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Los 632

Delepine-Barrois a one-piece carriage clock the eight-day duration, timepiece movement having a platform lever escapement with the backplate stamped with the Delepine-style hand setting arrow and numbered 5, the white enamel dial with black Roman numerals and blued steel moon hands, the one-piece case with handle embossed to the underside with the case maker's initials H.A., height 13cm handle down, 16cm handle up.Biography Delepine-Canchy were carriage clockmakers in the horological town of Saint-Nicolas-d'Aliermont having succeeded the renowned Honoré Pons in the mid-1840s. Charles Delépine's nephew Ludovic and wife Marie Barrois took on the business as Delépine-Barrois before the company was bought by the Couaillet brothers in 1912.

Los 634

An Edwardian French mantel clock the eight-day duration timepiece movement having a platform cylinder escapement, the backplate stamped with the hand setting arrow as used by Couaillet frères of Saint-Nicolas-d'Aliermont, the white enamel dial with black Roman numerals and blued steel hands, the brass Obis case with matching handle, height 14cm/12cm, handle up/down.

Los 635

A small reproduction brass lantern clock, the eight-day duration timepiece movement with passing strike having a platform lever escapement and stamped to the backplate Astral, Coventry, Made in England, A33797, the brass lantern clock case with engraved decoration to the front, a silvered chapter ring engraved with black Roman numerals, turned pillars and finials and surmounted by a bell striking once at each hour.

Los 637

An Edwardian tortoiseshell and silver inlaid clock, the eight-day duration timepiece movement having a platform lever escapement and numbered 11722, with the round white enamel dial having black Roman numerals and blued-steel moon hands, the waisted blonde tortoiseshell case with silver inlaid decoration and stringing, standing on round silver feet, height 23cm.

Los 638

A German Edwardian balloon shaped mantel clock, the eight-day duration movement striking the hours and half-hours on a gong and embossed with the crossed arrows trademark for the Hamburg-American Clock Co., the round cream dial with black Roman numerals, retailers name J. Gillmore, Glastonbury and blued steel spade hands, the mahogany case having boxwood stringing, shell inlay to the front and standing on bun feet, height 29cm.

Los 639

Cailly, A French ebonised lyre clock, the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the name of the maker of the blanc roulant J.C. Cailly, and the retailer Cugghe a Paris, the silvered brass dial with black Roman numerals and blued steel moon hands, the ebonised lyre-shaped case with ormolu mounts and moulding, height 50cm.Biography The Cailly family were well-known blanc roulant makers working in the horological town of Saint-Nicolas d'Aliermont, with Jacques Cailly, born 1777, died 1850, being a fine carriage clock maker who founded the business in which most of the family then worked.

Los 640

Vincenti et Cie, Paris a gilt-metal mantel clock the eight-day duration movement striking the hours and half-hours on a gong with an outside countwheel, the backplate stamped with the trademark of the movement maker Vincenti et Cie, the round white enamel dial having black Roman hour numerals and blued steel moon hands, the classical gilt-metal case having floral mounts alongside a figure of a lady standing holding an armful of reeds, height 36cm.

Los 641

Smiths English Clocks Ltd, a miniature lantern-style mantel clock having an eight-day duration timepiece movement, the brass dial with black Roman numerals to the raised chapter ring and signed for Smiths, with engraved decoration, the case with turned finials and feet and a strapped top, the underside stamped with the model name Nell Gwynne, height 18cm.

Los 642

Jaeger a wooden Electronic timepiece clock the round dial signed Jaeger, Electronic, fitted with a battery movement, the case with brass top, mouldings and handle to the top, height 23cm.

Los 645

Richond, Paris a gilt metal and marble clock garniture the eight-day duration movement striking the hours and half hours on a bell and stamped with the trademark of the blanc-roulant maker G. Megnin, the white enamel dial having black Arabic numerals, decorative gilt-brass hands and signed Richond, Bd. Montmarte, Paris, standing on a brass pole with swags held aloft by two matching boys and surmounted by cast floral decoration, all standing on a shaped white marble base with ormolu mounts, with matching vase shaped side pieces, height 46cm clock, 32cm side pieces.

Los 646

Kienzle, Germany, a Victorian oak chiming bracket clock the eight-day duration movement chiming the quarters on four gongs with the backplate stamped with the Kienzle trademark depicting a winged wheel, the arched silvered dial having black Roman hour numerals with a subsidiary 'Chime/Silent' dial within the arch, the oak case with canted corners, a pediment top and standing on bun feet, height 40cm.

Los 647

Winterhalder & Hoffmeier, Sch., an oak quarter chiming mantel clock, the eight-day duration movement striking the hours on a gong and the 'ting/tang' quarters on two gongs, the movement backplate stamped W&H Sch. being the trademark of Winterhalder & Hoffmeier of Schwaerzenbach, the arched silvered dial having a raised chapter ring engraved with black Roman numerals, with the arch having subsidiary dials for 'Chime/Silent' and regulation, with blued steel spade hands, the arched-top oak case with boxwood stringing and standing on brass bracket feet, height 23cm. Biography The origins of Winterhalder & Hofmeier stretch back to 1810 when Thomas Winterhalder established Winterhalder Uhrenfabrik. His grandson Anton Winterhalder (born 1838) was in charge of the business in Schwarzenbach in Germany when he entered into partnership with Johannes Hofmeier (1802-1876) in 1850 to form Winterhalder & Hofmeier.

Los 648

An Edwardian oak Westminster chiming mantel clock, the eight-day duration movement striking the hours on a gong and the quarters on a further four gongs, the arched silvered dial having black Roman hour numerals, with the arch having subsidiary dials for 'Chime/Silent' and regulation and having blued steel spade hands, the oak arched-top case having fluted canted corners and surmounted by a brass handle, all standing on bun feet, height 37cm.

Los 649

An Edwardian oak mantel clock the eight-day duration movement striking on a gong with the engraved square brass dial having black Roman numerals and decorative blued steel hands, the oak architectural case with turned pillars and finials and a caddy top, height 53cm inc. finial, fitted with a presentation plaque dated 1903.

Los 650

Gustav Becker, Freiburg, an Edwardian inlaid mahogany chiming mantel clock, the eight-day duration movement striking the hours and quarters on four gong rods and stamped to the backplate with the trademark for Gustav Becker, Freiburg and numbered 2403178, the round brass dial engraved with black Roman hour numerals ad having a 'Chime/Silent' lever at XI o'clock, with blued steel spade hands, the mahogany curved-top case with boxwood inlay to the front panel and standing on brass bun feet, height 36cm.

Los 652

An Art Deco green onyx mantel clock having an eight-day duration timepiece movement, the cream and gilt rectangular dial with stylised Arabic numerals, the stepped case standing on chrome feet, height 25cm.Another Smiths Electric mantel clock with square glass dial and chrome bezel, standing on an oak base.

Los 653

Japy Frères, a large slate mantel clock, the eight-day duration movement striking the hours and half-hours on a gong with an outside countwheel, the backplate stamped with the trademark for Japy Frères, the cream enamel chapter ring having black Arabic numerals and blued steel hands, the substantial black state case with inset gilded decoration, applied bronzed mounts, brown marble mouldings and shaped top, height 50cm.Biography Japy Frères et Cie were originally set up in circa 1771 in Beaucourt by Frederic Japy, born 1749 for the purpose of making ebauches (blanks) for watch movements. By 1810, Frederic Japy's sons Frederic-Guillaume Japy, Louis-Frederic Japy and Jean-Pierre Japy had joined the firm and renamed the firm Japy Frères et Cie following the death of their father in 1812.

Los 654

A Victorian Black Forest cuckoo mantel clock, the eight-day duration, double-fusee movement striking the hours on a gong with the cuckoo appearing and sounding at each hour, the beechwood dial with bone Roman numerals and hands, the carved oak case of Chalet design having an architectural pediment and carved mounts, height 38cm.

Los 655

A marble Art Deco mantel clock, the eight-day duration movement striking the hours and half-hours on a bell with an outside count wheel, the backplate stamped with the trademark of the blanc-roulant maker F. Marti, Paris, the rectangular verigrated marble chapter ring with raised Arabic numerals and brass 'spear' hands, the white marble case with curved brown marble sides inset with brass fluting, the base of black marble, height 22.5cm.Fritz Marti is recorded as working in Vieux-Charmont from circa 1876 until at least 1908, having received a gold medal at the Paris Exposition of 1900 for his blanc roulants.

Los 656

S. Marti, Paris, a decorative brass mantel clock, the eight-day duration movement striking the hours and half-hours on a bell, with an outside countwheel, the backplate stamped with the trademark of the blanc roulant maker S. Marti et Cie, the round white enamel dial having black Arabic numerals and decorative floral swags, with blued steel moon hands, the decorative cast-brass case with applied mouldings, lions-head handles to the sides and surmounted by a cast-brass urn, height 44cm.Biography Samuel Marti is recorded at Le Pays de Montbéliard, Paris in circa 1860 making blanc-roulants, with workshops in the south of France in Montbéliard, having set-up in 1839 with Georges Moser at 13 Orleans-Marais. Marti joined Japy Freres and Roux in 1863 to market their movements to such firms as L'Epee from their address at Rue Vieille-du-Temple.

Los 658

A French ormolu mantel clock, the eight-day duration movement striking the hours on a bell with the backplate stamped with the trademark of the maker of the blanc-roulant Japy Freres and numbered 387, the white enamel dial with blue Roman numerals and decorative gilt-brass hands, the ormolu case having a breakfront moulding to the base, applied ormolu mounts and surmounted by an urn, height 37.5cm.Biography For details of Japy Freres see lot number 653

Los 659

Franz Hermle, Imperial, a reproduction gilt-metal and marble clock garniture, the eight-day duration movement having a floating balance and striking the hours and half-hours on two bells, the backplate stamped Franz Hermle, the round white enamel dial with black Roman numerals and signed Imperial, the figural brass and green marble case of lyre form with the bronzed figures to either side having cloven feet and having applied brass mounts, with a pair of seven-light matching side pieces, height 63cm.

Los 660

Jaeger-LeCoultre a gilt-brass and lucite Baguette desk clock, having an eight-day duration jewelled in-line skeletonised timepiece movement with lever escapement, the movement set within the clear lucite case, the front signed Jaeger-LeCoutre, 8, with brass hands, with a visible engine-turned ground and gilt-brass surround, stamped to the underside with the model number 422, height 12.5cm.

Los 661

Jaeger-LeCoultre, Baguette mantel clock, the eight-day jewelled in-line baguette movement having a lever escapement to the balance, with the barrel stamped Swiss Made, the rectangular chapter ring having black Roman numerals and spade hands, the front glass signed Jaeger-LeCoultre 8, with the gilt-brass case having acanthus leaf mouldings and stamped to the underside with the model number 502, complete with original signed leather case.

Los 663

Alliez & Berguen, Paris a French gilt mantel clock, the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped for the maker Alliez & Berguen, Paris, 78, the round white enamel dial having black Roman hour numerals and blued steel moon hands, the gilt-brass waisted case having applied floral mounts and decorative blue porcelain panel inset to the front, the rear of the case stamped H. Picard, standing on a giltwood base with glass dome, height 28cm inc. base, 22cm clock. Complete with a giltwood wall bracket with ormolu decoration and Ho-ho bird to the front.

Los 664

Brocot a Paris, a porcelain mantel clock, the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped for the maker Brocot a Paris, along with the serial number 541, the round white enamel dial having black Roman numerals, blued steel moon hands and with a repeat of the makers name, the white rococo porcelain case with applied floral decoration and further painted decoration and standing on a matching base, height 36cm inc. base.Biography The Brocot family were a well-known dynasty of clockmakers, founded by Louis-Gabriel Brocoot, working in Paris with a number of Brevetes d'invention to their name including the Brocot form of suspension regulation as used in the majority of French movements in the mid-to-late 19th century.Reference Richard Chavigny Les Brocot une Dynastie d'Horlogers Pub..Antoine Simonin 1991

Los 665

Hodgkins & Co, Paris, a porcelain mantel clock, the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped for the blanc roulant maker Samuel Marti along with the finisher Mouv. Fin. D. Potonie & Co., Paris 7140, and retailers name Hodgkins & Co, Paris, along , the round white enamel dial having blue Roman numerals, decorative blued steel hands and with a repeat of the retailers name, the white rococo porcelain case with painted floral decoration and gilt accents, height 27cm.Biography For details of Samuel Marti see Lot number 656D. Potonie et Cie are recorded working at Rue Debelleyme, Paris, previously Neuve St-Francois, from circa 1850 until at least 1870..

Los 666

A substantial mahogany bracket clock case and round silvered dial with brass bezel and glass, to take a Victorian-style fusee movement.

Los 667

A Victorian ebonised bracket clock, the eight-day duration, double-fusee movement striking the hours on a gong, the five-inch silvered arched dial engraved with scroll decoration, black Roman hour numerals and a 'strike/silent' dial within the arch, with blued-steel hands, the ebonised bell-top case having canted corners with applied carytid mounts, brass fretwork to the sides, applied brass mounts to the front and top, cast brass finials and all standing on matching bracket feet, height 41cm.

Los 668

An ebonised Georgian mantel clock having an eight-day duration single-fusee timepiece movement, the round white enamel dial with black Roman numerals and blued steel spade hands, the arched-top ebonised case having brass fretwork to the front, with further brass decoration to the top and corners, with a loop handle to the top and cast-brass handles to the sides, all standing on ball feet, height 37cm.

Los 669

Jackson, Bristol, a lancet arch-top bracket clock, the eight-day duration, double-fusee movement having an anchor escapement and striking the hours on a bell, the backplate engraved with scroll decoration and signed Jackson, Bristol, the round white painted dial having black Roman numerals, blued-steel hands and signed J. Jackson, Bristol, the mahogany lancet-shaped case inlaid with brass decoration and having ebonised edging, with brass fretwork to the sides below cast-brass handles, all standing on ball feet, height 45cm.With paperwork showing the various repair marks, the first dated 1821.Biography Joseph Jackson was a well-known clockmaker working at 17 St. Augustine's Parade, Bristol having been apprenticed to Thomas Palmer in 1813, and was the son of the maker Jacob Jackson. He was in partnership with Braham from 1826 until 1838.Reference A.J. Moore The Clockmakers of Bristol Pub: 1999.

Los 670

Daniel Ross, Exeter, a mahogany weight-driven wall clock, the eight-day duration movement striking the hours on a bell, with the ten-inch round painted dial having black Roman numerals and signed D. Ross, Exeter, with blued-steel spade hands, the mahogany case with canted corners, curved base, cross-banding to the trunk door and an octagonal surround to the hood, height 126cmBiography Daniel Ross is recorded as working as a chronometer and watchmaker at 31, High Street, Exeter, just below St. Stephen's church, from circa 1837 and is still known to be working in 1863. He supplied a turret clock to Old Blundell's, Tiverton in circa 1842 and another for St. Mark's in Dawlish. A watch signed Ross, High Street, Exeter is on display in Exeter Museum. Reference Clive N. Ponsford Time in Exeter Pub. Headwell Vale Books 1978.

Los 671

A French striking wall clock for Ellis Bros, Exeter, the eight-day duration movement striking on a gong, the round white dial with black Roman numerals, blued steel moon hands and signed for the retailer Ellis Bros Exeter, with a round moulded mahogany case, diameter 46cm.

Los 672

Smiths oak wall clock, the eight-day duration timepiece movement having a platform lever escapement and stamped for Smiths, with the round painted dial having black Arabic numerals, blued steel spade hands and signed Smiths 8 Day, the round oak case with a brass bezel, diameter 38.5cm.

Los 673

A Georgian mahogany sedan clock, having a later 20th century eight-day duration timepiece movement, the round dial with black Roman numerals and blued-steel spade hands, the round mahogany case with brass moulding and bezel, diameter 15cm.

Los 674

A Victorian Black Forest trumpeter wall clock, the eight-day duration movement striking the hours on a gong with a trumpeter appearing and sounding on the hour, the dial with bone Roman numerals, the oak case with applied carved mouldings, height 48cm. (as found)In 1857 Johann Baptist Kirner, the court painter to the Grand Duke of Baden, suggested making a clock incorporating a trumpeter, possibly inspired by the popular poem, 'Trompeter von Säckingen' by Victor von Scheffel, published in 1854. The first maker to produce a trumpeter clock using a cuckoo clock movement was Bäuerle and in an 1858 exhibition he won a written commendation for the best trumpeter-style clock.

Los 676

Systeme Brevete, Paris, an unusual wall clock, the black dial with gilt Roman numerals and signed Systeme Brevete, Paris and wound via a cord to the underside, with an ebonised backboard, diameter 27cm.

Los 678

Chas. Haines, Swindon, an oak longcase clock, the thirty-hour duration movement striking the hours on a bell with the square painted dial having black Roman numerals, floral corner decoration and signed to the centre Chas. Haines, Swindon, with decorative brass hands, the oak case having a swan-neck pediment with brass centre finial and patrae, the hood with cast-brass capitals to the pillars, all standing on bracket feet, height 206cm inc. finial.Biography Charles Haines, born Antage, Berkshire in 1798, is recorded as working as a clockmaker in Wood Street, Swindon by 1829 and still listed in 1861 as a widower living with his daughter Louise and a servant.Reference John Young Wiltshitre Watch and Clockmakers Pub. Sedghill Publishing 2004, with a longcase clock by Haines illustrated p.82.

Los 679

Fletcher, Barnsley, an oak longcase clock, the thirty-hour duration movement striking the hours on a bell, with the thirteen-inch round painted dial having black Roman numerals, date aperture and signed Fletcher, Barnsley, with brass hands, the oak case having quartered columns, the hood with a swan-neck pediment and brass capitals to the pillars, the base with raised mouldings and standing on bracket feet, height 208cm.Biography There are three members of the well-known Fletcher family working in Barnsley, Yorkshire at this period with the maker of this clock quite probably one of the two clockmaking sons of Tobias Fletcher, either Charles born circa 1780 or Tobias II born 1782.Reference Brian Loomes Yorkshire Clockmakers Pub. Daleman Books 1972

Los 680

Richard Longhurst, Steyning an oak longcase clock the thirty-hour duration movement striking the hours on a bell with an outside countwheel, the eleven-inch square painted dial having black Roman numerals, decorative corner spandrels and signed R. Longhurst, Steyning, with decorative blued steel hands, the flat-top oak case with cast-brass capitals to the hood pillars, height 190cm.Biography Richard Longhurst is recorded as working in Steyning, Sussex having married there in 1776/7 prior to his move to Seaford in 1784 until at least 1834 being no longer recorded by 1839.Reference Brian Loomes Watchmakers and Clockmakers of the World NAG Press 1988.

Los 681

William Johnson, Evesham, an oak longcase clock, the thirty-hour duration full-plate movement striking the hours on a bell with an outside countwheel, the eleven-inch square painted dial having black Roman numerals, floral corner spandrels, blued steel hands and indistinctly signed to the centre W. Johnson, Evesham, the flat-top oak case having cast-brass capitals to the hood pillars, height: 190cm.Biography William Johnson is recorded as working in Bengworth, a locality adjoining Evesham, prior to 1801 when he took Ebenezer Fisher as an apprentice. Johnson died in 1804.Reference Joseph McKenna Clockmakers & Watchmakers of Central England Pub. Mayfield Books 2002.

Los 682

Joseph Liddell, Oldswinsford, an oak longcase clock, the thirty-hour duration bird-cage movement striking the hours on a bell with an outside countwheel, the eleven-and-a-half-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and decorative half-hour markings, with the matted centre having a subsidiary date aperture and silvered plaque engraved Jos. Liddell, Oldswinsford, with cast-brass cherub-head corner spandrels and blued steel hands, the oak case having an arched trunk door with the hood having a caddy-top, and turned quarter-columns, height 214cm.

Los 683

Peirson, Stokesley, an unusual mahogany and oak longcase clock, the movement striking the hours on a gong and having an unusual layout with large barrel wheels and high-count pinions, with alterations, the twelve-inch round brass dial having a raised silvered chapter ring engraved with black Roman numerals, flame half-hour markings with the outer aspect having Equinox markings, signed either side of VI o'clock T. Peirson, Stokesley, A.D. 1724, the associated oak case with fluted quarter columns to the trunk, decorative inlaid stringing and decoration to the base, the hood with fluted columns and a swan-neck pediment, height 235cm.Biography Thomas Pierson was an interesting character who appears to have had many professions including whitesmith, watchmaker, schoolmaster, apothecary, customs officer and poet, with much written about his life, especially as regards his poetry. He published a number of stories and plays including The Treacherous Son-in-Law in 1786. Prone to wearing a substantial wig, a likeness of him doing so is illustrated in The History and Antiquities of Cleveland by John Walker Ord alongside a poem written by Ord which ended, '…for Pierson's wig, it was so big, it covered both his eyes!'. Pierson died in August 1791 and was buried at Stokesley.Reference David F. Severs Stokesley's Clockmakers Pub. 2008.

Los 685

John Sampson, Penzance a Georgian oak longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute markings, the matted dial centre having an inset subsidiary seconds dial and date aperture, with cast-brass c-scroll and female-head spandrels, the arch having a round silvered boss engraved with the maker's name John Sampson, Penzance, the oak case with cast-brass capitals to the fluted hood columns and surmounted by a caddy- top with fretwork panel and flanked by two brass ball-and-spire finials, height 226cm.Biography John Sampson is recorded as working in Penzance from at least 1752 when he advertised for 'any young man bred in the clock or watchmaking way wanting employment to apply to him'. He is also known to have been looking for an apprentice in 1762 and 1767.Reference Cornish Clocks and Clockmakers H. Miles Brown Pub. David & Charles 1980.

Los 686

James Christie, Perth a mahogany Georgian longcase clock, the eight-day duration movement striking the hours on a bell with the fourteen-inch round painted dial having black Roman numerals, subsidiary seconds and date dials and signed J. Christie, Perth, with decorative blued-steel hands, the mahogany curved-top case with inlaid stringing and having decorative floral inlay to the trunk and cast-brass capitals to the ebonised fluted pillars, the hood with a heavy cast-brass bezel and canted corners, the base standing on bracket feet, height 210cm.Biography There are two makers named James Christie known working in Perth. James Sr. at 62 High Street, and the probable maker of this clock, who married in 1818 whilst still working with his father and who died in 1859, and his son James Jr. working from circa 1840 in the High Street before moving to 52 St. John Street where he died in 1856.Reference Clockmakers & Watchmakers of Scotland Donald Whyte Pub. Mayfield Books 2005.

Los 687

Alexander Stewart, Dublin, an Inlaid mahogany longcase clock, the eight-day duration movement striking the hours on a bell with the thirteen-inch square brass dial having a raised chapter ring engraved with black Roman numerals and makers name Alexr. Stewart, Dublin, with subsidiary seconds dial and date aperture to the dial centre, cast-brass cherub-head spandrels to the four corners and decorative blued steel hands, the mahogany case having satinwood cross-banding to the trunk and base, with Sheraton-style inlaid decoration to the trunk, base and corners, surmounted by an architectural pediment and all standing on bracket feet, height 252cm.Alexander Stewart is recorded as working in Dublin from circa 1766 until at least 1774.

Los 688

Two pairs of brass bound longcase clock weights.

Los 690

A pair of heavy brass bound longcase clock weights, possibly for a month duration movement.

Los 691

A pair of brass bound longcase clock weights, plus two others.

Los 692

Four brass bound longcase clock weights, plus one other weight.

Los 101

A Dutch miniature silver longcase clock,  late 19th c, incorporating a earlier verge watch with polychrome painted dial, backplate inscribed "Joseph London 32684", 27mm h, second standard control mark The collection of C. W. Briggs (1906-1971) (lots 1-429) Good condition, enamel dial damaged

Los 272

A gilt brass table clock, 19th c and earlier, with silver, possibly champleve, dial to the top of the case, two strapped bells mounted on the underside, on four finely cast mask feet, 20cm h The collection of C. W. Briggs (1906-1971) (lots 1-429) Incomplete and much encrusted with dirt and grime, sold as seen and not subject to return

Los 299

A Victorian brass racing pigeon time clock, McMillan's Patent, No 10084, in arched case, 12.5cm h and other Victorian bygones, to include a papier mache cartes de visite album, gilt brass toilet box engraved with earl's coronet, pair of Victorian glass beakers in suede bag and cylindrical maroon morocco case, a Victorian shaped maroon covered ring box, etc The collection of C. W. Briggs (1906-1971) (lots 1-429) An interesting group in generally good condition

Los 146

An Art Deco chrome desk clock, a square dial inscribed 'Robinson & Co. Ltd., Singapore and Kuala Lumpur', with a Swiss eight-day movement, on a hinged stand, 16cm wide 3.5cm deep12.5cm highCondition ReportRuns when wound.

Los 176

An Art Deco ATO Clock Company mantel clock, with a mirrored and moulded glass and bevelled dial, etched 'ATO', with a Léon Hatot electric movement, mounted on a rosewood panel and plinth, raised on three silvered bun feet, 31.5cm wide21.5cm highCondition ReportSome flaking to the silver backing on the face and dial. with a Leon Hatot electric movement - now powered with a D size battery. Some silvered loss to the drum case.

Los 181

An Art Deco ATO Clock Company desk clock, with a moulded and frosted glass dial, moulded 'ATO', with a Léon Hatot electric movement, numbered '82731', mounted with a Bakelite case and stepped plinth, dial 21cm diameter24.5cm high overallCondition ReportNow with a D size 1.5v battery. Does not appear to work.Movement overhauled.21cm diameter of the dial and width24.5cm high overallcrack and chips to the back cover - scratch marks to the inside of the cover. Some wear to the two nuts that hold Bakelite dial - also some evidence of glue here.Residue to the back cover of the base.some scratches to the handsFurther photos added

Los 189

An Art Deco patinated bronze mantel clock,cast from a model by Paul Follot (1877-1941) and Gustave Gillot (1888-1965), modelled with a child leaning over the domed floral encrusted frame, the face with gilt Roman numerals, striking the half hour, signed 'G Gilot Sct' and cast 'Edition Pomone', 27.5cm wide 22cm highCondition ReportWith key and pendulum

Los 26

A Liberty & Co. Tudric pewter and enamel mantel clock, designed by Archibald Knox, model no. 0609, of rectangular form, cast in low relief with panels of Art Nouveau foliage to the edge, the circular dial with Arabic numerals enamelled with stylised honesty seedheads, in shades of green, blue and red, stamped 'Z Rd 468016 0609 English Pewter Made by Liberty & Co.', 20.5cm highProvenance: Miss Rewa B Lloyd, born in 1889, received the clock as a 21st birthday present. After passing down through the family, it was gifted to the current vendor.Condition ReportWith a key. Rubbing and wear to the case. Dial loose in the mount. Chip to the glass cover between 12 and 1 and at 9. The dial has chip to enamel at 6. Crack to the enamel between 12 and 1.French movement - replacement?N23/6 scratched into the base of the clock case. Two further scratches to the top and base of the case on the front.Further photos added to the website.

Los 28

A Liberty & Co. pewter desk clock,c.1900, designed by David Veasey, no. 0634, with a copper chapter ring with enamelled Roman numerals, centred with an enamelled dial, the case with a raised top and a shaped base, stamped 'Made in England English Pewter 0634 Solkets', with a French drum movement, 15.7cm wide 8cm deep23cm high         Condition ReportClock ticking when wound and continues. Some minor dents to the body and case. Scratch to the back. Key to the movement.

Los 317

A Danish oak three-section floor lamp,with a tapering pleated shade, 143cm high,an eight-branch chrome coat rack,174cm high, a Herskind & Wessmann, Copenhagen, floor clock, 102cm high, anda white enamelled rise/fall light pendant (4)Condition ReportNeed rewiring. Clock dial bent - battery operated.10.1.23 PAT passed.

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