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460345 Los(e)/Seite
A late 19th century French brass repeating carriage clock with alarm, the gorge case with white enamel Roman dial and alarm disc below, signed LE ROY & FILS, the twin barrel movement with lever platform escapement striking to a gong, the backplate with stamped trademark for DROCOURT and engraved LE ROY & FILS, PALAIS ROYAL, 13 & 15, PARIS, 16cm. high, contained in a leather travelling case.
A French brass repeating carriage clock with alarm, the anglaise case with white enamel Roman dial and subsidiary alarm ring, signed ELKINGTON & CO., MOORGATE ST, LONDON & PARIS, the twin barrel movement with silvered platform and lever escapement, having strike/repeat/alarm on one gong, the backplate with oval trademark JN with trident, 19.5cm. high.
A late 19th century gilt-brass repeating carriage clock with alarm, the gorge case with white enamel Roman dial and subsidiary seconds dial, signed AUBERT & CO., 252 REGENT STREET, LONDON, the eight day twin barrel movement with silvered lever platform escapement and bell strike, the backplate numbered 52, 16cm. high.
A mid 19th century gilt brass giant quarter-chiming carriage clock, the 10.5cm. foliate engraved silvered Roman dial signed J.W.Benson, Ludgate Hill, London with subsidiary seconds dial, the three train repeating fusee and chain movement, maintaining power, with lever platform escapement, chiming on eight bells and striking the hours to a further bell, the shaped, unnumbered backplate signed Benson, London, the foliate engraved case with bevelled glasses, repeat button to the side, the back door with regulation, strike/silent and sliding dust cover to the winding arbors, 28cm. high, with key, contained in a fitted leather travelling case.
An early 19th century mahogany and brass mounted bracket clock with alarm, the rectangular case with stepped top surmounted by a pineapple finial, with fish scale brass frets and ring handles to the sides, the circular painted Roman dial signed BARTLEY, BRISTOL, the single train fusee movement with anchor escapement, striking to a bell, 48cm. high.
A 19th century French gilt and porcelain mounted mantel clock, the drum-shaped case surmounted by a laurel wreath, flanked with seated putti and scientific instruments, the rectangular base inset with floral decorated porcelain panels, raised on scroll feet, the 8cm. porcelain dial decorated with a cherub and signed Henry Marc, Paris, the twin cylinder movement striking to a bell, on a giltwood stand and contained under a glass dome, 32cm. high.
A 19th century French gilt and patinated bronze mantel clock, surmounted by a figure of a seated Chinaman, the circular drum case with white enamel Roman and Arabic dial signed CHARDON A PARIS, supported on an elephant with foliate scroll base, the twin barrel movement with outside countwheel striking to a bell, 40cm. high.
A 19th century parcel gilt bronze and marble mantel clock, the case surmounted by a bronze figure of a neo-classical maiden standing by a well, the polished slate base with canted corners and gilt metal eagle mounts, on scrolling feet, having a 10cm. gilt metal dial with enamel numerals, the French twin cylinder movement with outside countwheel, striking to a bell, 61cm. high.
A 19th century French faux tortoiseshell, brass inlaid and mounted mantel clock in the Louis XV Boulle style, the shaped waisted case surmounted by a running cherub, having a circular Roman and Arabic enamel dial, a/f, the twin barrel movement striking to a bell, raised on a similarly decorated plinth base of serpentine outline, 50.5cm. overall height. (2)
David Collier, Gatley. A George III oak, crossbanded and inlaid longcase clock, the hood with swan-neck pediment and brass ball finials above a scrolling foliate painted frieze and turned columns, the trunk enclosed by a shaped waist panel door inlaid with a snake and flanked by quarter pilasters, on a box base and shaped plinth, the 33cm. arched brass Roman and Arabic dial with moonphase mechanism, signed David Collier, Gatley to the arch, having a subsidiary silvered seconds dial and date aperture, the twin train movement with anchor escapement and bell strike, 226cm. high.
A 19th century mahogany longcase clock, the arched hood with eagle and ball finial and moulded thistle decoration, having a moulded rectangular waist panel door enclosed by foliate decorated quarter columns to a moulded box base on bracket feet, the 33.5cm. circular painted dial signed U.Whutock, Dundee, with subsidiary seconds dial, the twin train movement with anchor escapement striking to a bell, 222cm. high.
An early Victorian mahogany longcase clock, the 8 day movement striking on a bell to a 12in circular enamelled dial with subsidiary seconds and date dials, inscribed 'BROWN, LONDON', the circular hood with a shell and scroll surmount hinged at the top, above a tapering trunk with a bowfront door the panelled base previously with a plinth, 81.75in (207.5cm) h. Pendulum and two weights.
An early 19th century Scottish mahogany longcase clock, the 8 day movement striking on a bell to a 13in circular enamelled dial, with subsidiary seconds and calendar dials inscribed 'JNO WALLACE, LENEN,' the arched hood with a brass bezel door and moulded angles above an arched waist door, flanked by fluted quarter pilasters, the panel base on bracket feet, 78in (198cm). Pendulum, two weights and winding key.
A mahogany longcase clock, the 8 day movement striking on a bell to a 12in arched brass dial, the chapter ring previously silvered with subsidiary seconds dial, alarm and date aperture, the circular boss inscribed 'Samuell Ogbourne', London, the hood with blind fret panels above cluster columns to an arched door and panelled base, 88.25in (224cm) h.
A mahogany longcase clock, the 8 day movement striking on a bell, sheared off, to a 13in arched brass dial with silvered chapter ring inscribed 'THO OGDEN HALIFAX,' to a subsidiary seconds dial and pierced date aperture, the arch with a boss engraved Father Time and inscribed 'RAPIT HORA DEIM,' the back plate stamped 'Repaired by S H Hamer, Halifax 1920,' 88.75in (225.5cm) h. Pendulum, two weights and winding key.
A late 19th century ebonised musical bracket clock, with gilt brass mounts, the triple fusee movement striking on a gong and eight bells, to an arched brass dial with silvered chapter ring and subsidiary 'Slow/Fast' and 'Chime on 8 Bells/Cambridge Chimes,' dials, above 'Chime/Silent' lever, the case with pineapple finials, Corinthian capital columns and foliage paw feet, 24in (61cm) h, 17in (43cm) w.
A late 19th century ebonised and gilt brass mounted musical bracket clock, the triple fusee movement striking on five gongs and eight bells, to an arched brass dial with silvered chapter ring and matted centre with plaque inscribed 'SWINDEN & SONS, BIRMINGHAM,' with subsidiary chime/silent, 'slow/fast, 8 bells/Westminster, dials, the case with pineapple finials and on bracket feet, 19.5in (49.5cm) h, 16.25in (41cm) w. Winding key.
A German carved oak cased chiming mantel clock, the 8 day movement stamped 'W&H Sch' (Winterhalder & Hofmeier) striking on five gongs, to a brass dial with silvered chapter ring, subsidiary Slow/Fast and Chime/Silent dials, pierced fret side and back doors, 16.25in (41cm) h, 12.25in (31cm) w.
A 19th century brass skeleton clock, the twin fusee movement with a vertical toothed lever escapement and striking on a gong, to a silvered pierced chapter ring, a plaque below inscribed 'T & J OLLIVANT, MANCHESTER,' 14.5in (37cm) h, on an oblong ebonised base and under a glass dome. Winding key. Thomas & John Ollivant, Manchester 1828-51.
A French champleve enamel and gilt brass bowfront four glass mantel clock, the 8 day movement stamped 'Japy Freres' and striking on a gong, to a circular dial with a paste set border, the similarly set pendulum centred a portrait miniature of Marie Antoinette, bevelled glass, 11.75in (30cm) h, 7in (18cm) w.
Henri Jacot. A late 19th century French gilt brass gorge cased miniature petit sonnerie carriage clock, with repeat, the platform lever escapement striking on two gongs, the back plate with a parrot trade mark and numbered '5415', to an enamel dial with sleeve, the underside with Silent/Quarters lever, 5.25in (13.5cm) h. With an associated winding key.
A late 19th Century American Drop Dial Wall Clock, the circular surround with inlaid Gothic roundels and crossbanded borders over carved and applied ears, and fretwork base to a spun brass bezel enclosing a painted two-part Roman dial with outside minute track and signed A Ames, 8 Goat Lane, Norwich, to a spring-driven movement with anchor escapement and strike on a bell, height 29”
A late 19th Century Mahogany and crossbanded American Drop Dial Wall Clock, the circular surround with crossbanded panels to carved ears flanking a single glazed door and cushion base, to a spun brass bezel enclosing an 11 ½” painted Roman dial with outside minute track and blued steel spade hands, to a spring-driven movement with anchor escapement and strike on a bell
A late 19th Century Walnut Cased Postman’s Alarm Clock, the typical moulded surround with a spun brass bezel and convex glass enclosing an 8” painted wooden Roman dial with outside minute track and centred with alarm disk and cast brass hands, to a wooden posted movement with anchor escapement and strike on a bell, diameter 11 ½”
A late 19th Century Walnut and crossbanded American Drop Dial Wall Clock, the scalloped surround with crossbanded inlay to a glazed and mirror backed drop trunk with further stepped and turned lower section, to a spun brass bezel enclosing an 11 ½” painted Roman dial with outside minute track and pierced steel quatrefoil hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 30”
A late 19th Century walnut cased Vienna Style Wall Clock, the architectural pediment surmounted by three ring turned finials over an overhanging cornice with half ring turned and fluted columns with single glazed door and cushion base, with a Roman two part enamel dial with outside minute track and subsidiary seconds with blued steel hands, to a weight driven movement with anchor escapement and strike on a coiled gong, height 49”
A late 19th Century carved and stained Walnut Wall Mounted Cuckoo Clock, bearing a paper retailer’s label for Camerer, Kuss and Tritschler and Co, London, to an arched case with a profusely carved oak leaf, branch and acorn mask, to a chapter ring with applied Gothic style numerals and similarly decorated pendulum to a wooden posted movement, with rear mounted count wheel and anchor escapement with strike on a coiled gong, and further a pair of bellows with articulated cuckoo, height 15”
An early 20th Century carved wood Wall Clock, the carved scrolling foliate case with later applied gilt detail, to a cast brass bezel with beaded rim, enclosing a 4” painted Roman dial, signed “J L Royal, Ringland”, with outside minute track and blued steel fleur de lys hands, to a circular brass French movement, with anchor escapement and strike on a bell, height 21 ¼”
An early 20th Century carved Walnut Wall Mounted Cuckoo Clock, bearing a paper label “Magasin Suisse, C Georg, Place du Lac 2 Gd, Ouai 14, Geneve”, the arched hood with stylised floral decoration to a central shield over a similarly decorated frame to a wooden circular chapter ring with applied Gothic Roman numerals and composite hands, to a pierced brass framed movement with anchor escapement and strike on a coiled gong; together with a pair of bellows and articulated cuckoo, height 15”
A good late Regency Mahogany and Brass strung Bracket Clock, French of London, the lancet shaped case with inlaid geometric and floral inlay, and flanked by lions mask and ring side handles over pierced and arcaded sound frets and raised on four ball feet, to a cast brass bezel with convex glass enclosing a repainted 7” Roman dial with outside minute track and strike silent lever at 12 with blued steel Serpent hands to a twin chain fusee movement, signed French, Royal Exchange, London, and united by five knopped pillars and engraved swag backplate and anchor escapement with strike on a bell, height 16 ½” (ILLUSTRATED INSIDE BACK COVER)
A mid-18th Century Ebonised and Gilt Metal Mounted Caddy Top Bracket Clock, Ellicott of London, the caddy top case with a lacquered brass and leaf capped carry handle to a moulded cornice and glazed side panels to a hinged door with pierced gilt metal corner mounts, enclosing a circular brass dial surround to a plinth base and raised on four cast and applied foliate bracket feet, to a 7” square silvered dial with strike silent lever at 1, and signature to the bottom with Roman and Arabic chapter ring and pierced and blued steel hands, the twin chain fusee movement converted from verge to anchor escapement with signed and engraved backplate and united by five knopped pillars, with pull repeat and strike on a bell, height 18” (ILLUSTRATED INSIDE BACK COVER)

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460345 Los(e)/Seite