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Click here to subscribeRoyal Worcester Superb Large & Impressive Signed Handpainted Fruits - Twin Handled Lidded Bowl & Stand, with embellished 24ct Gold 'Fallen Fruits' Still Life 'Pears & Berries'. Signed D Fuller. Stand - Large Plate 14.25" - 36 cm, Bowl 12" - 30 cm diameter, Height 9" - 22.5 cm. First quality & Excellent Condition.
Royal Worcester blush ivory porcelain ewer jug, hand-painted with spider and leaf design, pattern number 1309, artist's initials to base 'JH', 42cm tall. Good overall condition with only minor areas of wear and tear commensurate with age - loss of gilding, firing imperfections to base / foot.
A Worcester hors d'ouvre dish. Painted in underglaze blue with the willow rock bird pattern, circa 1770, width 8cm and a miniature English 18th century saucer printed with the fence pattern (2).Tiny chip to the rim of saucer, also a couple of small chips to the footrim of saucer. Otherwise no condition issues to report.
Worcester Palissy Service and an associated meat platter. Decorated with foliage and pheasants, the sevice includes; a meat platter, six dinner plates, six salad plates, six bread plates, six soup bowls, six saucers, a vegetable dish and cover, a cream jug, a gravy boat, a butter dish and cover, Six teacups and a salt and pepper shaker; Together with an assosiated blue and white meat platter decorated with turkeys. (44)
A pair of 18th century first period Worcester gilt scallop-edged dessert plates in the 'Blind Earl' pattern: decorated in coloured enamels with a raised rose bud and painted floral spray (manufacture glaze faults to base of one plate and green leaf enamels rubbed on both plates) (19.5 cm in diameter)The pattern was made for the Earl of Coventry, 'the Blind Earl', who lost his sight in a hunting accident in the 1770s and asked Worcester to make him a design that he could feel.. A similar shape was also made at Chelsea during the Red Anchor period (1752-56). Unmarked, Condition Report: Surface scratches and faults to the glaze. Rubbing to the green leaf enamel. Firing cracks to underside of plates.
A collection of three pieces of 18th century porcelain comprisingan English Bow 'blanc de chine' coffee can with raised prunus decoration in the Chinese taste, c 1752 (6.4 cm) (A/F - hairline cracks and raised prunus edges rubbed);a Dr Wall period Worcester 'Imari' prunus pattern tea bowl and saucer c 1765 - 1775, of fluted form with under glaze blue Worcester fret mark (saucer 12 cm in diameter) (saucer crack); a Chelsea two-handled cup and cover with enamel moulded rose finial and floral sprays with red anchor mark to base, c 1750 (16 cm high) (A/F - cup body damaged)
An 18th century teapot (probably Worcester): faceted spherical form, hand-decorated in enamels in the Orientalist taste with figures before trees, flowers and bushes; unassociated domed lid similarly decorated with trees and branches; the spout later repaired with white metal. (21 cm wide from handle to spout.)
An 18th century Dr Wall period Worcester 'Queen Charlotte' pattern teapot. The finial modelled as a flower (restored and with metal pin), above a domed flat rim lid (underside of lid with rim chip). The body of Asian globular form and decorated with swirling blue and iron red enamels in the Imari palette and style. Underglaze blue Worcester fret mark to base c1765 - c1775. Height 15 cms x Width 20 cms, (A/F).The pattern takes inspiration from Japanese Imari wares and it was a widely-copied style both in Europe and China. Charlotte of Mecklenburg-Strelitz met the soon to be George III at the marriage altar and became Queen just two weeks later. We know that the King and Queen visited the Worcester factory in 1788 and made purchases but its is most likely that Worcester simply took the opportunity to use the name Queen Charlotte as a marketing ploy. Had the Queen herself inspired a design then surely it would be reasonable to expect something more Teutonic, less oriental and almost certainly a design containing flora as she is known to have been a very keen botanist. Queen Charlotte is clearly a more memorable a name than just "fence pattern" or "fruit and moths" - a marketing ploy which still shows its worth some 250 years later. (P103 of H. Sandon's The Dictionary of Worcester Porcelain.)
A miniature Royal Worcester Fallen Fruits cabinet trio, the interior of the cup decorated with apples and grapes and to the exterior with grapes, the saucer with peaches and red grapes and the side plate with peaches and white grapes, all indistinctly signed, black printed mark, side plate diameter 8.7cm. (3)
Two Royal Worcester figures of Queen Elizabeth II, the first modelled in celebration of the Queen's 80th Birthday 2006, the second modelled as Her Majesty Queen Elizabeth II and H.R.H The Duke of Edinburgh Diamond Wedding Anniversary 1947-2007, together with five varying sized Royal Doulton models of Karen HN4779, HN2388 and HN3270. (7)
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