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Click here to subscribeA small group of English porcelains c.1770-80, including a blue and white Richard Chaffers (Liverpool) teabowl with peony and bamboo beside a fence, a Worcester teabowl printed with fruit sprays, a Lowestoft saucer painted with a pagoda landscape, and a Bow polychrome creamer painted with flower sprays, 12cm max. (4)
A pair of Worcester blue and white sauceboats c.1775, moulded and painted with the Strap Flute Floral Sauceboat pattern, with panels of flowers reserved beneath cell diaper borders, a single flower spray to the interiors, open crescent marks, and a Worcester slop bowl printed with the Birds in Branches pattern, hatched crescent mark, 17cm max. (3)
A Philip Christian (Liverpool) blue and white teabowl and saucer c.1770, painted with simple peony sprays, a Pennington's coffee can or small mug printed in underglaze blue with the Two Quail pattern, and a Worcester coffee can painted with the Cannonball pattern, open crescent mark, 12cm max. (4)
Three English porcelain blue and white butterboats c.1760-70, one Lowestoft, of rare form with overlapping leaves to the exterior, painted with chrysanthemum sprays to the interior, one Worcester and painted with the Pickle Leaf Daisy pattern, the last Derby and painted with a rose spray, minor damages, 9.7cm max. (3)
Two Lowestoft blue and white butterboats c.1775, the deep leaf shapes painted to the interiors, one with cannon ball type rocks before a pagoda, the other with a figure in a sampan before a strata island, and a Worcester butterboat of similar form painted with the Mansfield pattern, open crescent mark, 7.7cm max. (3)
A rare Worcester blue and white mug c.1758-60, painted in a previously unrecorded pattern of a figure fishing in a Chinese landscape with low huts and weeping willow, a large rock in the foreground with an unusual even hole in the centre, script W mark, 11.7cm. This pattern is unrecorded in Branyan, French and Sandon but bears similarities in the unusual rock formation to the rare Transparent Rock pattern, seemingly only known on butterboats c.1758.
Two Worcester plates c.1770, both decorated with a figure in a boat in a Chinese landscape, the rim with fan-shaped panels of island scenes, one clobbered with red and green enamels and gilding, pseudo Chinese script marks, 23.3cm. (2) Provenance: formerly in the Zorensky Collection, Nos. T.98 and Y.31.
A group of Worcester blue and white teawares c.1760-80, variously printed and painted with patterns including Birds in Branches, the Fence pattern, Prunus Root, the Circled Landscape, the Bandstand and the Chrysanthemum pattern, including seven teabowls and six saucers, some faults, 13.3cm max. (13)
A Worcester blue and white mug c.1765, painted with the Walk in the Garden pattern, a Chinese boy with a bird on the end of a stick, walking with a Chinese lady carrying a ruyi sceptre, open crescent mark, 12.8cm. Provenance: Knowles Boney Collection, no. 761. Sold at Sotheby's 5th June 1967, lot 63.
A Worcester two-handled basket c.1770, the oval form painted to the interior with colourful long-tailed birds standing amidst leafy plants, reserved on a blue scale ground, the openwork sides applied to the exterior with pink flowerheads, twig handles issuing from further applied flowers, square seal mark, 22cm across.
A Worcester teapot and cover c.1756-60, the baluster-shaped body printed and hand-coloured with the Red Bull pattern, one side with two Chinese figures standing beside the cattle, the reverse with a further figure leaning on rockwork beside a pine tree, with a faceted spout and grooved handle, a chip to the cover's finial, 16cm across. (2)
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