Seven reference books relating to antique and collectable pottery and porcelain, comprising - 1. Chaffers (William), Marks and Monograms on Pottery & Porcelain, Sixth ed., pub. London: Bickers & Son, 1876 (reading copy) 2. Sandon (David, John and Henry), The Sandon Guide to Royal Worcester Figures 1900-1970, pub. The Alderman Press, 1987 3.Sandon (Henry), Royal Worcester Porcelain from 1862 to the present day, pub. Clarkson N. Potter Inc., 1973, signed by author to title 4. Horsley (Tony), Distinguished Extinguishers, pub. 1999, signed by author to to title 5. Godden (Geoffrey A.), British Porcelain, An Illustrated Guide, pub. Barrie & Jenkins, 1986 (reprint) 6. Godden (Geoffrey A.), Encyclopedia of British Pottery and Porcelain Marks, pub. Herbert Jenkins, 1964 7. Godden (Geoffrey A.), English China, pub. Barrie & Jenkins, 1985
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A small collection of mid-19th century Imari decorated English porcelain - including a Spode two handled baluster vase, pattern no. 1216, with beaded edges, red painted factory marks, 13.25cm high; a similar Spode trumpet vase, unmarked, 11.6cm high (hairline to interior); a covered campana styled urn form vase, probably Davenport, painted pattern no. 5909, 12.5cm high; a small Davenport basket, 7.3cm high; a miniature Derby, Stevenson & Hancock jug, red painted factory mark, 5.5cm high; a slender Derby, Stevenson & Hancock ewer, 13.3cm high (rim restored); a pair of Chamberlains Worcester plates, 20.25cm diameter; and a Coalport 'Money Tree' plate, 23.7cm diameter (star crack to base). (9)
A Royal Worcester covered vase painted with Highland cattle by John Stinton - shape no. G790, puce factory printed mark with date code for 1912, of lobed baluster form with gilt neck and foot, painted with Highland cattle on a rocky path in a typical misty landscape, 29.2 cm high.* Condition: There are no chips, cracks or other damage visible to the porcelain. The gilt around the base is a different shade (slightly greener) than the gilt around the neck and on the cover. There is a possibility that this is due to professional restoration to the joint of the vase and the foot, but there is no evidence of this visible, beyond the slight difference in the shade of the gilt, so it may be purely a difference in paint shades during manufacture.
Seven pieces: 1. two Wedgwood caneware plates - impressed factory marks, one of basket-weave style with pierced rim, 20.3cm diameter; the other of plain circular form with line engraved rim, 20.7 cm diameter; 2. a Goss 'Cheltenham' Bath Roman jug, 14.9 cm high; 3. a small Victorian Worcester Cathedral souvenir jug; 4. three 19th century plates, including an Alfred Crowquill for Samuel Alcock transferware plate (cracked).
An early 20th Century Royal Worcester blue and white part tea/coffee service on an early to mid 20th Century black painted metal serving tray with gilt detail, to include - tea pot, cream, sugar bowl, eight side plates, eight tea cups and saucers, three tea cups, six coffee cans with saucers , chip to cream jug , wear to some others
Early Worcester feather moulded blue and white coffee pot and cover repaired with staples and finial missing circa 1775 together with a large blue and white 18th Century Worcester bowl with Chinese scene detail and a Worcester 18th Century jug , Old Stapled repair to jug and chipping to rim of bowl
A WORCESTER (FLIGHT BARR & BARR) SALMON PINK AND GILT VERMICULAR BORDERED TOPIGRAPHICAL PART DESSERT SERVICE CIRCA 1820 Comprising: twenty two dessert plates, 21cm diameter; three shell shaped scalloped dishes, 20cm in length; four shaped oval scalloped bowls, 28cm wide; four shaped square dishes, 22cm x 22cm; an oval two handled dish, 34.5cm in length and a pair of cream-tureens and covers with flammiform finials, iron red printed and impressed factory marks Provenance: Christie's London, 15th February 1988, lot 213 The collection from Trethill House, Cornwall Condition Report: One shaped square dish with large chip to top right corner. One shell-shaped dish with chip to top. Some historic wear throughout. Images of all items are available from the Dept. upon request.Condition Report Disclaimer
* Metford (Samuel, 1810-1896). Silhouette portraits of three members of the Binyon family, 1846, black paper cut-outs with white highlights, all full-length in profile to the right, against identical lithographic scenes of a drawing room with a boat seen through the window behind, each signed and dated by the artist at Manchester in brown ink lower left, some spotting, 27 x 17.5 cm, framed and glazed, together withPatten (William Vandyke , active 1844-1871). A pair of half-length portraits of Rachel and Thomas Binyon, August 1845 & 1847, pencil with red highlights on wove paper, signed and dated to lower margins, uniform overall toning to paper of first portrait and some light toning to paper of second portrait, 30.5 x 25 cm (12 x 10 ins), matching maplewood frames, glazed, 42 x 37 cmQTY: (5)NOTE:Provenance: The family of Martha Spriggs (1777-1866); thence by direct descent.Modern manuscript labels to frame versos identify the sitters of the silhouette portraits as the children of Thomas Binyon and Hannah (née Smith) of Manchester: Thomas Binyon (born 23 January 1795, died in Worcester 18 May 1865), Hannah Binyon (born 26 April 1801, married 1st Nathaniel Card, 2nd Jeremiah Barrett) and Ann Binyon (born 16 June 1804, married Wilson Forster of Liverpool). The two Metford portraits depict Thomas Binyon (1795-1865) of Manchester and Worcester and his second wife, Rachel Arch (1817-1845).Samuel Metford (1810-1896) was born into a Quaker family in Glastonbury, Somerset, and during his childhood in Bath, he was taught by Augustin Edouart (1796-1861), the best French exponent of silhouette profiles. In 1834 he emigrated to New York, where he continued to work as a portraitist, travelling to Boston, Philadelphia, Washington and Saratoga Springs. After returning to England a decade later in 1844, he was active in the north of England, producing many portraits of members of the Quaker community, as here.
* Quaker Portraits. A group of six head and shoulder portraits of members of the Spriggs and Binyon families of Worcester and Manchester, circa 1850s, oil on canvas, each 22 x 18.5 cm (8 3/4 x 7 1/4 ins), gilt oval mats, framed with old and modern manuscript paper labels to versos, 34 x 31 cm (and one of Martha Spriggs slightly larger) QTY: (6)NOTE:Provenance: from the family of Martha Spriggs (1777-1866), by direct descent. The sitters are: 1) William Spriggs (1776-1855), draper of Broad Street, Worcester. 2) Martha Spriggs (1777-1866), nee Knight, wife of William Spriggs of Worcester. 3) Thomas Binyon (1795-1865), of Manchester and Henwick Grove, Worcester; husband of Sarah Fryer (d. 1826), Rachel Arch (1817-1845), and Martha Anna Spriggs (1816-1896), youngest daughter of William and Martha Spriggs. 4) Martha Anna Binyon (1816-1896), daughter of William and Martha Spriggs of Worcester; third wife of Thomas Binyon. 5) Hester Savory Spriggs (1818-1889), daughter of William and Martha Spriggs of Worcester. 6) Lydia Pengelly (1819-1898), daughter of William and Martha Spriggs of Worcester; second wife of William Pengelly of Torquay.
Four Royal Worcester vitreous tureensearly 20th century pattern W6568, the tureens with elephant mask handles, the cover with stylised bird and claw finials, blue and gilt borders, comprising a large soup tureen, a medium sized tureen and a pair of smaller tureens, all with covers, green and puce printed factory marks, stamped 'Manufactured for H.G. Stephenson Ltd, (4)largest handle to handle 40cm.Condition:Good condition
Edward VII, Coronation, 1902, medals (3), in plated bronze by G. Frampton for The Mint, Birmingham, all 51mm (C & W 4435A.12; BHM 3767); by J.A. Restall (2), both in bronze, for the London School of Music and the City of York, both 38mm; Preston Guild, 1902, medals (3) by Spink, in bronze, 50mm, in white metal (2), 50mm, 32mm; Worcester, County Education Medal, 1902, a bronze award by F. Bowcher, edge named (H. Kibblewhite), 63mm (BDM I, 256; cf. DNW M1, 1239) [7]. Some extremely fine; four cased or boxed as issued £120-£150
Charles I (1625-1649), Worcester or Shrewsbury/Salopia mint, Threepence, mm. lis, rev. oval scroll-garnished shield, 1.26g/8h (SCBI Brooker 1177; N 2624; S 3117). Pierced with a crease to left of king’s head, otherwise about very fine £120-£150 --- A disproportionate number of Worcester Groats and Threepences are found holed. The large size and careful execution of the piercings suggest they were contemporary and that the coins were given as presentation pieces to soldiers, perhaps to be worn in the same way as a Royalist badge – a practice not seen elsewhere
An 18th Century thirty hour long case clock movement by Henry Deykin of Worcester, the square brass dial with circular chapter ring and Roman numerals enclosing a centre panel inscribed "Heny Deykin Worcester No. 1380" with bell and weight 30.5 cm square CONDITION REPORTS One of the hands has broken but attached with sellotape to the front face. There is some pitting and verdigris to the face as well as some minor scratching. The bell is detached. In a generally worn condition. The feather is missing from the pendulum, part stuck in the mechanism. The top of pendulum is twisted. The wire is severely bent. One weight present. Wear and tear conducive with age and use - see images for more details.
A box of various china wares, etc., including three Worcester type wrythen tea bowls with black and gilt banded decoration, a Chinese polychrome decorated tea bowl, an English pottery teacup in the chinoiserie manner, decorated with kylin and household symbols, another Chelsea style two-handled cup bearing gold anchor mark to base, a Pearl ware chinoiserie decorated pottery bowl, a Chinese blue and white figures on a bridge pattern bowl, with foliate rim, raised on three conical feet, three capo-di-monte figures in the Cries of London style, a Richard Eckert & Co. Volkstedt pair of figures of children, blue and white and gilt decoration, two blanc de chine figures, a plated half pint baluster mug and a soapstone pipe in the pre-Colombian style with serpent mouthpiece and mask decoration
A collection of toys to include various Fisher Price space related models, four boxed Mr Potato Head figures comprising RToo Potatoo, Spud Trooper, Darth Tater and a Transformers Optimash Prime, various Peanuts Snoopy modern day collectibles, to include figures, plate, breakfast bowl, etc. and a collection of ornamental / decorative wares to include Wedgwood trinket dishes, Worcester egg coddlers, various glassware, etc., together with a bag of books on the subject of travel (7 boxes, a Tonka tank and bag of books)
A Royal Worcester "Lily flower and leaf" pattern vase with red highlights, bearing green mark to base, 9.5 cm high, together with a Royal Worcester "Lily and frog" set chamberstick, with puce marks, No'd. 1088, 11.5 cm high, another similar with white metal candle sconce, with green mark and No'd. 1088, 11.5 cm high and a further Royal Worcester "Lily bud" chamberstick, with puce mark and No'd. 1826, 16.5 cm high together with a pair of modern James Hadley, Royal Worcester figures as "Eastern water carriers", one female, one male, 20.5 cm high, together with a Royal Worcester figure "The Parakeet", No. 3087, 17 cm high and another figure by the same hand "Grandmother's dress", No. 3081, 17 cm high (8)
A collection of Royal Worcester Cat figurines comprising "Kittens - Siamese", "Tabby and Black and White and Blue Persian", "Severn Street Cat", "Short Haired Cat", No'd. 3616, three modelled by F G Doughty comprising "Short Haired Cat", No'd. 3616, "Long Haired Cat" No'd. 3615 and "Long Haired Cat" No'd. 3615, one in ginger, one in grey and two further Royal Worcester Cat figurines (10)
A collection of Royal Worcester bird figurines to include "Jay" No'd. 3248, "Woodpecker" No'd. 3249, "Kingfisher" No'd. 3235, various Finches, Tits, Robin, Thrushes, etc. and a Worcester Ornamental Studio "Toucan", dated 1997 (30) CONDITION REPORTS There is damage to about 10 of the birds including the jay, one of the kingfishers and sparrow all of which have had breakages which have been glued. The yellow hammers, wren (x2), robin, marsh tit, gold crest, chaffinch all have minor chips to beaks or tails etc. The nuthatch seems to have something in it's beak but not sure if this has been broken or if it was barely there in the model. Otherwise general wear and tear conducive with age and use. See images for examples.
BINDINGS Sir William Russell Flint RA The Lisping Goddess Privately printed for the artist by the Stanbrook Abbey Press, Worcester, no. 38 of 240 copies signed by Flint and bound by Mansell in quarter Morocco with marbled slipcase Bartlett, William Henry Forty Days in The Desert Arthur Hall & Co., London The Overland Route Hall, Virtue & Co., London, 1851, the two volumes uniformly bound in full gilt-tooled crimson Morocco, with fully gilt page edges, bookplate of John Naylor of Leighton Hall, Montgomeryshire, Wales (1813-1889) (3) Condition Report:Available upon request
ATTRIBUTED TO JAMES HADLEY (1837-1903) FOR ROYAL WORCESTER PAIR OF ANGLO-JAPANESE VASES, CIRCA 1875 painted and glazed porcelain, gilt embellishments, printed and impressed maker's marks, numbered 190 (2) 28.5cm high Literature: Whiteway M. and Gere, C. Nineteenth Century Design: From Pugin to Mackintosh, Weidenfeld & Nicolson, 1993, p.174, pl. 217
Three limited edition Halcyon Days enamel boxes, comprising: 'The Royal Residences', numbered 106 of 500, in box with certificate; 'The Royal Yacht Britannia', numbered 422 of 750, in box with certificate; and 'Architecture', numbered 722 of 100 (lacking box and certificate); with a selection of further enamel boxes by Halcyon Days, Royal Worcester, Border Fine Art and others, a 19th century Limoges box (at fault), a Victorian enamel box cover decorated with a bird among foliage, and a Royal Collection porcelain box (14)
A Royal Worcester porcelain miniature cabinet cup and saucer in the ‘Fallen Fruits’ pattern, early 20th century, the cup signed ‘Newnylon’, the saucer signed ‘T. Lockyer’, each with puce maker’s marks for 1918, the cup 3.2cm high, the saucer 9.7cm diameter; with a further Royal Worcester miniature cabinet cup and saucer in the same pattern, the cup signed ‘T. Roberts’, the saucer signed ‘R. Sebright’, each with puce maker’s marks for 1915 (at fault), the saucers with Margaret Bentley Collection labels (4) CONDITION REPORT:The Newnylon/Lockyer cup and saucer shows fine surface wear but no obvious chips, cracks, crazing or restoration. Both ring when pinged.The Roberts/Sebright cup and saucer each show a chip to the rim. The cup shows an extensive repair, and the saucer shows staining to the underside.
A Worcester style porcelain ‘Japanesque’ jug, late 19th century, the double walled reticulated body with faux bamboo handle and shaped rim, gilt highlights throughout, 13cm high (restored) CONDITION REPORT:The piece shows evidence of professional restoration to the rim, neck, shoulders and handle. It is not obvious that the restoration extends down to the reticulated body, but it is possible that it does. The foot rim appears to be unrestored. The piece shows minor surface wear and rubbing to the gilt highlights.
A Worcester porcelain en grisaille teacup, mid 18th century c.1760, decorated after Robert Hancock with an arcadian landscape to one side and a courting couple with chaperone to the other, 6cm high; with a Rockingham stem vase, mid 19th century c.1831-1842, of squat globe and shaft form, puce maker’s mark, 9.5cm high (restored); a Kerr & Bins Worcester twin handled cup, 8cm high; a porcelain chocolate cup and cover, 9.5cm high; and a porcelain tea bowl, 4cm high (5) (at fault)
A Royal Worcester "Woodland" six place / setting dinner, coffee and tea servile to include: 6 dinner plates, 6 lunch (dessert plates), 6 side plates, 6 coupes and 6 saucers; 6 tea cups and 6 coffee cup with their matching saucers, large circular serving plate, gravy boat and stand, sugar bowl, milk jug and coffee pot (1 box - Q)
A Royal Worcester twin handled baluster vase and cover, model no.1481, the blush ivory ground enamelled with foliate decoration, date cypher for 1892, finial chipped, with later wooden plinth, height 36cm, cork inside cover and base and wooden rod inserted to base, together with a 19th century Staffordshire Vicar and Moses pulpit figure, white glazed, over glazed break to backrest, height 23.5cm (2)
Two trays of assorted ceramics to include: Noritake German vases, Art Nouveau Staffordshire blue and white teapot on stand, Coalport gilded jug, floral and other plates, including a Royal Worcester 'Ann Hathaway's Cottage', etc. (2) (B.P. 21% + VAT) Blue and white teapot is OK, crazed to the interior, the stand has small glaze frit under its rim/edge.
Collection of Royal Worcester porcelain items to include Blanc de Chine cylinder jar and cover, figure of John Bull designed by James Hadley shape number 851 and a Victorian centerpiece, the bowl held by two winged cherubs in classical style on Rococo style base (restored) (3) (B.P. 21% + VAT) Centre bowl - restored condition. Other two items have no obvious damage.
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