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A combined Worcester tea service c.1780, decorated in gilt with the Queen`s pattern, with simple flowerhead or foliate spray adornments to some pieces. Comprising: a teapot and cover, two sucriers and covers, a milk jug, a tea canister and cover, a slop bowl, two cake plates, ten tea cups, five coffee cups, and fifteen saucers. (42)
A set of twelve Worcester Blind Earl dessert dishes c.1770, typically moulded and painted with rosebud sprays, with small flower sprays around, the scalloped rims with gilt highlights, and two smaller sweetmeat dishes with naturalistic decoration, 19.2cm max. (14) Cf. John Sandon, The Dictionary of Worcester Porcelain, Vol. I, p.72 for a similar example of the dessert dishes.
A rare Worcester tea cup and saucer c.1768-70, painted with panels of fancy birds and smaller panels of flying insects reserved on a yellow scale ground, derived from a Meissen original, blue crossed swords and 9 mark, some wear, 13.3cm. Cf. Simon Spero, The Klepser Collection, Col. Pl. 26. Also Bonhams, The Crane Collection of 18th Century English Porcelain, 31st March 2010, lot 262.
A rare Worcester dry mustard pot c.1753-55, printed and hand-coloured with the Red Bull pattern, the eponymous bovine standing beside a black counterpart with three Chinese figures about, 7.1cm. Provenance: purchased from Charnwood Antiques in February 1992. Previously in the Rous Lench collection, no. 89. A very rare example complete with cover was sold at Bonhams as part of the Frank Wheeldon Collection on 23rd January 2008, lot 63.
A small collection of blue and white Worcester porcelains c.1765-75, including a saucer painted with the Landslip pattern, a tea canister in the Fisherman and Cormorant pattern, a Fence pattern teabowl and saucer, a Gillyflower patty pan, and a teabowl printed in the Fruit and Wreath pattern, 12.5cm max. (6)
A large Worcester blue and white cabbage leaf jug c.1765, printed with the Heavy Naturalistic Floral Sprays pattern, with three large botanical sprays to the main body, the neck with smaller sprays of convolvulus and grapevine, the spout moulded with a mask, 23cm. Purchased from N D Gent, 6th March 1999.
A rare pair of Worcester octagonal blue and white saucers c.1755, painted with the Romantic Rocks pattern, a figure in a boat before jutting rocks, within a hatched border, workman`s marks, 12cm. (2) The Romantic Rocks design derives from a Jean Pillement drawing of the same name which featured in The Ladies Amusement.
A Worcester blue and white punch pot and cover c.1768, sometimes known as Dr Johnson`s Teapot, printed with the Thorny Rose pattern, the naturalistic flowers loosely arranged beneath a continuing garland suspended from ribbon ties, the cover with similar tied sprays, a small chip to the spout, 29.5cm. (2) The name `Dr Johnson`s Teapot` derives from an identical pot in the collection at Pembroke College, Oxford, which belonged to Dr Samuel Johnson and is referenced by Boswell as holding two quarts.
A large and rare Worcester blue and white sauceboat c.1755, the fluted shape moulded with shell motifs, painted with the Fisherman on a Towering Rock pattern, the small figure atop the tall protruding rock beside a two-storeyed pagoda, the interior and reverse with a further figure fishing from a promontory, workman`s mark, 22cm.
A previously unrecorded Chamberlain`s Worcester blue and white tureen with cover and stand c.1795-1800, the exterior moulded with open basketwork and single flowerheads, the stand and tureen`s interior painted with small sprigs of Oriental flowers, the twist handles issuing from applied flowers, 24.2cm max. (3)
A Worcester blue and white dessert dish c.1770, decorated with the K`ang Hsi Lotus pattern, with petal-shaped panels of flowers above alternating cracked ice and leaf panels, tied kite mark, and a Worcester scallop-edged plate painted with the Fan-Panelled Landscape pattern on a powder blue ground, disguised script W mark, 30.2cm max. (2) Provenance: from a private American collection.
A Worcester blue and white slop bowl c.1770, painted with the Two Quail pattern, the two birds between feathery leaf fronds, the reverse with a butterfly, open crescent mark, 16cm dia. The Two Quail pattern derived from a Japanese Kakiemon design and is more commonly known in that palette. For an identical bowl, c.f. Bonhams, The Zorka Hodgson Collection, 10th September 2008, lot 128. Provenance: from a private American collection.
A Worcester blue and white moulded butterboat and a Derby creamboat c.1760-70, the butterboat formed as folded geranium leaves, painted with floral sprays, the creamboat of Dolphin ewer form, the moulding highlighted in a deep blue, some faults, 8cm max. (2) Provenance: from a private American collection.
A Worcester blue and white strawberry or cress dish c.1775, printed with the Pinecone pattern, pierced to the well with an arrangement of small holes, a saucer dish decorated with the Feather-Mould Floral pattern, and another painted with the Cannonball pattern, the latter restored, 23cm max. (3) Provenance: from a private American collection.
Four Worcester blue and white saucers c.1755-75, two Warmstry-fluted and painted with the Prunus Root pattern, one printed with the Birds in Branches pattern, the last with a spray of grass heads and convolvulus, a blue and white Worcester coffee cup painted with the Two Quail pattern, a teabowl painted with the Waiting Chinaman pattern, another printed with the Fence pattern, and a Caughley fluted teabowl with a blue line rim, some faults, 13.4cm max. (8) Provenance: from a private American collection.
A Worcester blue and white jug c.1765-70, painted with the Eloping Bride pattern, a Chinese figure on horseback firing an arrow at his pursuers while his companion clings on, the reverse with three further figures, 9.5cm. This pattern is a direct copy of a Chinese design from the late 17th century. Provenance: from a private American collection.
Fine and rare mid-18th century Worcester porcelain armorial saucer dish, probably London decorated by James Giles, with finely painted puce floral sprigs, gilt coronet with issuing plumes and armorial shield below with polychrome flowers on moulded basket and floral scroll ground, 20cm diameter CONDITION REPORT Very good original condition - some cracking to gilding
(x) South Africa1987 (19 Nov.) Bible Society of South Africa 40c. "The Word of God" together with Buildings 1c. and 50c. cancelled by Hex River c.d.s. 9 November on registered envelope piece, correctly franked at the current registration rate of 91c., also showing Worcester (10.11) and Graaff Reinet (16.11) c.d.s.; a very fine commercially used example of this stamp that was supplied to various post offices before the official date of issue and was subsequently recalled due to religious objections. Cat. £550+. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
An English porcelain teapot and stand, probably by Grainger Wood & Co Worcester, early 19th Century, the oval teapot puce painted with a band of elongated ovals and gilded with leaves to the spout and handle, the stand similarly decorated and centred by a gilded eight-point star, teapot and stand with overglaze blue painted crossed L's enclosing an M above a 9. 16cm high
A Royal Worcester fruit painted cabinet cup and saucer, the cup with "beaded" rim, painted in the round with apples, cherries and gooseberries, unsigned, the saucer of lobed shaped with "beaded" rim, painted with peaches, blackberries and gooseberries, signed SMITH, black printed factory marks. Diameter of cup 10cm
A Royal Worcester vase in the form of an elephant c.1880, naturalistically modelled by James Hadley, wearing a large caparison with gilt detailing, impressed mark and moulded registration diamond, together with a large rectangular Austrian porcelain base moulded with fruiting grapevine and satyr masks, chips to the tusks, 28cm across. (2)
A Royal Worcester limited edition equestrian figure of `His Royal Highness Prince Charles on Pan`s Folly` c.1979, modelled by Lorne McKean with the Prince brandishing his polo mallet in his right hand, holding the reins in his left, set into a wooden base with a titled brass plaque, printed marks, 28cm across. (2) Together with a certificate confirming this number 18 of 250.
A Royal Worcester figure of a Bringaree Indian date code for 1895, wearing traditional dress and holding a rifle by his side, and a figure of a female Middle Eastern musician, holding a stringed instrument and wearing a headdress with coin tassels, printed marks, a repair to the latter, 22.5cm max. (2)
Five Royal Worcester figures of Countries of the World date codes for 1897, modelled by James Hadley, emblematic of England, Ireland, Scotland and America, plus a female figure also emblematic of Ireland, each decorated in green, orange and yellow lustred enamels, printed marks, a large chip to one base, 18cm max. (5)

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182975 item(s)/page