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A silver cased, carriage clock. Rectangular heavily embossed fruit and floral decoration, stamped `Goldsmiths and Silversmith Co. Ltd 112 Regent Street`. round white enamelled dial, Arabic numerals, key wind mechanism measuring 60mm high x 65mm x 55mm. Hallmarked London 1902, maker C & CBC. (A/F)
A late 19th Century oak cased bracket clock, by Chas Taylor & Sons, London and Bristol, with eight day movement striking a gong to the hour, a bell to the half hour, the arched brass dial engraved with an eagle amidst scroll work to the arch, the sides and back door with pierced grills, the case with apex top and fluted pillars over a break front and moulded base, 25 1/2" high (illustrated).
An early 19th Century French ormolu mantel clock, by L Mallet A Paris, the eight day movement with silk suspension and striking to bell, the white enamel dial with Roman numerals and in arched case surmounted by a battle axe, sword and wreath and with applied foliage beneath the dial, a Roman soldier proffering his helmet stands to the right, all over a frieze of classical figures, on adjustable feet, 15 1/2" high (illustrated).
An 18th Century longcase clock, by Robert Dunn of London, the eight day four pillar movement striking to bell, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, floral engraved centre with subsidiary seconds dial and date aperture and with recessed silvered plaque signed Robert Dunn, London to the arch, the black Japanned case with pagoda hood and gilded chinoiserie scenes, the broken arched case door over a stepped platform base, circa 1770, 97 3/4" high (illustrated).
Drocourt, Paris, A French Corniche carriage clock, the eight day movement having a platform lever escapement and striking the hours and half hours on a gong with push repeat, the backplate numbered `2362` with the inside of the movement stamped with the `secret` trademark of the clockmaker Drocourt, the white enamel dial having black Roman numerals, blued steel spade hands and a gilt brass sight ring, contained in a brass Corniche case, 16.5cm. high. (Handle up). * Pierre & Alfred Drocourt were one of the top maker`s of carriage clocks in the mid to late Victorian period, having a factory at Saint-Nicolas-d`Ailermont, the most important town for carriage clock manufacture at the time, as well as premises in Paris at Rue Debelleyme 28 and Rue de Limoges. They were awarded numerous medals at exhibitions, such as the bronze medal at Paris 1867, the silver at Paris 1878 and the gold at Paris in 1889. Alfred succeeded his father Pierre sometime in the 1870`s.
Jaeger-Le Coultre, An Atmos mantel clock, the white chapter ring having applied Arabic & tapered hour numerals, Dauphine hands, and signed to the centre `Jaeger-Le Coultre, Atmos, Swiss Made`, with the underside of the lacquered brass four glass case signed and stamped with the movement calibre number `526-5`, the top of the escapement also signed and stamped with the serial number `132189`, giving a date of manufacture for 1960, height 22cm. Complete with box & manual.
Vincenti et Cie, Paris, A mahogany and brass mantel clock, the eight day duration movement striking the hours and half hours on a gong, the round dial having a white enamel chapter ring with black Roman numerals, an engine turned centre, and blued steel spade hands, the rectangular mahogany case having applied brass classical mouldings and feet, height 32cm. * Vincenti was a well known French clock movement maker who founded his business in Montbeliard in 1823 before going bankrupt in 1824, the business then taken over by the manager Roux to become Vincenti et Cie working at Rue d`Anjou au Marcus, Paris from 1850.
John Thwaites, London and Goodman, Kentish Town, A mahogany bracket clock with bracket, the five pillar, eight day duration movement striking the hours on a bell with pull repeat, with the backplate engraved with typical Thwaites border engraving and signed to the centre `Goodman, Kentish Town`, the frontplate stamped `I. Thwaites` with the serial number `3727`, the seven inch round, convex painted dial having black Roman numerals, blued steel decorative hands and signed `Goodman, Kentish Town`, with a gilt cast brass bezel, the arched `lancet top` mahogany case having raised moulding to the front, brass fishscale frets to the sides, complete with matching mahogany bracket, height 45 cms, 68 cm (inc. bracket). * John Thwaites (the ` J` usually stamped `I`) was a well known clockmaker having been apprenticed in 1772 and becoming a member of the Worshipful Company of Clockmakers in 1782 until his death in 1820. He supplied many of the leading clockmaker`s of the period with both movements and finished clocks as in this case. In 1808 he went into partnership with George Jeremiah Reed to form Thwaites & Reed who continued the business with the same practices. The serial number, 3727, indicates a date of manufacture of 1806.
A French four glass mantel clock, the eight day duration movement striking the hours and half hours on a bell with a twin tube mercury compensating pendulum, the two-piece white enamel dial having black Roman numerals, blued steel decorative hands and an inset visible escapement with jewelled pallets, having a Corniche brass four glass case, height 35cm.
Smith`s of Clerkenwell, A passing strike skeleton clock, the eight day chain fusee movement striking once on a bell at each hour, the silvered chapter ring, of typical Smith`s form, engraved with black Roman numerals and having blued steel spade hands, the scroll shaped plates having turned pillars, with an engraved, silvered scroll plaque to the front plate signed `Vale, Bury St. Edmunds`, standing on a white marble oval base typical of this maker and complete with glass dome, height 40cms; 43cm (inc. dome). * John Smith and Sons of Clerkenwell, London were, along with Evans of Handsworth, at the forefront of skeleton clock making in the Victorian period. The business was founded circa 1844 in St. John`s Square, Clerkenwell at the former manufactury of Colnel Magnier with skeleton clocks making up a large part of their varied horological output. Their factory had it`s own brass foundary, clock case workshop and assembly areas for the various types of clock produced as seen in an article printed in the Illustrated London News of 1851 entitled `Visit to a Clerkenwell Clock Factory`. This frame design is illustrated in one of their catalogues of the period. *John Vale is recorded as a clockmaker and retailer working in Abbeygate Street, Bury St. Edmunds, Suffolk from 1839 until 1864 and for whom Evans would have made this clock.
Japy Fils a Paris, A French boulle mantel clock, the eight day duration movement striking the hours and half hours on a bell with the backplate stamped with the trademark and serial number of the movement maker `Japy Fils, 1805` along with the clockmaker`s name `Woppenheim, Paris`, the repousee dial having blue Roman numerals to the porcelain cartouches and decorative blued steel hands, contained in a red tortoiseshell boulle case inlaid with engraved brass and having applied ormolu mouldings, height 44cm. * Japy Fils were the two sons, Adolphe and Jules, of the clockmaker Frederic Japy later becaming the well known Japy Freres concern, working in Beaucourt, France from the mid 19th Century. * Woppenheim is recorded in Paris at the same period of time.
An early 19th century bronze clock in the form of a horse, the 30 hour chain fusee watch movement having a verge escapement and a pierced and engraved backplate, the white enamel dial having black Roman numerals and blued steel spade hands, the bronze case in the form of a horse with the clock sitting above and all standing on a white marble oval base, height 24cm.
Japy Freres, Paris, A gilt metal and bronze mantel clock, the eight day duration movement striking the hours and half hours on a bell with an outside countwheel, the repousee dial having inset porcelain cartouches with black Roman numerals and blued steel spade hands, the case in the form of a bronze elephant on which stands the drum clock surmounted by a model of a cherub playing the cymbals, standing on a stylised gilt metal oval base, height 50cm. * Japy Freres were founded by Frederic Japy at Beaucourt, France who had, circa 1776, been the first to use machines to manufacture watch & clock parts. By the mid 19th Century they had become one of the largest suppliers of roulant blancs to the horological trade with premises in both Paris and London.
Samuel Marti, Paris, A blonde tortoiseshell mantel clock, the eight day duration movement striking the hours and half hours on a gong and stamped with the trademark of the movement maker `S. Marti, Paris`, the white enamel dial decorated with painted swags between the black Arabic numerals, with decorative engraved brass hands and signed with the retailer`s name ` Brock & Sons, Edinburgh`, the blonde tortoiseshell case having a caddy top surmounted by a cast brass handle, four finials to the top corners and decorative feet, height 33cm (handle down). * Samuel Marti et Cie are recorded as maker`s of roulant blanc clock movements working at Le Pays de Montbeliard circa 1867 with a retail outlet in Paris.
Richard Grove, London, A giltwood cartel clock, the eight day duration fusee movement having a verge escapement, the nine inch silvered dial engraved with the maker`s name `Rich. Grove, London` and black Roman numerals, with decorative blued steel hands and a `false pendulum` aperture, the case in the form of rococo and Oriental design surmounted by an eagle, height 82 cm. * Richard Grove of Wood Street, London, was apprenticed in 1749 becoming a Freeman of the Clockmaker`s Company in 1760 until his death in 1817.
Leach, Salisbury, A small mahogany drop dial wall clock, having an eight day duration fusee movement, the seven inch dial having a raised silvered chapter ring engraved with black Roman numerals and the maker`s name `Leach, Salisbury`, with a matted centre and blued steel spade hands, the mahogany case having a small drop inlaid with brass decoration, height 27cm. * George Leach is recorded as working in Salisbury, Wiltshire from 1830 until 1848.
An 18th Century turret clock, Formerly at Clovelly Court, the cast iron and brass birdcage movement having scroll feet and ball finials to the four corners, going and striking trains with a large outside countwheel, with under dial work, pendulum and weights. * Formerly the tower clock at Clovelly Court, Clovelly, Devon, the family seat of the owners of the North Devon coastal village.
A Regency round dial mahogany longcase clock, the eight day duration movement striking the hours on a bell with the white twelve inch circular painted dial having black Roman numerals, a subsidiary seconds dial and blued steel spade hands, the mahogany flat top case having canted corners, with scroll capitals, to the hood and a panelled base, standing on bracket feet, height 192cm.
Thomas Chune, Shifnal, An oak longcase clock, the eight day duration movement striking the hours on a bell, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, cast rococo spandrels to the four corners, a matted dial centre with subsidiary seconds dial and date aperture, blued steel hands and a silvered boss within the arch engraved with the maker`s name `Thos. Chune, 1773`, the oak case having a raised panel to the base with canted corners, fluted quartered columns to the trunk with cast brass capitals, the hood having fluted pillars, with the swan neck pediment having a turned wooden finial to the centre, height 226cm (inc. finial). * Thomas Chune is recorded as working in Shifnal, Staffordshire until 1796.
J. Summerhayes, St Ives, A 19th century pine longcase clock, the eight day duration movement striking the hours on a bell, the arched hood with turned columns, with an arched waist panel door, on a box base, the thirteen inch painted arched dial signed `J.Summerhayes, St Ives`, with subsidiary seconds dial and date aperture, height 200cm.

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