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Lot 1551
A Royal Worcester porcelain figural oil lamp, circa 1890, modelled by James Hadley with a young girl and boy standing beneath an entwined tree, the boy protecting the girl from an unfortunate frog, decorated in blush ivory and shot enamels, picked out in gilt, the basket moulded reservoir with Hinks Duplex patent brass fittings, etched cranberry glass shade and clear glass chimney, moulded `Hadley` signature to back, impressed and puce printed factory marks, including shape No. 1240 to base, total height excluding chimney approx 71cm.
Lot 1553
A pair of Royal Worcester porcelain vases, circa 1909 and 1910, pained by Harry Stinton, signed, each baluster body painted with a pair of Highland Cattle in a misty mountainous landscape within moulded blush borders and pierced rim, green printed factory marks, including `1061` over `G` to bases, height approx 13.5cm (one with minor rim restoration).
Lot 1554
A Royal Worcester porcelain potpourri jar and cover, circa 1912, painted by Harry Davis, signed, the quatrelobed body painted with a pair of sheep grazing in a Highland landscape, within green and gilt moulded strapwork borders, the similarly decorated pierced cover with knop finial, green printed factory marks, including `291` over `H` to base, height approx 16cm.
Lot 1576
A Worcester porcelain lobed tea bowl and saucer, circa 1780, probably decorated in London with a variant of the `Scarlet Japan` pattern, unmarked, diameter of saucer approx 13cm (chip to tea bowl rim), together with a blue printed Fence pattern tea bowl and saucer, crescent mark to bases, diameter of saucer approx 10.7cm (tiny chip to tea bowl rim).
Lot 45
A Royal Worcester figure, 'China Man', from the Nations of the World Series, modelled by James Hadley, standing by a milestone and holding a pipe, his face naturalistically painted in colours, raised on a canted rectangular base, impressed and printed puce mark, date code for 1882, shape number 837, 17.5cm high
Lot 54
A large Royal Worcester twin-handled blush ivory vase by Edward Raby, shape 1398, circa 1890, the urn shaped body with scroll handles, grotesque masks and swags in relief, painted with flowers and highlighted with gilt, on a square pedestal base, signed with the artist's monogram, factory mark and shape number in puce, 42cm high (base secured by a bolt)
Lot 71
A Royal Worcester reticulated teapot and cover by George Owen, circa 1880, of double-walled construction, the outer wall of the ovoid body pierced with a wide band of honeycomb divided by a more elaborate chain design around the middle, the spout also with a reticulated panel and a band of white 'pearls' applied around its base, the finely gilded formal borders with turquoise and white 'jewelled' decoration, cover with spire top finial, printed and impressed factory marks, with gilders initials SW, overall height 13cm dated code indistinct,
Lot 72
A Royal Worcester fruit-painted tea/coffee service, second half of 20th century, pattern number Z4299, painted by various artists including C.Bowen, Sigley-Lewis, W. Prowley and J.Cook, with grapes, cherries, peaches and apples against a mossy ground, signed, the interiors parcel gilt, comprising; six teacups, six saucers, six coffee cups, six saucers, cream jug, sugar bowl, six tea plates, 17.5cm diameter and one large plate, 24cm diameter, black printed factory marks (33)
Lot 136
A Caughley coffee cup, circa 1778-88, transfer printed in blue with two opposing oval cartouches in the Fruit and Wreath pattern, alongside a secondary print of flowers, foliage and fruit, set below a floral wreath border, underglaze blue C mark, 7cm high See Geoffrey Godden, 'Caughley & Worcester Porcelains 1775-1800' (Antique Collectors' Club: Suffolk, 1981) hereafter referred to as C&WP, p.42, which shows a reproduction of the engraved copperplate design of this pattern, and where the author notes, 'The same standard design was more often applied to Worcester than Caughley porcelain ... it is applied in the main to teawares but can also occur on other objects, such as patty, or tart pans'.
Lot 137
A Caughley tea bowl, circa 1782-94, with raised, fluted rim, transfer printed in the Temple pattern, below an associated Fitzhugh border, unmarked, 6.5cm high See C&WP, p.18 where the author notes that, 'The so called 'Temple' pattern is found almost exclusively on teawares, porcelains bearing this printed subject normally bear the printed 'S' mark, sometimes with a workman's 'x' or 'o' added. A close copy of this design is found on Worcester porcelains but here it appears to be handpainted, not printed.'
Lot 138
A Caughley tea bowl, circa 1775-82, painted in blue with the Waiting Chinaman pattern, contained within a double-line circle, surrounded by a design of supplementary flowers, unmarked, 8cm diameter Footnote; Like a number of other Caughley patterns, an identical version of this design was used at the Worcester porcelain factory until 1775, the year it began at Caughley. This offers up the interesting prospect that the painter responsible left Worcester for some reason and moved on to complete work at Caughley.
Lot 150
A Caughley butter tureen and cover, circa 1785-90, oval body with slightly flared rim, two applied branch handles with floral and foliate terminals, cover with similar handle printed in underglaze blue with the Three Flowers pattern, pattern within blue line borders, underglaze blue C with serif, 15cm wide Bears Bill Dickinson, Ironbridge paper label to inside of cover. See C & W P plate 93 for a butter tureen and cover in this shape decorated with the Fence pattern. Godden notes that Caughley examples have thick, short leaves compared to Worcester versions which have thin and rather flat leaves. (restored)
Lot 151
A Caughley salad bowl or junket dish, circa 1780, circular bowl moulded to the interior with three scallop shells, printed in underglaze blue with the Pine Cone pattern, within a painted toothed internal border; exterior printed with root vegetables, moths, and a snail, underglaze blue C with serif, 24cm diameter See C&WP plate 167 for a similar piece, and page 142 for a discussion of the difference between Caughley and Worcester salad bowls. The author also notes on page 104 that the Chamberlain accounts include several references to 'square sallad vessels', which were priced at 7s 6d each. See also Halls sale on 28th April, 2010, lot 73, for an almost identical example which sold for £1000.
Lot 525
First Period Worcester, sparrow-beak cream jug painted with Chinese garden scenes in underglaze blue, 3.5in. - cracked and a sugar bowl painted in Imari colours, 4.75in. diameter, also to include an 18th century Chinese porcelain tea canister, famille rose enamels with gilding, 4.5in. - neck-rim restored
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