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Preisdatenbank abonnierenA 1920s oak "Grandmother" clock, the 11.5ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and matted dial centre to the eight day three train movement striking and chiming on five gongs, contained in case with arched and moulded cornice to hood, and glazed trunk door and fielded panel plinth, on bracket feet, 68ins high
A late 18th Century oak longcase clock by Lawrie of Carlisle, the 13ins arched brass dial with wide chapter ring (formerly silvered) with Roman and Arabic numerals, the dial centre with subsidiary seconds dial and date aperture and engraved with leaf scroll ornament, the arch showing calendar and phases of the moon to the eight day two train movement striking on a bell, contained in oak case, the moulded scroll pediment with carved flowerhead paterae and plain turned pillars, the shaped trunk door flanked by fluted quarter columns, the plinth base with turned feet, 87ins high Note : Probably by John Lawrie, born 1749, son of Archibald Lawrie
A mid 18th Century oak longcase clock by Thomas Jenkinson of Sandwich, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, with cast mask and leaf scroll spandrels all within engraved leaf pattern borders to the eight day five pillar movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door, on shaped bracket feet, 77ins high Note : Thomas Jenkinson recorded Sandwich, born 1691, died 1755
A late 18th Century mahogany longcase clock by James Lock of Bath, the 13ins arched painted metal dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch and spandrels enamelled in colours with floral sprays and gilt oval, to the eight day two train movement striking on a bell, contained in mahogany case with moulded scroll pediment and carved giltwood leaf paterae, slender turned pillars to hood, shaped and moulded trunk door flanked by fluted quarter columns, the plinth base crossbanded in mahogany, on bracket feet, 92ins high Note : James Lock recorded working in Bath 1780
An early George III mahogany longcase clock by Robert Higgs of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and matted dial centre to the eight day two train five pillar movement with alarum, contained in figured mahogany case with swept caddy top and double moulded arch, inset with fretted panel and with slender turned and fluted stopped columns to hood, shaped and moulded trunk door veneered in figured mahogany and flanked by fluted and stopped quarter columns, the plinth with raised astragal moulding and double plinth base, 98ins high Note : Robert Higgs recorded working Sweetings Alley, London, Apprentice 1743, Clockmaker 1750-1769
A George III blue lacquered eight-day longcase clock,the arched brass dial with strike/silent and seconds dials, a calendar apertureand arched plaque inscribed 'Joseph Martineau Snr., London', the movement striking the hours on a bell with five ringed pillars, the case with gilt decoration,dial 11 in diameter (29cm)case 216cm high
An eight-day regulator mahogany longcase clock,by James Bruce, the square silvered regulator dial with outside minute rack, seconds dial and hour wheel aperture, supporting a six-pillar movement with a deadbeat escapement, the case solid mahogany, the heavy brass pendulum with a wooden rod,dial 9.5in diameter (24cm)case 204.5cm high
A Scottish mahogany longcase clock, early 19th century, the arched brass dial with rolling moon in arch, central date hand, eight-day movement, striking on a bell, inscribed 'AD' W Lyon, Port Glasgow', the hood with fluted baluster columns, the trunk with Corinthian quarter columns and flame veneered door, 212cm highdial 13in
A mahogany bracket clock,having a gilt knop finial, the silvered dial with Roman and Arabic numerals, inscribed for Thomas Best, London, with date, month and day apertures, with lunar moon phase to the base, the double fusee movement striking the hours and half-hour on individual bells,59cm high
A 19th century French clock garniture, eight-day Mougin movement striking on a gong, ceramic dial painted and gilded, hexagonal case painted with young females, signed Lefranc, with key and pendulum, pair of vases with ceramic bodies similarly painted with a young girl, signed Lefranc, eleborate gilt-brass mounts, clock 15in. high, all on velvet-lined giltwood plinths
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