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460345 Los(e)/Seite
A French repeating carriage clock c1880 with retailers signature HRY Marc Paris, the Roman numeral dial with subsidiary alarm dial below, set in a gilt surround and gilt brass case with bevelled glass panels, enclosing an 8 day twin barrelled movement hour and half hour repeater and alarm, height 15 cm, width 10 cm and depth 9.5 cm
A MAHOGANY LONGCASE CLOCK signed James Ashurst, Bury, the eight day movement with anchor escapement striking on a bell, 13"" arched dial with Roman and Arabic numerals, painted moonphase and secondary dials, painted and gilt embellished with birds, fruit and flowers, the case with swan neck pediment having brass rosettes and finials over pierced fret spandrels, fluted columns, wavy edged hood door, inlaid paterae to frieze, quartered veneered arched door flanked by fluted quarter columns, canted base and ogee bracket feet, 92 1/2"" high (Illustrated)
A MAHOGANY LONGCASE CLOCK signed Jas Shaw, Halifax, the thirty hour movement with anchor escapement and outside countwheel striking on a bell, the 13"" arched dial with Roman and Arabic numerals, painted with birds and flowers and with moonphase, secondary dial, the chequer banded and inlaid case with scrolled swan neck pediment and brass finials on turned columns, arched door flanked by fluted pilasters, panel base and bracket feet, 94 1/4"" high (Illustrated)
A CHAMPLEVE ENAMEL AND ORMOLU MANTEL CLOCK, possibly French, early 20th century, the twin barrel movement striking on a gong, backplate stamped Chiles MT 27183, 3 1/2"" enamelled dial with Roman numerals within sky blue roundels, the arched oblong case with baluster spine surmounting a cupola, baluster turned protruding corner columns, applied cherubs, moulded base and turned feet, 10 1/2"" x 21"" (Illustrated)
A FRENCH CHAMPLEVE ENAMEL, PORCELAIN AND ORMOLU CLOCK GARNITURE, early 20th century, striking on a gong, back plate stamped Samuel Marti 779355, 3 1/2"" porcelain dial with Roman numerals, the oblong case with urn surmount, turned corner columns with finials, inset oval painted porcelain plaques, on turned feet, 8"" x 16 3/4"", ensuite with a pair of porcelain ovoid vases on square bases with finials (Illustrated)
A BRASS TORSION PENDULUM CLOCK, early 20th century, 2 3/4"" enamel dial with Roman numerals and initialled CB, plain bezel, the movement with anchor escapement, pierced crown surmount, raised on turned columns, pendulum with crown, raised on stepped rounded oblong oak base with bun feet under glazed oak case, 12 1/4"" high
A EUROPEAN OAK LONGCASE CLOCK, late 19th century, the two train movement with anchor escapement striking on a gong, 10"" silvered dial with Roman numerals and chased Renaissance style centre, weights and pendulum with similar decorative motifs, back plate stamped Dr. Patent 125605, and 98/66 3/4, 21537, the dark oak case carved with trailing foliage, moulded cornice, open trunk with scrolled sides, the panelled base flanked by pilasters, on bracket feet, 22 3/4"" x 87
An early 19th century ormolu and bronze figural eight day mantel clock with French movement signed 'Leon, Paris', striking on a single bell, the 3 1/2 inch dial with ring of Roman numerals within a laurel leaf surround surmounted by a gilt figure of Hercules on a Triumphant rectangular base on short claw feet to the front, 48cm high
A 19th century French bronze ormolu and marble figural eight day mantel clock the 3 3/4 inch convex white enamel dial with inner ring of Roman numerals, outer ring of Arabic numerals, the drum movement striking on a single bell, signed 'D E Niere a Paris 1664' the drum case with mid brown patinated bronze Cupid mount seated on gilt bronze clouds and a stepped white marble base on ormolu scrolling front and rear feet, united by a pierced front apron, 26cm high
A late 19th century American mahogany shelf clock, the 30 hour movement by Noris North with interior paper label, the painted dial with ring of Arabic numerals within floral spandrels, the pendulum behind a reverse painted glass panel depicting white washed houses and buildings within an extensive landscape, the case with swan neck pediment over turned and tapering front corner pilasters raised on slender bracket feet, 72cm high
A late 19th century walnut Vienna type regulator wall clock, the three train eight day movement striking on two coiled gongs, the 6 1/2 inch white enamel dial signed 'Jas Bohn, Wien' within a ring of Roman numerals, the walnut case with broken arched pediment and central urn finial over a scroll moulded single glazed door and a basket base with split finial, 135cm high,
A George I and later ebonised bracket/table clock with later twin fusee movement and a engraved foliate backplate, signed Saml Delafosse, the matted dial signed William Sharpe, London above a date aperture within a silvered chapter ring of Roman numerals and with subsidiary dials, 47.5cm high
A late 19th century cast brass Rococo style eight day mantel clock, the 4 inch white enamel dial with ring of Roman numerals, the case with central motif for music under an urn pediment on scrolling leaf front feet, 51cm high along with a single urn en suite, now converted to a table lamp (2)
A late 19th century Gorge cased brass carriage clock, the 2 3/4 inch white enamel dial with ring of Roman numerals, the clock striking on a blue coiled gong (strike mechanism at fault) the case with a repeat button, stamped '1332' to the back plate, 15cm high along with a leather covered hinged lid carry case (at fault)
A late 19th/early 20th century French, green onyx and spelter figural mantel clock, the 3 inch white enamel dial with ring of Arabic numerals, the eight day movement striking on a single bell, the figure after Ferrand the clock on four spelter scrolling leaf cast short legs terminating in a claw foot (one replaced), 51.5cm high
A William IV mahogany twin fusee bracket clock, the 8 inch convex white enamel dial re-signed 'Parsons & Williams, Bristol', within a ring of Roman numerals, the eight day movement striking the hours on a single bell, the pagoda topped leaf moulded case with lion ring side handles over pierced brass fish scale sides, raised on four brass ball feet, 43cm high Note; Brian Loomes records Parsons & Williams, Bristol 1842 in Watchmakers and Clockmakers of the World Volume II
A late 19th century green onyx and spelter clock garniture the 3 1/2 inch white enamel dial indistinctly signed within a ring of Arabic numerals, the onyx case with scrolling leaf gilt spelter mounts, the spring driven drum movement striking on a single bell, the back plate stamped '692' the matching single candlesticks with single nozzle over a gilt metal and tapering onyx column on a stepped square base and front scrolling leaf spelter feet, 33.5cm high, 26.5cm high (3)
A Victorian 17th century style twin fusee brass lantern clock, the 6 1/2 inch dial with ring of Roman numerals under a scrolling leaf carved pediment and exposed bell with four strap supports and central urn finial, the eight day twin fusee movement striking the hours and half hours, 38cm high
A 19th century comptoise style French wall clock, the 9 1/2 inch white enamel dial signed 'Henri Morel, Champlitte' within a ring of Roman numerals, the spring driven eight day movement striking on a coiled gong, the walnut and ebonised case with stylised abalone white metal and brass inlays,49cm wide, 63cm high
A late 19th century French Boulle Louis XV style mantel clock, the 3 1/4 inch dial with ring of blue and white enamel Roman numerals, the case overall decorated with scrolling leaves, raised on four scroll feet, the eight day movement striking the hours and passing half hours on a coiled gong the back plate stamped '3128 44' (at fault), 28cm high
A George III oak crossbanded mahogany eight day longcase clock the 12 inch brass and silvered dial signed Payne, Ludlow with inner ring of Roman numerals and outer ring of Arabic numerals within urn moulded pierced spandrels the hood with fret cut pediment over turned and tapering front corner hood pilasters, the hood door with replaced glass over a crossbanded long trunk door with cut-off top corners between reeded canted front corners on a single panel box base and short bracket feet, 220cm high
A George III oak thirty hour longcase clock the 10 3/4 inch dial signed 'Richard Bullock, Ellesmere No.470' with centred date aperture within a ring of Roman numerals and C-scroll pierced spandrels, the hood with pollard veneered frieze over turned and tapering front corner hood pilasters above a long trunk door between fluted canted front corner trunk pilasters on a box base with later skirting plinth, 190cm high
A late George III oak eight day longcase clock, the 13 inch square painted dial with centred subsidiary seconds dial and date aperture within a ring of Roman numerals an architectural ruin painted spandrels, the hood with cavetto moulded cornice over reeded turned front corner hood pilasters over a crossbanded trunk door and single panel crossbanded box base with canted front corners on ogee moulded short bracket feet (at fault), 203cm high
A George III oak crossbanded mahogany thirty hour longcase clock the 12 1/2 inch brass square dial signed 'Wignall, Ormskirk' to the chapter ring with centred subsidiary seconds dial and date aperture with inner ring of Roman numerals, outer ring of Arabic numerals within pierced C scroll spandrels, the hood with swan neck pediment over reeded front corner hood pilasters above a crossbanded long trunk door between quarter reeded front corner trunk pilasters on a single panel box base and ogee bracket feet, 215cm high
A 19th century and later oak eight day longcase clock the eleven inch arched brass dial signed 'W Rippin, Holbeach' to the arch over a centred subsidiary seconds dial within an inner ring of Roman numerals and outer ring of Arabic numerals with pierced corner spandrels, the eight day movement now striking on a coiled gong the hood with swan neck pediment over turned and tapering front corner hood pilasters above a pointed arched short trunk door with central conch shell inlay on a crossbanded box base with cut-out plinth, 205cm high
An early 19th century oak crossbanded mahogany thirty hour longcase clock the 12 inch painted arched dial signed 'Geo Bicker*on, Kidderminster', with centred date aperture with inner ring of Roman numerals and florally painted spandrels painted with a boy and garland decorated sheep to the arch the hood with swan neck pediment over reeded front corner hood pilasters above a short crossbanded trunk door with central conch inlay between quarter fluted front corner trunk pilasters on a disc crossbanded box base and short bracket feet (at fault), 214cm high
A George III oak crossbanded mahogany eight day longcase clock the 11 inch square brass dial signed Thomas Phippard, Poole', with centred subsidiary seconds dial and date aperture with inner ring of Roman numerals outer ring of Arabic numerals and urn moulded spandrels the hood with swan neck pediment over wrythen moulded front corner hood pilasters over a crossbanded short trunk door with conch shell central inlay between canted front corners to the trunk on a crossbanded boarded base and on tall bracket feet, 207cm high
A mid 19th century mahogany and oak eight day longcase clock, the 13 inch arched painted dial signed 'Tho Owen, Hendra' with centred subsidiary seconds dial and date aperture within florally painted spandrels and ring of Arabic numerals under a rolling moon to the arch, the hood with swan neck pediment over flat wrythen moulded front corner hood pilasters over a short trunk door on a single panel box base and skirting plinth, 221cm high
A George III oak longcase clock, the 12 inch square brass dial signed 'Tho Gorsuch, Salop', with centred subsidiary seconds dial and date aperture with an inner ring of Roman numerals, outer ring of Arabic numerals and mask moulded pierced spandrels, the hood with ogee moulded cornice over turned front corner hood pilasters above a crossbanded rectangular trunk door on a two plank base with later skirting plinth, 187cm high
An early 19th century oak crossbanded mahogany eight day longcase clock the 13 inch painted dial indistinctly signed and with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals with C scroll painted spandrels and bird of paradise painted to the arch, the hood with swan neck pediment over reeded front corner hood pilasters over a crossbanded trunk door between quarter reeded pilasters on a box base with later skirting plinth, 218cm high
A George III oak eight day longcase clock the 12 inch square brass dial signed 'John Glazebrok, Mansfield' to the chapter ring with centred date aperture and subsidiary seconds dial within an inner ring of Roman numerals, outer ring of Arabic numerals with cherub moulded and coronet spandrels the hood with ogee moulded cornice over three quarter turned front corner hood pilasters above a pointed arched, crossbanded long trunk door on a box base and cut-out plinth, 197cm high
A late 17th century walnut marquetry eight day longcase clock the 12 inch square brass dial signed 'Jasper Taylor in Grayes Inn' with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals, cherub and coronet pierced spandrels the eight day movement striking on a single bell, the hood with stepped cornice over three quarter turned front corner hood pilasters flanked by glazed sides over a long trunk door with replacement lenticle on a boarded base with later skirting plinth, 205cm high
An early 19th century oak eight day longcase clock, the 13 inch circular enamel dial indistinctly signed P***ow Wellington, within a ring of Roman numerals, the hood with swan-neck pediment over turned and tapering front corner hood pilasters, over a short mahogany crossbanded trunk door between reeded quarter pilasters, on a single panel box base and short bracket feet, 215cm high
A mid-19th century mahogany eight day longcase clock, the 13 1/2 inch painted dial signed J Hughes & Co Carnarvon, with centred subsidiary seconds dial within a ring of Roman numerals, the figural painted four continent spandrels, under a painted arch with lion with automaton eyes, the hood with wrythen moulded front corner hood pilasters, over a short crossbanded trunk door, flanked by conforming front corner trunk pilasters, on a crossbanded base with shaped apron and short bracket feet, 231cm high Note: John Hughes is listed as clockmaker working from Poole Street in the mid-19th century
A George III oak thirty hour longcase clock the 11 inch square brass dial signed 'J. Salter, Oswestry' with centred date aperture and single hand within a ring of Roman numerals and mask moulded pierced spandrels, the hood with stepped cornice over three quarter turned front corner hood pilasters a long trunk door and boarded base with later skirting plinth, 193cm high,
An early 19th century oak crossbanded mahogany eight day longcase clock, the 13 inch square painted dial signed Wignall, Ormskirk with centred subsidiary seconds dial and date aperture, with an inner ring of Roman numerals and outer ring of Arabic numerals and rose painted spandrels, the hood with swan-neck pediment over a gilt painted scrolling frieze, over reeded front corner hood pilasters above an arched short trunk door, between quarter reeded trunk pilasters, on a cross-banded boarded base and short ogee bracket feet, 216cm high
A mahogany longcase clock, 18th century, the arched brass dial inscribed 'Wm & Jn. Kipling, London' with seconds and date dials and eight-day striking movement, 236cm high CONDITION REPORT: Hood has cracks to each side above and below 'windows'. Cracks to moulding joints and in moulding on arch. Some brass stringing missing. Door re-hung and lock bolt is exposed. Door doesn't fit properly. Base has splits. Missing piece of moulding to left hand side.

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460345 Los(e)/Seite