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460345 Los(e)/Seite
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed William Buxton, Bishop Auckland, the 13" painted Roman dial with subsidiary seconds and date dials, spandrels depicting ruins and a duck shooting scene to the arch, powered by an eight day movement striking on a bell and housed in a crossbanded case with swan pediment and free standing forecolumns over a foliate scroll inlaid panel and short trunk door with shaped top, flanked by a split turned half column and raised on a conforming base with shaped plinth, 91" (231.1cm) high
19TH CENTURY FIGURED MAHOGANY LONGCASE CLOCK SIGNED J HOWE, LONDON, the 13" (33cm) enamelled Roman dial with subsidiary seconds dial and pair of birds painted to the centre, powered by a substantial 8 day movement striking on a bell and housed in an arch top case with moulded cornice, chamferred fore corners and circular, glazed aperture to the hood door, above a flame cut, long trunk door, and raised on a conforming crossbanded base with chamferred plinth, 79 1/2" (202cm) high
NINETEENTH CENTURY STAINED PINE LONGCASE CLOCK, the 13" painted Roman dial, with subsidiary dial and aperture, enclosed by floral spandrels and set beneath a rural scene to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free standing, turned fore columns over a plain trunk door and chamferred corners raised on a plain base with shaped plinth, 86" (118cm) high 7'2" (2.13m) high
EARLY TWENTIETH CENTURY H.A.C., GERMAN, CARVED WALNUTWOOD AND BEECH MANTEL CLOCK, the 4 1/4" Roman dial with pierced gilt centre, powered by a spring driven movement striking on a gong, housed in a fancy case, with turned finials to the pagoda style top and split turnings to the front, raised on a moulded plinth base with turned feet, 19" (48.3cm) high
EDWARDIAN MAHOGANY AND MARQUETRY INLAID LONGCASE CLOCK, the 11 1/2" Arabic dial with silvered chapter ring, matted centre, mask pierced spandrels and silent/chime dial to the arch, powered by an eight day movement striking on six rods and housed in an arch top case with bell flower and scroll work inlay, pierced side frets and chamferred forecorners, above a conforming long trunk door with shaped top and raised on a panelled base with shaped plinth
EARLY TWENTIETH CENTURY ANSONIA AMERICAN INLAID OAK MANTEL CLOCK,, the 4" enamelled Arabic dial powered by an eight day spring driven movement striking on a gong, housed in an oblong vase with shaped top, plinth base and brass bal feet, the front inlaid with an oval fan and boxwood and barbers pole stringing, 11 1/4" (28.6cm) high
LATE EIGHTEENTH/EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID ROLLING MOONPHASE LONGCASE CLOCK, signed Edward Shepley, Manchester, the 14 1/4" painted dial with romantic scene and four line verse to the centre, enclosed by figural spandrels and set beneath the moonphase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, free standing stop fluted forecolumns, above a flame cut long trunk door with shaped top and fluted forecorners, raised on a chamferred base with bracket feet, the whole decorated with fan and boxwood line inlays, 94" (232.8cm) the dial with three hands and brass pointer, only the hour and minute hands appear to be engaged
LATE NINETEENTH/EARLY TWENTIETH CENTURY FRENCH GILT BRASS AND CHAMPLEVE ENAMELLED MANTEL CLOCK, the 3 1/2" Roman dial, powered by a drum shaped movement striking on a bell, housed in an arch top case with reclining putti finial, turned finials and shaped oblong base with fancy scroll supports, the whole decorated in colours with foliate scrollwork and geometric designs, 13 1/2" (34.3cm) high
LATE NINETEENTH/EARLY TWENTIETH CENTURY WALNUTWOOD AND STAINED BEECH VIENNA WALL CLOCK by Gustave Becker, the 8" two part Roman dial powered by a twin weight driven eight day movement, striking on a gong and housed in a typical glazed case with architectural pediment, split turnings and curved underfoot
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed J.V. Merron, Greenock, the 132 enamelled dial with subsidiary seconds dial, powered by an eight day movement, striking on a bell, housed in a case with broken swan neck pediment and circular glazed door enclosed by quarter fan inlays to the corners, over a flame cut long trunk door, and raised on a conforming base, 82" (208.3cm) high (lacks bracket feet)
GEORGE III INLAID OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas Powell, Ravenscroft, the 10 3/4" brass Roman dial with cherub mask pierced spandrels and two birds engraved to the matted centre, powered by a 30hr movement striking on a bell (absent), housed in a case with swan neck pediment, dentil moulded frieze and free standing fore columns, above a short trunk door with architectural top and two inlaid panels, raised on a conforming base with bracket type feet, 80" (202.2cm) high
BENNETT, CHEAPSIDE, LONDON EIGHT DAY MANTEL CLOCK, movement in later mahogany case, the 5" two part enamelled Roman dial with visible Brocot movement, powered by a drum shaped eight day movement striking on a bell and housed in a plain oblong vase with stepped top, 17" (43.2cm) high (dial cracked)
EARLY TWENTIETH CENTURY JUNGHANS OAK CASED PRESENTATION MANTEL CLOCK, in the Arts and Crafts style, the 4 1/2" silvered Arabic dial powered by an eight day movement striking on a gong, housed in an arch topped case with brass fore columns and oval glazed panel beneath the dial, raised on chamferred feet, presentation brass plaque with four line inscription dated 1907, 16 1/2" (42cm) high, (back foot missing)
EARLY TWENTIETH CENTURY NEWHAVEN CLOCK CO. AMERICAN MAHOGANY CASED MANTEL CLOCK, the 5" painted Roman dial powered by an eight day movement, striking on a bell and gong and housed in an oblong, chamferred case with floral print to the glazed door raised on a plinth base, 18 1/4" (46.3cm) high
SMITH'S ART DECO WIND UP TRAVEL CLOCK, in stirrup pattern chrome plated and leather holder, 6" (15.2cm) high, TOGETHER WITH A EUROPA GILT METAL PRESENTATION DESK STAND, the rounded oblong base housing a clock, perpetual calendar and barometer, four line inscription to plaque, dated 1960 (2) (leather and clock clock a.f.)
'ANGELUS' MODERN REPEATING AND ALARM CARRIAGE CLOCK, with calendar and rolling moonphase, the enamelled dial with Halifax style moonphase aperture and subsidiary dials for day, date and alarm settings, striking on a gong and housed in a corniche case with top carrying handle, 5 1/2" (14cm) high
BOXELL, BRIGHTON, INCOMPLETE ENGRAVED AND CAST GILT BRASS GRAND SONNERIE REPEATING CARRIAGE CLOCK, the enamelled dial set into a finely engraved foliage gilt mask, powered by a movement striking on a gong an housed in a corniche style case with caryatids to the corners, leaf capped paw feet and fancy floral cast top carrying handle, 6" (15.2cm) high, the clock now strikes only on the hours and lacking the strike adjustment lever under the base
EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas William Hay, Shrewsbury, the 13" painted Roman dial with subsidiary seconds dial and date aperture, enclosed within floral spandrels and powered by an eight day movement, striking on a bell, stamped Finnemore, housed in a case with swan neck pediment, later ball finial and free standing square, fluted fore-columns, over a crossbanded trunk door, flanked by reeded fore-corners and raised on a tall conforming base with bracket feet, 86" (218.4cm) high, dial from date aperture missing
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, indistinctly signed, the 12" painted roman dial with subsidiary seconds and date dials, stag spandrels and landscape with maid to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above free standing ebonised fore columns, over a flame cut long trunk door with arch top, flanked by quarter cut rope twist columns and raised on a plain base with peg feet, 81 1/2" (207cm) high
PROBABLY EIGHTEENTH CENTURY WHITE PAINTED CONTINENTAL LONGCASE CLOCK, signed Gil Minde, the 11 1/2" copper dial with silvered chapter ring, pierced gilt metal spandrels and inscribed circular plaque to the arch, powered by an eight day movement striking on a bell, housed in an arch top case with ball finials and long panelled trunk door with arch top raised on a panelled base with plinth, 89" (226cm) high
LATE EIGHTEENTH CENTURY MAHOGANY LONGCASE CLOCK, signed Lassel Park, the 13" brass dial with silvered chapter ring, subsidiary seconds dial and date aperture to the diaper matted centre, enclosed by emblematic figural spandrels and powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, free standing fluted fore columns, long flame cut trunk door with shaped top and fluted quarter columns and raised on a panelled base with ogee bracket feet, 89" (226cm) high
TWENTIETH CENTURY FRENCH ROCOCO POTTERY AND GILT METAL MOUNTED THREE PIECE CLOCK GARNITURE, the 3 1/2" enamelled Roman dial powered by a drum shaped Lenzkirch, German eight day movement, striking on a bell, housed in a moulded waisted case, glazed in blue and off white with gilt highlights and outlined with rocaille scroll work, with flaming lamp finial and scroll feet, 18" (45.8cm) high, and THE MATCHING PAIR OF TWO HANDLED SIDE VASES, 11 1/4" (28.6cm) high (3)
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK with moon phase brass dial, signed Thomas Lister, Halifax, the 12" dial with Halifax moon phase and date aperture to the scroll engraved centre, powered by a 30hr movement striking on a bell and housed in a case with swan neck pediment and gilt wood ball and spike type finials above freestanding forecolumns and long trunk door with shaped top, flanked by quarter columns and raised on a panelled base with moulded plinth, front section missing, 86" (218.5cm) high overall
A LATE GEORGIAN LANCASHIRE MAHOGANY LONGCASE CLOCK, the broad trunk with reeded forecorners flanking a shaped top oval moulded door, the hood with detached columns and swan neck pediment, the base with canted corners, feet absent, housing an eight day striking movement with painted arched dial inscribed Thomas Barton, Parbold, with rolling moon and lunar calendar, subsidiary calendar and seconds dials and floral painted spandrels, 88 1/2" (223.5cm) high
A Victorian mahogany longcase clock, the hood with broken swan neck pediment and central carved swag above an arched door with half cut and full twist wooden pillars, 14 ins arched top dial with painted Roman numerals, subsidiary seconds dial and date aperture, maker Hugh Roberts, Llangefni, floral painted spandrels with a young boy on a horse decoration to the arch, eight day bell striking movement (requiring attention), the wide trunk with short arched door and flanking carved twist pillars on a stepped trunk base with raised panel, 230 x 66 cms
A 19th Century oak longcase clock, the hood with broken swan neck pediment and carved square pillars flanking a single glazed door with 14 ins square dial behind, decorated spandrels and Roman numerals with subsidiary seconds dial and date aperture, maker E Griffiths, Abergele, with eight day movement, striking on a bell, twin weight pendulum driven (included), the trunk with concave pillar fronts and single shaped top door on a stepped trunk base with applied square panel and bracket foot with shaped frieze, 215 x 54 cms

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460345 Los(e)/Seite