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Los 1330
Jaeger-LeCoultre Atmos clock, the patinated and gilt brass four glass case with fluted column corners and gadroon moulding, the dial with Arabic and Roman numerals, signed, 9.25ins high together with the original case and papers etc.Pendulum does spin for some time but seems to wobble a little and does not engage the movement of the hands so would need some work to correct. Other than this there is no signs of damage or losses.
Los 1335
19th Century mahogany circular drop-dial wall clock, the enamelled dial with Roman numerals inscribed W. Hason Windsor, with a two train fusee movement, striking on a bellCase needs a polish, dial appears to be clean with no major problems. dial probably repainted, movement clean. Pendulum needs repair to top.
Los 820
Two modern silver photograph frames, similar table clock, oval silver mounted box, silver handled cake slice and two cheese knivesLarge frame has one very slight dent.Clock is in very good conditionOlder frame has various dents and abrasionsAll have glass, blackboard and easel.Other items in good condition
Los 139
DAUM. France, ca. 1960.Table clock.Clear satin-finished glass with wavy decorations on the reverse.Signed on the lower front.The quartz machinery shows corrosion and is not accompanied by a battery.Procedure: Private Collection, Spain between 1970-1990.Measurements: 19.5 x 19.5 x 5 cm.Table clock with cream-coloured circular dial, dauphine-type hands and numbering indicated by strokes. Quartz movement.The Daum manufacture was founded at the end of the 19th century by Augustin Daum (1853-1909) from a small family glassworks in Nancy. He was joined by his brother Antonin (1864-1931), and the Daum workshops soon became a meeting place and training ground for many young artists, who gave impetus to the Art Nouveau style in Nancy. At first they made ordinary glass, but in 1891 they decided to open a decorative workshop and to embark on artistic production, probably as a result of the success of Émile Gallé (1846-1904) at the 1889 Exhibition. Eventually, Daum had a factory with more than three hundred employees and a wide range of artistic production. During the First World War, the factory closed, but resumed production after the war, adapting to the change in aesthetics and leaving behind the modernism of its first period. During the Art Nouveau period, most of Daum's pieces were made of acid-etched cameo glass, but with the new Art Deco style, new techniques and decorative styles were investigated.
Los 140
DAUM. France, ca. 1960.Table clock.Clear glass with wavy satin-finished decorations on the reverse.Signed on the lower front.Procedure: Private Collection, Spain between 1970-1990.Measurements: 16 x 16 x 5 cm.Table clock with transparent circular dial, dauphine hands and numbering indicated by strokes. Quartz movement.The Daum manufacture was founded at the end of the 19th century by Augustin Daum (1853-1909) from a small family glassworks in Nancy. He was joined by his brother Antonin (1864-1931), and the Daum workshops soon became a meeting place and training ground for many young artists, who gave impetus to the Art Nouveau style in Nancy. At first they made ordinary glass, but in 1891 they decided to open a decorative workshop and to embark on artistic production, probably as a result of the success of Émile Gallé (1846-1904) at the 1889 Exhibition. Eventually, Daum had a factory with more than three hundred employees and a wide range of artistic production. During the First World War, the factory closed, but resumed production after the war, adapting to the change in aesthetics and leaving behind the modernism of its first period. During the Art Nouveau period, most of Daum's pieces were made of acid-etched cameo glass, but with the new Art Deco style, new techniques and decorative styles were investigated.
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460345 Los(e)/Seite