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Lot 1590
Four Caughley spoon trays, late 18th century, two printed in underglaze blue with the Fisherman and Cormorant pattern and the Fenced Garden pattern, the others with flower sprigs in gilt and blue, a Worcester spoon tray printed with The Bandstand pattern, and a small Chinese porcelain spoon tray painted with polychrome flowers, various marks, 16.3cm max. (6)
Lot 1648
Two Worcester blue and white dessert dishes, c.1770-80, one of lobed oval form and printed with a spray of convolvulus and rosebud within a basketweave border, script W mark, the other moulded with latticework and vine leaves and painted in dry blue with small floral sprays, a rim chip to the latter, 30cm max. (2)
Lot 1643
Four English porcelain blue and white teabowls, c.1760-70, Worcester, Caughley and Lowestoft, all printed with the Three Flowers pattern, a Worcester saucer in the same pattern, and a Worcester teabowl and saucer painted with the Candle Fence pattern, open crescent marks to the latter, 13cm max. (7) Provenance: the John Pinnick Collection.
Lot 1646
Three Worcester blue and white sauceboats, c.1755-65, one painted with the Triangular Platform pattern, one with the Man with a Bomb pattern, the last with the Moored Boat pattern, workman's marks to two, minor faults, 19.3cm across max. (3) Provenance: the John Pinnick Collection. The Moored Boat example with a paper label for the Zorensky Collection, No. Y677.
Lot 1583
Seven English porcelain coffee cups, c.1755-65, two Bristol and painted with sprays of flowers in polychrome enamels, two Bow with floral decoration in the famille rose and Imari palettes, two Worcester, one with dry blue painting on Warmstry fluting, the last Lowestoft and painted with an Imari landscape, some faults, 7cm max. (7)
Lot 1367
A Derby dessert dish, c.1790, painted with a small spray of flowers within three concentric bands of gilt and blue, a Worcester coffee cup and matched saucer with gilt and blue flower sprays, and a Derby creamboat of Chelsea ewer shape, painted with flowers, the creamer cracked, 24.6cm max. (4)
Lot 1364
A good Chamberlain's Worcester cabinet plate, mid 19th century, painted with a central floral arrangement within a wide raised gilt band, the rim with three panels on a deep blue ground, impressed mark, an English porcelain plate with panels of fruit and flowers within elaborate gilt scrolls, painted pattern number 642, and another painted with a bird perched on an oak branch, 25.5cm max. (3)
Lot 1641
A rare Worcester blue and white teabowl and saucer, c.1757-60, printed with the Two Swan Precipice pattern, two swans swimming in the forefront of a waterside landscape, a small cluster of buildings suspended on a rocky precipice above them, 11.7cm. (2) Provenance: the John Pinnick Collection.
Lot 1317
A Royal Worcester cased coffee set, date codes for 1925, painted by James Stinton each with a pair of pheasants, signed, printed marks. Comprising: six coffee cups, six saucers and six silver gilt spoons hallmarked for Hukin & Heath, enclosed in a lined and fitted case for Hamilton & Co. Ltd.
Lot 1575
Two Worcester cups, c.1758-60, one painted with an armorial crest and shield relating to Viscount Howe of Langar, Nottinghamshire, within purple monochrome flower sprays, blue crossed swords and 9 mark, the other of bell shape with a wishbone handle, finely painted with polychrome flower sprays, rim cracks, 6cm max. (2) As well as the coronet of Viscount Howe, the teacup is painted with the shield of the Scrope family; the Howe family having married into the illegitimate branch of the Scrope family when John Grobham Howe (d.1679) married Annabella, the illegitimate daughter of Emanuel Scrope, 1st Earl of Sunderland.
Lot 1672
A rare Worcester blue and white 'Wigornia' creamboat, c.1752-54, the hexagonal form moulded to the exterior with a palm tree and sampan before pagodas to one side, the reverse with a bird in flight between further pagodas and a zigzag fence, the interior painted with simple prunus sprays and a formal motif, painter's mark to the interior base, some rim faults, 11cm across. Cf. Transactions of the English Ceramic Circle, Vol. 13, No. 3, Dr Paul Riley, A Review of 'Wigornia' Cream Jugs, in which Dr Riley explores and classifies nine differing mouldings of this series of jugs. The moulding here is classified as 'B'.
Lot 1260
A small mixed group of ceramics, including a small creamware teapot and cover, an early Chinese box base in a celadon glaze, a Chinese teabowl or wine cup moulded with leaf bands, a large English porcelain teabowl painted with simple shells, and a modern Royal Worcester milk jug printed with a bird perched on fruit, some faults, 14.5cm max. (6)
Lot 1619
A very rare Worcester three-handled vase, c.1775-78, printed in black with the Draw Well pattern, a figure hauling on a rope to draw a bucket up from a well, and two scenes of Classical ruins, amidst flower garlands and single sprays, the neck issuing three handles with applied flowers where they meet the shoulder, raised on a circular foot, a little restoration to the handles, 18.5cm. Provenance: Cyril Cook Collection. Sir William Mullens Collection, Sotheby's, 22nd February 1977, lot 141. Joseph Handley Collection, no. 5.4.
Lot 1594
A Longton Hall sauceboat, c.1755, moulded with scrolls and diaper panels, painted with famille rose flowers, and two early Worcester creamboats, one hexagonal and moulded and painted with prunus sprays and insects, the other of fluted form and moulded with panels containing a Chinese figure fishing from a small island, damages, the handles lacking or replaced, 21cm max. (3) The Longton Hall sauceboat exhibited in 2006 at the English Ceramic Circle Exhibition.
Lot 1557
A small comparison group of teawares, 18th and 19th centuries, including a Meissen cup painted with a Kakiemon design of flowering branches, a Chinese saucer with a Johanneum number 'N=93', a Chinese teabowl painted with panels of harbour scenes, a Worcester coffee cup painted with a Chinese landscape, two English Imari coffee cans, and a large saucer painted with an exotic bird on a leafy branch, some damages, 13.8cm max. (7)
Lot 1640
A rare Worcester blue and white hors d'oeuvres set, c.1758-60, comprising six petal-shaped dishes around a central star shaped dish, the outer dishes each painted in blue with the Willow Rock Bird pattern, the central dish with the Hors d'Oeuvres Centre pattern of flowering plants, and a single side dish in the same design, workmen's marks, small damages. (8) Provenance: the John Pinnick Collection.
Lot 1330
Four Royal Worcester plates, date codes for 1913, 1928 and 1932, painted by James Stinton, a pair of plates with mallard ducks and other aquatic birds at the water's edge, one with a pair of pheasants in a woodland landscape, another with two grouse in flight above moorland, all signed, printed marks, some faults, 27.5cm max. (4)
Lot 1613
A Worcester coffee cup and saucer, c.1758, the cup printed in black with a bird perched on a leafy branch with upright tail, and two others in flight, the saucer with two doves standing beneath trees, small chips to the cup, 12cm. (2) Literature: Connoisseur, Vol. CL1, No.609, November 1962, Rare Porcelain Decorated By Robert Hancock, Geoffrey W Capell, pl.10a for the cup, pl.7 for the saucer.
Lot 1618
A Worcester slop bowl, c.1760, printed in black with three figures, one holding a banner titled 'Marine Society' one side of Britannia who points towards women with families beneath a banner inscribed 'For the Service of our Country', a naval battle scene to the reverse, the interior with a portrait of George II, a chip to the inside of the rim, 16.5cm. The source for this print is an engraving by Thomas Major after a drawing by Samuel Wale from Motives for the Establishment of the Marine Society, London 1757. The society, the world's first maritime charity, had been set up the previous year to supply seafarers to support the navy at the start of the Seven Year's War.
Lot 1319
A large pair of Royal Worcester cylindrical vases, date codes for 1924, of shape 6/161, painted by James Stinton, each with a pair of pheasants before silver birch in a wooded landscape, raised on reticulated feet in the manner of Chinese hardwood stands, printed marks, some good restoration to the feet, 26.5cm. (2)
Lot 1649
An interesting comparison group of blue and white porcelains, 2nd half 18th century, including a Chantilly bowl, a Worcester saucer, a Caughley teabowl and a Christian's Liverpool coffee cup, all decorated with variations of the Gilliflower pattern, various marks, some faults, 12.5cm max. (4) Provenance: the John Pinnick Collection.
Lot 1363
Five English porcelain teapots and covers, early 19th century, including Derby and Chamberlain's Worcester, variously decorated with floral and foliate patterns in the Imari palette, orange and gilt, and sepia monochrome, the Chamberlain's Worcester example with a matching stand, restoration, 27cm max. (11)
Lot 1327
Three Royal Worcester coffee cups and saucers, date codes for 1922, 1925 and 1926, one painted by W H Austin with a peacock on a pine branch, one by Harry Stinton with Highland cattle, the last by R Austin with kingfishers, signed, all gilded to the interior of the cups, printed marks, one saucer cracked, 10cm. (6)
Lot 1591
A Chelsea fork, c.1752, white-glazed and moulded with sprays of flowering prunus, a larger silver-mounted Chelsea cutlery handle moulded with tea plant sprays above a shell terminal, and a Worcester dessert knife moulded with scrolls and small flowers, 18.8cm overall. (3) Provenance: The McWilliams Collection, Bonhams, 17th October 1991, lot 220 for the Worcester knife.
Lot 1357
Two English porcelain plates, c.1810-20, one Flight, Barr & Barr and decorated with the crest of a lion within a belt inscribed 'Vicimus', within purple and gilt flower sprays, one richly decorated with panels of English flowers on a blue ground with gilt foliate scrolls, pattern number 699 to the underside, and a Worcester saucer painted with birds to the well within flower garlands, 27cm max. (3)
Lot 1614
A Worcester small mug, c.1765, the cylindrical form slightly tapering and printed in black with The Tythe Pig, a couple presenting their baby to a cleric, 8.6cm. Paper label for the Liverpool Exhibition at Phillips,l 1997, No. B1. The engraving derives from a print by Müller after Boitard and also appears on Liverpool and Longton Hall porcelains, as well as Liverpool delftware tiles and Wedgwood creamware. The same subject is depicted in both Staffordshire earthenware figures and Derby porcelain figures.
Lot 1551
Two Worcester coffee cups and a teabowl, c.1765-75, of Warmstry fluted type, painted in the Kakiemon palette with the Two Quail pattern, and a Derby creamboat with similar decoration and a shaped turquoise border to the interior rim, square seal mark to the teabowl, the creamer cracked and chipped, 11.5cm max. (4)
Lot 1574
A Worcester slop bowl, c.1770, painted in the London atelier of James Giles with sprays of fruit and flower beneath a shaped pink scale border, with a peapod sprig, the interior with a floral arrangement, blue crossed swords and 9 mark, some enamel wear, 16.4cm dia. Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part II, 23rd February 2005, lot 235 for a cup and saucer in the same pattern. Paper label for Stockspring Antiques, James Giles Exhibition, 2005, no. 40.
Lot 1659
A Worcester blue and white trio, c.1760-65, comprising a teabowl, coffee cup and saucer, painted with the Dragon pattern, each piece with a large scaly dragon chasing a flaming pearl of wisdom amidst small cloud scrolls, open crescent marks, 11.7cm. (3) Provenance: the John Pinnick Collection. The cup with a paper label for the Chas. Crane Collection.
Lot 1610
A Worcester saucer dish, c.1775, printed in black with a figure standing amidst Classical ruins, a coffee cup printed in purple with two figures beneath ruined columns, and a teabowl printed in Smoky Primitive style with a shepherd and shepherdess, a Chinese figure, and with birds in flight, some faults, 18.2cm max. (3)
Lot 1324
Two Royal Worcester small vases, date codes for 1911 and 1918, the first of cylindrical form (shape G689), the other of globular form with a moulded border to the neck (F126), both painted by Harry Stinton with scenes of Highland cattle in moorland landscapes, signed, printed marks, 12.8cm max. (2)
Lot 1375
A Flight Barr and Barr Worcester botanical plate, c.1820-30, painted with a specimen of auricula within a shaped pale green border, a Coalport plate painted with a colourful foliate border, a Davenport cup painted with fritillary flowers on a gold ground, and a further cup painted with a comport of fruit in gilt and grey, some damages, 22.5cm max. (4)
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