A Worcester small cylindrical mug dated 1757, printed in black with a head and shoulders portrait of the King of Prussia, and a print of Fame blowing a trumpet flanking a vignette of military trophies and flags, signed RH Worcester for Robert Hancock, and with an anchor rebus for Richard Holdship, 8.7cm. Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 1998. The centre flag on the military print is the rare version inscribed 'Russians' rather than the more usual 'Welham'.
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A Richard Chaffers (Liverpool) blue and white coffee can c.1758, the tall cylindrical form painted with two Chinese figures standing beside trees issuing from rocks, the reverse with a pagoda beside a weeping willow, a Pennington milk jug printed with fruit sprays, and a Worcester creamer printed with the Fence pattern, hatched crescent mark to the latter, 9.5cm max. (3)
A Worcester milk jug c.1758, finely potted and decorated in polychrome enamels with the Chinese Musicians pattern, the interior rim with red flowerheads between diaper bands in green and black, two very faint hairline cracks, 7.2cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2007.
A Worcester small jug and cover c.1765, printed in black with scenes of Classical ruins, one side with a figure and ducks on a lake before a partial arch and a column beneath trees, the reverse with two figures surveying an obelisk amidst other colonnaded ruins, a floral knop to the cover, a large chip to the cover's edge, 13.5cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Rod Jellicoe in 2001.
A Flight Worcester teapot and cover with stand c.1783-92, richly painted with blue and gilt sprays of flowers within a gilt dentil rim, together with a coffee cup and saucer in an identical pattern, open crescent marks, a small chip to the teapot stand, 23cm max. (5) Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques.
A Flight Worcester oval sucrier and cover late 18th century, and a Barr Worcester teabowl and saucer, moulded with spiral flutes and decorated with bands of husks or leaf sprays in gilt on cobalt blue, and a Barr Worcester small cabbage leaf jug with similar decoration, crescent mark to the sucrier, the teabowl and saucer with incised B marks, 14cm max. (5) Provenance: the Professor Richard Clarke Collection.
A good and rare Worcester saucer c.1762-65, printed in purple with The Windmill pattern, a traveller and his dog standing before a gatehouse and looking towards the mill with further buildings and mountains beyond, 12.2cm. Cf. G W Capell, Some Unrecorded or Rare Transfer-Printed Pieces, Connoisseur, December 1953 for a teabowl and saucer in the same pattern.
A Worcester saucer c.1758-60, printed in black with La Siesta, a Chinese figure recumbent beneath a tall canopy, with a further figure behind, faintly signed 'RH fecit', the rim painted with a hatched diaper border and four simplistic floral panels, 12cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2003.
A rare Worcester moulded teapot and cover c.1760, the barrel shape embossed with a Chinese landscape including a man fishing beneath a flowering prunus tree, with willow on the opposite bank, the reverse with large prunus sprays, between horizontal foliate scroll bands, a few small chips, 18cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 1999. Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part II, 23rd February 2005, lot 51 for a similar coloured example with the prunus and willow tree reversed.
A Barr Worcester part tea service c.1792-1804, decorated with a continuous gilded foliate band reserved on a wide orange band, incised B marks. Comprising: two chocolate cups with covers and stands, a tea cup, coffee can and saucer, a slop bowl and a plate. (11) Provenance: the Professor Richard Clarke Collection. Purchased in 1997.
A Lowestoft blue and white creamboat c.1775, moulded with arcaded panels and painted with the Two Porter Landscape pattern, the interior with a peony spray and foliate border, 11cm across. Provenance: the Professor Richard Clarke Collection. Purchased from Delphi Antiques, Dublin in 2002. Worcester produced a near identical creamboat in the same pattern at around the same time as this Lowestoft example. The painting on the Lowestoft versions tends to be less detailed than the Worcester equivalent.
A Worcester blue and white teapot and cover c.1770-75, and a large milk jug, both printed with the Fence pattern, a zig-zag ornamental fence amidst flowering peony branches, hatched crescent marks, a small body crack to the teapot, 16.8cm max. (3) Provenance: the Professor Richard Clarke Collection. Purchased from Delphi Antiques, Dublin in 1999 and 1998.
A rare Royal Worcester cased coffee set date code for 1940, richly decorated in the Independence 1776 pattern, each piece with a blue eagle perched on a flowering branch. Comprising: eight coffee cups and eight saucers contained in a fitted case. This design, based on an 18th century original, was produced in a limited run of 500 sets and sold only in the United States of America.
A pair of Barr Flight and Barr porcelain spill vases early 19th century, printed in black with rural and farming scenes, with a farmer tending his cows, two men harvesting a crop, a couple traversing a stile, and a woman churning milk, above claret bands, 11.4cm. (2) Cf. Henry Sandon, Flight and Barr Worcester Porcelain 1783-1840, pl.66 for a beaker bearing similar bat prints after William Henry Pyne.
A Worcester blue and white strap-fluted sauceboat c.1765, painted with the Little Fisherman pattern, the reverse with a landscape vignette, a large peony spray to the interior, open crescent mark, 20cm. Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 2000.
A pair of Worcester blue and white dessert plates c.1770-80, painted with the Hundred Antiques pattern, with central censers and other Chinese auspicious objects amidst continuous floral scrolls, the design echoed to the shaped rims, pseudo Chinese script marks, a 4mm rim chip to one, 19.3cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 2007.
A rare Worcester teapot and cover c.1780, of unusual square section with a fluted spout, painted in polychrome enamels with stylized flower sprays beneath a narrow wavy line border, the shoulder with an ovolu and dart band, a crack to the rim, 21cm. (2) Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part I, 16th March 2004, lot 299 for a blue and white example in the Peony Creeper pattern, believed to be unique. The catalogue references two further blue and white examples from the Godden Collection, illustrated in Miller and Berthoud, Anthology of British Teapots, nos.339 and 341, and a single enamelled version in the National Museum of Wales. One further damaged polychrome example is now known in the Norfolk Museums Collection, accession number NWHCM : 1992.226.1912.
A Worcester teapot and cover c.1770, painted with panels of Chinese figures, each side with a figure holding a fishing rod and showing a small boy with his mother, reserved on a gilt foliate ground with small panels of puce flowers and leaf motifs in red and black, a similarly decorated coffee cup, and a Worcester slop bowl painted with Chinese figures, including one seated at a table and holding a fan, the teapot's cover restored, 20cm max. (4)
A Worcester teabowl and saucer c.1755-60, printed and coloured with the Red Bull pattern, with Chinese figures standing around the eponymous bovine, 12.1cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2007. Old paper collector's label to the teabowl.
A Worcester blue and white coffee cup and saucer c.1758, the cup of generous U-shaped form, painted with the Prunus Root pattern, the flowering branches continuing to the cup's interior and the underside of the saucer, workman's mark, 11.8cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2000.
A Worcester blue and white sauceboat c.1756, painted with the Boatman pattern, each side moulded with a shaped panel, to one side painted with a figure fishing from a boat beneath a willow tree, the reverse with a figure standing on an island beside an empty boat, the interior with Oriental flowers, 17.5cm.
A large Worcester blue and white cabbage leaf jug c.1770, printed with the Natural Sprays pattern of moths in flight around large blown flower sprays, the neck with small vignettes of Oriental landscapes beneath a moulded dot and leaf border around the mask spout, 23cm. Provenance: the Professor Richard Clarke Collection. Purchased from Roderick Jellicoe in 2000.
A Worcester teabowl and saucer c.1765, printed in black with L'Amour, a courting couple on a garden bench with a maid chaperoning behind, the well of the teabowl with a single swimming swan, 12.1cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Rodney Baker in 2000.
A Worcester cylindrical mug c.1765, printed in black with May Day to one side, two ladies dancing to the music of a peg-legged fiddler, the reverse with Rural Lovers, a shepherd piping to his companion as she milks a cow beneath a tree, 12cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2010.
A rare Worcester teapot and cover c.1753-54, decorated in the famille rose palette with long-tailed pheasants perched on and beneath holey rockwork beside flowering peony branches, the flowers echoed to the cover and spout, spoiled red anchor mark, a little restoration to the spout and cover, 20.5cm. (2) This design is directly copied from an original on Chinese porcelain from the Yongzheng period (1723-35). Cf. Bonhams, 9th September 2009, lot 67 for a similar finely painted example.
A Worcester blue and white punch bowl c.1770, painted with the Precipice pattern, depicting pagodas on a clifftop amidst pine and other trees, the interior with a hatched diaper border and a landscape vignette, 20.5cm dia. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2000.
A rare Worcester finger bowl and stand c.1758, printed in black with the River Scene print, with mallard ducks to the bowl, the stand with swans swimming before a kingfisher on a low branch and a standing heron in the distance, a little wear to the black line rim, 14.7cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2002.
Two Worcester blue and white plates c.1770-80, one printed with the central design of the Carnation and Fruit Sprigs pattern, the other with the Gilliflower Print, the latter with bands of osier moulding to the rim, hatched crescent marks, 21.3cm max. (2) Provenance: the Professor Richard Clarke Collection. The main flower in the Carnation and Fruit Sprigs print is a refined version of the more common Gilliflower pattern, although the fruit sprigs themselves are lacking on this particular plate.
A large Worcester blue and white mug c.1756, the slightly waisted form painted with the Walk in the Garden pattern, with birds perched on a gnarled tree above a boy with a further bird on a long stick and a lady holding a ruyi sceptre, workman's mark, a small filled rim chip, 14cm. Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 2001.
Two Worcester milk jugs c.1765-70, one painted in puce camaieu, possibly in the Giles atelier, with a large flower spray and further single scattered sprigs, the other with pink and purple flowers, the inside rim with puce C scrolls and a gilt band, 9.1cm max. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero and Stockspring Antiques in 1997.
A Worcester blue and white creamboat c.1770-80, of low Chelsea ewer shape, moulded with spiralled leaves and simply painted with a spray of convolvulus, a cell diaper band to inside rim, open crescent mark, and a pickle leaf dish painted with the Pickle Leaf Vine pattern, workman's mark, 11.5cm max. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 1997 and 2001 respectively.
A rare Worcester spoon tray c.1760, the square form printed in black with The Old Dutch Inn, a figure with a barrel standing before a tall building with smoking chimney, a further figure standing on the steps and swigging from a bottle, 13.5cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2008. This unusual quatrefoil form of spoon tray appears to be particular to the printed wares. Other versions with the same design are known but often include a further tree on the left hand side.
A Worcester blue and white teacup and saucer c.1770, of generous reeded form, painted with the Immortelles pattern of sprawling floral tendrils, the cup with a finely moulded scroll handle, open crescent mark, 13.7cm. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 2000.
A Worcester milk jug c.1770, decorated in a Scarlet Japan pattern in the manner of James Giles, with puce camaieu flower sprays alternating with chrysanthemum mons on gilt and orange vertical bands, 8.5cm. Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 1998.
A Worcester blue and white knife and fork c.1758-60, the pistol grip handles painted with th Rose and Floral Sprays pattern, with bold floral arrangements and a small convolvulus sprig to the end of each, 27.5cm overall. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 1999.
A Worcester teabowl and saucer c.1768, painted with three fan-shaped panels of fancy birds, and circular panels of flying insects reserved on a powder blue ground, iron red crescent to the saucer, and a Warmstry-fluted coffee cup and saucer decorated with a Japan pattern of Kakiemon flower panels and narrow stripes with chrysanthemum mons, square seal marks, 13.6cm max. (4) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 1998, and Stockspring Antiques in 1997, respectively.
A Worcester blue and white rice spoon c.1770, painted with the Maltese Cross Flower pattern,the sloping sides of the bowl with further foliate sprays to the exterior, the short handle ending in a floral terminal, 14cm. Provenance: the Professor Richard Clarke Collection. Purchased from Mercury Antiques in 2000.
A good Worcester milk jug c.1765, printed in black with The Milkmaids to one side, the reverse with a milkmaid and calf, a narrow black line to the inside rim, 8.1cm high. Provenance: the Professor Richard Clarke Collection. Purchased from Klaber & Klaber in 1998. Paper label for the Frank Arnold Collection, no. E171, another titled Gatward and dated 14/8/28.
A good Worcester tea service c.1770, brightly painted with fan-shaped panels containing colourful European flowers, reserved on a powder blue ground with flower and foliate sprays in gilt. Comprising: a teapot with cover and stand, a sucrier and cover, a milk jug, a spoon tray, a slop bowl, a cake plate, ten teabowls, five coffee cups and ten saucers. (34)
A Worcester saucer c.1760, printed in black with Les Garçons Chinois, two chinoiserie figures clambering over rococo scrolls above a European landscape, the rim painted with a hatched diaper border and simple floral panels, 12cm. Provenance: the Professor Richard Clarke Collection. Paper label for the E & J Handley Collection, no. WT 15.
An early Worcester saucer c.1754, printed in black in 'Smoky Primitive' style with The Flute Lesson, a couple seated beside garden statuary and beneath a leafy tree, 12cm. Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 2002. Paper label for the Dr C M Signy Collection, no. 14. The print derives from Le Maître Galant (La leçon de flute) by Nicholas Lancret. The engraving was taken from an earlier one by JP Le Bas, another version being published later by Robert Sayer in 1766.
A small Worcester teapot and cover c.1756-60, the baluster-shaped body printed and hand-coloured with the Red Bull pattern, one side with two Chinese figures standing beside the cattle, the reverse with a further figure leaning on rockwork beside a pine tree, with a faceted spout and grooved handle, some nibbling to the end of the spout, a chip to the cover's flange, 16.5cm. (2) Provenance: The Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 2008. Label for the Weston Taylor Collection.
A large Worcester blue and white circular basket c.1770-80, printed with the Pinecone pattern, the shallow sloping sides formed of interlocking circles and painted with a diaper design, applied with single flowerheads to the exterior, hatched crescent mark, 25cm. Provenance: the Richard Clarke Collection. Purchased from Stockspring Antiques in 1999.
Two Worcester fluted dessert dishes c.1775, one square and printed with the Carnation and Fruit Sprigs pattern, the other of lobed form and printed with the more common Gilliflower Print, hatched crescent marks, 27.3cm max. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Delph Antiques, Dublin in 2002. Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain 1751-1790, II.C.22 and 23 for comparisons of these two prints.
A Worcester blue and white spittoon c.1775, of traditional form with squat globular body and flared rim, printed with the Fence pattern, the rim with large flower sprays, open crescent mark, 10.8cm. Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 2002.
A large Worcester mug c.1770-75, decorated with Chinese figures seated at a low table, standing with teabowls and holding a large fan, amidst vases and censers of flowers, the rim with a formal design in underglaze blue, 15cm high. Provenance: the Professor Richard Clarke Collection. Paper label for Roderick Jellicoe.
A Worcester blue and white circular buttertub with cover and stand c.1770-75, printed with the Fence pattern, with large flowering peony branches issuing from an ornamental zig-zag fence, the tub with two scroll handles, the cover with an open floral knop, hatched crescent marks, 15.7cm. (3) Provenance: the Professor Richard Clarke Collection. Purchased from Simon Spero in 1999.
A Worcester bell-shaped coffee cup c.1760-65, printed in black with Les Garçons Chinois, the reverse with a rare print of The Solitary Fisherman, wishbone handle, 6.2cm. Provenance: the Professor Richard Clarke Collection. Paper label for the Watney Collection. Cf. Phillips, The Watney Collection Part III, lot 950.

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182975 item(s)/page