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Lot 1495
Three Royal Worcester porcelain vases: one of slender oviform painted by Reginald Austin with a large pair of pheasants perched on a pine bough, signed lower left, puce backstamp and 2227 with date code for 1924, 18.5cm high together with a small pair of vases painted with pink and yellow Hadley roses, green backstamps, 286/H and date codes for 1911, 11.5cm high.
Lot 1502
A group of six Royal Worcester porcelain coffee cups and saucers: three painted with pheasants, kingfishers and a peacock by Jas.Stinton, R.Austin and J.F.Lexman respectively, together with a set of three painted with pink roses by M.Hunt [one saucer with interior crack], all with puce printed factory marks [12].
Lot 1517
A First Period Worcester porcelain cup and saucer: of fluted form painted in rose cameiu after a Meissen original, fretted square marks, circa 1760, bears label for the Frank Wheeldon collection, together with a Coalport coffee can painted with a Japan pattern, bears label for B. & T. Thorne & Son, a Spode coffee can painted with orange peony scroll and a Qianlong cup painted in the famille rose palette. [4]
Lot 1518
A mixed lot: including a Copeland & Garrett Felspar porcelain trio in pink and white, printed marks, circa 1840; a Royal Worcester cup and saucer painted with floral sprays within a turquoise and seaweed border, faint impressed mark; an English fluted claret ground cup and saucer; a Belleek jug; and a Copeland white sweetmeat figure (restored) (9)
Lot 1538
A First Period Worcester porcelain part tea service: of wrythen fluted form decorated in blue and gold with scattered blooms beneath a band of diamonds and husks, comprising a teapot and cover, a stand, three trios and a matched waste bowl, late 18th century, [damage to one tea bowl and saucer].
Lot 1540
A one owner collection of English and Continental ceramic egg cups. A group of ten Worcester egg cups: including a Chamberlains 'Rich Japan' pattern cup, circa 1790; a Flight 'Queen Charlotte' pattern cup, crescent mark, circa 1795; a similar Barr cup, incised mark, circa 1795; a pair of Barr Flight & Barr cups painted en grisaille with classical motifs, impressed mark to one, circa 1810; a Barr cup in deep blue and gilt, incised mark, circa 1795; a pair of Barr, Flight & Barr cups in wet blue and gilt, impressed marks, circa 1810 (one restored); and two Barr, Flight & Barr cups decorated in gilt with marbled and seaweed decoration, impressed marks, circa 1810 (one restored) (10)
Lot 1543
A group of nine egg cups: including a Chamberlains Worcester gilt and black decorated cup, circa 1800; a pair of Minton cups painted with bright flowers, foliage and motifs on a pale yellow ground; a Minton white and gilt cup, circa 1900; four cups painted with floral sprays and sprigs, mid 19th Century; and a goose egg cup transfer printed in the Imari palette (9)
Lot 1544
A group of seven egg cups: including a campana-shaped cup painted with a rustic landscape, circa 1820; one similar painted with flowers and leafy sprays, circa 1840; a Barr Worcester blue and white cup, incised B mark, circa 1800; one similar painted in puce; a tall yellow ground cup and two others (7)
Lot 1545
A group of five egg cups on integral stands: including a Chamberlains Worcester cup with blue banded decoration, circa 1840-50; a Bloor Derby cup in deep blue and gilt, iron-red printed mark, circa 1820-30; a Ridgway cup transfer printed with flowers and foliage, circa 1840; a Spode Copeland blue and gilt cup in Flight Worcester style, printed marks, circa 1900; and a green and gilt decorated cup, possibly Flight, Barr & Barr Worcester, circa 1820 (5)
Lot 1557
A group of late 18th/early 19th century English porcelain teawares: comprising a Worcester blue and white 'Cannonball' pattern saucer, workman's mark, circa 1765, 12cm [paper label for B.& T.Thorn]; a similar 'Fence' pattern small teabowl and saucer, hatched crescent mark, circa 1780; a similar coffee cup and saucer in the 'Three Flowers' pattern, hatched crescent mark, circa 1775; a pair of Newhall famille rose teabowls and saucers, circa 1800 [one saucer with small rim chip]; a Flight Barr & Barr bat-printed shell pattern saucer and a Flight & Barr blue and gilt wrythen moulded teabowl [11].
Lot 1561
Three First Period Worcester porcelain mugs: comprising one printed with La Peche and verso La Promenade Chinoise, [crack to handle]another painted in the Fence pattern [restored] together with a smaller example printed in the Three Flowers pattern, hatched crescent marks, 1770-80, 14, 9 and 6cm high respectively.
![[Scotland]. Evans, Revd Thomas. Account of a Tour from Dunham [Massey] to Scotland and back Monday 8th August 1763 to Wednesd](https://cdn.globalauctionplatform.com/103db3fe-7615-4ce5-8821-aead00b5a32c/6f6265e2-bc15-458e-9442-aeb400f9fedd/468x382.jpg)
Lot 65
[Scotland]. Evans, Revd Thomas. Account of a Tour from Dunham [Massey] to Scotland and back Monday 8th August 1763 to Wednesday 28th September 1763. Manuscript, small octavo, bound in reversed calf, spine very worn, inner joints weak, one page looseProvenance: The late Lord David Douglas-Hamilton. With the book-label of Mrs A StodartNote: The author, who was Rector of Severn Stoke and Archdeacon of Worcester (d. 1815) was accompanying the Hon. John Grey (1743-1802), third son of the 4th Earl of Stamford. Evans, either as tutor or companion, undertook similar journeys with John Grey’s elder brother Harry (later the 5th Earl of Stamford). Some fifteen journeys are recorded in a diary, now in the David M. Rubenstein Rare Book & Manuscript Library, Duke University (RL.00372). This journal is similarly arranged to the Scottish tour, providing a list of destinations, the number of miles between each, the total mileage for excursions, and occasionally the duration of each stage of the trip with extensive description of towns and the county seats of noblemen, with particular details regarding local architecture, furniture, paintings, and gardens. The Scottish tour comprises a brief diary of the journey and the itinerary taken pages 1-33, giving mileage in English miles: the author noting that while measurements in Scotland were more or less the same all over, two Scotch miles were generally the equivalent of three English ones. Folios 34-81 comprise (rectos only for the most part) fuller descriptions of places visited and things done. Country houses, in particular, are described, with historical details of the families who owned them. However, the journal stops with the visit to Dunkeld on 5 September. The rest of the volume is blank. Their itinerary provided them with the opportunity to meet numerous distinguished people including the Dukes of Portland and Athol, the Duchess of Gordon, Lord Kaimes, the Earl Marischal, etc. They stayed at the ‘elegantly furnished ’ Dumfries House, breakfasted with Lord President Dundas at Arniston and were summoned to dinner at Hopetoun house ‘by the sound of a Chinese Gong.’ Both Glasgow and Aberdeen gave them the freedom of their cities. While it has not been possible to find the awards in the Glasgow records, those of Aberdeen record the awards along with those given at the same time to Patrick Heron of Heron and Kirroughtrie and to Henry Dundas, Viscount Melville. Selkirk saw their sleep disturbed by ‘drunken lairds.’ The diary provides interesting information about numerous Scottish houses. Dr Godfrey Evans, the Principal Curator of European Decorative Art, National Museums of Scotland, and whose kind assistance is acknowledged, notes that the author has picked up on the extent of the 6th Duke of Hamilton’s debts, after he died of alcoholism and cold in January 1758, and the need to resolve these problems by selling/buying back works of art. The author’s choice of pictures then hanging in Hamilton Palace is also of interest as many of the Palace’s paintings were later dispersed and are still unlocated. Important too is his account of Inveraray Castle where he states categorically that ‘The large Rooms on the first floor’ were not yet fitted up in 1763. Dr Evans considers the journal to be ‘really interesting and important’ and that ‘There is more detailed, privileged information than in some other well-known accounts of 18th century tours of Scotland.
Lot 81
Women in World War I Photograph album, c.1911-20 containing c.350 snapshot-style gelatin silver print photographs (8 x 6cm to 10.5 x 6.5cm), depicting a voyage to India in 1911-12 (Rajputana, Jabalpore, Simla), family recreation in England, and activities of Army Service Corps Mechanical Transport Company 882 and attached servicewomen in London, France and Belgium (with numerous images of service cars including Rolls Royces, and two larger photographs captioned 'Canadian War Cabinet Cars, Peace Conference, Whitehall Gardens, Dec 1918 Jan 1919'), 1917-20, manuscript captions throughout. Together with 7 further albums, c.1880-1910, comprising: 4 albums with in total c.250 Scottish or English views, albumen prints, many by George Washington Wilson or John Valentine, e.g. Highlands and Islands (Staffa, Fingal's Cave, Glencoe, Skye, Tobermory, castles), Edinburgh (20 of these large-format and contained in single red morocco album), and similar; 2 family albums containing in total c.220 personal and studio photographs, c.1890, one including domestic views and interiors (e.g. 'Bachelors and Spinsters Ball, Worcester, March 31st 1891'), family scenes at Wolverton Hall, Worcestershire, views including Malta and Aden, bookplate of Agatha Royds Greene (dated 1895); and a crushed blue morocco album of domestic interiors apparently in Edinburgh, 1912 (platinum prints). Also c.250 photographic cartes-de-visite, c.1860-70, including actresses ('Miss Constance Gilchrist in "Blue Beard"'; Eweretta Lawrence; Madame Modjeska; Emily Soldene; Violet Cameron; Alice Atherton), soldiers, aristocrats and royalty (Duke of Buccleuch, Duke and Duchess of Connaught, Duke and Duchess of Albany, Alexandra Princess of Wales), W. E. Gladstone etc.; 16 similar cabinet cards; 4 photographic negatives (2 of 'Maesminnon [Maes Mynan] Hall', Wales, 2 of a house named 'La Sarsonnerie' in printed caption verso, in folder annotated '4 paper negatives, late 1840s early 50s') and a photographic portrait of George Bernard Shaw, apparently signed by Shaw on verso (1 box)
Lot 350
A Hadley's Worcester lobed ovoid teapot, painted with roses on a blush ground, the cover with spire finial, pattern number 189, 14cm, printed marks; a 19th century Aesthetic Movement ovoid tea kettle, moulded with leafy pink blossom, brass mounted naturalistic branch swing handle and conforming spout, 16cm, unmarked, c.1880 (2)
Lot 380
A Royal Crown Derby commemorative two handled loving cup, Queen Elizabeth Diamond Jubilee 1952 - 2012, limited edition 940/1,500, certificate, boxed; another Royal Crown Derby miniature commemorative loving cup, Golden Jubilee, certificate, boxed; two others, boxed; an Aynsley Prince William 1982 loving cup; a Royal Worcester Nelson commemorative mug; etc
Lot 467
Ceramics - a George Jones & Sons Old Swansea pattern tea for two, comprising teapot, cream jug, sugar bowl, cups and saucers; a Sampson Hancock Derby cup and saucer, painted with flowers; other teaware including Shelley, Aynsley, Royal Worcester, Crown Staffordshire, etc; a Hammersley Lady Patricia two handled wine cooler; qty
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182977 item(s)/page