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Lot 350
A pair of Worcester porcelain polychrome painted two handle baskets, c1770, oval with openwork trellis sides with florets at the intersections, the exterior painted yellow with pink florets and green centres, the handles painted in rich chocolate brown, internally with floral sprays in dark enamels, 19cm max (2)
Lot 370
Moore (George). Peronnik the Fool, London: George G. Harrap & Co. Ltd., 1933, engraved frontispiece, title, two plates and few illustrations by Stephen Gooden, top edge gilt, remainder untrimmed, original full vellum gilt, 4to, (limited editon 215/525, signed by author & illustrator), together with Folio Society, The Getty Apocalypse, facsimile of MS Ludwig III in the J. Paul Getty Museum, with Commentary volume by Nigel J. Morgan, 2011, together 2 volumes, colour facsimile pages heightened in gilt, and black & white plates, original quarter morocco and full maroon buckran, folio, contained together in original drop back box, (limited edition 143/1020), with Worcester (Edward Somerset, Marquis of), [A Century of the Names and Scantlings of such Inventions, as at present I can call to mind to have tried and perfected: (which my former Notes being lost) I have, at the instance of a powerful Friend, endeavoured now in the Year 1655, Glasgow: printed by R. and A. Foulis, 1767], lacking title, some light dampstaining and dust-soiling, contemporary marbled sheep, joints cracked, 12mo, plus other miscellaneous antiquarian, modern first editions and art reference etc. including, Diary of Travels in France and Spain, Chiefly in the Year 1844, by Rev. Francis Trench, 2 vols., 1845, Vathek: An Arabian Tale, by William Beckford, London: Lawrence & Bullen, 1893, (limited edition 426/450), Scoop by Evelyn Waugh, 1st edition, 1938, Keynotes by George Egerton, 1893, and Water-Colour Painting in Britain, by Martin Hardie, 3 vols., mixed editions, 1967-68 (a carton)
Lot 706
Stanbrook Abbey Press. The Unicorn, by Richard Selig, Worcester, Stanbrook Abbey Press, 1983, cover, title and text illustrations by Margaret Adams, single gilded initial by Jenny Hancox, top edge tilt, remainder untrimmed, original quarter blue crushed morocco, with glassine wrapper and slipcase, oblong 8vo, limited edition 41/55, together with Moods That Endure, Poems by A. Samaan-Hanna S.J., Worcester, Stanbrook Abbey Press, 1978, original parchment-backed patterned silk, with glassine dust wrapper and slipcase, 8vo, limited edition 69/90, from a total edition of 340, plus Contracts: The Arts and Religion by Alec Robertson, Worcester, Stanbrook Abbey Press, 1980, tipped-in colour plates, top edge gilt, original black quarter morocco with patterned boards, with glassine dust wrapper and slipcase, 8vo, limited edition 63/70, from a total edition of 350 (3)
Lot 771
Stead (William Force). Verd Antique, Poems, 1st edition, Oxford, Basil Blackwell, 1920, untrimmed, original pale green printed wrappers, with author's presentation inscription to half-title 'Lady Ottoline Morrell with the compliments of the author', together with Fantasia, 1st edition, Oxford, Holywell Press, 1921, untrimmed, original printed wrappers, very slightly rubbed and browned to spine and upper margin of upper cover, author's presentation inscription to first leaf 'To the Lady Ottoline Morrell with the sincere regards of the author Nov. 27th 1921', plus Lyrics, 1st edition, printed for private circulation, Oxford, Holywell Press, 1992, untrimmed, original orange printed wrappers, frayed and chipped to spine with slight loss, edges darkened, author's presentation inscription to upper cover 'Lady Ottoline Morrell from the author Feb. 1923', and with an author's handwritten letter loosely inserted to Lady Ottoline, dated February 6th 1923, 4 pages, describing his travels in Italy, and referring to Oxford, and sense of spiritual alienation, and 3 other books of poetry by William Force Stead: Wayfaring Songs and Elegies, 1st edition, 1924, Four Poems, Oxford, 1928 & Uriel, A Hymn in Praise of Divine Immanence, 1st edition, Cobden-Sanderson, 1933, each inscribed to Lady Ottoline Morrell by the author, the first and third bound in original cloth, the latter with dust jacket, all slim 8vo William Force Stead (1884-1967) was an American Diplomat and Poet who became Anglican Clergyman and Chaplain of Worcester College, Oxford. He is best known for his editorial work on the poet Christopher Smart. He was born in Washington D.C. and educated at the University of Virginia. A student at Queen's College, Oxford, during the first world war, he was ordained and spent some time in Italy during the early 1920s before returning to Oxford as a fellow at Worcester College. (6)
Lot 64
A Royal Worcester blanc de chine and gilt nautilus shell posy vase, supported on a leaf and rockwork base, 21.5cm high; a smaller similar, 18cm high; another in the form of a conch shell on seaweed and shell encrusted base; and a Copeland example with pink coral base, 18cm long x 10cm high, (4)
Lot 157
An extensive collection of ceramics including Royal Worcester oven to tablewares, Arden pattern coffeewares, Royal Worcester Lavinia pattern wares including two oval graduated meat plates, teapot, etc, together with Noritake coffee wares with gilt border decoration, etc (displayed on green baise)
Lot 24
A Royal Worcester pot pourri vase and cover with painted fruit decoration, indistinctly signed, the cover with pierced detail, with black printed mark to base numbers 261, 10 cm tall approx. together with further ceramics including a Copeland Spode bowl raised on a circular foot with blue and gilt ivy detail, a Coalport trio, further 19th century decorative tea wares, a Ridgway Chinese Japan pattern bowl of octagonal form, etc.
Lot 233
A Royal Worcester porcelain miniature cabinet coffee cup and saucer, painted by John Flexman, dated 1919, painted with continuous bands of fruit including plums, raspberries, apples and grapes, reserved against a mossy ground, set within segmented cobalt blue and gilt beaded borders, puce printed marks, 5cm high and 9.5cm diameter (2) There is a very small chip to the rim by the handle, but otherwise appears in good condition and no obvious signs of further damages or restoration
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