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George Owen for Royal Worcester, a reticulated vase and cover, 1912, pierced and moulded foliate arcading above a honeycomb band and raised milled gilt foliate border, decorated throughout with gilt jewelling, incised signature and gilt marks, 169, 16.5cm highCondition: No damage or restoration
A Worcester 'French' shape tea cup and saucer, decorated with a bright turquoise enamel and gilt borders, circa 1775, cup 7.2cm diameter, 5.3cm high, saucer 13.5cm diameter (2)Provenance: The Late Noel Howard Collection. The K.E. Houston and The Kneller CollectionsCondition Report: Nibbles to foot rim of saucer and foot rim of cup
Middle Hill, Gloucestershire & Worcestershire.- Cotterell (Edward, cousin of William Phillipps, father of Sir Thomas Phillipps, solicitor, of Chipping Campden, d. 1814) Collection of letters and documents concerning Cotterell, comprising: 27 letters to Cotterell, including, from John Bayzand of Buckland, "I have sent you the Marquess of Bath's Acct - Intended waiting upon you myself to talk with Abt. the Snowshill business... I expect you are often at Middle Hill or Broadway..."; Folliot Herbert Walker Cornewall (bap. 1754, d. 1831), bishop of Worcester; the Honeybourne Estate, and "Guitting Farm" (?Temple Guiting, Worcestershire), documents, including, 1 relating to a recantation by James Sharp, weaver of Chipping Campden of having accused Edward Cotterell of breaking into his workshop and destroying his "Linen cloth and Yarn" now accepts after a law suit by Cotterell that the accusation was "false and groundless... And that the scandalous words by me undeservedly spoken against him touching the same were unguardedly uttered in and through the heat of passion only", together 44pp., some tears in edges (1 document with small loss), folds, browned, some creasing, documents loose at end, modern bookplate on front pasteboard, bound in orange Middle Hill boards, slightly marked, lacks tail of spine, 1 document with pencil inscription "ex Ph[illipps] 25777", v.s., boards 4to, 1791-96. ⁂ Legal papers preserved by Sir Thomas Phillipps.
Stanbrook Abbey Press.- Christmas Lyrics Fifteenth Century, second impression, [one of 400 copies], printed in red & black, initials supplied by hand in colours by Margaret Adams, one in gold, original limp vellum with green silk ribbons, slip-case, 1957 § Stanbrook Abbey Press (The), one of 500 copies, one of a few copies bound from loose sheets by John Mason with signed note by him concerning the binding loosely inserted, illustrations, contemporary morocco-backed marbled boards, endpapers by Twelve by Eight, 1970, Worcester, Stanbrook Abbey Press; and 4 others by or concerning the press including 3 illuminated by Adams (2 Christmas/greetings cards), 8vo & 4to (6)
Elgar (Sir Edward William, Baronet, composer and conductor, 1857-1934) 2 Autograph Letters signed to Billy Reed, together 4pp., 8vo, Napleton Grange, Kempsey, Worcester, ink date stamped 19th March 1927 & Marl Bank, Rainbow Hill, Worcester, 27th February 1932, on recording his second symphony, "I record the 2nd Sym on... 1st (lucky day!), sending best wishes to Sir Thomas Beecham, and asking him to when he will visit, "There's nothing to do, see here or feel but the cellar is not yet empty although it will never be filled again: also my heart is empty till you come (pretty!)", some surface wear where removed from an album, folds.
Wiltshire, Isle of Wight, Hampshire & Warwickshire.- Route & Tour to the Isle of Wight, manuscript, 47pp., some ff. excised, slightly browned, original wrappers, lettered direct on upper cover, stitched, 8vo, 27th June - 28th July 1811. ⁂ The writer of this diary is from Claines, a small village to the north of Worcester and may, perhaps be identified as John Somers Cocks, Lord Somers and the builder of Eastnor Castle. Somers married Margaret the only child of Treadway Russell Nash (1725-1811), Church of England clergyman and antiquary, of Bevere House, North Claines who died in early 1811. Somers continued to live in the house until 1813 when he started building Eastnor Castle. The diary is brief but full of observations, including: visiting Stonehenge, the New Forest, East Cowes Castle (John Nash's house), sailing on the Mermaid in the company of General Sir David Baird, first baronet (1757-1829), army officer, and William Sturges Bourne (1769-1845), politician and poor-law reformer, a visit to Alresford, Chawton, "At Chawton turn to the right for 2 miles to the Horse & Groom then to the left up the hill to Newton Valence" (not mentioning Jane Austen as she had yet to publish her first novel Sense & Sensibility anonymously four months later in November 1811), and on to Selborne, "NB The History & Antiquities of Selbourne have been beautifully written by Mr. White", and on the return journey a visit to Shakespeare's Birthplace, "... drive to Stratford & visit the house which was Shakespeare's birth Place, now inhabited by a descendant of the female line who shewed me the old chair in the chimney corner where the Poet usually sat, the gun with which he shot the deer & some other relics. In the room over Shakespeare was born & the walls are covered with the names of many illustrious visitors, among whom I saw the prince of Wales handwriting... ."
A Worcester Flight Barr and Barr teapot, painted in gilt with flowerheads, budding foliate garlands and sprigs, scroll-capped handle, bud finial, 15cm high, c. 1800; a Chamberlains Worcester cylindrical beaker, decorated in gilt and painted in alternating tones of puce with fruiting vine, foliate scrolls and bellhusks, 8cm high, c. 1810; a Chamberlains Worcester Imari jug, 10cm high, c. 1805; a Chamberlains Worcester kidney-shaped dessert plate, painted with colourful summer flowers, 25cm wide, grey printed marks, c. 1814-1816; etc (5)
A Worcester Hop Trellis pattern reeded coffee cup, inspired by Sèvres, gilt and carmine trellis linked by festoons of pink and green berried hops, flanked by further garlands of purple flowers, below a puce border, turquoise band to base painted en camaïeu black with beading and flowerheads, gilt dentil rim, scroll handle, c. 1775; a similar fluted saucer dish, 13.5cm diam, c. 1775 (2)
A Grainger's & Co Royal Worcester blush ivory reticulated pot pourri and cover, lobed cylindrical drum pierced with scrolls and foliate tendrils, conforming domed cover with bud finial, satyr's legs and hoof feet, incurved triangular plinth base, picked out in gilt throughout, 13cm high, printed marks, c. 1890
A Worcester fluted tea bowl, decorated in the famille rose palette with flower spray and sprigs, c.1765; a similar reeded coffee cup, with flowers and foliage in pink, picked out in gilt, c.1770; a Worcester fluted coffee cup and saucer, decorated in cobalt blue and gilt with sprigs, crescent mark, c.1770; etc (5)
A Worcester tapering cylindrical coffee cup, feather moulded and printed in underglaze blue with garlands of country flowers and insect, C-scroll handle with scroll thumbpiece, 5.5cm high, workman's mark, c. 1755; a Worcester circular trembleuse saucer, reeded well culminating in a dishes reservoir, lambrequin outer border painted in underglaze blue, 13cm diam, painted blue crescent mark, c. 1760; a similar saucer, smaller, 11.5cm diam, c. 1760; a Worcester Peony pattern circular saucer dish, 12cm diam, blue crescent mark, c. 1765 (4)
A large Royal Worcester Persian inspired ewer, printed and painted with stylised floral sprigs, on a blush ivory ground, in raised panels, outlined in gilt, tall neck, stylised handle with bird terminal, 37cm high, printed crown and circle mark, date code for 1888 Condition Report: Restorations to spout
A Royal Worcester circular plate, painted by K. Smith, with grapes, peaches and blackberries on a mossy bank, 23cm diam, printed crown and circle mark in black; others, English Porcelain, painted by D Wilson, with apples, peaches and blackberries, on a mossy bank, gadrooned rims, 26cm diam, printed mark (3)
A Worcester Fence pattern tea bowl and saucer, printed in underglaze blue with fence, birds in flight and foliage, tram line borders, hatched crescent mark, c.1770; another, Mansfield pattern; a similar tea bowl, with fruit and flowers, the interior with scroll boarder, crescent mark, c.1770 (3)
A Royal Worcester cabinet cup and saucer, painted by Drysdale, signed, with ripe peaches and grapes on a mossy ground, the saucer painted by Skerritt, signed, with apples and blackberries, gilt gadrooned border, printed crown and circle mark in black; a similar saucer, painted by Shinnie; a Royal Worcester shaped circular plate, the centre painted by Skerritt with apples an grapes, on a mossy ground, within flower shaped reserve, the gilt ground tooled overall with lappets, stylised leaves and flowers, 27cm diam, printed crown and circle mark in gilt (3)

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182973 item(s)/page