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Preisdatenbank abonnierenA French gilt metal and champlevé clock garniture, late 19th century, the clock with an eight-day bell strike movement within an arched case of architectural design, with putti and column detail decorated with geometric champlevé, the side pieces of cassolette form, all three under glass domes, with ebonised bases, height of clock 42cm
Late 19th / early 20th century mantel clock with French eight day movement with outside countwheel, signed - Japy Frères, striking on a bell, white enamel dial with Roman numerals in an ebonised and oak drum case, with scroll supports on four bun feet (key and pendulum present), 23cm overall height
Late Victorian mantel clock with French eight day movement, signed - Japy Freres and stamped - J W P 34698, outside countwheel striking on a bell, white enamel dial with Roman numerals, signed - J. W. Benson, Ludgate Hill, London, in a black slate case of classical form, with inset green marble decoration and gold painted motifs, 31.5cm overall height (keys and pendulum present)
Late Victorian mantel clock with French eight day movement striking on a gong and white enamel dial with visible escapement, in a black slate scroll mounted drum case with inset malachite panels and gold painted decoration, on a shaped rectangular base, 50.2cm overall width (key and pendulum present) CONDITION REPORT Key and pendulum present. Loss to base moulding lower right- above plinth, elsewhere slight damage, losses to slate, otherwise appears to be ok
Regency drop-dial wall clock with circular painted dial, four pillar fusee movement and pendulum in flame-mahogany case, the case 53cm high, the dial 32cm diameter CONDITION REPORT Convex dial with convex door glass (door possibly not original). No signs of woodworm to case, dial surround , doesn't fit case properly. Has signs of non-active woodworm. Movement is very dirty, no evidence it has been running recently, case is dirty and has various parts damaged or missing. Dial dirty is worn and some paintwork is coming off. Hinge is loose, hands worn. Fastening pegs not original
George III oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above an arched door flanked by quarter pilasters and conforming plinth base, the brass dial with mask head spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Richard Ellis, Westminster, strike / selector to the arch and three train movement (with weights and pendulum however all bells and gongs removed and not present)
George III mahogany longcase clock, the broken arch hood with flanking Corinthian pilasters above a moulded panel door and conforming plinth base with shell inlays, the painted dial with Arabic numerals, subsidiary seconds and date aperture, signed L. Briggs, Wisbeach, the two train movement with anchor escapement,striking on a bell (with weights and pendulum)
George III mahogany longcase clock, the broken arch hood with flanking Corinthian pilasters above a rectangular panelled door and conforming plinth, the painted dial with Roman numerals, subsidiary seconds and date aperture, the two train movement with anchor escapement striking on a bell (weights lacking)
George III oak longcase clock, the rectangular hood with a moulded cornice and blind fretwork frieze and flanking pilasters, the shaped panelled door above a conforming plinth, the square painted dial with Roman numerals and subsidiary seconds and date dials, signed Reeves, Capel, the thirty hour movement striking on a bell (weight and pendulum lacking)
George III oak and mahogany crossbanded longcase clock, the broken arch dial with swan neck pediment and flanking pilasters with brass ball surmounts above a shaped panelled door and conforming plinth, the painted dial with Arabic and Roman numerals, subsidiary seconds and date dials, signed J. Marrs, Retford, the two train movement with anchor escapement striking on a bell (with weights and pendulum)
George III oak longcase clock, the rectangular broken arch hood with flanking pilasters above an arched panelled door and conforming plinth, the brass dial with floral spandrels, the silvered chapter ring with Arabic and Roman numerals enclosing an engraved silvered centre panel with subsidiary seconds dial and date aperture, signed to the arch James Goodyer, Guildford, the two train movement with anchor escapement striking on a bell (with weights and pendulum)
19th Century mahogany black line inlaid and crossbanded longcase clock, the rectangular broken arch hood above a rectangular panelled door and conforming plinth, the painted dial with Roman numerals, subsidiary seconds and date dials, signed Thomas Hill, Whitburn, the dial decorated with scenes after Tam o' Shanter and the Four Seasons (with weights and pendulum)
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