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Click here to subscribeA collection of late 18th and early 19th century Worcester blue and gilt tea wares, the trio and tea bowl and saucers with crescent marks, the 'Dresden Flowers' pattern coffee cup unmarked, the covered sucrier and thistle pattern tea pot stand with incised B marks (9) Good condition but for minor rubbing to the gilding
A collection of 18th century Worcester blue and white tea and coffee wares, variously decorated with patterns which include: 'Rock Strata Island', 'Three Flowers', 'Classical Ruins', 'Cormorant' and 'Bat', all with crescent marks except for the latter coffee cup which has workman's marks, the two tea bowls have matching saucers (8) Good
18th century Worcester, Liverpool and New Hall wares, the Worcester 'Harvest Bug' pattern bowl, 12cm (4.75 in) diameter, the Pennington's jug and creamer decorated in Imari and blue palettes respectively, the Chaffer's Imari tea bowl with green leafed sprig inside and the New Hall helmet shaped cream jug painted with pattern number 22 (5) Good
18TH CENTURY WORCESTER PORCELAIN BULLET SHAPED TEAPOT WITH DOMED COVER and underglaze blue chinoiserie decoration, underglaze blue 'W' mark to base. 14cm high. Together with an 18th Century Caughley baluster shaped, sparrow beak jug with underglaze blue chinoiserie decoration. Underglaze blue 'S' to the base. 11.5cm high. Together with another 18th Century English porcelain relief moulded, sparrow beak jug with chinoiserie decoration and running underglaze blue decoration. Unmarked. 9cm. CONDITION REPORT: The teapot has significant damage to the spout which is very badly cracked, the remainder of the piece has minor wear but no other serious damage. The Caughley jug has minor wear but no obvious damage. The little blue jug has scuffs and wear around the base rim but no serious damage.
A set of six Royal Worcester Roanoke soup cups; a Royal Worcester Arcadia tureen and cover; Minton Haddon Hall circular cake stand and preserve pot (2); oval meat plate; botanical tea pot and a pair of tea cups and saucers; other ceramic crockery; facsimile of the Book of Kells, Thames & Hudson, London 1974, slipcased; etc
FOUR ENGLISH PORCELAIN JUGS, c.1800, comprising a Caughley flared ribbed cylindrical jug with scroll handle, gilded with husks and paterae, unmarked, 2 3/4" high, a Chamberlain's Worcester inverted baluster "shanked" jug with scattered iron red and gilded flowers, 5" high, a wrythen fluted helmet jug painted with a basket of flowers, 4 1/2" high, and a canted oblong milk jug painted in purple, green and gilt with a band of flowerheads, 4" high
A ROYAL WORCESTER CHINA VASE AND COVER, modern, of slender ovoid form with two loop handles, painted in polychrome enamels by R. Lewis with a still life vignette of three apples with black and white grapes on a mossy bank, raised upon a solid gilt swept foot, signed, black mark, shape 2710, 12 3/4" high (Illustrated)
A PAIR OF FLIGHT, BARR & BARR WORCESTER PORCELAIN ARMORIAL SAUCE TUREENS, c.1820, of rounded conical form with everted gadrooned rim and two reeded handles, single knopped socle and square base, painted with a leopard's head (possibly Paul of Rodburgh), on a gilt seaweed ground within solid gilt rims, 5" high, together with a matching rounded square dessert dish, impressed marks, 9 1/2" square (3)
A COLLECTION OF LATE VICTORIAN ROYAL WORCESTER BLUSH IVORY PORCELAIN comprising a pair of leaf shaped dessert dishes, 1899/1900, green mark, shape 1414, 7 3/4" long, two graduated tusk jugs, 1898/99, green mark, shape 1116, 7 1/4" and 5 3/4" high and two graduated ice jugs, 1896/1901, puce and green marks, shape 1094, 7" and 5" high (6)
A PAIR OF ROYAL WORCESTER CHINA MINIATURE TEACUPS AND SAUCERS, modern, all over painted in polychrome enamels with still lifes of apples, peaches, cherries and white grapes on a mossy bank, together with a matching sugar basin, all indistinctly signed, black marks, 2791 inscribed in gilt (except basin), saucers 3 1/4" diameter, basin 1" high (5) (Illustrated)
A VICTORIAN ROYAL WORCESTER CHINA VASE, 1896, of flared rounded cylindrical form with fluted neck and mask lug handles, with raised gilded flowerheads and blossoming prunus branches on a purple shading to blue shot enamelled type ground within green and pink tinted borders, puce mark, shape 1911, 13 1/4" high
A PAIR OF ROYAL WORCESTER PEDESTAL VASES AND COVERS, the ovoid bodies hand painted with mountainous landscape with highland cattle, both signed John Stinton, gilt acanthus capped twin handles, body raised on circular gilt pedestal, domed gilt and fluted cover with leafage finial, puce marks to foot c.1908, Rd.No.444877, shape 2354, approximately 41cm high (one finial glued, one foot restored, small paint loss, some rubbing, restoration)
A pair of Royal Worcester ewers with hand painted floral decoration, green back stamp to base, height of each 18cm (both af), a Royal Worcester hand painted miniature cup and saucer signed W.H. Austin with puce mark to base, a Royal Worcester squat vase with hand painted floral decoration with puce mark to base and a Royal Worcester tea plate with puce mark to base (5).
A small collectors' lot of ceramics to include a pair of late 19th century Davenport vases, a late 19th century Davenport bowl on footed base, a pair of Staffordshire racing hounds, a Beswick poodle, a pair of Royal Worcester vases hand painted with foxgloves, summer flowers, fruits on scrolling supports and mask heads (af), a 19th century creamer in the form of a pig (af) and two early 20th century figurines, a poultry seller carrying a pheasant and a hare, and a young lady carrying a basket of grapes etc (14). CONDITION REPORT Minor damage and restoration in places - 2/3 Davenport pieces.
A RARE BRISTOL OPAQUE WHITE GLASS SQUARE SHAPED SCENT BOTTLE, c.1760, with stopper attractively painted in colours with exotic birds and flowers and gilding, possibly by Giles. 5cm high; together with a malachite model of a pig. (2)James Giles of London (1718-1780) The decoration of this exquisite scent flask is attributed convincingly to James Giles who had a decorating shop in Camden Town and retail premises in Cockspur Street, Soho. Porcelain (and glass) collectors had been puzzled as to how disparate pieces from Chelsea/ Derby/ Worcester/ Bristol glass etc. appeared to have decoration from the same hand or workshop. The answer is that Giles bought semi-decorated or 'white' from the various factories and enamelled them in his workshop. Experts conclude that Giles' decoration is freer than that done in the factories and his trademark is exotic birds of a distinctly dishevelled appearance.
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