SOLO MALE 60s POP/ROCK 'N' ROLL - Rockin' collection of 31 x LPs with early and collectible releases. Artists/titles include Crash Craddock - Crash's Greatest Hits (original mono and stereo Australian issues KLL/S 1666), Del Shannon (x3) - Little Town Dirt (HA-X 8091), Hats Of To. . . (HA-X 8071) and Runaway With. . . (HA-X 2402), Elvis Presley - No. 2 (1st UK pressing CLP 1105, please note record is Fair/Poor sleeve), Bill Haley And His Comets - Rock Around The Clock, P. J. Proby, Little Richard, Gene Vincent and Shakin' Stevens. Condition is generally VG to Ex.
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FLEETWOOD MAC AND RELATED - A great pack of 8 x original title LPs. Titles are Buckingham Nicks - S/T (UK original w/insert Ex/Ex), Kiln House (1st UK pressing with 'blacked out' credit at 6 O Clock, with insert, Ex/Ex), Bare Trees (US), Heroes Are Hard To Find (US), Danny Kirwan - Midnight In San Juan, Christine Perfect - S/T and Peter Green - The End Of The Game (RSLP 9006) and In The Skies (green vinyl). Condition is generally VG+ to Ex.
US PSYCH/PROG - Brill selection of 8 x US issue LPs. Titles are Mystic Number National Bank - S/T, Nazz - III (SD 5004), Swampgas - S/T (BDS 5102, VG+ condition), The Strawberry Alarm Clock - Incense And Peppermints (UNI 73014 original), Mud - Mud On Mudd, Stoneground (WB 1895), The Mandrake Memorial - Medium (1st US pressing on Poppy) and Bee Gees' 1st (SD 33-223). Condition is generally VG to Ex.
70s/80s POP/ALT - Cracking collection of around 80 x mainly LPs. Artists/titles include Roxy Music (x9) including UK 'pink rim' pressings of Stranded (ILPS 9252), For Your Pleasure (ILPS 9232), S/T (ILPS 9200) and Country Life (ILPS 9303), Iggy Pop, Elvis Costello (x6) inc. Blood & Chocolate, Punch The Clock and Out Of Our Idiot, Depeche Mode, Madonna (x3) inc. Music (LP 9362-47865-1), The Tourists, Human League, Deep Forest, Eurythmics, The Housemartins, Madness, Level 42, Duran Duran, Bronski Beat and Yazoo. Condition is generally VG+ to Ex+.
A Grand Sonnerie striking carriage clock with alarm, Lamy & Lacroix a Morez, the platform by Fumey, second quarter 19th century, the going train terminating in a Swiss club foot lever escapement with three armed monometallic steel balance, the foliate cast case with corinthian pilasters, the white enamel dial with Roman numerals and outer minute track, subsidiary hand for strike silence, Petite sonnerie and Grande sonnerie, 161cm high. Illustrated
A George III red chinoiserie decorated longcase clock,the arched brass dial with tempus fugit father time automation above a silvered chapter ring, with Roman and Arabic numerals, subsidiary seconds dial and date aperture, with inscribed label for 'Walter Elliot, Plymouth', with five-pillar eight-day movement striking on a bell, the case decorated with oriental buildings, landscapes and three horses around a glazed lenticle,49.5cm wide237cm high
A walnut eight-day longcase clock,by Benjamin Huntsman, Doncaster, the arched brass dial with an engraved boss over a silvered chapter ring, seconds dial and calendar aperture within a herringbone engraved border,dial 11in diameter (28cm)Case 223cm highBenjamin Huntsman (1704-1776), a Quaker clockmaker, is primarily remembered today for his pioneering work on the steel manufacturing process. He was the first to cast steel into ingots using clay crucibles, which produced a well mixed stable material, ideal for horological use.His influence is still felt today; he is commemorated by a statue at the Meadowhall shopping centre in Sheffield.
A George III mahogany and eight-day longcase clock,by Hedge, Colchester, the painted arched dial with a seconds dial and calendar aperture within painted spandrels,dial 11½in diameter (29cm)case 211cm highNathanial Hedge Senior and Junior are recorded as working in Colchester between 1765 and 1790.
A Victorian mahogany drop dial wall clock,with inlaid brasswork, the 12in silvered drop dial with single fusee movement and rise and fall regulation, by Thomas Boxell (1823-1885) of Brighton Observatory, 40 Kings Road, movement signed and numbered 1725,58cm highThis maker retailed clocks made by Thomas Cole. These were signed 'Boxell, Brighton'.
A George III longcase clock,the arched brass dial surmounted with a Strike/Silent, over a 11in silvered chapter ring, second and calendar aperture, inscribed 'James Leicester Strand London', enclosing a five-pillar eight-day movement, striking on a bell, in a walnut and elm case, with brass ball finials,240cm high
A brass longcase clock movement,early 18th century, the 7in arched brass dial inscribed 'Rob Evens Halsted' with single hand, the thirty-hour birdcage movement with outside count wheel and anchor escapement, lead weight and brass bob pendulumEvens, sometimes spelt 'Evans' worked in Halstead, Essex in the 18th century.
A French marble and bronze-mounted clock garniture,the clock with an enamelled dial inscribed 'Lu quiens sr de Gros A Lyon', surmounted with a bronze Marly horse and attendant, after Cousteau,together with a pair of urns,cast with flowers and leaves, the twin handles surmounted with putti,64cm high (3)
An English gilt bronze and black marble mantel clock,by Richard Ganthony, London, the enamel dial within a drum-shaped case, the backplate signed 'Ganthony, 83 Cheapside, London', the dial within an engine turned bezel resting on a scrolled cradle, a black marble base with an applied bacchanalian motif and engine turned bun feet,21cm highRichard Ganthony is recorded as working between 1821-1845.

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