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Preisdatenbank abonnierena Brass Skeleton Mantel Clock with Passing Strike, circa 1890, the single fusee movement with anchor escapement and passing strike on a top mounted bell, four spoke wheels, 6-inch silvered dial with Roman numerals, "later" hands, raised upon white marble plinth and beneath glazed dome, 41cm high See illustration
a Gilt Metal and Porcelain Mounted Striking Mantel Clock, circa 1880, the highly elaborate case decorated with mask and scroll mounts, finely painted porcelain panels depicting sprays of flowers, the base upon claw shaped feet, blue/white porcelain dial with Roman numerals and above a trophy of arms, pieced hands, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped "Grohe, Paris", and numbered "3876", 43cm high (missing pendulum) See illustration
a Sienna Marble Striking Mantel Clock, circa 1890, the drum shaped top with sweeping sides and upon a stepped rectangular base with turned gilt metal feet, 3-1/2-inch white enamel Roman chapter ring, engine turned centre, steel moon shaped hands, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped "AD Mougin" and numbered "1596 52", 31cm high
a French Portico Striking Mantel Clock, signed Rommetin A Beroy, second half 19th century, the nicely figured mahogany case surmounted by a lion and supported by four turned columns with gilt metal capitals, rectangular plinth decorated with gilt metal borders and raised upon engine turned cushion shaped feet, 5-inch gilded dial with Roman numerals and signed, acanthus leaf decorated dial surround, moon hands, twin barrel movement with outside countwheel striking on a bell, cast gilt metal acanthus leaf and scroll finished pendulum, 64cm high See illustration
an 18th Century Brass Lantern Clock Case, signed Henry Lintott in Farnham Fecit, the case with pierced dolphin frets, turned brass finials, top mounted bell and side opening doors, turned brass ball shaped feet, 6-1/4-inch Roman chapter ring with inner minute track, dial centre signed and decorated with flowerheads, complete original movement "missing" and now with single barrel platform lever movement stamped "Smiths Astral", 38cm high See illustration
an Unusual Striking Easel Clock, signed Elkington & Co, Rd No. 92173, circa 1890, contained in an ebonised wooden frame, the case back with folding-out strut support, 4-1/2-inch silvered Arabic chapter ring surrounded by an electroplated classical relief signed and numbered to the lower edge, twin barrel movement with platform lever escapement, striking on a gong, movement backplate stamped "Japy Freres" and numbered "1052", 74cm by 41cm See illustration
a Brass Thirty Hour Lantern Clock, signed Henry Baker, Malling, circa 1770, 8-inch arched brass dial with Roman chapter ring, matted centre, engraved scrolled spandrels with a herringbone engraved border, the arch with a circular disc signed "Henry Baker, Malling", single pierced steel hand, side opening doors, four posted movement with anchor escapement and countwheel striking on a bell, 28cm high, together with associated oak bracket See illustration henry Baker is recorded as working in Malling between 1768-1784. See Baillie (G H): Watchmakers & Clockmakers of the World, pg 13
a Marble Four Glass Striking Mantel Clock with Garniture, circa 1890, the case with marble top and four bevelled glass panels, rectangular shaped marble plinth, 3-3/4-inch enamel dial with Arabic numerals and floral swag decoration, gilt metal pierced hands, twin barrel movement with striking on a gong, movement backplate stamped "AD Mougin" and numbered "508 411", twin tubed mercury pendulum, 28cm high, together with matching marble gilt metal twin-handled garniture See illustration
a Gilt Brass Striking Mantel Clock with Garniture, circa 1900, the case with architectural pediment, bronzed Corinthian columns, plinth with acanthus leaf work upon a shaped base, 4-inch dial with Arabic numerals, twin barrel movement with striking on a gong, movement backplate stamped "Marti" and numbered "4333 52", 33cm high, together with matching gilt brass and bronzed urn garniture decorated with flowers, fruit and insects, 27cm high See illustration
a Good Cathedral Brass Chiming Skeleton Clock, circa 1880, triple chain driven fusee movement with anchor escapement, six spoke wheels, chiming the quarters on eight bells and striking the hour on a large spiral gong, nicely finished flowerheads to the ratchet wheels, 8-inch silvered chapter ring with Roman numerals, movement raised on a white marble plinth and upon a modern wooden base and beneath a modern glazed cover, pendulum with wooden rod and cylindrical shaped bob, 60cm high See illustration
an Egyptian Revival Black Slate, Marble and Bronze Mounted Striking Mantel Clock, circa 1870, the Egyptian influenced case surmounted by a bronze sphinx, the case with angled corners and decorated with red marble, rectangular plinth raised upon gilt metal claw feet, 4-1/2-inch dial with gold coloured Roman numerals, twin barrel movement with striking on a bell, movement backplate stamped with a star "AB" possibly for (Achille Brocot) and numbered "1686 155", 40cm by 42cm See illustration
a Good Chiming Skeleton Mantel Clock, signed Sinclair Harding, No.998, 2003, triple chain driven fusee movement with anchor escapement, quarter chiming on eight bells and striking a further bell for the hours, nicely blued screws and silvered plates, movement backplate signed "Sinclair Harding" and numbered "998", 5-1/2-inch silvered Roman chapter ring, raised upon white rectangular marble plinth and beneath glazed cover, 37cm high, sold together with Sinclair Harding Certificate and guarantee letter See illustration
a Black Slate Striking Mantel Clock, circa 1870, the case with drum shaped top, front triangular bevelled pendulum window flanked by sweeping sides, rectangular plinth with gilt scroll decoration, 4-3/4-inch white enamel dial with Roman numerals, recessed dial centre with visible Brocot escapement, steel moon shaped hands, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped "Marti" and numbered "4262 77", gridiron type pendulum with circular brass bob, 41cm high
a Black Slate Striking Mantel Clock, circa 1880, the case with a flat top, gilt metal classical relief panel to the front, gilded Corinthian columns upon a rectangular plinth, 6-inch white enamel dial with Roman numerals, recessed dial centre with visible jewelled Brocot escapement, twin barrel movement with striking on a gong, movement backplate stamped "Hry Marc Paris" and "Marti", numbered "88880", 49cm high
a French Gilt Metal Striking Mantel Clock, circa 1870, the case surmounted by a winged figure reclining, rectangular base with acanthus leaf border and raised on scroll shaped feet, 3-inch silvered dial with Roman numerals and engine turned centre, moon shaped hands, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped "J Marti" and numbered "14190 52", 46cm high
a Brass Ship's Novelty Timepiece, circa 1910, the clock set within a ship's wheel and beneath with ropework mounts upon a silvered brickwork-form decking base, 3-1/4-inch silvered dial with Roman numerals, moon shaped hands, single barrel movement with platform escapement, movement backplate stamped "VAP Brevete SCDG", 26cm high
an Alabaster Striking Mantel Clock, signed Chaudes Solle A Paris, circa 1870, the case with a pierced top finial, flower, leaf and swag decorated front, rectangular base with acanthus leaf borders and upon bun shaped feet, 3-inch dial with Roman numerals and signed, twin barrel movement with outside countwheel striking on a bell, silk suspension, 49cm high
a Black Slate Mantel Clock combined with Aneroid Barometer and Local Interest, circa 1870, the case with flat top pediment, green marble sides, the base with a brass plaque with a presentation inscription "This clock is presented by the ladies together with a purse of £130 from the gentlemen of the Hurworth Hunt to George Dodds, in recognition of his valued services as Whip & Huntsman for 28 years 1877", 4-3/4-inch white enamel dial with Roman numerals, recessed dial centre with visible jewelled brocot escapement, below is an aneroid barometer dial, twin barrel movement with striking on a bell, movement backplate numbered "1808", 41cm high
a Small Longcase Clock, the case with swan neck pediment, flued turned columns, wavy shaped trunk door flanked by inset fluted pilasters, inside trunk door with presentation inscription to brass plaque, rectangular plinth with brick work decoration and upon bracket feet, 4-1/4-inch brass dial with Roman chapter ring, the arch with circular plaque bearing inscription "Peter Brown Manchester", twin weight driven movement with deadbeat escapement, and striking on a small bell, (dial associated to the movement and to the case), 106cm high
a Painted Metal Striking Tole Clock, the circular green and gilt painted case with acorn and leaf decoration, large suspension loop to the top, 6-1/4-inch white enamel dial with Roman numerals, blued steel hands, twin barrel movement with outside countwheel striking on a bell, silk suspension, movement backplate numbered "813", 32cm wide
a Large Walnut "Vienna" Centre Seconds Wall Clock, circa 1890, the case with nicely figured walnut veneers, carved floral pediment, fluted columns with carved Corinthian capitals, glazed front door and sides upon waisted plinth, 7-1/2-inch enamel dial with Roman numerals, centre seconds hand, single weight driven eight day movement with deadbeat escapement, 173cm high See illustration
an Edwardian Walnut Quarter Chiming Table Clock, the case with flambeau finials and arched pediment, pierced side frets and pull repeat cord, masked canted corners, the moulded base raised upon claw shaped feet, 9-inch arched brass dial with silvered Roman chapter ring, matted centre, the arch with two subsidiary dials for fast/slow and chime/silent selection, triple barrel movement with anchor escapement, four hammers striking four gongs for the quarters and a further gong striking the hours, movement backplate stamped "RSM" and numbered "3", 72cm high See illustration
an Edwardian Mahogany Inlaid Quarter Chiming Table Clock, the case with arched pediment and gilt metal finials, cast gilt metal pierced side sound frets, floral inlaid decorated front with canted corners and rectangular plinth with gilt metal scrolled feet, 7-1/2-inch arched brass dial with silvered Roman chapter ring, matted dial centre, the arch with subsidiary dials for chime/silent and slow/fast, the massive triple fusee movement with anchor escapement, quarter chiming four hammers on to four gongs and a further hammer striking a larger gong for the hours, movement secured by brackets, 58cm high See illustration
a Mahogany Striking Bracket Clock, signed W Carpenter, London, circa 1880, the case with arched top, lion head ringed side carrying handles, applied carved floral mounts to the front, rectangular base raised upon turned brass feet, 8-inch painted circular dial with Roman numerals and signed, "later" spade hands, twin fusee movement with anchor escapement, striking on a gong, "later" seatboard, movement secured by brackets, 46cm high See illustration
an Edwardian Mahogany Chiming Table Clock, the case with a domed pediment and gilt metal finials, pierced side frets and carrying hands, angled plinth upon bun shaped feet, 7-1/2-inch brass dial with a silvered Roman and Arabic chapter ring, matted centre, three subsidiary dials above for chime/silent, fast/slow and eight bell/Westminster selection, the massive triple chain fusee driven movement with anchor escapement, quarter chiming on eight bells and four gongs and striking a larger gong for the hours, movement secured by brackets, 68cm high See illustration
an Edwardian Mahogany Quarter Chiming Table Clock, the arched case with carved finials, side pierced sound frets, blind fret work and floral carved decoration to the front and canted corners, 7-1/2-inch silvered dial with Roman numerals, matted centre, striking/silent lever above 12, large triple fusee movement with anchor escapement, four hammers striking on to four gongs and a further larger hammer striking on a gong, movement backplate numbered "1235", 59cm high See illustration
an Edwardian Carved Oak Chiming Table Clock, the case with arched top and mask and scroll carved decoration, pierced carved side sound frets,angled carved base upon rectangular pad shaped feet, 9-1/2-inch brass dial with silvered Roman chapter ring, the arch with three subsidiary dials for chime/silent, fast/slow, chime on eight gongs/chime on four gongs, triple barrel movement with anchor escapement, eight hammers striking for the quarters and a further hammer striking the hours, movement backplate stamped "WHsch", movement secured by brackets, 57cm high
a Regency Ebonised Striking Bracket Clock, signed Urquhart & Hart, London, the arched case with brass carrying handle, pierced front and side frets, rectangular moulded plinth raised upon brass bracket feet, 8-inch circular painted dial with Roman numerals and signed, twin fusee movement with anchor escapement and striking on a bell, movement backplate with engraved borders, movement secured by engraved brackets, "later" seatboard, 43cm high to hilt of handle See illustration
a Small Chiming Longcase Clock, the case with swan neck pediment ending with flowerheads and carved scroll work to the front, fluted columns, wavy shaped trunk door flanked by inset fluted pilasters, plain rectangular plinth with canted corners upon bracket shaped feet, 7-inch arched brass dial with silvered Roman chapter ring, the arch with silvered circular plaque bearing inscription "W Webester London", triple barrel movement with deadbeat escapement, chiming on five steel gongs, 143cm high See illustration
an Oak Longcase Clock, the case with flat top pediment, "later" applied brass mounts, rectangular shaped door, re-built plinth and feet, 11-inch circular Roman numeral brass dial signed "Whitehurst Derby", single weight driven four pillar movement with anchor escapement (dial and movement, associated to case), 198cm high
an Oak Eight Day Longcase Clock, signed Jno Rigg, Gisbrough, circa 1760, the case with flat top pediment, blind fretwork to the front, arched trunk door with stepped edges, rectangular reduced plinth, 12-inch arched brass dial with Roman and Arabic chapter ring, matted dial centre with arched date aperture, cherub spandrels, the arch with circular plaque signed "Jno Rigg Gisbrough", four pillar movement with anchor escapement and inside countwheel striking on a "later" bell, 232cm high See illustration john Rigg is recorded as working in Guisborough circa 1750. See Baillie (G H): Watchmakers & Clockmakers of the World, page 270.
an Oak Eight Day Longcase Clock, signed Lawson, Leigh, circa 1780, the case with swan neck pediment, "later" finials, verre eglomise panel to the front of hood, turned columns, mahogany crossbanding to trunk door flanked by plain inset pilasters, rectangular plinth with raised quatre form panel and canted corners, feet "missing", 13-inch square brass dial with silvered Roman and Arabic chapter ring, inner date ring with corresponding date hand, dial centre with lunar moon disc aperture and signed "Lawson, Leigh", scroll decorated centre, four pillar movement with anchor escapement and rack striking on a bell (dial foot broken), 217cm high See illustration
an Oak Thirty Hour Longcase Clock, the case with flat top pediment, "later" made columns to hood, arched trunk door, rectangular shaped plinth, 10-inch square brass dial with Roman chapter ring signed "Barber Winster", matted dial centre with date aperture, single blued steel hand, four pillar movement with anchor escapement, and outside countwheel striking on a bell, movement frontplate numbered "323" (dial and movement circa 1750), associated to the case (later), 195cm high
an Oak Thirty Hour Longcase Clock, signed Thos Lister, circa 1760, the case with flat top pediment, "later" made columns, rectangular trunk door flanked by inset fluted pilasters, plinth with raised quatre form panel and upon bracket feet, 12-inch square brass dial with Roman and Arabic chapter ring, nicely engraved dial centre signed "Thos Lister", date aperture and "Halifax" rolling moon disc for lunar scale, "later" hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, "later" seatboard, 200cm high thomas Lister (senior) is recorded as starting his own clockmaking business in Luddenden, near Halifax in about 1740 until his death in 1779.
a Mahogany Eight Day Longcase Clock, the case with swan neck pediment, fluted columns with Corinthian capitals, "later" inlay to the case, wavy shaped trunk door flanked by inset pilasters and capped with Corinthian capitals, raised panel to the plinth with fluted canted corners and upon bracket feet, 12-inch arched brass dial with Roman chapter ring, dial centre with engraved scrollwork, arched date aperture and seconds dial, the arch with circular disc bearing inscription "Cooper Whitchurch", four pillar movement with anchor escapement and rack striking on a bell (dial associated to movement and associated to the case), 227cm high
a Mahogany Eight Day Longcase Clock, signed Burton, Kendal, circa 1820, the case with swan neck pediment, nicely inlaid with stringing throughout the case, arched door flanked by inset fluted pilasters, rectangular plinth with canted corners and upon bracket shaped feet, 13-inch painted arched dial with Roman and Arabic numerals, dial centre with seconds, arched date aperture and signed "Burton, Kendal", green and gold coloured floral spandrels, the arch depicting a lady in dress within a landscape scene, four pillar movement with anchor escapement, rack striking on a bell, 224cm high See illustration emanuel Burton (Junior) is recorded as working in Kendal between 1790-1828. See Baillie (G H): Watchmakers & Clockmakers of the World, page 47
an Oak and Mahogany Eight Day Longcase Clock, signed James Butler, Bolton, circa 1780, the case with swan neck pediment and finely carved flower heads capitals, fluted columns, the trunk with blind fretwork, wavy shaped trunk door with mahogany crossbanding and flanked by inset fluted pilasters, rectangular plinth with canted corners and upon bracket feet, 13-inch square brass dial with Roman and Arabic numerals and signed "James Butler, Bolton", dial centre with scroll decoration, date aperture and seconds, four pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 223cm high See illustration james Butler was born in 1757 and worked as a clockmaker in Bolton, Lancashire until his death in 1809. See Loomes (Brian): Clockmakers of Northern England, pg 105.
a Stained Burr Maple Eight Day Longcase Clock, signed Mark Hawkins, St Edmunds Bury, circa 1715, the nicely figured case with flat top pediment, turned columns, glazed side windows, concave throat mouldings above a rectangular shaped trunk door with a moulded edge, plum wood crossbanding and with a central glazed lenticle, reduced plinth with continued crossbanding, 12-inch square brass dial with silvered Roman chapter ring signed, matted dial centre with seconds dial and date aperture, five pillar movement with anchor escapement and rack striking on a bell, "later" seatboard, 206cm high See illustration
a Mahogany Eight Day Longcase Clock, signed Clements, London, circa 1780, the case with arched pediment (finial missing), canted fluted corners, nicely figured arched trunk door with moulded edges, rectangular plinth with raised moulded panel, 12-inch arched brass dial with Arabic and Roman chapter, dial centre with seconds, date aperture and signed "Clements, London", arch with strike/silent, five pillar movement with anchor escapement and rack striking on a bell, 214cm high (case in need of restoration) See illustration
a Meissen Porcelain Figural Mantel Clock Case, circa 1875, as a scantily clad infant reading from an open book flanked by a drum clock case (face and mechanism now lacking, and replaced by 18ct gold fob watch, complete with key), surmounted by puce drapes supporting symbols of the arts, including lute, French horn, artist's palette, victory wreath, and a marble bust, upon a shaped rectangular plinth with leaf and entrelac detail, in colours and gilt throughout, crossed swords mark in underglaze blue (double erased), 22cm high See illustration
Good mahogany eight day longcase clock, the 12" arched brass dial signed John Grant, Fleet Street, London, with subsidiary seconds dial and calendar aperture to the matted centre, with strike/silent dial to the arch, five pillar movement with anchor escapement, within a handsome figured mahogany case with long cockbeaded moulded door flanked by quarter fluted ormolu mounted columns and surmounted by an arched moulded hood, 87" high (with two brass cased weights)
An Edwardian miniature mahogany and satin wood line inlaid long case clock, 32cm high, a Desmo Chromium plated car mascot of an out stretched woman, 19cm (a/f), three silver photograph frames, a silver tazza dish, a silver mounted globular glass scent bottle, a miniature silver throne chair, a white metal cream jug and sugar bowl, a pair of silver salts and one other, five white metal menu holders and three circular glass dishes with white metal mounts.
A Russian glass and silver mounted swing handled basket, all over pierced decoration on splay supports, a silver circular clock with engine turned decoration on strut supports, Birmingham 1930, a circular hinged pill box , engine turned decoration, Birmingham 1917 and a square shaped cut glass bowl with silver plated mount, (4).
* Libby Raynham b.1952- "Untitled", watercolours, a pair, 52x71cm: together with three other watercolours entitled "Back to Back" and "Untitled", by the same hand: Marc Vaux b.1932- "Clock Print II and X"; screen prints, a pair, artists proofs, each signed and numbered: Tyson, late 20th century- Abstract composition; screen print in colours, signed, numbered and dated in pencil, (8) (may be subject to Droit de Suite)
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