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Pair of Staffordshire ceramic dogs, silver lidded jar, decorative jardiniere, cameras, Worcester Blush Ivory small jug, cigarette cards, pair of satsuma vases, other ceramics and National Safe Driving Awards medals. A Victorian scrap album, containing greeting cards, The Prince of Wales Book, The Vintage Motor Car Pocketbook, The Blue Book of Gardening and various road maps. Condition Report: Major cracks to both Staffordshire dogs.
A Royal Worcester porcelain pot pourri vase and cover, of globular form, decorated with a single reserve of wildflowers by Frank Roberts, within raised gilt enamel borders to a powder-blue ground, shape No.1515, blue backstamp and date code circa 1898, h.16cmCondition report: Excellent, no apparent faults.
A Royal Worcester cased set of six porcelain coffee cans and saucers, each decorated with ducks and gamebirds by James Stinton, entitled Mallard, Wood Pigeon, Plover, Snipe, Ptarmigan, Woodcock, Wild Duck, Partridge, Pheasant, Red Grouse and Black Cock, printed black marks, with silver gilt coffee spoons, spoons assayed Sheffield 1924, retailed by James Ramsay of Dundee, case w.35cmCondition report: Golden Plover saucer with scratch to paintwork near centre.Ptarmigan cup with some very fine crazing, barely visible to naked eye.Some very minor handling wear throughout, but gilt 99% complete.Case with some staining but generally good.
A pair of Hadley Worcester figures in the Kate Greenaway style, each as a rustic boy with basket upon back and a rustic girl supporting a basket against a treestump, numbered 962 and 963, printed green backstamp, circa 1883, h.21cmCondition report: Him with minor chip to hair above forehead.Otherwise no apparent faults.
A pair of late 19th century Worcester porcelain candelabra figures after Watteau, the male and female seated on a treestump issuing two candle-holders, puce mark, shape number1092 and 1093, circa 1885, h.25.5cmCondition report: Some minor gilt wear to extremities.Otherwise no apparent faults.
A Royal Worcester porcelain figure 'Bather Surprised', modelled by Sir Thomas Brock as a semi-cladmaiden against a treestump, with powder blue robes, the whole heightened in gilt, shape No.486, puce mark, circa 1875, h.38cmCondition report: Two middle fingers from right hand are broken off but present.Right hand with evidence of old professional restoration.Some professional restoration to her right foot.Minor gilt wear.
A Royal Worcester porcelain pin tray, decorated with a butterfly by Milwyn Holloway, entitled verso 'Brown Fritillary', w.12cm; together with a Grainger & Co Royal Chinaworks Worcester miniature cabinet cup, decorated with a Collage Great Malvern, h.4cm (2)Condition report: Cup - some gilt wear to top rim.Otherwise no apparent faults.
A collection of Royal Worcester porcelain figurines from the Victorian Series, modelled by Ruth van Ruyckevelt, comprising; Rosalind dated 1964, Emily dated 1969, Louisa dated 1961, Caroline undated, Elaine dated 1970, Lisette undated, Charlotte & Jane dated 1968, The Picnic dated 1975, Cecilia dated 1972, Felicity dated 1970, Rebecca dated 1961, Alice dated 1972, Marian dated 1968, Elizabeth dated 1967, Bridget dated 1969, The Tea Party dated 1964, Melanie dated 1964, Madeleine dated 1967, and Beatrice undated (19)Condition report: All appear complete and excellent.Please note that in-house shipping is not available for this lot.
A set of four Royal Worcester porcelain figures of nurses, entitled Sister, University College Hospital, model No.111; Sister, London Hospital, model No.206; Sister, St Thomas' Hospital (London), model No.202; and British Red Cross Society V.A.D. Member, model No.221, each modelled by Ruth van Ruyckevelt, with gilt tooled leather framed supporting certificates, all with boxesCondition report: All perfect with no apparent faults.
A late 19th century Royal Worcester Japan influenced vase, of lobed panel form, decorated in gilt enamels with leaves and flowers on a mottled ground, raised circle and crown mark verso, with impressed numbers, h.29.5cmCondition report: Minor handling wear.Some very light crazing towards rim.Otherwise good.
Attributed to Edward Salter (1860-1902) (ex-Royal Worcester) - Pair; Seascapes after Thomas Bush Hardy, polychrome on enamel porcelain plaques, unsigned, 30 x 37cm, each housed in swept gilt composition frames, with letter of attribution from Henry Sandon versoCondition report: One with some traces of fine crazing to upper right corner.Both with very light crazing but barely visible to naked eye.Paint good and stable.

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