid-19th Century Austrian Ebonised and Alabaster Portico Clock, Franz Kaprulech? of Marina Enzersdorf, the plinth-shaped pediment with overhanging cornice and applied mother-of-pearl detail, over plain gilt metal mounted alabaster columns, to a breakfront ebonised base, to a cast brass bezel enclosing a signed Arabic enamel dial with outside minute track, inside calendar subsidiary and blued steel moon hands, to a signed square brass movement with silk suspension and anchor escapement with strike on two coiled gongs, height 17”
A late 19th Century black and variegated Marble mounted Mantel Clock, the architectural case with palladium pediment over four half columns, raised on a plinth base, to a beaded bezel with bevelled glass enclosing a 4” Arabic enamel chapter ring, with outside minute track, matted centre and blued steel spade hands, to a circular Brass movement with anchor escapement, strike on a coiled gong, height 17” £40-50
A late 19th Century black Marble and gilt metal mounted Mantel Clock, the architectural case with palladium pediment, set with classical equestrian figures, over freestanding Corinthian columns, to a stepped plinth base, and spun Brass bezel set with bevelled glass enclosing a 4 ½” Arabic chapter ring, to a visible Brocot escapement and fleur de lys type hands, to a circular Brass movement, with anchor escapement and strike on a coiled gong, height 17”
A late 19th Century black Slate and gilt Bronze Mantel Clock, the drum shaped case surmounted by floral garlands and topped by a spread eagle and wrythen serpent, on scrolling mounts, to a break front plinth base raised on six lobbed bun feet, (Bronze eagle A/F), to a Brass bezel with bevelled glass enclosing a 5 ½” Roman enamel dial with outside minute track and blued steel moon hands, to a circular Brass movement with anchor escapement and strike on a bell, width 21 ½”
An early 20th Century triple barrel Mantel Clock, the arched case with moulded base to a spun brass bezel with convex glass enclosing a silvered circular dial with applied Arabic numerals and pierced hands, to a triple spring-driven movement with anchor escapement and strike on five rods, height 10”
A late 19th Century French gilt metal mounted Alabaster Mantel Clock, the circular column case surmounted by a classical maiden holding a dove and laurel garland, to a fluted base on a square socle, to a further gilt metal shaped oval front with further foliate garland detail and applied floral castings (A/F and dismantled), to a gilt highlighted Roman chapter ring with further gilt centre and hands, and circular brass movement with backmounted count wheel and anchor escapement, strike on a bell (requires full restoration)
A mid-18th Century Oak cased 8 Day Long Case Clock, Thos Page of Norwich, the hooded overhanging cornice surmounted by a replacement scrolling pediment to ¾ columns, moulded throat and long arched trunk door to a reduced plinth base, to an 11” square brass dial with cast mask and foliate spandrels, enclosing a Roman and Arabic chapter ring with outside minute track to a matted centre with date sector, to a movement with plates united by four knopped pillars, with anchor escapement and strike on a bell (associated), height 80”
An early 19th Century Oak Cased 30 Hour Clock, R Marshall of Longthorn?, the hood with overhanging cornice and freestanding columns, to a moulded throat with long arched trunk door and plinth base, to a 12” second period painted arched dial, decorated to the arch with a hunting scene and with painted rose spandrels enclosing an Arabic chapter ring with further Arabic quarters and outside minute track and date subsidiary with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 85”
An early 19th Century Oak cased 8 Day Long Case Clock, signed Hargrave of Bamtry (probably Hargrave of Bawtry), the hood with swan neck pediment over gilt metal mounted and fluted freestanding columns, flanking a crossbanded circular door, to a moulded throat over fluted quarter columns and shaped long trunk door to a plinth base, to a 12 ½” painted Roman dial with outside minute track and 5 minute increments, enclosing subsidiary seconds with further floral spray, and with pierced steel hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 83”
A late 19th Century Oak and Mahogany crossbanded 8 Day Long Case Clock, J Jones of Denbigh, the overhanging cornice with broken arch pediment surmounted by two of three globe and spread eagle finials, over cast brass Corinthian freestanding columns, to a moulded throat and further plain frieze, to a shaped short trunk door flanked by quarter reeded columns and further panelled section, to a panelled plinth base, to a signed and square 12” first period painted dial, with rose and gesso highlighted spandrels, enclosing a Roman and Arabic chapter ring with further subsidiary seconds and date sector, and further detailed with birds, flowers and foliage, to pierced and stamped hands, to a signed false plate and movement with plates united by four knopped pillars, with anchor escapement and strike on a bell, height 90”
A late 20th Century reproduction Lantern Clock, William Gray of London, of typical form with a bell within a strap work frame, with pierced and engraved panels, to an oversized and silvered Roman Chapter ring, with inside quarter track and half hour markers, to a further engraved and signed centre with single steel hand, raised on ball feet, with shuttered side doors, to a verge movement with back mounted count wheel and strike on a bell, the whole mounted to a Mahogany wall bracket, together with its original sales papers, height of clock 15”
An early 19th Century Oak cased 30 Hour Long Case Clock, the hood with swan neck pediment over freestanding baluster turned columns, to a moulded throat with short panelled trunk door, and further plinth base, to an unsigned 12” third period painted dial, with rose and tulip spandrels enclosing a worn Roman chapter ring, and plain centre with pierced hands, to a plated movement with anchor escapement, strike on bell, height 78 ½”
A late 18th Century Mahogany cased 8 Day Long Case Clock, Jas Burton of Whitehaven, the arched hood with gilt highlighted frieze panel and dentil work detail (losses and damage), over freestanding fluted columns, to a moulded ogee throat and panelled trunk with quarter reeded columns flanking a shaped long trunk door, and panelled plinth base with further canted corners, to a 13” first period painted dial, the arch decorated with a river scene within a gilt highlighted and gesso border with further gesso spandrels decorated with roses, enclosing a Roman and Arabic chapter ring with further subsidiary seconds and date sector with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars with anchor escapement and strike on a bell (bell lacking), height 85”
A mid-19th Century Mahogany and cross banded 8 Day Long Case Clock, T Evans of Bangor, the hood with swan neck pediments over freestanding baluster turned columns flanking replicated half columns to an arched door and moulded throat with frieze panels and short trunk door, further flanked by freestanding columns to a panelled plinth base on bracket feet, to a 14” painted Roman dial with moon phases to the arch and depicting the maidens of the four seasons to the spandrels, to a Roman chapter ring with outside minute track and centred with a depiction of the Ascension of Christ and further subsidiary seconds and date sector with pierced and stamped Brass hands, to a false plate and movement with plates united by four knopped pillars with anchor escapement, strike on a bell, height 91”
A George III Scottish mahogany and inlaid longcase clock By Thomas Ivory, Dundee the arched dial painted with exotic birds and foliate spandrels, with a subsidiary second dial and date aperture, the eight day movement striking on a bell, the case with fluted quarter columns and later turned feet 44cm wide, 209cm high
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