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Lot 683

A Worcester spoon tray c.1760, printed in black by Robert Hancock with the Tea Party 2 print, a couple taking tea on a garden bench with a small spaniel in the foreground, 15.7cm.

Lot 686

A Barr Worcester fluted cup and saucer c.1800, decorated in the Holly Berry pattern with berried swags between purple foliate panels, incised B marks, and a Warmstry fluted coffee cup painted with the Jabberwocky pattern in the Kakiemon palette, 14cm. (3)

Lot 692

A combined Worcester tea service c.1780, decorated in gilt with the Queen`s pattern, with simple flowerhead or foliate spray adornments to some pieces. Comprising: a teapot and cover, two sucriers and covers, a milk jug, a tea canister and cover, a slop bowl, two cake plates, ten tea cups, five coffee cups, and fifteen saucers. (42)

Lot 693

A set of twelve Worcester Blind Earl dessert dishes c.1770, typically moulded and painted with rosebud sprays, with small flower sprays around, the scalloped rims with gilt highlights, and two smaller sweetmeat dishes with naturalistic decoration, 19.2cm max. (14) Cf. John Sandon, The Dictionary of Worcester Porcelain, Vol. I, p.72 for a similar example of the dessert dishes.

Lot 694

A rare Worcester tea cup and saucer c.1768-70, painted with panels of fancy birds and smaller panels of flying insects reserved on a yellow scale ground, derived from a Meissen original, blue crossed swords and 9 mark, some wear, 13.3cm. Cf. Simon Spero, The Klepser Collection, Col. Pl. 26. Also Bonhams, The Crane Collection of 18th Century English Porcelain, 31st March 2010, lot 262.

Lot 695

A rare Worcester dry mustard pot c.1753-55, printed and hand-coloured with the Red Bull pattern, the eponymous bovine standing beside a black counterpart with three Chinese figures about, 7.1cm. Provenance: purchased from Charnwood Antiques in February 1992. Previously in the Rous Lench collection, no. 89. A very rare example complete with cover was sold at Bonhams as part of the Frank Wheeldon Collection on 23rd January 2008, lot 63.

Lot 703

A Caughley teabowl and saucer and a miniature teabowl and saucer c.1780-90, a Caughley coffee cup and a Worcester coffee cup, all printed with the Fisherman or Pleasure Boat pattern, 11cm max. (6)

Lot 704

A small collection of blue and white Worcester porcelains c.1765-75, including a saucer painted with the Landslip pattern, a tea canister in the Fisherman and Cormorant pattern, a Fence pattern teabowl and saucer, a Gillyflower patty pan, and a teabowl printed in the Fruit and Wreath pattern, 12.5cm max. (6)

Lot 708

A Worcester blue and white sucrier and cover c.1770, printed with the Three Flowers pattern, the cover surmounted with a floral finial, crescent mark, the finial broken and cleanly restuck, 12.5cm. (2)

Lot 716

A Worcester blue and white sauce tureen, cover and stand c.1770, printed with the Pinecone pattern, the tureen with shell-shaped handles, the cover with a budded finial, hatched crescent marks, 24.5cm. (3) Purchased from Roderick Jellicoe, 16th April 1994.

Lot 718

A large Worcester blue and white cabbage leaf jug c.1765, printed with the Heavy Naturalistic Floral Sprays pattern, with three large botanical sprays to the main body, the neck with smaller sprays of convolvulus and grapevine, the spout moulded with a mask, 23cm. Purchased from N D Gent, 6th March 1999.

Lot 721

A rare pair of Worcester octagonal blue and white saucers c.1755, painted with the Romantic Rocks pattern, a figure in a boat before jutting rocks, within a hatched border, workman`s marks, 12cm. (2) The Romantic Rocks design derives from a Jean Pillement drawing of the same name which featured in The Ladies Amusement.

Lot 722

A Worcester blue and white punch pot and cover c.1768, sometimes known as Dr Johnson`s Teapot, printed with the Thorny Rose pattern, the naturalistic flowers loosely arranged beneath a continuing garland suspended from ribbon ties, the cover with similar tied sprays, a small chip to the spout, 29.5cm. (2) The name `Dr Johnson`s Teapot` derives from an identical pot in the collection at Pembroke College, Oxford, which belonged to Dr Samuel Johnson and is referenced by Boswell as holding two quarts.

Lot 723

A large and rare Worcester blue and white sauceboat c.1755, the fluted shape moulded with shell motifs, painted with the Fisherman on a Towering Rock pattern, the small figure atop the tall protruding rock beside a two-storeyed pagoda, the interior and reverse with a further figure fishing from a promontory, workman`s mark, 22cm.

Lot 725

A previously unrecorded Chamberlain`s Worcester blue and white tureen with cover and stand c.1795-1800, the exterior moulded with open basketwork and single flowerheads, the stand and tureen`s interior painted with small sprigs of Oriental flowers, the twist handles issuing from applied flowers, 24.2cm max. (3)

Lot 728

A Worcester blue and white buttertub with cover and stand c.1770, the circular form printed with the Fence pattern within a cell diaper border, hatched crescent marks, 16cm. (3)

Lot 731

A Worcester blue and white slop bowl c.1775, printed with the European Landscape Group, each side with small figures and animals before village landscapes, hatched crescent mark, 14.5cm dia. Purchased from Mike Smith, 8th January 1993.

Lot 732

A Worcester blue and white eyebath c.1765, decorated with simple flower sprigs beneath wide cell diaper bands, the oval bowl raised on a plain, slightly flared stem, open crescent mark, some chipping, 5.5cm. Provenance: previously in the T Grant Dixon Collection.

Lot 739

A Worcester blue and white dessert dish c.1770, decorated with the K`ang Hsi Lotus pattern, with petal-shaped panels of flowers above alternating cracked ice and leaf panels, tied kite mark, and a Worcester scallop-edged plate painted with the Fan-Panelled Landscape pattern on a powder blue ground, disguised script W mark, 30.2cm max. (2) Provenance: from a private American collection.

Lot 741

A Worcester blue and white slop bowl c.1770, painted with the Two Quail pattern, the two birds between feathery leaf fronds, the reverse with a butterfly, open crescent mark, 16cm dia. The Two Quail pattern derived from a Japanese Kakiemon design and is more commonly known in that palette. For an identical bowl, c.f. Bonhams, The Zorka Hodgson Collection, 10th September 2008, lot 128. Provenance: from a private American collection.

Lot 742

A Worcester blue and white dessert dish c.1780, printed with the Gillyflower pattern, the steep fluted sides with further small flower sprays, hatched crescent mark, 23.7cm. Provenance: from a private American collection.

Lot 744

A Worcester blue and white moulded butterboat and a Derby creamboat c.1760-70, the butterboat formed as folded geranium leaves, painted with floral sprays, the creamboat of Dolphin ewer form, the moulding highlighted in a deep blue, some faults, 8cm max. (2) Provenance: from a private American collection.

Lot 745

A Caughley blue and white jug and matched cover c.1776-82, printed with the Mansfield pattern, hatched C mark, and a Worcester coffee cup painted with the Peony pattern, open crescent mark, a few small chips, 16cm max. (3) Provenance: from a private American collection.

Lot 746

Two Worcester blue and white pickle leaf dishes c.1765, painted with the Pickle Leaf Vine pattern, open crescent marks, and a Derby asparagus server printed with the Narcissus pattern, some faults, 8.1cm max. (3) Provenance: from a private American collection.

Lot 749

A Worcester blue and white strawberry or cress dish c.1775, printed with the Pinecone pattern, pierced to the well with an arrangement of small holes, a saucer dish decorated with the Feather-Mould Floral pattern, and another painted with the Cannonball pattern, the latter restored, 23cm max. (3) Provenance: from a private American collection.

Lot 753

Four Worcester blue and white saucers c.1755-75, two Warmstry-fluted and painted with the Prunus Root pattern, one printed with the Birds in Branches pattern, the last with a spray of grass heads and convolvulus, a blue and white Worcester coffee cup painted with the Two Quail pattern, a teabowl painted with the Waiting Chinaman pattern, another printed with the Fence pattern, and a Caughley fluted teabowl with a blue line rim, some faults, 13.4cm max. (8) Provenance: from a private American collection.

Lot 757

A small Worcester blue and white sauceboat c.1760-65, painted with the Two Porter Landscape Pattern within arcaded panels, workman`s mark to the base, restoration to the spout, 13.5cm. Provenance: from a private American collection.

Lot 762

A Worcester blue and white jug c.1765-70, painted with the Eloping Bride pattern, a Chinese figure on horseback firing an arrow at his pursuers while his companion clings on, the reverse with three further figures, 9.5cm. This pattern is a direct copy of a Chinese design from the late 17th century. Provenance: from a private American collection.

Lot 134

A Royal Worcester Heritage Collection shell shaped dish decorated with flowers in original presentation box.

Lot 216

The residue of an early 20th century Royal Worcester bone china tea service, decorated in a Chinese pattern together with six matching egg cups and a jug.

Lot 134

A Royal Worcester Heritage Collection shell shaped dish decorated with flowers in original presentation box.

Lot 216

The residue of an early 20th century Royal Worcester bone china tea service, decorated in a Chinese pattern together with six matching egg cups and a jug.

Lot 143

Fine and rare mid-18th century Worcester porcelain armorial saucer dish, probably London decorated by James Giles, with finely painted puce floral sprigs, gilt coronet with issuing plumes and armorial shield below with polychrome flowers on moulded basket and floral scroll ground, 20cm diameter CONDITION REPORT Very good original condition - some cracking to gilding

Lot 146

Collection 18th century English and Chinese export porcelain including Worcester, polychrome and blue and white wares (18 pieces)

Lot 168

Pair of early 20th century Grainger Worcester vases, each with matte gilt goat horn handles, ovoid borders with beaded front panels of cattle at river edge, cobalt ground, gilt sprigs to reverse, canted bases - printed marks to base, 21cm

Lot 232

18th century Worcester blue and white bowl, painted with a Warbler-type bird on a branch and insect, 12cm diameter, together with a later Worcester printed saucer CONDITION REPORT 18th century Worcester bowl - various chips to rim

Lot 235

Late 18th century Worcester scalloped edged small plate, decorated in blue with the Pinecone pattern - W mark to base, 17.5cm diameter CONDITION REPORT Minute chip to rim. Some pitting to base

Lot 1373

(x) South Africa1987 (19 Nov.) Bible Society of South Africa 40c. "The Word of God" together with Buildings 1c. and 50c. cancelled by Hex River c.d.s. 9 November on registered envelope piece, correctly franked at the current registration rate of 91c., also showing Worcester (10.11) and Graaff Reinet (16.11) c.d.s.; a very fine commercially used example of this stamp that was supplied to various post offices before the official date of issue and was subsequently recalled due to religious objections. Cat. £550+. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Lot 33

An English porcelain teapot and stand, probably by Grainger Wood & Co Worcester, early 19th Century, the oval teapot puce painted with a band of elongated ovals and gilded with leaves to the spout and handle, the stand similarly decorated and centred by a gilded eight-point star, teapot and stand with overglaze blue painted crossed L's enclosing an M above a 9. 16cm high

Lot 52

A Worcester plate, c.1770-80, blue transfer-printed with the Pine Cone pattern, printed underglaze blue C mark. 23cm

Lot 71

A Grainger Worcester dessert service, comprising two comports, four low comports and eleven plates, each piece painted with birds within gilded rims, some pieces with impressed factory mark, painted pattern no. 2636. (17)

Lot 78

A Royal Worcester fruit painted cabinet cup and saucer, the cup with "beaded" rim, painted in the round with apples, cherries and gooseberries, unsigned, the saucer of lobed shaped with "beaded" rim, painted with peaches, blackberries and gooseberries, signed SMITH, black printed factory marks. Diameter of cup 10cm

Lot 123

A Royal Worcester porcelain vase, the two-handled ovoid pedestal body painted by Frederick Chivers (1881-1965) with fruit within a scrolling cartouche, richly gilded throughout, signed Chivers, shape no. 1410, green printed factory mark, date code for 1902. 27.5cm

Lot 216

The residue of an early 20th century Royal Worcester bone china tea service, decorated in a Chinese pattern together with six matching egg cups and a jug.

Lot 251

A Worcester Kerr & Binns Parian group of Faust and Margaret 19th century, the tragic pair lost in each other`s company, Faust looking over her shoulder while Margaret plucks petals from a flower, 32cm.

Lot 295

A massive Royal Worcester Majolica Christmas charger 19th century, the well decorated with a singing robin perched on stems of holly and ivy, the shaped rim with intertwining sprigs of holly and mistletoe, all reserved on a turquoise ground, impressed mark, 42.5cm.

Lot 305

A Royal Worcester vase in the form of an elephant c.1880, naturalistically modelled by James Hadley, wearing a large caparison with gilt detailing, impressed mark and moulded registration diamond, together with a large rectangular Austrian porcelain base moulded with fruiting grapevine and satyr masks, chips to the tusks, 28cm across. (2)

Lot 308

Seventeen Royal Worcester figural candle snuffers modern, variously modelled as bonneted women, religious figures, Oriental figures, an Owl, Mr and Mrs Caudle, and other known characters, black printed marks, 12cm max. (17)

Lot 309

A Royal Worcester limited edition equestrian figure of `His Royal Highness Prince Charles on Pan`s Folly` c.1979, modelled by Lorne McKean with the Prince brandishing his polo mallet in his right hand, holding the reins in his left, set into a wooden base with a titled brass plaque, printed marks, 28cm across. (2) Together with a certificate confirming this number 18 of 250.

Lot 315

A pair of Royal Worcester figures of the Cairo Water Carriers c.1891, modelled by James Hadley in blush porcelain as a Middle Eastern couple carrying large water urns, highlighted in gilt and coloured enamels, printed marks, 23.5cm. (2)

Lot 316

A Royal Worcester figure of a Bringaree Indian date code for 1895, wearing traditional dress and holding a rifle by his side, and a figure of a female Middle Eastern musician, holding a stringed instrument and wearing a headdress with coin tassels, printed marks, a repair to the latter, 22.5cm max. (2)

Lot 317

A pair of Royal Worcester figures of Classical maidens date code for 1903, modelled by James Hadley, one playing the pipes, the other dancing with castanets, each dressed in long, flowing robes, printed marks, some damages to the pipes, 33cm. (2)

Lot 318

Four Royal Worcester figures of children date codes between 1936 and 1954, one of `The First Cuckoo`, another of `Spring`, both modelled by Freda Doughty, another of `June` and the last `Polly Put the Kettle On`, 22.5cm max. (4)

Lot 319

Five Royal Worcester figures of Countries of the World date codes for 1897, modelled by James Hadley, emblematic of England, Ireland, Scotland and America, plus a female figure also emblematic of Ireland, each decorated in green, orange and yellow lustred enamels, printed marks, a large chip to one base, 18cm max. (5)

Lot 320

Four Royal Worcester figures from the Countries of the World series late 19th/early 20th century, modelled by James Handley, emblematic of Ireland, America, China and England, printed marks, a chip to one hat, 17cm max. (4)

Lot 321

A pair of Royal Worcester figures of the Cairo Water Carriers c.1897, each holding a large urn with gilt decoration, their clothing highlighted in gilt lustre, printed marks, 24cm. (2)

Lot 322

A Royal Worcester miniature coffee pot and cover 20th century, with miniature bowl and milk jug, all painted with bright fruit scenes of apples, peaches and grapes, signed, black printed marks, 13cm max. (4)

Lot 324

A Royal Worcester small vase date code for 1919, the squat quatrefoil form painted by Harry Stinton with two Angus cattle in a moorland landscape, signed, printed mark, 8cm.

Lot 325

A Royal Worcester cup and saucer date code for 1959, painted by Harry Stinton with two Highland cattle in a moorland landscape, signed, the cup`s interior gilded, printed black marks, 14.5cm. (2)

Lot 326

A Royal Worcester pot pourri vase and cover c.1891, the square form painted to one side by James Stinton with two pheasants in a woodland landscape, the other three sides with pheasants in flight, signed, the shoulders reticulated, printed mark, 17cm. (2)

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