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Lot 3
Worcester Militia Victorian Officer's helmet plate circa 1878-81A fine and scarce silver plated example. Crowned star mounted with laurel wreath and Garter, the black velvet centre bearing tower. To the base of the wreath, an applied scroll "Worcester" . Three loops to reverse. Centre swivels otherwise VGClOriginally raised 17th June 1770, became 3rd Bn. Worcestershire Regt. 1st July 1881.
Lot 374
Royal Worcester. A ceramic study of a goldcrest on a branch of larch with cones, by Dorothy Doughty, the underside with “Goldcrest Regulus Cristatus and Larch”No. 13, signed D. Doughty copyright 1973 Est. of 31 and Royal Worcester black stamp. Set in original wooden plinth. Ht overall 23cm. CR. Very good , inevitably a few of the larch spicules are missing but this very fragile masterpiece is otherwise in very good condition. Note. Due to its fragile nature this item will not be despatched by any carrier; the purchaser must arrange collection.
Lot 333
A large Worcester blue and white mug c.1770, printed with the Plantation pattern, with tall bamboo and other Oriental plants issuing from a low ornamental fence, the reverse with a pagoda amidst pine trees and rockwork, hatched crescent mark, 15cm. Provenance: the Professor Richard Clarke Collection. Purchased from Laurence Mitchell in 1999.
Lot 218
A Chamberlain's Worcester bough pot and cover c.1815-20, the D-shape form split into three panels separated by raised columns surmounted by lion masks, the central panel painted with figures on an old brick bridge above a waterfall, the two smaller panels with landscapes on a gilt vermicelli ground, the stepped cover with two roles of holes and an artichoke finial, titled in the gilt to the base with 'The Bridge and great Cataract at alata', 20cm across. (2) Cf. Geoffrey Godden, Chamberlain's Worcester, pls.344 and 345. This example appears to be an interesting transition between the two forms, having the flattened columns of the later model, but the bun feet of the earlier. The central scene is copied from a print in James Bruce's 'Travels in Abyssinia'.
Lot 385
A pair of Worcester tea canisters and covers c.1770, the ovoid bodies richly decorated with a Japan pattern of Oriental flowers and ho-ho birds in the Kakiemon palette, alternating with narrow panels of white and gilt flowers on a blue ground, square seal marks, restoration, 16.5cm. (4) Provenance: the Professor Richard Clarke Collection. Cf. H. Rissik Marshall, Coloured Worcester Porcelain of the First Period, pl.7, no. 120.
Lot 389
A Worcester double leaf dish c.1758-60, painted in puce monochrome with two Chinese figures standing before a tall pagoda and spreading tree, a boat at sail in the background, the rim with a narrow formal foliate border, 26cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 1999. Cf. The Victoria and Albert Museum, Accession No. C.337&A-1940, for a saucer in the same pattern.
Lot 319
A Worcester blue and white teacup and saucer c.1770, of Warmstry fluted form, painted with the Hollow Rock Lily pattern, a bird in flight above trailing flowers issuing from holey rockwork, open crescent mark, 11.5cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Albert Amor Ltd in 2008.
Lot 388
A Worcester deep saucer dish c.1758-60, painted in polychrome enamels with the Chinese Musicians pattern, a central figure playing a pipe and attended by two figures holding fans and a boy holding a ruyi sceptre, a butterfly in flight above, 18.7cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2006.
Lot 356
A Worcester blue and white sauceboat c.1775, of shallow fluted form, painted to the interior with the Full Moon pattern beneath a cell diaper border, the exterior with floral sprigs and a formal border, 20cm. Provenance: the Professor Richard Clarke Collection. Purchased from Delphi Antiques, Dublin in 2001.
Lot 400
A Worcester sucrier and cover c.1765, richly decorated in the Queen Charlotte pattern of spiralling foliate panels in the Imari palette, the cover surmounted with a rosebud finial, square seal mark, 11.5cm high. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Delphi Antiques, Dublin in 2001.
Lot 401
Literature: Simon Spero and R Burt 'Lunds Bristol and Early Worcester Porcelain', H R Marshall 'Coloured Worcester Porcelain of the First Period', Henry Sandon 'Flight and Barr Worcester Porcelain', Gerald Coke 'In Search of James Giles' (limited leather-bound edition), and a large number of other reference works on Worcester and other English porcelains, including catalogues for the Watney Collection, The Norman Stretton Collection, the Sidders Collection, The Klepser Collection, The R David Butti Collection, The Zorensky Collection and the Stieglitz Collection, the latter catalogue from the collection of W J Grant-Davidson. (31)
Lot 359
A good Worcester small mug c.1758, printed in black with the parrot Pecking Fruit pattern, a large bird bending his beak towards grapes suspended beneath the branch on which he perches, between two large butterflies, a small restored rim chip, 8.3cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2004. Paper label for the E & J Handley Collection, no. WT 24.
Lot 311
Two English porcelain blue and white wine tasters c.1770-80, one Derby and moulded with a central flowerhead, the other Worcester and printed with the Fisherman and Cormorant pattern, a Caughley strainer in the same pattern, all with shell handles, and a Bow pickle leaf dish painted with a grapevine design, restoration to the latter, 9.5cm max. (4)
Lot 386
A matched Worcester teabowl and saucer c.1758-60, brightly enamelled with the Chinese Musicians pattern, two figures with fans either side of a seated piper, with a butterfly hovering above, within red and gilt chainlink borders, the teabowl with a tin mark to the inside footrim, 11.5cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2007.
Lot 318
A Worcester blue and white teabowl and saucer c.1770, painted with the Waiting Chinaman pattern, a solitary figure standing beside a fence and flowering Oriental plants within further small floral sprigs and a crowsfoot border, hatched crescent mark, 12.5cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Roderick Jellicoe in 2000.
Lot 329
A Worcester blue and white asparagus server c.1775, painted with the Gilliflower pattern, a single large spray of a loose carnation within a crowsfoot border, the exterior sides with a leafy sprig, open crescent mark, 10cm across. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2000.
Lot 369
A Worcester fluted dish c.1770, printed in black with a courting couple seated before Classical ruins overlooking sailing boats at sea, the wide rim with trailing sprays of rose, auricula and other flowers, 24.5cm. Provenance: the Professor Richard Clarke Collection. Purchased from Roderick Jellicoe in 2001.
Lot 426
A rare Worcester plate of 'Grubbe' type c.1770, painted in the Giles atelier in puce monochrome with a cow and a goat standing ankle deep in water, a figure on horseback riding beneath a ruined archway, the rim with scattered flower sprays within a gilt border, restored, 22.5cm. Cf. Stephen Hanscombe, James Giles China and Glass Painter, page X, for a discussion on this series of plates. Hanscombe reproduces two 18th century prints which inspired plates in this series. Fig. 4, top, is the direct source, in reverse, for the primary structure used on the present lot.
Lot 394
Five Worcester cups and saucers from the Flight Barr partnership c.1792-1813, two decorated with the Royal Lily pattern, one with a bright Japan pattern of flowers, fences and rockwork, two with differing continuous foliate bands in gilt, blue and brown, incised B marks to two, two impressed with a crowned BFB mark, the last with a crowned FBB mark, 14.7cm max. (10) Provenance: the Professor Richard Clarke Collection.
Lot 366
A Worcester trio c.1765, comprising a teabowl, coffee cup and saucer, printed in black with landscapes and Classical ruins, the teabowl with a figure fishing before a watermill, the cup with two figures before ruined arches, the saucer with a tree before ruins and other buildings, 11.7cm. (3) Provenance: The Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 2002.
Lot 290
Two Worcester blue and white plates c.1765-68, one octagonal and painted with the Fan-Panelled Landscape pattern of Oriental landscapes reserved on a powder blue ground, the other with a scallop-edged rim and painted with peony and chrysanthemum branches to the well, the rim with six panels of flowers on a scale or cracked ice ground, alternating with powder blue panels, pseudo script marks, 20.6cm max. (2)
Lot 363
A rare Worcester hexafoil dish dated 1757, printed in black with a full length portrait of the King of Prussia, after a portrait by Antoine Pesne, standing before a battle scene with two putti in flight above, signed RH Worcester for Robert Hancock, 17.5cm. Provenance: The Professor Richard Clarke Collection. Paper labels for the E & J Handley Collection, the Cyril Cook Collection, and English Ceramic Circle 1948, No. 390. Cf. The Victoria and Albert Museum, Accession No. 404:505 - 1885, for an identical example from the collection of Lady Charlotte Schreiber.
Lot 408
An unusual Worcester U-shaped cup or bowl c.1765, printed in black by Robert Hancock with The Decoy and The Three Fishers, with figures fishing beside a river beneath tall trees and before domestic buildings, 7cm. Cf. Cyril Cook, Supplement to The Life and Work of Robert Hancock, nos. 131 and 168.
Lot 211
Three Worcester plates late 18th/early 19th century, one painted by George Davis with a peacock and other exotic birds within a garland border, one Flight Barr & Barr and decorated with the arms of the East India Company to the well, within sprays of pink roses and a shaped pink border, the last Chamberlain's and painted with a Tortoiseshell butterfly within a formal blue and gilt rim, 25cm max. (3)
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182975 item(s)/page