An Early 18th Century Brass 10-Inch Dial Single Handed Striking Lantern Clock, signed J Windmills, London, circa 1705, 10-inch square brass dial with a Roman chapter ring signed, single hand, winged cherub spandrels, four posted lantern form movement with an anchor escapement and outside countwheel striking on a top mounted bell, (alarm work missing)40cm highDial is discoloured, dial plate with staining marks, hand with staining marks, later added top chariot mount and later added urn finials, movement with small signs of rust marks to the iron work, bell supporting columns look later added and the hand above the bell looks later, side door panels are missing, (alarm work is missing), this clock would originally had a central alarm disc to the dial which is now missing, no pendulum and no weights.
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A Mahogany Eight Day Longcase Clock, signed Nathaniel Brown, Manchester, circa 1780, swan neck pediment, gilt painted front glass panels, nicely figured trunk door with ivory escutcheon, 12-3/4-inch arch brass dial with a Roman and Arabic silvered chapter ring, painted landscape scene dial centre with seconds dial and date aperture, arch with moonphase aperture and signed above, four pillar movement with an anchor escapement and rack striking on a bell 232cm highProvenance: Dutton Manor, LancashireWith Non-Transferable Standard Ivory Exemption Declaration Number WQF6PBNN Hood with chips to the capitals, trunk door is bowed, later securing latch to front door, top side of the trunk door with some scratches and small cracks, base with central panel loose and slightly bowed, dial is discoloured, dial centre with small parts of the painted surfaces lacking, movement seatboard is later, movement looks all complete, movement needs cleaning, with pendulum and two weights
A Vienna Type Double Weight Driven Wall Clock, circa 1890, 99cm highVienna TypeEbonised surfaces are rubbed in parts, case with scuff marks and small chips in parts, moulding to the bottom of the glazed door is worn, top pediment is missing, base finials are all missing, dial in good condition, movement not testing for its working condition, with two weights and one pedulumClock not tested for its working condition
A Smith's Oak Veneered Small Longcase Clock, circular dial, triple train movement, bearing presentation plaque, 128cm highCase with small chips in parts to the veneers. The front of the case with an applied presentation plaque. The clock is chiming but not chiming the right quarters and striking the right hours at present. Clock has been put on a short test and is working. Movement will need servicing. With pendulum.
Clear crafted crystal octagon with white face and black roman numerals and crystal adorned with ABC's with matching face clock. Waterford sticker. Issued: 20th centuryDimensions: 2.5"L x 2.5"W x 2.5"HManufacturer: WaterfordCountry of Origin: IrelandCondition: Age related wear. Clock function not guaranteed.
Part of the Exquisite Accents series. Clear crystal clock is intricately detailed featuring a rainbow of colorful crystals framing the clock. Swarovski backstamp. 7481 000 002. This item has its original box: 7.5"L x 8"W x 3.5"H. Artist: Adi StockerIssued: 1998 - 2004Dimensions: 1.75"H x 5" dia.Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
BACK TO THE FUTUREPrinted Preliminary Concept Designs (2) (11" x 14")Very Fine; Artwork by Drew Struzan Universal, 1985This is a beautiful pair of preliminary designs for the famous film. The one featuring Fox with the auto is more familiar, but the one of the clocktower design was never used.There is a crease in the upper right corner of the clock tower print, but the pieces are otherwise very clean. This comedy time-travel adventure from Robert Zemeckis was the runaway hit of 1985 and made a movie star of Michael J. Fox. Its popularity has never waned, owing to its emphasis on the universal idea of what it must be like to meet your parents when they were your age, rather than its impressive VFX elements.This lot will be auctioned on Thursday, April 18th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 19th.
A GEORGE III SILVER CASED VERGE POCKET WATCH WITH ENGINE-TURNED DECORATION BENJAMIN WOOD, LONDON, 1760 The gilt full plate single fusee movement with four square section baluster pillars pinned through the backplate, scroll-pierced stop-iron block and verge escapement regulated by sprung three-arm steel balance with Tompion type regulation, the backplate with fine symmetrical foliate scroll pierced and engraved balance cock with grotesque mask at the junction with the conforming pierced and engraved foot, flanked by silvered regulation disc set within adjacent applied scroll engraved panel infill opposing signature Ben, Wood, London and numbered 12143, the slightly convex white enamel Roman numeral dial with winding square to centre, Arabic five minutes to outer track and gilt spade hands, the silver case with unusual deeply cut star-centred spiral engine-turned decoration to rear and conforming hatched decoration to bezel, fitted with suspension post and bow at twelve o'clock and a convex glass to bezel, the interior with hallmarks for London 1760 maker HT. The pillar plate 3.3cm (1.25ins) diameter, the case 4.5cm (1.75ins) diameter. Benjamin Wood is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working before 1769. The case of the present watch is notable in that it is a relatively early example of English engine-turned decoration which was becoming increasingly fashionable at this time. Indeed three years after the current watch was made Josiah Wedgwood acquired a rose engine in order to execute similar engine-turned decoration onto his ceramics. Together with: SETH THOMAS A SILVER KEYLESS WIND OPEN FACE POCKET WATCH, CIRCA 1884 Movement: Three quarter plate movement, lever escapement, bimetallic split balance, flat balance spring Case: Silver four piece hinged case, the back cover with a vacant cartouche, hallmarked Birmingham 1884 Dial: White Size: 54mm Signed: Dial, movement Accessories: None Condition Report: Movement is in dirty neglected condition however appears complete and original. The mainspring winds however the movement is not currently operational due to the balance staff being broken. The dial has hairline cracks and probable triangular filled repair near the XII numeral. The case is in good original condition. There is no key present. Condition Report Disclaimer
An inlaid mahogany longcase clock, 19th century, with associated dial and movement signed 'Thomas Knifton, Lothbury', the 30cm brass dial signed in the arch above subsidiary seconds and calendar dials, 4 pillar movement with 'Birmingham' falseplate, the case front inlaid with swags and other motifs230cm high
A 19th century French ormolu and porcelain mantel clock, the movement by Japy Freres, striking on a chime, the dial flanked by four ormolu capped Corinthian columns, in maroon and gilt decorated porcelain case, painted with cherub and lady in classical dress, signed Petit, 41cm wide, 31.5cm high
An important Malvern School Arts and Crafts period wall clock, bearing a label to reverse for 'C. E. Jacob, Malvern School of Art', likely Charlotte Jacob (nee Hunton, d.1925), the enamels in the style of Alexander Fisher, the tapered rectangular case with moulded edge and turned dome applique, the face and side doors with applied white metal Art Nouveau whiplash flower design, the 17.7cm diameter dial with Roman numerals, the four polychrome enamel plaques depicting an elegant woman, fairy queen, a pixie sleeping in a flower, and two fairies amongst bird, eight day twin spring barrel movement with anchor escapement and a pierced and chased pendulum, 68cm high and 28cm wideDr Henry Jacob and Charlotte Jacob were an influential power couple of Malvern in the Victorian era. They lived in Great Malvern at St.Helens, likely Chartwell House. Charlotte Jacob was devoted to the study of art and even exhibited at The Royal Academy. She, for a long time, was secretary to Malvern Art Club, and took a great interest in the Malvern Art School.
A Staffordshire royal portrait figure group, circa 1860, rarely seen portrait figure group of Napoleon III (b.1808), modeled standing, dressed in ermine red clock alongside Empress Eugenie (b.1826), modelled seated holding the Prince Imperial (b.1856), polychrome enamel painted, mounted on a white, gilt-lined, ovoid base, 21cm high.
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