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Lot 477

A Flight, Barr and Barr Worcester pen tray, circa 1825Painted by Samuel Astles with a profusion of colourful flowers including thorny pink roses and delicate forget-me-nots, the shaped gadrooned rim and four ball feet picked out in gold, 24cm wide, black script mark referring to Coventry Street addressFootnotes:ProvenanceBonhams, 8 April 2009, lot 166Charles Dawson CollectionIllustrated by Charles Dawson, Worcester Flight & Barr Porcelain (2023), p.189, fig.18.5.For further information on this lot please visit Bonhams.com

Lot 463

A rare Flight and Barr Worcester teapot and cover, circa 1795-1800Of spirally fluted double ogee form, painted in a restrained palette of pale orange and black with panels of figures in landscapes, the ground sparingly decorated with sprigs and gilt stars, borders picked out in gold, the cover similarly decorated, 17cm high, red script mark (2)Footnotes:ProvenanceCharles Dawson CollectionThis early form was inspired by French porcelain, as was the sprigged decoration. Henry Sandon illustrates a similar shaped teapot without the unusual landscape panels found on the present lot, which take little notice of the moulded surface upon which they are painted.For further information on this lot please visit Bonhams.com

Lot 446

Four Barr, Flight and Barr Worcester coffee cans, circa 1804-07With gilt ring handles, one probably painted by William Billingsley with large pink roses and gilt weed, another with gilt ornament and a central band of 'Barr's orange', the thirds with wild strawberries above gilt stars on a salmon ground, the last with paterae and leafy ovals on a deep blue and gilt ground, 6.2cm high, two with incised B marks, two with impressed crowned BFB marks, one also with printed BFB mark incorporating Prince of Wales feathers (4)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com

Lot 552

A Royal Worcester 'Painted Fruit' pot pourri vase and covers by John Freeman, circa 1950-70Of globular form, the lower section moulded with basketweave picked out in gold, the pierced outer cover with a pointed finial, the inner cover with a button finial, painted all around with autumn fruits on a mossy ground, signed 'Freeman', 19.5cm high, shape number 1286, printed black mark (3)For further information on this lot please visit Bonhams.com

Lot 527

A pair of Royal Worcester reticulated vases by George Owen, dated 1917Of globular form, the middle sections pierced with a wide band of ornament flanked by delicate bands of gilt scrollwork, the rims and footrims also picked out in gold, 7.8cm high, shape number 2491, printed puce mark, incised signature 'G Owen' (2)For further information on this lot please visit Bonhams.com

Lot 358

A Worcester miniature or toy milk jug, circa 1760-62Of plain shape with a sparrow beak spout and grooved handle, painted in blue with 'Prunus Root' pattern, 5.3cm high, crescent markFootnotes:ProvenanceSimpson Collection, Simon Spero, 2003, no.23Pauline and David Tate CollectionFor further information on this lot please visit Bonhams.com

Lot 106

An engraved 'Friendly Hunt' firing glass of Jacobite interest, circa 1750The drawn trumpet bowl inscribed 'THE FRIENDLY HUNT' flanking a floral sprig, on a short plain stem and heavy conical foot, 8.9cm highFootnotes:The Friendly Hunt was a Worcestershire meet probably connected with a Jacobite society in Worcester known as The Friendly Association. Founded in 1747, the Association met annually in rotation in the neighbouring towns of Droitwich, Bromsgrove, Kidderminster and Stourbridge. A similar firing glass from The Ron and Mary Thomas Collection was sold by Bonhams on 4 June 2008, lot 39, which is illustrated by both Geoffrey B Seddon, The Jacobites and their Drinking Glasses (1995), p.120, pl.86 and by Arthur Churchill, History in Glass (1937), pl.20, no.92. Two further examples were sold by Bonhams on 29 September 2020, lot 47 and 15 December 2020, lot 6. Together with the present lot only a handful of other examples exist including one in the Victoria and Albert Museum (inv. no.C.257-1925) and one in the Harding Collection, Christ Church College, Oxford. For further details see Peter Lole, A Digest of the Jacobite Clubs, Royal Stuart Society Paper LV (1999).For further information on this lot please visit Bonhams.com

Lot 476

A rare Barr, Flight and Barr Worcester mug, circa 1809The scrolled handle with a thumbrest, printed with a youthful portrait of Queen Charlotte, flanked by smaller prints of a cornucopia and a dove with an olive sprig between gilt line borders, 8.7cm high, impressed crowned BFB markFootnotes:ProvenanceCharles Dawson CollectionThe printed portrait of the Queen was adapted by Robert Hancock after an engraving by James McArdell, in turn taken from a painting by Jeremiah Meyer. The Worcester factory had used this print decades earlier, not long after the coronation of George and Charlotte in 1761. See the mug sold by Bonhams on 18 April 2012, lot 234. The new proprietors of the factory presumably wanted to reissue this now flattering young image, perhaps to mark the Golden jubilee of 1809.For further information on this lot please visit Bonhams.com

Lot 458

An impressive Flight, Barr and Barr Worcester Royal armorial platter from The George III Service, circa 1815Of large, oval form, richly painted and gilded with the full arms of King George III within the garter circlet, flanked by lion and unicorn supporters, above the motto 'DIEU ET MON DROIT', the wide dark blue border enriched in gold with the Royal cipher 'GR' beneath a crown and symbols of the union, a rose, thistle and shamrock within chaplets of fruiting oak, flanked by leafy fronds tied with ribbons, 42.8cm wide, impressed crowned FBB markFootnotes:ProvenanceCharles Dawson CollectionIllustrated by Charles Dawson, Worcester Flight & Barr (2023), p.171, fig.17.4. King George III originally commissioned this service in 1805 and continued to add additional pieces throughout the Flight, Barr and Barr period of the Worcester factory. A jug from the service is illustrated and discussed by John Sandon, The Ewers-Tyne Collection of Worcester Porcelain at Cheekwood (2008), p.112-113. The majority of pieces remain in the Royal Collection, including a smaller platter (inv. no.RCIN 58459). A breakfast cup from the Charles Dawson Collection was sold by Bonhams on 12 June 2023, lot 471.For further information on this lot please visit Bonhams.com

Lot 378

A Worcester coffee cup and saucer, circa 1765 and 1770The cup with a grooved handle, painted in blue with the 'Gardener' pattern, the Chinese figure scenes within diaper borders, saucer 11.7cm diam, the cup with crescent mark, the saucer unmarked (2)Footnotes:ProvenanceBilly Buck, Steppes Hill Farm Antiques, 1995Pauline and David Tate CollectionFor further information on this lot please visit Bonhams.com

Lot 381

A Worcester sauceboat and a Worcester creamboat, circa 1755-58The sauceboat of low-footed form and small size crisply moulded with panels painted in blue with the 'Sinking Boat Fisherman' pattern, 14.8cm long, the creamboat of flared, oval shape also with crisply-moulded panels and a delicate scrollwork handle, painted in blue with the 'Bare Tree Pagoda' pattern, 5.4cm high, both unmarked (2)Footnotes:ProvenancePauline and David Tate CollectionFor further information on this lot please visit Bonhams.com

Lot 363

Two Worcester 'wishbone-handled' coffee cups, circa 1756-58Both of bell shape with pointed tau or wishbone handles, one painted in blue with the rare 'Bamboo Root' pattern, a peony spray on the reverse, 6.2cm high, workman's mark, the other with the 'Gazebo' pattern, a sampan on the reverse, 6.2cm high, workman's mark (2)Footnotes:ProvenanceDavid Dawson Collection (Bamboo Root cup)Gilbert Bradley Collection (Gazebo cup)Pauline and David Tate CollectionFor further information on this lot please visit Bonhams.com

Lot 534

A Royal Worcester vase and cover by Harry Davis, dated 1912Of slender form, painted with a landscape in the style of Corot, a figure resting against a tree beside a lake, mountains and a castle visible in the distance, within a fine raised gold scrollwork border, a large gilt flower spray to the reverse, 24.2cm high, shape number 2422, printed puce mark (2)For further information on this lot please visit Bonhams.com

Lot 361

A very rare Worcester mug, circa 1756-58Of cylindrical form with a grooved loop handle, painted in blue with the 'Chinoiserie Island' pattern, the riverscape painted with remarkable perspective all viewed through a hollow 'diagonal rock' in the foreground, an angler in a sampan on the reverse, 11.6cm high, workman's markFootnotes:ProvenanceRobyn RobbPauline and David Tate CollectionThis finely-painted pattern was not recorded by Branyan, French and Sandon and when this was shown by Robyn Robb at the Ceramics Fair it was the first example to be discovered. Subsequently, three others have been recorded. A bell shaped mug was in the Ziesler Collection sold in 1986, and two cylindrical mugs were exhibited by Brian Haughton in 2003 and by Simon Spero in 2004.For further information on this lot please visit Bonhams.com

Lot 471

A Flight, Barr and Barr Worcester slop bowl from the Disraeli service, circa 1839With a gilt gadrooned rim, painted with loose bouquets alternating with smaller flower sprigs and colourful butterflies, reserved on a pale green ground, 19.2cm diamFootnotes:ProvenanceBenjamin Disraeli, 1st Earl of Beaconsfield, and by family decentBonhams, 12 September 2007, lot 226ECC exhibition, 2009Charles Dawson CollectionThis bowl formed part of a wedding service presented to Benjamin Disraeli on his marriage to Mary Anne Lewis at St Georges, Hanover Square on 28th August 1839. The Prime Minister and Statesman lived at Hughenden Manor in Buckinghamshire. His wife, Mary was the widow of Wyndham Lewis. The couple had no children and so their estate including their porcelain passed to Disraeli's brother, Ralph, and thence by direct family descent. Ralph's granddaughter, Katherine lived at Hughenden until her death in 1947. Matching cups from the wedding set made for Benjamin and Mary Disraeli remain at Hughenden and are displayed in a room off the drawing room. This bowl was part of a small number of items from the Disraeli Wedding China that remained in the family until sold by Bonhams in 2007. The present lot is illustrated by Charles Dawson, Worcester Flight & Barr Porcelain (2023), p.181, fig.17.19.For further information on this lot please visit Bonhams.com

Lot 350

A fine Worcester sparrow beak jug, circa 1756-57Thinly potted and with a sharply-pointed spout and grooved handle, on a turned foot, painted in blue with the 'Walk in the Garden' pattern, the 'Long Eliza' figure and boy attendant carefully delineated, a panelled diaper border inside, 7.8cm high, workman's mark beneath the handleFootnotes:ProvenanceSimon Spero exhibition, 2006, no.36Pauline and David Tate CollectionOn this neatly-painted example it is clear that the Chinese lady carries a basket and holds a rui sceptre. On 'Scratch Cross' examples this pattern is rarely so well defined.For further information on this lot please visit Bonhams.com

Lot 423

Two Worcester leaf dishes, circa 1768-70Moulded in the shape of two overlapping cabbage leaves, the veins picked out in puce, painted with 'aggressive' birds standing amongst leaves, colourful insects flying all around, with gilt line rims, 25cm and 26.2cm wide (2)Footnotes:ProvenanceThe Sidders Collection, Albert Amor Exhibition 1985, no.27 (dish on right-hand side in photograph). This decoration would appear to be the Worcester factory's response to the new London style from the Giles workshop.For further information on this lot please visit Bonhams.com

Lot 466

A large Flight, Barr and Barr Worcester pot pourri vase, circa 1815Of shield shape, the pierced neck applied with elaborate gilt handles, coiled dolphins resting their heads on scallop shells, a large panel finely painted with a mixed bouquet, including roses and passionflowers against a stone-coloured background, reserved on a claret ground, the plinth base picked out in bronze and gold, 30.2cm high, impressed crowned FBB mark, script mark with Coventry Street addressFootnotes:ProvenanceCharles Dawson CollectionIllustrated by Charles Dawson, Worcester Flight and Barr Porcelain (2023), p.164, fig.16.24. For a similar vase, its plinth base further raised on four paw feet, see Henry Sandon, Flight and Barr Worcester Porcelain (1978), p.125, pl.115.For further information on this lot please visit Bonhams.com

Lot 542

Seven Royal Worcester 'Painted Fruit' tea plates, circa 1975The shaped gadrooned rims picked out in gold, fully painted with autumnal fruits and blossom on leafy mossy grounds, signed by H Henry (Henryk Hryncewicz), Richard Lewis, John Smith, and Stephen Weston, 15cm diam, printed black marks (7)For further information on this lot please visit Bonhams.com

Lot 428

A Worcester leaf dish, circa 1770In the shape of overlapping vine leaves with an applied twig handle, painted in the workshop of James Giles in so-called 'Wet Brush' style with flying insects around an arrangement of cut fruit including a fig, the leaf moulding and serrated rim picked out in green and yellow, 23.8cm wide including handleFor further information on this lot please visit Bonhams.com

Lot 530

A Royal Worcester Exhibition vase and cover by Edward Salter, dated 1892Of flattened ovoid form, the shoulder with lambrequin moulding below a pierced neck flanked by gilt scrolled handles, painted with a titled view of 'Mumbles' in Wales, the reverse with a vignette depicting waves crashing against rocks, 35.2cm high, impressed factory mark, puce printed mark, shape number 931 and 'C' mark, title in puce script (2)Footnotes:The printed mark of a large letter C on this vase indicates that it was intended to be shown at the Chicago Exhibition in 1893. Royal Worcester's display in Chicago was remarkably comprehensive, covering almost every aspect of its ornamental production. At the time, very few Worcester craftsmen were permitted to sign their work and only two senior painters, Charley Baldwyn and Edward Salter were occasionally allowed to sign their names on their vases.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 366

A Worcester 'Scratch Cross' mug, circa 1754Of unusually large size and bell shape with a grooved strap handle, painted in pale blue with the 'Zig-Zag Fence' pattern, a peony spray and flowering prunus branches filling the full area of the mug beneath a panelled diaper border, 15cm high, workman's mark of a cross in blue, an incised or scratched cross mark on the base beneath the handleFootnotes:ProvenanceSimon SperoPauline and David Tate CollectionAnother very similar mug was also in the collection of Simon Spero and exhibited in his 2011 catalogue, no.21.For further information on this lot please visit Bonhams.com

Lot 374

A Worcester sparrow beak jug, circa 1755Plain pear shape with a sparrow beak spout and turned, spreading footrim, painted in blue with 'Rock Warbler' pattern of a long-tailed bird on the root of a flowering peony, 8.5cm high, workman's markFootnotes:ProvenanceRobyn Robb, Ceramics Fair, 2002Pauline and David Tate CollectionFor further information on this lot please visit Bonhams.com

Lot 379

A Worcester coffee can, circa 1753Of 'Scratch Cross' type with a grooved handle and wide spreading foot, painted in blue with 'Willow Root' pattern, the simple version of this design including on the front an impressive banana plant, a boat with sails and distinctive dark mountains, 6.4cm high, a scratched or incised mark, possibly a numeralFootnotes:ProvenanceBilly Buck, Steppes Hill Farm Antiques, 1997Pauline and David Tate CollectionMany shards and wasters of the 'Williow Root' pattern, dating from 1752-55, were discovered during excavations on the Worcester factory site.For further information on this lot please visit Bonhams.com

Lot 411

A rare Worcester eyebath, circa 1775Of plain oval shape on a spreading circular foot, painted in blue with the 'Rose' pattern of simple sprigs, a cellular border around the rim and the foot, 5.3cm highFootnotes:An identical Worcester eyebath, marked with a crescent, was sold from the Old Rectory, Banningham, Bonhams, 24 March 2004, lot 1998. A slightly later example is in the Museum of Royal Worcester. The border pattern was subsequently copied on eyebaths at Caughley using transfer printing. See also lot 389 in this sale for the pattern on a Worcester inkwell.For further information on this lot please visit Bonhams.com

Lot 544

A large Royal Worcester 'Painted Fruit' pot pourri vase and covers, by John Freeman, circa 1950-70Of globular form, the lower section moulded with basketweave picked out in gold, the pierced outer cover with a pointed finial, the inner cover with a button finial, painted all around with ripe fruits on a mossy, leafy ground, signed 'Freeman', 26cm high shape number 1286, printed black mark (3)For further information on this lot please visit Bonhams.com

Lot 460

A large Flight, Barr and Barr Worcester 'Etruscan' vase by George Davis, circa 1815Of shouldered ovoid form, the high volute handles with foliate moulding and applied 'pearls', a moulded stiff-leaf border above the foot, which is raised on a gilt and bronzed square plinth, painted by George Davis with an extraordinary continuous panel of sixteen 'fancy' birds in a detailed landscape, between claret borders, 45.3cm high, impressed crowned FBB mark, script mark in redFootnotes:ProvenanceCharles Dawson CollectionIn later life Solomon Cole recounted his time as an artist at the Flight factory to William Chaffers. He mentioned large Etruscan vases such as the present lot, noting particular artists such as Thomas Baxter who would make the most of these large surfaces as canvases for his classical figure subjects. Cole remembered that around that same time 'the celebrated bird-painter, George Davis, usually called Dr. Davis, added his brilliant colouring in the rich plumage of his birds to the decoration of these Etruscan forms'. Charles Stinton was also a painter of 'fancy' birds during this period.For further information on this lot please visit Bonhams.com

Lot 462

A pair of Flight and Barr coffee cans and saucers, circa 1795The cans of gently tapering form with ear-shaped handles, painted in sepia monochrome by John Pennington with a series of virtues, four classical maidens emblematic of 'Confidence' seated on rocks and holding a ship, 'Timidity', her feet winged, holding a rabbit, 'Praise', seated playing a horn and 'Purity', holding a lily and a dove, cans 7.5cm high, titles and script mark in Pennington's neat hand (4)Footnotes:ProvenanceZorensky Collection, Bonhams, 19 March 2013, lot 74 (Praise and Purity)Charles Dawson CollectionPraise and Confidence are illustrated by Charles Dawson, Worcester Flight & Barr Porcelain (2023), p.209, fig.18.26. Pennington specialised in this form of monochrome figural painting; indeed, the figure of Confidence is particularly reminiscent of the various figures of Hope, depicted on the service of the same name painted a few years earlier.For further information on this lot please visit Bonhams.com

Lot 445

A Barr, Flight and Barr Worcester trio and a Flight, Barr and Barr trio, circa 1813-25Of London shape, with gilt rims and handles, the earlier teacup, coffee can and saucer painted with octagonal flower panels on a rich claret ground, with a neoclassical gilt border, saucer 14cm diam, impressed crowned BFB marks, printed circular mark, the second trio with wide borders of flowers on a pale yellow ground, saucer 14.7cm diam, impressed crowned FBB marks (6)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com

Lot 338

A Chelsea 'Blind Earl' sweetmeat dish, circa 1756Of lobed circular form, applied with a twig handle issuing two rosebuds, moulded in relief with sprays of rose leaves painted in a fresh palette of pale green and yellow, the delicate veins picked out in brown enamel, a gilt line at the scalloped rim, 14.6cm wide including handle, red anchor markFootnotes:Chelsea 'Blind Earl' dishes would appear to predate those more commonly made at Worcester. A Chelsea example from the Barbara Leake Collection was sold by Bonhams on 12 March 2008, lot 8.For further information on this lot please visit Bonhams.com

Lot 558

A Royal Worcester 'Painted Fruit' Pot pourri vase and covers by John Freeman, circa 1960The pierced outer cover and inner cover both picked out in gold, the ovoid body painted all around with autumn fruits including grapes and peaches on a mossy ground, signed 'Freeman', 24cm high, shape number 2048, printed black mark (3)For further information on this lot please visit Bonhams.com

Lot 364

A Worcester small jug, circa 1765, and a Worcester mug, circa 1770The jug of barrel shape with a delicate moulded handle, the body moulded with feather-like scrolls flanking a flowerhead, painted in blue with the 'Barrel Jug Scroll' pattern, 7cm high, crescent mark, the cylindrical mug printed in blue with the 'Natural Sprays' pattern, 9cm high, crescent mark (2)Footnotes:ProvenanceRobyn Robb, Ceramics Fair, 2002 (jug)Pauline and David Tate CollectionFor further information on this lot please visit Bonhams.com

Lot 389

An important documentary Worcester inkwell, initialled and dated 1776Of circular or capstan form with sharply turned bands at the base and shoulder, a flared rim and three quill holders on the top, painted in blue with a version of the 'Rose' pattern, the spray and sprigs including a winged insect, the unglazed underside of the base inscribed in blue 'J, R 1776', 6.1cm highFootnotes:ProvenanceBilly Buck, Steppes Hill Farm Antiques, BADA Fair, 1999Pauline and David Tate CollectionThis unique dated inkwell is recorded in Dr Nigel Cook's list of dated Worcester porcelain published in Simon Spero's catalogue of the Klepser Collection (1984), p.185. The pattern is one of a group of related sprig designs that were used on shapes that didn't need to match popular teaware patterns. A smaller inkwell and a pounce pot in a related style were in the Zorensky Collection, see John Sandon and Simon Spero (1996), p.452.For further information on this lot please visit Bonhams.com

Lot 540

Three Royal Worcester 'Painted Fruit' vases and a dish, circa 1960-80Painted with ripe fruit on mossy grounds and gold rims, comprising a large thistle-shaped vase by John Cook, painted all around, 15.5cm high, two smaller spherical vases signed by H Henry (Henryk Hryncewicz), and a rectangular dish with gilt gadrooned rim and handles by Christopher Bowen, 17.8cm wide, printed black marks, shape numbers 2228, 2491 and G161 (4)For further information on this lot please visit Bonhams.com

Lot 377

A Worcester small mug or can, circa 1754Of cylindrical form with a flat bottom and turned grooves above the foot, painted in blue with the 'Warbler' pattern, a rock, fence and flowering branch on one side and a bird among pointed leaves on the reverse, a panelled diaper border inside, 7.8cm high, workman's mark beneath the handle and a single incised or scratched line on the baseFootnotes:ProvenancePauline and David Tate CollectionFor further information on this lot please visit Bonhams.com

Lot 535

A very large Royal Worcester vase and cover by Harry Davis, dated 1899The elaborate modelling in the neo-Renaissance manner including masks, swags and grotesques, the front panel painted with a landscape view, perhaps Matlock High Tor, signed H Davis, reserved on a deep blue ground with raised paste gilding as a floral frame, 49.5cm high, factory mark in grey with date code for 1899, shape number 1398 (2)Footnotes:Harry Davis would have been aged just fourteen or fifteen when he painted this vase in 1899. At this time Harry was still serving his apprenticeship under the supervision of Edward Salter. That the young Harry was permitted to sign this vase shows the great respect that the Royal Worcester factory felt for their young painter's abilities. The raised gilding around the painted panel may possibly be the work of Harry's grandfather, Josiah Davis.For further information on this lot please visit Bonhams.com

Lot 549

A Royal Worcester 'Painted Fruit' 'Bow' vase and cover by John Freeman, circa 1960Of large size, the pierced neck hung with swags, two elaborate scrolled handles picked out in gold, painted with a continuous frieze of ripe fruits on a mossy woodland ground, signed 'Freeman', 35.5cm high, printed black marks (2)For further information on this lot please visit Bonhams.com

Lot 386

A rare Worcester teabowl, a sauceboat and a coffee can, circa 1757-60The teabowl painted in blue with the 'Diagonal Rocks' pattern, 7.8cm diam, the sauceboat of strap-fluted form, painted with 'Fisherman and Billboard Island' pattern, 21cm long, the can painted with the 'Mansfield' pattern, 5.9cm high, the sauceboat and teabowl both with workman's marks (3)Footnotes:ProvenanceDavid and Jan Birley Collection (teabowl)Pauline and David Tate CollectionFor further information on this lot please visit Bonhams.com

Lot 531

A pair of Royal Worcester vases by Harry Davis, dated 1911Of cylindrical form, raised on four gilt leaf scrolled feet, the pierced rims picked out in green and gold, painted with a pair of highland sheep and a lamb standing in misty mountain landscapes dotted with purple heather, with a further vignette of a rocky landscape to the reverse, signed 'H Davis', 22.2cm high, shape number G42, green marks (2)For further information on this lot please visit Bonhams.com

Lot 425

Three Worcester spoon trays, circa 1770-80Of lobed hexagonal shape, two with gilt scroll-edged panels reserved on blue scale grounds, one painted with 'fancy' birds and insects, square mark, the other painted in kakiemon style with flowers and banded hedges, the third of 'Dalhousie' type, an oval riverscape panel between flowers and butterflies below a blue and gold border, 15.5cm-16cm wide, crescent marks, (3)Footnotes:ProvenanceBonhams, 7 December 2005, lots 123 (fancy birds) and 124 (kakiemon)For further information on this lot please visit Bonhams.com

Lot 551

A Royal Worcester 'Painted Fruit' ginger jar by John Cook, circa 1950Of ovoid form, fully painted all around with a variety of autumnal fruits including peaches and grapes, on a leafy, mossy ground, with gold rims, the domed cover similarly decorated, signed 'J Cook', 17.5cm high, shape number 2826, printed black mark (2)For further information on this lot please visit Bonhams.com

Lot 356

A Worcester 'Scratch Cross' cider jug, circa 1754-55The plain baluster jug of generous size and with a remarkable leaf-moulded cornucopia spout, painted in blue with the 'Zig-Zag Fence' pattern, the additional space on the reverse filled with two flying cormorant-like birds, 18.5cm high, two scratched or incised lines on the base, workman's mark of a letter C or crescent in blueFootnotes:ProvenanceSimon SperoPinewood Collection, Bonhams, 31 October 2001, lot 44Billy Buck, Steppes Hill Farm AntiquesPauline and David Tate CollectionThe painting of these birds should be compared with a finger bowl in the Museum of Royal Worcester, illustrated by Branyan, French and Sandon, pattern I.C.16. Only a small number of large cider jugs were embellished with this distinctive leaf-moulded spout.For further information on this lot please visit Bonhams.com

Lot 437

A Flight Worcester part dessert service, circa 1790Richly decorated in bright Japan colours with the 'Dragons in Compartments' pattern, comprising oval centrepiece, four oval dishes, two square dishes, two shell dishes and eleven plates, centrepiece 36.6cm wide, centrepiece marked 'Flight Worcester' in puce script (20)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com

Lot 448

A Barr, Flight and Barr Worcester punch bowl, circa 1805Painted with wide borders of bunches of grapes and vine leaves in brown enamel, on a ground of dense gilt tendrils, the interior with an elaborate monogram 'EW' in gold, 29.5cm diam, incised B mark, script BFB markFootnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com

Lot 545

A large Royal Worcester 'Painted Fruit' pot pourri vase and cover by John Freeman, circa 1950-70Of globular form, the lower section moulded with basketweave picked out in gold, the pierced outer cover with a pointed finial, the inner cover with a button finial, painted all around with autumn fruit including plums and gooseberries on a mossy ground, signed 'Freeman', 26cm high, shape number 1286, printed black mark (3)For further information on this lot please visit Bonhams.com

Lot 351

An extremely rare Worcester mustard pot and cover, circa 1756Of plain pear shape on an unusually-wide circular foot, the domed cover with a mushroom finial, painted in blue with the 'Cranes Among Reeds' pattern, two birds standing on a simple rocky mound with delicate grasses behind, a further bird in flight and a flowering plant on the reverse, another single bird and similar plants on the cover, 12.5cm high, workman's marks (2)Footnotes:ProvenanceSimon Spero exhibition, 1999, no.31This pattern appears exclusively on dry mustard pots, of which only a small number are recorded. An example in the Ashmolean Museum has a low footrim instead of the wide circular foot seen here, see Branyan, French and Sandon, pattern I.C.17. For another example, lacking its original cover, see Mary White, Eating at the Whites' House (2022), p.317.For further information on this lot please visit Bonhams.com

Lot 348

The Franklin Barrett 'Floral Gift' Mug, Worcester, circa 1758-60Of small size and bell shape, transfer printed in blue with two very rare chinoiserie designs, the front with a 'Chinese Figure Inspecting a Flowering Shrub', the reverse with the 'Floral Gift' pattern, 8.4cm highFootnotes:ProvenanceFranklin Barrett CollectionAlbert Amor exhibition, 1990Bunny and Paul Davies CollectionDyson Perrins Museum exhibition, 1995, no.31Simon Spero exhibition, 2013, no.48Pauline and David Tate CollectionThis mug was illustrated originally by Franklin Barrett in his book, Worcester Porcelain and Lund's Bristol (1953), pl.45A. In their Blue and White book, Branyan, French and Sandon illustrated a potting pot with the 'Floral Gift' print and mentioned the Barrett mug, but the authors were unaware of the print on the other side. Two further damaged examples bearing these identical two prints have since been seen and it is clear this belongs to a group of early Worcester chinoiserie subjects used on a small number of printed mugs dating from the late 1750s.For further information on this lot please visit Bonhams.com

Lot 343

An extremely rare Worcester handled beaker, circa 1752Of generous size and conical form with an everted rim, a D-sectioned handle applied at the back, painted in blue with the 'Willow Root' pattern, with a 'Long Eliza' figure standing between a triangular fence and another short fence leading to a willow tree, hollow rockwork and 'pylon trees', a millet spray around the other side, 8.2cm high, very unusual workman's mark resembling a frayed ropeFootnotes:ProvenanceZorensky Collection, Bonhams, 23 February 2005, lot 270Pauline and David Tate CollectionIllustrated by John Sandon and Simon Spero, The Zorensky Collection, fig.517.Beakers with handles were amongst the earliest productions at Worcester and the five recorded examples are all remarkably thinly potted. Three are known with the Willow Root pattern, the present lot and two others, one of which is illustrated by Geoffrey Godden, English Blue and White Porcelain (2004), pls 211 and 211a. Another from the A J Smith Collection was also in the Simon Spero Collection, his exhibition 2011, no.10.For further information on this lot please visit Bonhams.com

Lot 354

A Worcester coffee pot and cover, circa 1770-75Of reeded form and generous size, the angular handle with a pronounced thumbrest, the cover with a flower finial, painted in blue in Meissen style with the 'Immortelle' pattern, 23cm high, crescent mark (2)Footnotes:ProvenanceBilly Buck, Steppes Hill Farm Antiques, 1988Pauline and David Tate CollectionThis pattern, using a reeded shape, was clearly aimed at the Continental market and it is not surprising that several sets of Worcester's Immortelle have been discovered in The Netherlands.For further information on this lot please visit Bonhams.com

Lot 434

A Chamberlains Worcester breakfast cup and saucer from the Duke of Cumberland service, circa 1806-07Of very generous size with a ring handle, elaborately decorated with the 'Rich Queens' pattern, the front panel on the cup and centre of the saucer bearing the crest and coronet of the Duke of Cumberland within the Order of the Garter, the saucer 16.6cm diam, unmarkedFootnotes:This cup and saucer was created for Ernest Augustus, Duke of Cumberland following his visit to Worcester in 1806 when he toured the Chamberlain manufactory. See the footnote to the previous lot in this sale, a plate from the same important service.For further information on this lot please visit Bonhams.com

Lot 432

A fine Flight Worcester plate from the Duke of Clarence service, circa 1789The elaborate border of entwined bands in blue and green ribbon fitted within the scalloped edge and enclosing Orders of the Garter, St Andrew and the Thistle, with sprigs of roses and thistles in between, the central royal arms of the Duke of Clarence flanked by laurel and oak leaves and hung with the Order of St Andrew, 24.2cm diam, marked 'Flight' with a crown and crescent in underglaze blueFootnotes:This was the first of two important royal orders that Prince William Henry placed with Flight's factory in Worcester. His parents, King George III and Queen Charlotte, had visited Flight's on a much-publicised visit in 1788 and possibly it was the King who encouraged his son to order a special dessert service to commemorate his having been awarded the Order of the Thistle along with the title 'Duke of Clarence and St Andrews'. The year 1789 also saw the Duke retire from active service as a Rear Admiral. This perhaps inspired the design of the service, which was said to be controversial at the time in view of the dramatic colours that were used. The central victory wreath around the royal arms features oak leaves, a reference to the British Navy. The Duke of Clarence must have been pleased with the completed service, for the following year he chose Flight's factory to make for him a larger and even more splendid dinner service, now known as the 'Hope' service. A plate from this set, Worcester's first royal armorial service, is in the Ewers-Tyne Collection of Worcester porcelain at Cheekwood and is illustrated and discussed in John Sandon's catalogue (2008), p.98, no.60. See also Charles Dawson, Worcester Flight and Barr Porcelain (2023), pp.45-46.For further information on this lot please visit Bonhams.com

Lot 440

A Barr, Flight and Barr Worcester teacup and saucer, circa 1810Painted with rustic figures after W H Pyne, a lady carrying a basket and a bundle of firewood, the saucer with a mother and child, a ruined castle in the distance, the wide gilt border of neoclassical ovals alternating with a dendritic design, saucer 13.8cm diam, impressed crowned BFB marks, oval printed mark referring to Royal patronage (2)Footnotes:ProvenanceBonhams, 8 June 2005, lot 325Charles Dawson CollectionIllustrated by Charles Dawson, Worcester Flight & Barr Porcelain (2023), p.104, fig.10.12.For further information on this lot please visit Bonhams.com

Lot 467

A Flight and Barr Worcester beaker and coffee can and saucer, circa 1800Profuse floral bands painted against a black ground, below gilt rims, the tapering cylindrical beaker with a leafy gilt border, 10.2cm high, incised B mark and script mark in red, the bucket-shaped coffee can with an ear-shaped handle, the centre of the saucer painted and gilt with an order of chivalry, perhaps a garter star, saucer 13cm diam, crown and 'Flight and Barr Worcester' in red script (3)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com

Lot 480

A Barr, Flight and Barr Worcester mug, circa 1805Printed and carefully hand-coloured with a large panel depicting a detailed view of Worcester, showing the smoke billowing from the porcelain factory on the banks of the Severn, on a pink ground, the scrolled handle with a thumbrest and picked out in gold, 9.2cm highFootnotes:ProvenanceCharles Dawson CollectionAlthough unmarked, mugs of this form usually date to the late Flight, or Flight and Barr periods. This mug must have been made not long after the new partnership dictated new signage above the factory, shown in the print as 'BARR FLIGHT & BARR ROYAL CHINA MANUFACTORY'. For comparison, see the sepia painted version of this view on a mug made a few years earlier, before the second Mr Barr joined, sold by Bonhams on 1 December 2021, lot 451.For further information on this lot please visit Bonhams.com

Lot 449

An important Barr, Flight and Barr Worcester teacup and saucer by William Billingsley, circa 1808-10With a gilt ring handle, painted in a characteristic style by William Billingsley, with circular panels of garden flowers set against a sky blue background, the pale peach-coloured ground gilt with vermicelli and anthemions, saucer 13.5cm diam, impressed crown and BFB marks, printed mark referring to Royal patronage and Coventry Street address (2)Footnotes:ProvenanceBonhams, 3 October 2012, lot 199Charles Dawson CollectionIllustrated by Charles Dawson, Worcester Flight & Barr Porcelain (2023), p.100, fig.10.7. Dawson discusses the work of William Billingsley on pp.197-204. Billingsley's time at Worcester is also discussed by John Sandon, The Dictionary of Worcester Porcelain (1993), pp.66-67. Sandon illustrates a similar teacup and saucer and also a related slop bowl. Significantly, these pieces are very much in the Derby tradition of flower painting where some special cabinet pieces were painted with flowers against a sky-coloured background, a technique previously unknown at Worcester. Barr, Flight and Barr must have known that Billingsley was fleeing from his creditors and managed to engage him as a painter for little more than the wages of a common hand. Following his arrival in 1808, Billingsley probably painted flowers for the next two years, before he turned his attention to the improvement of the kilns and developing a new porcelain body. During this time, he appears to have been a prolific painter of table services but was allowed very little freedom to work on cabinet pieces such as this luxurious cup and saucer.For further information on this lot please visit Bonhams.com

Lot 452

A pair of Flight, Barr and Barr Worcester miniature vases and covers, circa 1820 Of campana form with square gold and bronze plinths and eagles' head handles also picked out in gold, one painted with a still life of shells, weed and coral, the other with a 'fancy' bird on a rock, the white ground delicately gilded with seaweed, 7.8cm high, script marks with Coventry Street address (4) Footnotes: Provenance Bonhams, 2 May 2018, lot 428 Charles Dawson Collection For further information on this lot please visit Bonhams.com

Lot 362

A rare Worcester miniature or toy slop bowl and a Worcester sparrow beak jug, circa 1755-56The bowl with a slight lip at the rim, painted in blue with the 'Rock Warbler' pattern, 8.6cm diam , workman's mark, the small sparrow beak jug with a grooved handle and turned footrim, painted with the 'Prunus Fence' pattern, 7.7cm high, workman's mark of a numeral 4, and a single incised or scratched line (2)Footnotes:ProvenanceSimpson Collection, Simon Spero, 2003, no.18Pauline and David Tate CollectionThe shape and size of the bowl distinguishes this rare object from a teabowl. The Rock Warbler pattern was used on a full range of miniature teaware shapes, see the toy cup and saucer, lot 360 in this sale.For further information on this lot please visit Bonhams.com

Lot 353

A very rare Worcester bowl, circa 1752-53Painted in blue with a series of plant and rockwork motifs including a willow tree, a large flowering peony and a trailing prunus branch, a small triangular fence shaded by the overhanging willow, a motif of three floating rocks painted inside, 10.6cm diamFootnotes:ProvenancePinewood Collection, Phillips, 31 October 2001, lot 41Pauline and David Tate CollectionIn 1999-2000, when the Pinewood collection was formed with advice from Simon Spero, this bowl was a recent unique discovery and it remains the only specimen of this pattern that has been recorded. The design is made up of several motifs that occur as part of other early Worcester patterns, including the three floating rocks that can be seen in the centre of other bowls of similar date, as well as on a Bristol-Worcester pickle shell, lot 371 in this sale.For further information on this lot please visit Bonhams.com

Lot 557

A Royal Worcester miniature 'Painted Fruit' tea and coffee service, circa 1950Comprising a coffee pot and cover, teapot and cover, milk jug, sugar bowl, two cups and saucers and two cake plates, painted with autumn fruits on mossy grounds, handles, spouts and rims all fully gilt, signed by various artist including William (Bill) Roberts, John Freeman and Leighton Maybury, coffee pot 12.5cm high, printed black marks (12)For further information on this lot please visit Bonhams.com

Lot 539

Two Royal Worcester 'Painted Fruit' vases and covers by John Reed and Bernard Schwarz, circa 1965-75Of slender ovoid form, the feet, covers and high scrolled handles picked out in gold, painted with ripe fruit on mossy grounds, the reverse with sprigs of berries on a cream ground, signed 'J Reed' and 'B A Schwarz', 32.3cm high, printed black marks, shape number 2710 (4)For further information on this lot please visit Bonhams.com

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