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Lot 99
A Victorian Staffordshire pottery castellated house spill vase, and a hexagonal cottage money box, a Staffordshire blue and white "Willow" pattern shell shaped serving dish, a 19th Century Chinese blue and white soup plate, a Royal Worcester plate decorated with view of "The Chancel, Holy Trinity Church, Stratford-on-Avon", two floral decorated plates and a pair of Continental pin dishes decorated with ladies wearing plumed hats mounted in glazed oak frames
Lot 60
TWO WORCESTER COFFEE CUPS one with entwined handle and painted with a version of a Sèvres pattern of polychrome flowers and swags in blue and gilt feuille de choux panels, gilt fringed or dentil rims, 7cm h, the second with a particularly rich version of the Queen`s pattern, painted fretted square, or unmarked, c1770-75 Sèvres style cup with slight wear to the gilding only. Queens pattern cup very minor descending hairline crack
Lot 61
A WORCESTER SHAPED SQUARE DESSERT DISH outside-decorated, painted in iron red monochrome with two groups of Continental buildings, one with smoking chimney and clumps of vegetation in osier moulded border, 20cm w, c1772 A dessert dish with very similar decoration, traditionally attributed to the Giles attelier and presumably intended for the Dutch market, is illustrated Spero (S) and J Sandon, Worcester Porcelain 1751-1790 The Zorensky Collection, Woodbridge 1996, plt 462. Two tiny rim nicks but an acceptable example of a rare type of outside decorated Worcester
Lot 65
A WORCESTER FLUTED TEA BOWL AND SAUCER painted with the Scarlet Japan pattern of alternate panels of prunus or flowering plants with orange and gilt divisions centred by a mon around an iron red ring of trailing foliage, the rims gilt, 13cm diam, painted fretted square, c1770 Small restoration to a chip on the rim of the tea bowl
Lot 69
A WORCESTER FLUTED TEACUP AND SAUCER painted with a version of the pattern associated with Lord Henry Thynne, the central landscape in turquoise and gilt husk frame, the border of fruit sprays alternating with a bird or insect in blue and gilt border, 13.5cm diam, painted crescent, c1780-85 In good condition
Lot 78
A WORCESTER LEAF SHAPED DISH, GREEN GROUND PLATE AND SAUCER-DISH the first painted in the atelier of James Giles with a group of a pear and two cherries, moth and other insects, the overlapping leaves delineated in bright puce-pink and yellow and green, 23cm l, the last in Dry Blue, c1770 Leaf shaped dish riveted without loss. Green ground plate with stacking wear. Saucer dish in satisfactory condition
Lot 80
A WORCESTER FLUTED DESSERT DISH painted in polychrome and purple monochrome with flower sprays and sprigs in gilt feather edged blue chain border and dentil rim, 31cm w, painted open crescent, c1780 Typical but slight wear to two of the purple monochrome sprays where they cross one of the sharp fluted edges but this is not too noticeable. A solitary spot of wear to one of the purple sprigs for the same reason. On the underside of the foot an insignificant flat chip but in altogether excellent condition, no restoration
Lot 81
A WORCESTER MUG decorated under the direction of Robert Chamberlain, finely gilt or cyphered with the initials EW in a black, blue grey and gilt frame of pearls flanked by cobalt and gilt flower sprays and sprigs, in gilt dentil rims with feathered handle, 9cm h, c1786-90 Gilding with localised wear, no restoration or regilding
Lot 92
A CHAMBERLAIN`S WORCESTER MINIATURE DEJEUNER SET painted with bands of trailing roses alternating with forget-me-nots reserved on a Brunswick Blue ground and richly gilt, teapot and cover 6.5cm h, painted Chamberlain`s Worcester in sepia script to covers, c1820 (5) Constituent parts of a similar Chamberlain`s toy tea service are illustrated Godden (G A) Chamberlain-Worcester Porcelain 1788-1852, 1982, plt 374. In fine condition
Lot 114
A ROYAL WORCESTER PLAQUE painted by G Johnson, signed, with a ginger kitten in a purple ribbon with a bow, seated before an empty dish, 23.5 x 15cm, printed mark and date code for 1925 George Johnson, who was employed at the Worcester factory from at least 1883 specialised in the painting of birds, in particular the exotic or fancy birds on replicas of 18th c `Dr Wall` scale blue ground wares. The present plaque is highly unusual for its charming cat subject and was perhaps made to special order. In his spare time he painted both oils and watercolours and was according to Sandon a "master in his own field". He had retired by 1933 and died in 1938 (see H Sandon, Royal Worcester Porcelain from 1862 to the Present Day, 1973, p96). In fine condition free from damages, scratches or other faults. No restoration in what is possibly the original 18th c style gilt frame and mount. For many years in the present private vendor`s family`s ownership
Lot 115
NINE ROYAL WORCESTER MODELS OF ENGLISH BIRDS modelled by Eva L Soper, including two groups and painted in colours beneath a matt glaze, largest 12cm h, printed marks, mid-late 20th c (details at mellorsandkirk.com) The lot comprises, nuthatch, nightingale, chaffinch, goldcrest, bluetits, robin, yellow hammers, goldfinch and hedge sparrow - all in fine condition
Lot 117
A ROYAL WORCESTER MOULDED JUG AND A BEAKER painted by W Powell, both signed, with studies of a woodpecker or robin perched on an ivy clad or blossoming bough, 11 and 10cm h, printed mark and date code for 1930 or 1919, painted titles Green Woodpecker and Robin in sepia script Both in fine condition. The beaker with some very light wreathing of the glaze which is hardly noticeable
Lot 123
A ROYAL WORCESTER FIGURE OF COLUMBINE modelled by Doris Lindner, in yellow and orange tutu and kingfisher blue and green shawl, 15.5cm h, printed mark, 2999 and date code for 1933 Minor horizontal firing crack in the shawl at the back but in otherwise fine condition. No restoration and a scarce model
Lot 125
A GRAINGER WORCESTER VASE painted with a view of the ancient grammar school at Stratford upon Avon, inscribed with the title, the reverse with heather, on an Old Ivory ground between the moulded and tinted apricot and gilt neck and foot, 25.5cm h, printed mark, G600 and date code for 1893 or 97 In fine condition, the date letter partially printed and uncertainly over which year of manufacture, no restoration
Lot 126
EIGHTEEN ROYAL WORCESTER MODELS OF ENGLISH BIRDS modelled by Eva L Soper, including seven groups and painted in colours beneath a matt glaze, 6-12.5cm h, printed marks, mid-late 20th c (details at mellorsandkirk.com) Wood Warbler number 3200 Robin number 3197 Nuthatch number 3334 Sparrow number 3236 Goldcrest number 3338 Marsh tit number 3336 Wren number 3198 Nightingale number 33337 Blue tit number 3199 Bullfinch number 3238 Chaffinch number 3240 Yellow Hammers number 3377 (x2) Chaffinches number 3364 (x2) Cole tits number 3376 Linnets number 3365 Pied woodpeckers number 3363 In fine condition; no restoration and an attractive selection
Lot 131
A COALPORT TAZZA painted in the manner of John Randall with exotic birds in pierced and everted blue and gilt rococo border, the underside with three further birds, on conforming foot, 23cm diam, c1860 and a Royal Worcester cobalt ground tazza, printed and painted after Harry Davis, signed with initials, with an extensive river landscape with panels of flowers, printed mark and date code for 1906, painted title On the Severn in sepia script (2) Coalport tazza - in fine condition. Worcester comport restored.
Lot 132
A ROYAL WORCESTER COFFEE CUP AND TWO SAUCERS AND A FURTHER SAUCER painted by W H Austin, Ricketts or E Townsend, all signed, with all over still lifes of plums, cherries and other fruit on a woodland bank, and gilt, saucers 9.5 & 14cm diam, printed mark and date code for 1913 or 14, or 1939 Largest saucer with tiny scratch on one of the plums; cup cracked
Lot 498
LEEDS, YORKSHIRE. AN EXTENSIVE GROUP OF GENEALOGICAL AND OTHER RECORDS, LETTERS, PHOTOGRAPHS AND MEMORABILIA OF THE NUSSEY FAMILY OF POTTERNEWTON HALL late 18th-early 20th c (please refer to online catalogue for details) Provenance: The principal collector of these and other papers (i) would appear to have been Agnes Georgina Nussey (b1875) the sister of Mary Anne Leathley Nussey (b1868), daughters of Samuel Leathley Nussey (1835-1895) of Potternewton Hall, a bibliophile who ran a small private press from his house (see following lot) and his wife, Agnes Clark (m 1864); thence by descent to James M Nussey (d1970) of Bromsgrove, by whose widow bequeathed to the present vendor. A name which can be regarded as `woven` into the history of Leeds and the West Riding of Yorkshire, the Nussey family has claimed descent from William the Silent (1533-1584). The name Nussey or Nussé is thought to be a corruption of that of Nassau. Certainly by the 17th century, and for 200 years they were actively involved in the dying and manufacture of wollen cloth in West Yorkshire. In the early 19th century, its prosperity assured, several members of the family played a prominent role in the civic and religious life of the area. Obadiah Nussey, JP, of Morley House, Headingley served as Mayor of Leeds in 1863/64 and was `father` (ie founder) of the town`s Royal Exchange. Sir Thomas Nussey, a baronet (cr. 1909) was MP for Pontefract (1893-1910) and earlier in the century, John Nussey was appointed Apothecary to George IV. It is however, undoubtedly Ellen Nussey (1817-1897) of Birstall, the lifelong friend of Charlotte Bronte, who has the greatest claim to posterity. Potternewton Hall, an exceptionally fine early 18th c brick mansion, was demolished in 1935 for urban development. i) Records of the Clarke family, c1800-1905 of Widewath, near Cumbria, with some Nussey and Murdock-related material, were deposited at Cumbria Record Office by J N Booth & J M Nussey in 1983 (see also lot 305). The lot principally comprises the following:- 1. Photographs a) Three albums containing 130 cartes-de-visite of (mainly Clark and Nussey families, many identified), mostly by Leeds and Yorkshire photographers, in particular Hanson of Leeds. Two of the albums (one of mother of pearl, the other embossed leather) in exceptional, `as new` condition. The former with the engraved monogram of S L Nussey (1835-1895) b) About 70 loose cartes de visite, similar to the above c) A group of about 12 fine professional whole plate photographs (silver prints) of Potternewton Hall and the interiors, just prior to demolition, c1920 d) Two cased `ambrotype` f) Various 19th c albumen prints of the family, many at Potternewton Hall, up half plate g) An early 20th c portrait by Dorothy Wilding and several similar miscellaneous photographs 2. Auction Sale Catalogues a) An extremely rare 18th c Indian sale catalogue: CATALOGUE OF THE EFFECTS OF MR WILLIAM MURDOCK RETIRING FROM BUSINESS TO BE SOLD BY PUBLIC AUTION BY DRING AND COMPANY AT HIS HOUSE IN CLIVE STREET [Calcutta]... 9 AUG. 1799; 233 lots, 7pp b) Sotheby[s], seven 1950s catalogues of sales which included the jewels and other property of Miss M[ary] Nussey (d 1958) c) Hepper & Sons, Leeds, Contents of Potternewton Hall, March 31, 1934, prices marked 3. Documents a) Autograph letters, a small quantity, many in envelopes with various postal markings, penny red or other (inc French) postage stamps b) Miscellaneous material inc Manor of Chadsley [sic] Corbet View of Frankpledge, 1754, genealogical notes and pedigrees, valuations and executor`s accounts and several watercolours by amateur hands (c1900) c) A `Mechanical` valentine card. Hand coloured lithograph of a lady lifting her skirt to reveal her ankles in original envelope with penny red, Leeds, Feb 14 1861 4. Objects a) A Needlework sampler by Charlotte Murdock, Elgin, 1815 b) Four early-mid 19th c knitted wool and cut steel reticules, another purse and a silver chainmail purse engraved M L N[ussey], hallmarked London 1908 c) A Victorian jet monogrammed locket 5 Books a) Davenport (James), The Davenport Family of Reading and Welford on Avon, wrappers, Worcester: for private circulation, 1923 and several miscellaneous other printed books
Lot 570
19th Century mahogany salesman`s sample box of ceramic paints for J. Hanock & Son, Ceramic Art Color Works of Worcester containing numerous glass phials of powdered ceramic enamel colours together with a ceramic plaque of numbered sample shades, each phial bearing a paper label for Hancock & Son, base of box with printed makers label for Howell & James of London and hand written script Box No.6, 31cm wide.
Lot 145
A 19th century blue and white transfer printed drainer, with classical ruin to centre and repeating foliate border, length 11 ins, together with a Copeland & Garrett shallow dish decorated in Imari colours, diameter 6.5 ins and a 19th century saucer dish decorated with stags, possibly Worcester, diameter 5 ins.
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