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SHROPSHIRE, Halesowen, Workhouse, Penny, 1813, 23.98g/12h (W 748); WORCESTERSHIRE, Dudley, Richard Wallis, Thomas and Isaac Badger, Pennies, 1811 (2), 18.46g/12h (W 725), 19.56g/12h (W 728), James Wilkinson, Penny, 1812, 19.32g/12h (W 737); Lye, Thomas Wood & Co, Penny, 1811, 18.43g/12h (W 860); Netherton, James Griffin & Sons, Penny, 1814, 25.83g/6h (W 1216); Redditch, William Bartlett and Richard Hemming, Penny, 1813, 18.19g/12h (W 960); Worcester, House of Industry, Shilling, 1811, 4.06g/12h (D 1), Pennies, 1811 (2), 27.22g/12h (W 1247), 27.75g/12h (W 1254), Halfpence, 1811 (2), 12.46g/12h, 12.21g/12h (both W 1270), John Knapp Jr, Penny, 1813, 25.13g/6h (W 1276), Halfpenny, 1813, 8.99g/6h (W 1280) [14]. Generally fine, one or two better £50-£70
19th Century Tokens, WORCESTERSHIRE, Worcester, House of Industry, Specimen Halfpenny, 1811, City arms, rev. value in wreath, edge centre-grained, 12.37g/12h (W 1271). Virtually as struck, brilliant proof-like fields, very rare £100-£150 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Provenance: bt R. Weir July 2008
Miscellaneous Tokens and Checks, DERBYSHIRE, Derby, W. Kitching (W –; Bell –); LANCASHIRE, Ashton-under-Lyne, Robert Chambers (W 40), Widnes, David Brookes (W 5065); LEICESTERSHIRE, Loughborough, T. Cooke, copper, 28mm (Batty 753); WORCESTERSHIRE, Worcester, Roberts & Lewis (W 5223); GLAMORGANSHIRE, Cardiff, Masters & Co (W 7840); other brass tokens (2) [8]. First excavated but rare, others fine to very fine, some scarce £60-£80
19th Century Tokens, WARWICKSHIRE, County, Penny, 1813, 17.75g/6h (W 1180); other 19th century copper tokens (48), viz. NOTTINGHAMSHIRE, Newark 880, Nottingham 935, 940, 944, 946, 950; SHROPSHIRE, Halesowen 748; STAFFORDSHIRE, Bilston 33, 36, 46, 106, 114, 119, 151, Burton-on-Trent 645, 647a, Cheadle 667, Newcastle-under-Lyme 900, Walsall 1147, 1155, 1158, West Bromwich 1185, 1194, County 1082, 1102; WARWICKSHIRE, Birmingham 166, 180, 202, 256, 264, 277, 313, 350, 383, 394, 398, 402, 406; WORCESTERSHIRE, Dudley 728, 737, Redditch 961, Worcester 1240, 1248, 1254, 1271, 1276, 1287, 1290 [49]. First very fine and very rare, many others fine, some scarce, especially Bilston 114 £150-£200 --- References to Withers.
17th Century Tokens, GLOUCESTERSHIRE, Bristol, City Farthing, 1662, 2.76g/6h (N 1521; BW. 18), Gloucester, City Farthing, 1657, 2.61g/6h (RHT B2; N 1652; BW. 77-9); SOMERSET, Frome, John Sanders, Farthing, 1671, 1.69g/9h (N 4038; BW. 133), Taunton, Borough Farthing, 1667, 2.14g/9h (N 4114; BW. 228), Wells, City Farthing, [16]69, 1.91g/12h (N 4160; BW. 301); WILTSHIRE, Devizes, Richard Slade, Farthing, 1.06g/6h (N 5465; BW. 74); WORCESTERSHIRE, Worcester, Will/William Swift, Farthings (2), 0.72g/6h (N 5763b, this piece; BW. 169), 0.83g/6h (N 5764, this piece; BW. 169), Halfpence (2), 1.41g/12h (N 5770, this piece; BW. 163), 1.70g/12h (N 5771, this piece; BW. 163) [10]. N 5764 very fine but surface with a partial tin wash, others in varied state £60-£80 --- Provenance: R. Sanders Collection [N 1521 and 5465 bt J.L. Holman June 2000, N 1652 bt S.E. Hants Numismatic Society May 2000, N 4114 and 4160 bt R. Gladdle June 2000, additionally: Sir Marcus Clark Collection [from Seaby], W.J. Noble Collection, Part II, Noble Numismatics Pty Auction 61B (Melbourne), 3-4 August 1999, lots 115, 116 (parts), N 5763, 5764, 5770 and 5771 Norweb Collection, Spink Auction 149, 15 November 2000, lot 70 (part), additionally: N 5771 R.A. Nott Collection, others from Baldwin]
Miscellaneous Tokens and Checks, LANCASHIRE, Manchester, Charles Henry, second with rev. playing cards (2, W 3350, –), George Robinson, copper, 32mm; Alfred Wolfenden (W 3620); WORCESTERSHIRE, Worcester [and Deritend, Warwickshire], Kendall & Son, copper, by T.W. Ingram, obv. civet cat, 28mm (Hawkins p.313 and pl.17, 9; MG 1287) [5]. Third fine, others about very fine and better, mostly very rare£100-£150 --- Provenance: W 3620 DNW Auction 185, 1-2 December 2020, lot 1250 (part)
A rare and large Worcester armorial mug, c.1765, painted in the London atelier of James Giles with the arms of Fleetwood quartering Tyldesley, within berried leaf swags, flanked by Classical stone urns, the rim with a continuous band of fruiting grapevine,14.2cm.Provenance: the Clifford Henderson Collection. Purchased Bearnes, Hampton and Littlewood, 5th October 2016.The armorial on the mug is something of an enigma, since no contemporary union between the Tyldesley and Fleetwood families is apparent. The families are linked in previous generations, however, and appear to be centred around Myerscough in Lancashire. The Myerscough Tyldesleys (whose shield is quartered on this mug) were famed Jacobites, and it is possible that the nod to them on this mug was a political statement, since past members of the Fleetwood family were also ardently Royalist.
A rare and early Worcester creamboat, c.1750-53, of simple fluted form with an angular handle, the floral decoration painted in famille rose enamels, the interior with a flower spray and panelled border, 11cm across.This fluted form derives from a shape used at Lunds, Bristol, usually with a quatrefoil foot. Cf. Simon Spero exhibition 2011 no.12 for a similar creamboat with Chinese style decoration.
A Worcester teapot and cover and two cups and saucers, c.1760-75, the teapot painted with a Chinese family beside a stand and a low table, one cup and saucer with Warmstry fluting and painted with colourful birds, the other with flower sprays, and a fluted two-handled cup painted with flowers, 18.5cm max. (7)Provenance: the Clifford Henderson Collection.
A rare Plymouth teapot and cover of small size, c.1768-70, the squat globular body painted in famille verte enamels with the Dragons in Compartments pattern, the rim with flowerhead panels on a cell diaper ground, 15cm across. (2)Provenance: the Roger and Patricia Daniels Collection. Formerly the Timothy D Menzel Collection and acquired by him from Leonard Crow pre-1960.Cf. FS MacKenna 'Collection of English Porcelain', volume 3, p.122.The Dragons in Compartments pattern derives from a Chinese original, but is believed to have been brough to Plymouth by a Worcester artist after William Cookworthy advertised for painters to join his fledgling factory.
A group of Worcester tea wares from the Flight and Barr partnerships, c.1795-1815, a Barr, Flight and Barr trio of a teacup, coffee can and saucer, a Flight and Barr teacup and saucer, painted with chamfered landscape panels on white and salmon grounds with elaborate gilt borders, and a Barr, Flight and Barr plate painted with a titled view of Mackworth Castle in Derbyshire, on a salmon ground with gilt palmette border, various incised, impressed, script and printed marks, 20.5cm max. (6)Provenance: the Martin Mortimer Collection.
An early Worcester strap-moulded sauceboat, c.1753-54, silver shaped, delicately painted in polychrome with birds amongst trees and rockwork within moulded cartouches on each side and flowers to the interior, 19.5cm across.Provenance: the Clifford Henderson Collection. Purchased Gorringes, 9th December 2009.
Two Worcester cups and saucers, c.1780, of fluted form, one painted in the Dalhousie manner with a landscape panel within fruit vignettes, the other with flower garlands around a turquoise caillouté band, together with a Worcester plate of Lord Henry Thynne type, open crescent marks, 22cm max. (5)Provenance: the Clifford Henderson Collection.
A pair of Grainger Lee (Worcester) figures of giraffes, c.1828, recumbent on rocky bases with heads erect, left in the white with gilt detailing, together with a Staffordshire pottery zebra raised on a rocky base with mossy applications, some restoration, 15.5cm max. (3)The first giraffes arrived in Britain in 1827, imported to be part of George IV's menagerie. It is believed these models were made to commemorate their arrival.
A Worcester chestnut basket with cover and stand, c.1770-75, the basket moulded with hexagonal floral panels, with crabstock handles issuing from applied flowers and leaves, the stand painted with a bold flower arrangement, the cover reticulated, the basket marked 13 in blue, the cover marked 12, some restoration to the stand, 25.5cm. (3)Provenance: the Clifford Henderson Collection.
Two Worcester cups and saucers, c.1760-70, painted with panels of exotic birds reserved within shaped panels on a blue scale ground, together with a hexagonal teapot stand and a cylindrical mug with similar decoration, most with square seal marks, 14.2cm max. (6)Provenance: the Clifford Henderson Collection.
A Chamberlain's Worcester commemorative jug, dated 1807, inscribed in gilt within berried laurel swags 'To record the Memorable Triumph of Liberty in the Return of Wm Gordon Esq. 17th Feb 1807 by a glorious Majority of 352', flanked by the monogram 'BJ' in gilt, the neck with a gilt foliate design on an orange ground, gilt Chamberlain's Worcester mark to the base, 18.5cm.Provenance: the Martin Mortimer Collection.In a letter to the Times published the day following the election, William Gordon expressed gratitude to the electors of Worcester. He remained as MP for Worcester until 1818.Provenance: the Martin Mortimer Collection.
A Worcester dessert plate, c.1770, painted in the London atelier of James Giles, with a variety of European flowers encircling and trailing from a gilt band to the cavetto, 22.7cm.Provenance: the Clifford Henderson Collection. Purchased Robyn Robb, 10th June 2004.Cf. Stephen Hanscombe, James Giles, China and Glass Painter, no. 9 for a similar example, listed as one of 20 pieces Robyn Robb exhibited at the 2004 International Ceramics Fair in London. It is likely that this plate was also one of those 20 examples.
Two Worcester cups and saucers, c.1770, well painted with arrangements of fruit and scattered insects, reserved on an apple green ground, blue crossed swords mark and 9 mark to one, and a plate painted with exotic birds, the latter probably later decorated, 21.3cm max. (5)Provenance: the Clifford Henderson Collection.
A small Worcester plate of Hope Edwardes type, c.1770, painted in the atelier of James Giles with fruit sprays within a scrolled claret border, a Worcester plate with floral panels on a blue scale ground, and a circular stand with puce garlands, the rim with a wet blue border, 22.8cm max. (3)Provenance: the Clifford Henderson Collection. The blue ground stand with a paper label for the Dyson Perrins Museum. The Hope Edwardes plate purchased W W Warner (Antiques), 8th August 2005.
A Worcester circular basket and a shell salt or pickle dish, c.1760-75, the basket painted to the interior with flowers, the exterior applied with flowerheads, the salt formed as a deep scallop shell, painted with flowers and edged in puce, 17cm dia max. (2)Provenance: the Clifford Henderson Collection.
A rare pair of Flight Barr and Barr rosewater sprinklers, c.1825, the ovoid bodies painted with landscape panels showing views of Malvern and Worcester, reserved on a pale green ground, the spouts pierced with small holes, script marks, some good restoration, 12cm. (2)Provenance: the Charles Dawson Collection.
A Worcester two-handled dessert dish or stand, c.1765, moulded with a looped basket rim and vine handles, and a Worcester vine leaf dish painted with flowers and edged in green enamel, 30cm max. (2)Provenance: the Clifford Henderson Collection. The dessert dish purchased from Christie's, The Country House Sale: Pomfret House and Tetworth Hall, 5th November 2008, lot 300. Formerly in the collection of Eric Saunders, sold at Sotheby's, London, 2nd November 1965. With H R Marden King in Winchester, 1965.
A Worcester Blind Earl plate, c.1770, moulded and painted with a rosebud and leaves, painted inbetween with small sprays of flowers and scattered leaves, the scalloped rim with a gilt C scroll motif, 19.2cm.Provenance: the Clifford Henderson Collection. Paper label for D M & P Manheim. Purchased Woolley and Wallis, 18th October 2017.
A Worcester cabinet plate in the Lady Mary Wortley Montagu pattern, c.1770, painted in the London atelier of James Giles with three vignettes of exotic birds around a central floral roundel, reserved within gilt floral and trellis borders on a blue scale ground, blue square seal mark, some gilt wear to the rim, 23.2cm.Provenance: the Clifford Henderson Collection. Purchased Laidlaw, 11th December 2017.Cf. Stephen Hanscombe, James Giles, China and Glass Painter, no.64 for a similar example. Seven variations of this pattern were identified by Gerald Coke. He lists this as version 2.
A pair of Worcester cos leaf sauceboats, c.1757, crisply moulded with overlapping leaves, painted with butterflies, other insects and flowers, the twig handles issuing from smaller leaves, painters' marks, 18.4cm across. (2)Provenance: the Clifford Henderson Collection. Purchased Aurea Carter, 16th November 2005.
A Worcester dessert plate, c.1770, painted in the London atelier of James Giles, the rim with three vignettes of colourful birds perched on leafy branches, around a fruit spray of redcurrants and plums to the well, 21cm.Provenance: the Clifford Henderson Collection. Formerly the R David Butti Collection. Purchased W W Warner (Antiques), 21st June 2005.Exhibited: Albert Amor Ltd., Golden Age Exhibition, 1980.
A Flight Barr and Barr Worcester armorial oval dish from the Stowe Service, c.1814, finely painted to the well with the arms of the second Marquess of Buckingham and his wife Lady Anne Brydges, flanked by a lion and a white horse with black Prussian eagles, above the motto 'Templa Quam Dilecta', reserved on a salmon ground with gilded neoclassical motifs, impressed crown and BFB mark, restored, 30.8cm. Provenance: the Charles Dawson Collection. Cf. Charles Dawson, Worcester Flight & Barr Porcelain, p.180. The Stowe service was made for Richard Temple-Nugent-Brydges-Chandos-Grenville, second Marquis of Buckingham and originally comprised 186 pieces. He became 1st Duke of Buckingham and Chandos in 1822, but by 1848 his extravagant lifestyle had brought the family to ruin and the contents of Stowe House were put up for auction that summer. The service was listed in the catalogue of 23rd August 1848 as lot 956. It was bought by T Delarue Esq for £29 18s. The third Duke of Buckingham and Chandos bought 82 pieces of the service back, but these were sold again in 1921.
A rare and early Worcester coffee cup, c.1753-54, the quatrefoil form finely painted in famille vert enamels with insects in flight around flowering plants, with elaborate scrolled handle, incised 5 mark to the base, 5.5cm rim crack, 6.7cm.Cf. Bonhams, 22nd June 2022, lot 384 for a related cup with the same incised number.
A small Worcester coffee pot and cover, c.1760, finely painted with an arrangement of flowers including tulip, rose and stocks, the rim and cover with a band of foliate scrolls in puce, the cover with a replacement finial, 19.3cm. (2)Provenance: the Clifford Henderson Collection. Purchased Woolley and Wallis, 18th October 2017.
A pair of Chamberlain's Worcester spiral-moulded jugs, c.1800, both painted with landscape panels en grisaille, one with a view of the river in Worcester, the other with a view of Blackfriars Bridge in London, reserved on yellow ground bands with formal gilt panelled borders, gilt script marks, minor faults, 17.5cm. (2)Provenance: the Martin Mortimer Collection.
A Worcester chocolate cup with cover and stand, c.1760, of ogee form, painted with panels of flowers, reserved on a wet blue ground, two teabowls and saucers, painted with panels of flowers and birds on a wet blue ground, one in the Duchess of Kent pattern, and a cylindrical butter tub and cover with similar decoration, square seal marks to some, 14.8cm max. (9)Provenance: the Clifford Henderson Collection. One teabowl and saucer formerly the Sir Jeremy Lever Collection.
Collection of miniature figurines to include: Royal Doulton HN Icons series 'Sunshine Girl' HN5650 and 'Jester' HN5649, Royal Worcester figurine 'India' 3071, Royal Doulton 'Falstaff', 'Town Crier' HN3261 and 'Little Nell'. Together with a pair of vintage glass landscape design lightshades and a treacle glazed vase signed Aida. (9)(B.P. 21% + VAT)

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182977 item(s)/page