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A Chamberlains, Worcester 'Dragons in Compartments' or 'Bengal Tiger' trio, late 18th century, comprising coffee cup, teacup and saucer, bears Roderick Jellicoe paper label and original purchase price of £180, sold with a plate stand, one piece painted no75 in puce, otherwise unmarked (4) (at fault)
A large Caughley teacup from the Prince of Wales service, circa 1790, of fluted and lobed shape, richly decorated by Chamberlains, Worcester with a border of blue lozenges, all gilt, edged with gilt ribbons, swags and large floral sprays, reserved with an oval cartouche containing the crowned Prince of Wales plume and motto 'Ich Dien', unmarked, 8cm high See CW&P, page 205, plate 73, alongside 'Caughley Porcelains' - A Bi-Centenary Exhibition', pl.23, Cat. 341 for a similar example of the cup, which is recorded in Chamberlain records as the 'Prince's Feather's' pattern. This pattern is also discussed more extensively within The Caughley in Colour Exhibition Catalogue of 2005, produced by the Ironbridge Gorge Museum trust on page 15, where the author notes 'The period over which Caughley was produced was one of scandal in the Royal family. There was the 'madness' of King George III and much political attention to the overspending of the Prince of Wales. The cartoonists were lampooning the Prince of Wales mercilessly and he seemed to have few friends other than his brother, Frederick Duke of York and the Fox/Sheridan combination who saw him as a way of displacing Pitt. It is therefore unlikely that these wares were made for the public and it seem almost certain that they were for royal use'.
A Chamberlain's, Worcester armorial dinner plate in the Dragon's in Compartments pattern, also known as 'Bengal Tiger', pattern, circa 1800-1810, the plate decorated with a central shield with family crest above of a bird perched upon a castle turret, factory mark in purple, also marked 'No 75', 24cm diameter (riveted repair)
A Flight, Worcester porcelain part tea service, circa 1790, comprising teabowl and saucer, teacup and saucer, and cream jug, 11cm high, the fluted bodies each similarly decorated with purple floral sprays and gilt, together with a further Flight, Worcester cup, the teabowl marked 'Flight' (6)
A Caughley polychrome tea bowl, circa 1785-90, painted with flowers, below a red line and purple border, unmarked, 8cm diameter See Caughley In Colour, page 68 for a discussion of this pattern, which is noted as being 'a variant of a famille rose pattern. These were popular and are found on Bow, Worcester and New Hall amongst others. Item 158, is noted as being the most authentic version, with its darker crysanthemum flower, similar to this tea bowl and its pink lattice rim.'
A pair of Worcester lobed dessert plates decorated with Sweet William flowers, circa 1775-90, painted in puce and polychome with flowers, within a central gilt medallion and blue border, crescent marks, 22cm diameter, together with a further Worcester blue scale dish, underglaze blue fret mark, 25cm diameter (restored) (3)
A Worcester dessert dish, late 18th century, together with another similar 19th century example, each of quatrefoil form, each individually painted with floral sprays between broad, cobalt borders, with gilded detail, workman's marks, 22cm wide and a further English porcelain dessert dish, possibly Spode, circa 1820, decorated in a bright polychrome with scattered flowers, painted triangle mark (at fault) (3)
Two Barr, Flight and Barr Royal Worcester armorial plates, each bearing a family coat of arms above the motto 'Virtus Sola Nobilitat', the first in bold colours with a broad border of of flowers, 18cm diameter (chipped), the second with a peach border and gilt cloud formations, 21cm diameter, printed and impressed marks (2)
A Caughley tea bowl and saucer, circa 1785, transfer-printed in underglaze blue with the Birds in Branches pattern, tea bowl 8cm diameter, saucer 13cm diameter, 'SO' and 'SX' marks (2) *See CB&W, page 44 for a discussion of this pattern and the difficulty in distinguishing between the two almost identical Caughley and Worcester patterns.
A Royal Worcester porcelain coffee service by Ernest Barker, dated 1935, comprising six cups, and six saucers, each piece individually painted with birds, including Blue Tit, Robin, Bullfinch, Goldfinch, Chaffinch and a Wren, the saucers 10cm diameter, with signatures, printed puce factory marks and painted titles in gold, contained within a retail presentation case by Edward & Sons LTD, Glasgow (hairline to one cup) (12)
A rare Caughley dessert tureen stand, circa 1788-93, painted in a light, bright underglaze blue colour, combined with an elaborate Gold Star and Spangles gilded border, central panel painted with a vista of a man and packhorse crossing a lake, with ruins beyond, unmarked, 23cm wide See PS&CP, pps. 43-106 for an extensive discussion on this design. By the release of Godden's book on Caughley and Worcester porcelains, the author knew of only six pieces in this pattern. It was Gaye Blake Roberts who first shed significant light on these designs in 1974 within an English Ceramic Circle Transaction paper in which it was reported that the source of several scenes from a Bright Landscapes dessert service were taken from Paul Sandby's Virtouosis' Museum published in 1778. The Gold Star Border and Spangles dessert service was first illustrated in 1969 by Godden. Research has shown that there are at least two dessert services with this gilt design.
A large Caughley porter mug, circa 1780, transfer-printed in underglaze blue with the La Promenade Chinoise pattern, accompanied by the secondary print La Peche, painted C mark, 12cm high and 13cm diameter See C & W P page 133 for a discussion of this subject and the differences between Caughley and Worcester versions and also plates 258 and 259 for Worcester and Caughley examples. See also CBE catalogue no. 426 for an example, here called the 'Fishing' pattern.

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