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460333 Los(e)/Seite
Monkhouse of Carlisle. A Regency inlaid mahogany musical longcase clock, the 13 inch arched brass dial with painted moonphase, alarm hand and tune selector for 'Abide With Me', 'Home Sweet Home' and 'Bluebells of Scotland', signed in the arch George and Mary Peat, later movement chiming on eight bells, 8ft 1in.
A George II thirty hour longcase clock movement and dial, John Ettery, Horton, mid 18th century, the single-handed posted countwheel bell striking movement with anchor escapement and 9.75 inch square brass dial with concentric button ring turned band to the matted centre within Roman numeral chapter ring with fleur-de-lys half hour markers and Indian mask and scroll cast spandrels to angles (no pendulum or weight)
A black japanned eight day longcase clock , mid to late 18th century, the five pillar rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial with central boss marked Biggin, Harrich, subsidiary seconds dial, date aperture to centre within applied silvered Roman numeral chapter ring. The case with all over japanned and gilt decoration featuring oriental figures in exterior scenes, 225cm high
A William IV mahogany and brass inlaid bracket clock , circa 1830, the twin fusee rack and bell striking movement with anchor escapement, the 8 inch circular white Roman numeral dial bearing signature DWERRIHOUSE & CARTER, LONDON to centre and with spade hands set behind a convex glazed cast brass bezel, in a case with a stepped architectural top surmounted by a pineapple finial and flanked by embossed foliate and ring handles and gothic lattice fret sides, the whole on plinth base and ball feet 49cm high
A brass mantel clock , unsigned, first quarter 20th century, in the form of an oversized carriage clock , the French eight-day gong striking movement with silvered platform lever escapement and numbered 64 to backplate, the white enamel Roman numeral dial with regulation lever and spade hands behind a bevel glazed bezel, the five-glass case with hinged handle over cavetto moulding, frieze and square uprights, the base with integral bracket feet, 21.5cm high excluding handle
A gilt-metal mounted white marble mantel clock , Rollin A Paris, mid 19th century, the eight-day bell striking movement regulated by a count wheel stamped ROLLIN A PARIS and numbered 1136 to backplate, the white enamel Roman numeral dial with moon hands signed to bottom centre ROLLIN A PARIS , the case surmounted by a gilt metal robed Classical female holding a dove and reading a document whilst leaning on a fountain above the shaped body with carved angles and applied beaded edges and plinth base, the whole on a further ebonised stepped plinth base, 38.5cm high overall
A Regency mahogany and brass inlaid bracket clock, unsigned, circa 1815, the four pillar twin-fusee bell striking movement now with anchor escapement and decorative engraved back-plate, the 7.75 inch white painted Roman numeral break-arch dial with strike/silent subsidiary selection dial to arch, the mahogany case with handle to the single pad break-arch top, brass grille sides and brass inset angles flanking the door, the whole on plinth base and brass bracket feet, 43cm high
A gilt-metal mantel clock , Japy Freres et Cie, late 19th century, with eight-day bell striking movement with anchor escapement, stamped and numbered 40 to backplate, the white enamel Roman numeral dial behind a bevel glazed bezel, the gilt and silvered metal case surrmounted by a swing handle and with applied scroll decoration to the profusely foliate scroll decorated body, the corners with accanthus leaves and beading, the whole on plinth base and outswept legs, 27cm
A LATE 19TH CENTURY SLATE, MARBLE AND BRASS MOUNTED CLOCK GARNITURE, clock eight day movement with mercury pendulum striking on a gong, circular dial and enamel chapter ring with Arabic numerals framing a visible escapement, the drum case above in glazed lenticle flanked by pillars all on a shaped base decorated with panels of figures, height approximately 48cm, with two matching garnitures of pedestal tops raised on shaped plinths, some damage/missing marble, no key

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460333 Los(e)/Seite