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A Royal Worcester blush two handled covered Vase of tapering baluster form, the two arched handles with lion mask terminals and also joined by embossed garlands, painted in colours with spring flowers on a blush ground, printed marks and date cipher, circa late 19th Century, shape 1399, (cover restored), 12 ½" high
A 1960`S/70`S DINING ROOM SUITE BY GORDON RUSSELL LTD OF BROADWAY WORCESTER, comprising sideboard with four centre drawers flanked by two cupboards, pull out extending dining table and four stick back dining chairs with stuff over seats. Sideboard 60" wide x 17" Deep x 34.5" High. Table 52" Closed x 33" x 30" High. (6).
A Royal Worcester Porcelain Model of Arkle, modelled by Doris Lindner, No.1327, 1967, standing and turning slightly to the right, on a rounded flat plinth, black printed crown and wheel mark and details, including Owned by Anne, Duchess of Westminster, upon the original wooden stand, 27cm high overall See illustration
A Royal Worcester Porcelain Appaloosa Stallion, modelled by Doris Lindner, No.985, 1969, naturalistically modelled and coloured, on a rounded flat plinth, black printed crown and wheel mark and inscription (as above), also incised DK985, inserting into the original wood stand, 26cm high See illustration
A Royal Worcester Porcelain Fruit Painted Low Pedestal Dish, George Mosley, 1939, of waved shaped circular form, painted with two apples and brambles against a mossy bank, signed, gilded rim, outswept low pedestal foot, puce printed crown and wheel mark, and year mark, 14.6cm diameter See illustration
A Royal Worcester Fruit Painted Cabinet Plate, Edward Townsend, 1939, the small central star shape reserve painted with two apples and green grapes against a mossy bank, signed, within solid gilded twelve-petal lappet cavetto, conforming "silver shape" rim, gilded crown and wheel mark, year mark, impressed 5Q IW, 27.2cm diameter
A Matched Pair of Royal Worcester Porcelain Fruit Painted Pin Dishes, Edward Townsend, 1933 and Albert Shuck, 1935, of serpentine edged rectangular form, painted with apples and brambles, and two peaches and black cherries against mossy banks respectively, both signed, puce printed crown and wheel marks, and year marks, 10.5cm diameter See illustration
A Royal Worcester Porcelain Fruit Painted Coffee Service, various artists, 1934, comprising pedestal baluster coffee pot and cover painted with apples, peaches and brambles, signed A Shuck, inverted helmet shape cream jug (Shuck) and circular sugar basin (Edward Townsend), and six coffee cups and saucers, three by Henry Ayrton, two by Edward Townsend, and one a joint effort, puce and blue printed crown and wheel marks, year mark and H9535 in red script See illustration
A Royal Worcester Porcelain Fruit Painted Bowl, Richard Sebright, 1931, of ogee sided circular shape, painted with three large peaches and a bunch of purple grapes, two strawberries and three raspberries against a vine and ivy leaf strewn mossy bank, signed, within a gilded narrow rim band, externally with solid black glaze, blue printed crown and wheel mark, year mark and shape no.2577, 31cm diameter See illustration
A Royal Worcester Porcelain Fruit Painted Dessert Dish, William Dee, 1928, of rounded square form, centrally painted with two apples, a bunch of green grapes and apple blossom against a mossy and ivy leaf strewn bank, signed, within a trellis of lambrequin gilded frame against a powder blue ground, puce printed crown and wheel mark, year mark, 24.8cm wide (significant glaze crazing)
A Composite Set of Seven Royal Worcester Porcelain Fruit Painted Tea Plates, various artists, 1924-26, each with two main fruits including apples, pears and plums with grapes or brambles, each signed, the artists comprise Walter Sedgley, H Everett, Ayrton, Townsend (2), Mosley (2), each with puce printed crown and wheel marks, and year marks, 16.2cm diameter See illustration
A Royal Worcester Porcelain Highland Cattle Painted Vase, Harry Stinton, 1924, of slender ovoid shape with short flared neck, gilded at the rim, painted with a pair of Highland cattle amongst boulders in a misty glen, a boulder and heather motif to the reverse, signed, puce printed crown and wheel mark, year mark and shape no.2491, 14.5cm high See illustration
A Pair of Royal Worcester Porcelain Fruit Painted Small Trumpet Vases, William Albert Ricketts, 1924, with gilt misted flared neck and base, one painted with two apples, three cherries and a redcurrant amongst blossoms on a mossy bank, three cherries to the reverse, the other with two peaches and three purple grapes against a bank with dog violets, three cherries to the reverse, both signed, green printed crown and wheel mark, year mark and shape no.G923, 12cm high See illustration
A Royal Worcester Porcelain Highland Cattle Painted Small Pot Pourri Vase and Cover, Harry Stinton, 1924, of compressed quatrelobed form, the shallow domed and scroll pierced cover with fluted pointed finial, frontally painted with three cattle near a thatched bothy in a Highland river landscape, the reverse with crag and boulder vignette, signed, with olive green and gilt strapwork shoulder moulding, and with serration to the swept circular foot, puce printed crown and wheel mark, year mark, and shape no.278H, 13cm high See illlustration
A Royal Worcester Porcelain Fruit Painted Bowl, William Albert Ricketts, 1923, of bracket circular form, the interior painted with three peaches, a bunch of purple grapes and three blackcurrants amongst blossoms against a mossy bank, signed, gilded rim and misted gilded exterior and angled foot, puce printed crown and wheel mark, and year mark, 23.1cm diameter See illustration
A Royal Worcester Porcelain Flower Painted Cabinet Plate, 1926, circular, with central painted flower spray, indistinctly signed, within a radiating gilt mesh enriched with white enamel "jewels", swags of festoons to the solid gilded broad border, gilded crown and wheel mark, year mark and C2540 in red, 26.7cm diameter
A Royal Worcester Porcelain Highland Cattle Painted Two-Handled Pot Pourri Vase and Cover, John Stinton, 1921, the bud finial issuing from knurled leaves from a domed and gadrooned cover edged with raised leaf tip band, on a low concave sided neck with two foliate and dolphin pierced panels applied with ribbon-tied swags of laurels, with acanthus enriched arched side handles, frontally painted with three highland cattle grazing amongst boulder-strewn heather against a misty mountainside, the reverse with a misty lochside vignette, a rocaille moulded low pedestal solid gilded foot, puce printed crown and wheel mark, year cypher and shape no 1428, 33.5cm See illustration

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