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Preisdatenbank abonnierenA good quality 19th century bronze gilded library clock with two girls seated before a bookcase with a 19cm enamel dial, signed lemoine à Paris silk suspension movement, striking on a bell - Height 37cm Condition report: Small chips to dial very minor rubbing to gilt generally good but movement needs attention
An early 20th century Carriage clock, full face white enamel dial with Roman numerals, the top of the gilt brass case engraved - Presented to Colour Sergt Freeman by the Poona Divisional Office Tennis Club on his departure on promotion to Colour Master Sergt. 30.08.10 - overall height to top of handle 15.5cm Condition report: With key, in working order
A George III flame mahogany bracket clock, the dial signed Ellicott & Co, Royal Exchange, London, arched and raised panelled case with brass swing handle, brass and white enamel dial with speed and seconds subsidiary dials in the arch, 18cm main dial with Roman numerals, side sound grilles, brass bracket feet, the double fusee movement striking on a single bell signed Ellicott Taylor & Co, London, height 43cm, (pendulum)
A George V leather fitted travelling case, the interior featuring twenty-three silver and leather accouchements to include, two hair brushes, two combs (one damaged), one silver lidded glass toilet jar, two silver topped cut-glass scent bottles, a miniature carriage clock on four bun feet, a silver topped hat pin jar, a silver jar and cover, two clothes brushes, a manicure set with nail buff, a silver dressing table tray and mirror, leather blotter, secured by two gilt brass Bramah & Co locks of 100 New Bond Street, silver fittings with marks for Levi & Salaman Birmingham 1922 and EMW, London 1922, owner's initials 'C.C.W' embossed in gilt lettering to leather case, all contained within the original canvas outer cover, with the same set of initials, dimensions of case, length 51 cm, width 34 cm, height 19.5 cm approx
A late 19th Century bronzed spelter mystery clock, modelled as a winged female with arms raised, plaque to plinth 'Par Hip Moreau, L'Histoire', left arm holding a 16cm green spherical clock with gold colijured Roman numerals and hands, triple strand regulating pendulum with smaller sphere at base, French eight day movement, height 77cm
A George III flame mahogany Thwaites & Reed bracket clock, brass swing handle, caddy top, glazed 16cm circular silvered brass dial signed Thwaites & Reed, London, glazed side windows and rear door, double fusee movement striking on a single bell, brass bracket feet, height 47cm, (pendulum) Notes: Founded in London in 1740, world famous Thwaites & Reed claim to be the oldest clock manufacturers in the world with drawings dating as far back as 1610. For thirty years the Company has maintained all the clocks at The Palace of Westminster including 'Big Ben'. In recent times it has supplied movements for the likes of Asprey and Garrards.
A late Victorian oak cased bracket clock, manufactured by the British United Clock Company, fitted with an integrated thermometer,also a compass, barometer and spirit level, having a carved pediment, this rare clock, is believed, to be only one of two ever to have been made, with pendulum, height 51cm
An Elizabeth II silver limited edition urn clock, commemorating the Royal Wedding on 29th July 1981 of Prince Charles to Lady Diana Spencer, with applied gilt decoration of lion head masks and Prince of Wales feathers, rope twist decoration around foot rim, the lift off cover with Neo-Classical urn finial over an annular chapter ring with Roman numerals and eight day movement, hallmarks struck to the underside with corresponding part marks to the cover and finial, sponsor's mark for Mappin and Webb, London 1981, limited edition number 99 of 210, height 28 cm, gross combined weight 2145 g / 68.9 ozt approx all in, with original fitted tooled leather and satin lined presentation case Note: For similar examples see: Bonham's ex-lot 84, Selected Art and Antiques, Edinburgh, 29 September 2011. Poly Auction ex-lot 2670, Important Watches and Noble Collections, Hong Kong, 6 April 2015.
An Elliott bracket clock of 18th Century design, circa 1950's, black lacquer case with chinoiserie decoration of pagodas and figures in relief, caddy top with brass swing handle, the arched brass dial with silvered chapter ring signed 'Boodle & Dunthorne, Chester' and 'Elliott', Westminster and Whittington chiming mechanism No.18759, height 39cm (key)
A Charpentier of Paris bronze bracket clock, circa 1870, surmounted with a pair of bronze cherubs, 10cm enamel dial with Roman numerals signed 'Charpentier, Bronzier, A Paris, 8 Rue Charlot', breakfront white marble plinth, the signed movement striking on a bell, height 29cm, width 38cm, (key and pendulum)
A late George II/George III George Lumley of Bury bracket clock, circa 1755-1765, ebonised case with caddy top and cast metal mounts, arched dial dial with strike/silent subsidiary dial, gilt metal spandrels, silvered chapter ring with Roman numerals and chinoiserie engraving with date aperture, brass bracket feet, the movement strikes on the hours with a repeat and records days of the month, height 52cm Notes: George Lumley was a member of The Guild of London Clockmakers.
A mid Victorian oak cased eight day town hall clock in the Renaissance Revival style, the upper section with a caddy top and turned finials, with an ormolu centre, the glazed front with gilt spandrels and a silvered chapter dial, with subsidiary dials, also having two winder holes, the face set between turned columns, the movement marked W&H, the case with an arcaded and panelled front, complete with key
Smith (Philip, 1928-). A musical box, wooden mantel clock case, with a musical box mechanism loosely contained inside, the clock face removed (but retained, set into some hardboard and included in the lot) and replaced with inset circle of green morocco, with coloured onlays and gilt stamped overall with figurative design, diameter of circle 14.5cm (5.75ins), overall size of clock 29 x 22 x 16cm (11.5 x 8.75 x 6.25ins) Similar to the binding Philip Smith created for 'Great Private Collections' edited by Douglas Cooper, illlustrated in 'Non-Duality, As It Is', 2006. He describes the imagery thus: "The design intends different possible states of man. The main gold stamped area represents the 'spiritual' Sun, with a central figure showing the changes necessary in an individual if he is to 'fulfil his potential'." (2)
A Hand Carved Marble Clock Carved in the Form of a Church Building, having two hand carved religious figures on each side, the clock being an apprentice piece initialled F.J. and dd 1804, approx 38 x 49 x 12 cms, on black marble base. Edward Jennings worked as a monumental mason in Northamptonshire, Oxfordshire and Berkshire. Latterly, he had his own Monumental Memorial business in Maidenhead, Berkshire. An example of his work can be seen on the verge outside the churchyard of St James the Less, Stubbings, Maidenhead, Berkshire in the form of a War Memorial. The stone cross was erected in 1920 and unveiled on 3rd October that year.
Thomas Oldmeadow, Lynn, a George III mahogany cased longcase clock, five pillar movement, moonphase to arch, signed above, seconds dial and date aperture, movement with shaped front plate, 12" dial, in London style case with double skirting, with two brass cased weights, 233cm See images as requested. No packing around seatboard. Dial very slightly bent as per image. One piece of brass to case has been replaced as per image. Case is speckled with paint as per image. See images for condition.
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![*Smith (Philip, 1928-). Wall piece, [1969], assemblage of mixed media with mantelpiece shelf and clock and picture in perspex](https://cdn.globalauctionplatform.com/cf080128-81ae-4a33-a251-a625012ad8db/1cc772fe-40cc-41e4-c9b1-5d5db1c3bbf4/468x382.jpg)
