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460345 Los(e)/Seite
Los 1313
French Exhibition brass skeleton clock with alarm, the back plate and 2.25" white enamel chapter ring signed Pierret a Paris, upon shaped supports and an ebonised base fitted with a bell, under a glass dome, 10.5" high; also another similar French Exhibition brass skeleton clock, without glass dome (both with pendulums and in need of restoration) (2)
Los 1314
French Exhibition brass skeleton clock with alarm, the back plate and 2.25" white enamel chapter ring signed Pierret á Paris, enclosing a skeletonised centre with central alarm dial, with shaped foliate engraved supports and upon an ebonised base fitted with a bell, under a glass dome, 10.5" high overall (pendulum)
Los 1336
Early English brass hook and spike alarm lantern clock, the 6.25" chapter ring enclosing a foliate engraved centre with single iron hand and engraved brass alarm dial, signed Robert Robinson, Londini Fecit under the front fret pierced with dolphins and marine foliage, also with plain side frets, bell, strapwork and finial, the movement converted from balance wheel to pinwheel escapement, 15" high (pendulum, single and side doors)
Los 1337
English brass hook and spike lantern clock, the 6.5" brass chapter ring signed Walter Archer enclosing a foliate engraved centre, surmounted by three lion and unicorn pierced frets, the sides also pierced and scratch engraved with dolphins, 11.5" high (pendulum, weight and bell) * Walter Archer is a well known clockmaker from Stow on the Wold and admired for his individuality and quirkiness
Los 1338
Good French ormolu and white metal two train pillar and drumhead mantel clock, the movement with large outside countwheel striking on a bell, the 6" cream convex dial signed Leroy, Paris, within a drumhead casing supported upon a fluted pillar flanked by urns issuing flowering foliage, also upon a bow fronted stepped base and surmounted by an oval flowering urn, 19.5" high (no pendulum or keys)
Los 1342
Good French ormolu two train large mantel clock, the Vincenti movement striking on a gong, the 10" foliate embossed chapter ring with Roman cartouche enamel numerals, enclosing a centre embossed with the bust of an angel and dolphin pedestals amidst scrolling foliage, within an ornate case cast and applied with foliage, surmounted by an oil lamp with mythical beast handle over a domed top and pierced diapered panels, 28" high
Los 1343
Good English mahogany original verge double fusee bracket clock, the 6.5" brass arched dial signed Rennard, London to the centre with calendar aperture, enclosed by a silvered chapter ring and surmounted by a strike/silent dial to the arch, the movement with pull repeat and foliate engraved back plate, within a stepped case surmounted by a bell top, four small brass finials and a carrying handle, 20" high *This clock is sold with several service and restoration receipts from various horologists
Los 1344
Good English fruitwood double fusee verge pad top bracket clock, the 8" cream dial signed H. Furniss, London, the verge movement with pull repeat striking on a bell and with foliate border engraved back plate, within a stepped rounded arched pad top case with pierced brass fish scale panels to the front and pierced flowerhead rounded arched panels to the sides, surmounted by a brass handle, 18" high (pendulum and keys)
Los 1346
Good French ormolu transitional period figural two train drumhead mantel clock, the 5" convex white enamel dial signed in red Guydamour, Paris and within a drumhead casing flanked by two classical female seated figures representing Justice and Wisdom, the movement with outside countwheel, striking on a bell and with silk suspended pendulum, upon a rectangular stepped base pierced in high relief with a guilloche and laurel leaf design within a beaded panelled border, 16" wide overall (pendulum)
Los 1348
Impressive French ormolu and bronze two train large mantel clock, the S. Marti movement striking on a bell, the 5" chapter ring enclosing a recessed visible escapement, within an ornate slender balloon shaped case applied with two bronze cherubs and ormolu foliage, surmounted by a wavy stepped top and flowering foliage, 27.5" high (pendulum)
Los 1349
Good German Neuchatel bracket clock and bracket, the square plated verge movement quarter striking on two bells and with Grand Sonnerie pull repeat, the 11" white dial within a glazed waisted wooden case painted with flowering branches on a light green ground, 40" high including bracket (pendulum) *This clock was formerly the property of Hans-Adam II, the The Reigning Prince of Liechtenstein and was part of the collection of the princely house of Liechtenstein **Provenance: Schloss Vaduz, Liechtenstein, 1945 Bern, before 2001. Schloss Vaduz, Liechtenstein, 2001 Schloss Vaduz, Liechtenstein, 2006 Vienna, 2007 Sold at Christie's Amsterdam 2008
Los 1351
Oak Gothic style triple fusee bracket clock and bracket, the movement striking on a large gong and playing on a nest of eight bells, the 8" grey silvered dial with subsidiary chime/silent dial to the arch within a stylised carved cluster column case surmounted by spire finials, 32.5" high (pendulum); together with original wall bracket
Los 1355
Good small English ebonised and ormolu mounted single fusee verge bracket clock, the 5" silvered dial signed Edward Taylor, Moorfields, London, within a stepped case with pierced foliate ormolu spandrels and surmounted by a caddy top with four acorn finials and a carrying handle, 12.25" high (pendulum and keys)
Los 1356
Good brass Congreve style triple dial fusee clock, inscribed 'Fell for Dent No. 042 del 1974', the substantial movement supported upon circular tapering columns to the rectangular stepped plinth base, also upon a mahogany board and green marble base, 19" wide (with winding key and ball, but lacks glass housing)
Los 1359
Fine English ebonised triple fusee verge bracket clock striking the quarters on a nest of eight bells and the hours on another, the finely engraved back plate signed John Ellicott, London, the 7" brass arched dial with silvered chapter ring also signed John Ellicott, London, enclosing a matted centre with calendar aperture, also with a strike/silent dial to the arch, within an ebonised case with brass plinth and surmounted by a caddy top, 22" high (pendulum and keys)
Los 1360
Impressive boulle two train bracket clock with bracket, the 12" gilt metal dial with Roman cartouche enamel numerals, the Japy Freres movement stamped H & F, no.8871 with outside countwheel and striking on a bell, within an ornate waisted case mounted with figures and stylised foliage, 54" overall (pendulum and keys)
Los 1361
Good English oak triple fusee musical bracket clock, the six pillar movement with engraved back plate signed James McCabe, Royal Exchange, London, playing on a nest of twelve graduated bells and striking on another, also with locking pendulum, the 9" cream painted metal dial also signed James McCabe, Royal Exchange, London to the centre, under strike/silent and 7 tune selection dials to the arch, within a rounded arched stepped case surmounted by two small brass ball finials and a larger hinged brass ball finial upon a square caddy top, 28" high
Los 1362
Fine and rare novelty silvered brass and ormolu tripod mantel timepiece by Thomas Cole, the movement with shaped back plate inscribed Boxell, Brighton no.1054, the 5.5" x 4.5" ormolu oval dial plate engraved with stylised flowering branches within geometric borders, enclosed by a gilt chapter ring with Roman numerals with further floral engraving to the top and bottom of the dial plate, supported upon three rustic knopped branches suspending a pendulum with cauldron bob over a fire modelled as gilded logs, upon a giltwood stepped circular base and under a glass dome, 24.5" high overall (pendulum and key) *The left hand branch support is stamped with the no.1586 to the top *See reference J.B. Hawkins - Thomas Cole and Victorian Clockmaking, published Sydney 1975, where this clock features on page 110, item 38. The entry reads as follows:'A most unusual tripod clock of the naturalist school of design. In "The Analysis of Ornament" by R. Wornum, London 1856. Wornum, keeper of the National Gallery, London and Secretary to the Trustees states; "There is a class of ornament which has much increased of late years in England, and by way of distinction, we may call it the 'Naturalist' school. The theory appears to be that as native is beautiful, ornamental details derived immediately from beautiful natural objects must ensure a beautiful design. This, however, can only be true where the original uses of the details chosen have not been obviously violated; and one peculiar feature of this school is that it often substitutes the ornament itself for the thing to be ornamented''This clock is obviously an effort by Cole to keep in the height of fashion and is extraordinary by any standards.''The tripod holding the clock is made of cast brass silvered as imitation logs, these suspend by way of the pendulum, a lidded cauldron over a simulated log fire. The whole is executed to the very highest standard and whether one approves or disapproves, it must be considered as a premier example of the Naturalist School of Design' *This clock was inherited by the current vendor from a great aunt nearly 50 years ago
Los 1363
Good English ebonised and ormolu mounted double fusee verge table clock, the foliate engraved movement back plate signed Horseman, London, no.311 with pull repeat, striking the quarter hours on six bells and the hours on another, the 7" brass arched dial also signed Horseman, London to the matted centre with false pendulum bob aperture, enclosed by a silvered chapter ring and surmounted by subsidiary calendar and strike silent dials, with a calendar dial to the arch, within an architectural stepped pillared case with brass banding and upon a breakfront swivel base, surmounted by a moulded rounded arch cornice and raised caddy top with stylised pierced foliate fretwork panels, 34.5" high (pendulum)
Los 1501
English rosewood eight day bracket clock, the 10" silvered circular dial signed R. Russell, Leicester, with centre seconds sweep hand, the movement with pinwheel escapement attached to the back plate and striking the hours on a bell, within a stepped case surmounted by a slightly raised pediment, 17.5" high (pendulum and keys)
Los 1502
Good small English mahogany single fusee verge bracket clock, the 5" silvered arched dial signed Joseph Kent, London to the arch, the A-frame movement with foliate engraved back plate, within a rounded arched stepped case with moulded cornice and brass carrying handle, 14" high overall (pendulum and keys) (at fault)
Los 1507
English white marble and ormolu mounted single fusee portico mantel clock, signed on the inside of the front plate and on a metal plaque attached to the movement back plate, F. Baetens, 23 Gerrard Street, London, the 4.25" gilt metal dial supported upon four pillars to the rectangular base, surmounted by a rounded arched pediment with classical urn and five pineapple finials, 17" high (pendulum and key)
Los 1508
Good French bronze and ormolu two train mantel clock, the Vincenti movement with outside countwheel and striking on a bell, the 3" gilt chapter ring enclosing an engine turned centre over a seated angel figure, the case with applied foliate mounts and cast foliate friezes, surmounted by a pierced flat urn, 21" high
Los 1509
Good English brass single fusee skeleton clock, the movement with deadbeat escapement and maintaining power, the 4.25" silvered chapter ring upon a tapering frame supported upon twin stepped plinths and a mahogany oval base, 16" high overall (pendulum with fine beat adjustment, lacking dome)
Los 1511
Bronze and ormolu two train mantel clock of ecclesiastical square form, the Gustav Becker movement striking on a gong, the rectangular silvered and gilt foliate dial within an ornate stepped case mounted with figures and mythical beasts, surmounted by a pierced foliate basket top and with standing robed lady finial, 20" high
Los 1512
French bronze and green onyx figural mantel clock garniture timepiece, the 3.75" cream painted dial inset into a base surmounted by the standing figure of Neptune upon a horse drawn chariot sculptured after L & F. Moreau, supported upon a bow fronted stepped onyx base, 19.5" high; flanked by two associated figural vase side pieces, 13.75" high (pendulum)
Los 1532
Small French bronze and fire gilded two train mantel clock, the movement with outside countwheel, silk suspension and striking on a bell, the 2.75" silvered dial inset into a rocky outcrop and surmounted by the seated figure of a young man, supported upon an acanthus fluted bombé base, 13" high (pendulum)
Los 1533
Bronze and black marble two train figural mantel clock, the movement with outside countwheel and striking on a bell, the 3.5" convex white dial signed Bailly á Lyons within a rounded arched casing attended by the seated figure of a classical robed lady, upon a stepped brass lined marble base, 15.5" high (pendulum)
Los 1536
Black marble and spelter figural two train mantel clock, the movement with outside countwheel and striking on a bell, the 4.5" white dial within a drumhead casing and attended by a standing winged cherub holding a palette to one side and an artist's easel to the other, upon a stepped black and green marble base, 23" high (pendulum)
Los 1540
Walnut two train bracket clock striking on a bell, the 6.25" brass arched dial signed John Smith, London on a silvered arched plate to the matted centre with three full calendar apertures, enclosed by a silvered chapter ring and surmounted by a moon phase to the arch, within a rounded arched pad top case with brass carrying handle, 15.5" high (pendulum)
Los 1552
German oak two train ting-tang mantel clock, the W & H movement striking on two gongs, the 6" brass arched dial with subsidiary slow/fast and chime/silent dials over a silvered chapter ring enclosing a matted centre, within an architectural breakfront pillared case surmounted by a rounded moulded cornice and three carved acorn finials, 24" high (pendulum and key)
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460345 Los(e)/Seite