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Click here to subscribeA Royal Worcester cabinet plate decorated to the central well with two woodcock birds by S. Johnson within a green border edge, signed, green mark with date code circa 1903, diameter 23cm together with awo graduated Royal Worcester Vitreous oval dishes each painted with an oval roundel of birds in marshy landscapes, probably painted by George Johnson, unsigned, puce and green printed marks, circa 1900, the largest 23cm (3)
A Royal Worcester Hadley shape 230 vase panel decorated with autumnal foliage and berries, unsigned, printed mark, height 10cm together with a small Royal Worcester Fallen Fruits jug decorated in the round by Ricketts with hand painted apples and cherries, signed, puce mark with date code for 1921, height 8.5cm S/D (2)
An early 19th Century Chamberlain Worcester plate enamelled decorated to the centre with the armorial crest 'Comme Je Fus' (As I Was) for the 10th Earl of Dudley, believed to be John William Ward (1781 - 1833), framed within a gilt border with a royal blue rim edge, painted Chamberlain & Co, 155 New Bond Street mark, diameter 23cm
Two late 19th Century Salopian Coalport Aesthetic coffee cans and saucers decorated with hand painted sprays of flowers and butterflies against a yellow ground, printed marks to one can, saucer diameter 14cm together with a Worcester coffee can and saucer with a band of orange and gilt, incised B mark to the saucer, saucer diameter 14cm and a 19th Century teacup and saucer of wrythen moulded form with floral and gilt sprays, unmarked (4)
A pair of large late 19th Century Royal Worcester Hadley figures of Bringaree Indians, both in traditional dress, he with a rifle by his side, she with a staff by her side, the whole in blush ivory with matt gold detailing, incised Hadley to the reverse, both with impressed marks, height 49cm, S/D.
Three pieces of Royal Worcester with hand painted decoration by Jas Stinton, comprising a shape G42 vase of cylindrical form with a pierced collar neck and raised to four scroll feet, the body panel decorated with a pheasant and grouse, signed, height 15cm, a shape G789 vase decorated with a mallard, height 13.5cm and a shape 2491 vase decorated with a pheasant and grouse, height 15cm, each signed, all S/D (3)
MIXED LOT OF CERAMICSincluding a Royal Worcester coffee can and saucer decorated with a gilt harp, a Capodimonte figure of a photographer, large Hammersley sugar sifter, Shelley crested cup, Masons Ironstone jug, two Carlton Ware shaped dishes, Royal Doulton shaped dish and two Aynsley cups and saucers
SELECTION OF DECORATIVE CERAMICS AND GLASSincluding an Imari charger with scalloped rim, a Moroccan style pottery table lamp, a Royal Worcester floral decorated bowl, a Coalport 'Festival of Flowers Red Anemones' picture plate, a tulip embossed jug with heron handle, a Royal Doulton shaped vases decorated with applied flower heads, a Royal Doulton Pecksniff caricature figurine, a conical sugar sifter with Japanese style decoration, and a dump paperweight (11)
Christopher Dresser (attributed) for Royal Worcester, an Aesthetic Movement Chinese pilgrim flask vase, 1871, modelled as a Qianlong moonflask on stand, polychrome enamelled with foliate scroll and lotus decoration on a yellow ground, between lappet and ruyi bands, the pink collar with gilt key design, flanked by lobed bracket handles, puce mark, 20cm high Note: contemporary with Dressers cloisonné designs for Minton, similar designs based on Oriental ceramics and metalwork appear at both factories around 1870-75
Ronald Van Ruyckevelt and Milwyn Holloway for Royal Worcester, a pair of Tropical Fish hand painted plates, 1960, including Hogfish and Yellow Grunt, within relief moulded rattan weave border, gilt marks to both, together with a Kilchurn Castle plate signed by F Griffiths, 23cm and 27cm diameter (3)
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