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Click here to subscribeROYAL WORCESTER PORCELAIN BLUSH IVORY POT POURRI VASE & COVER, the pierced bowl and cover supported by a bird with outstretched wings, on a circular base, printed puce mark to base, date code 1912, shape No. G11, 23cms highProvenance: private collection Carmarthenshire, consigned via our Carmarthen OfficeComments: appears in good overall condition, wear to gilding
FOUR ROYAL WORCESTER NAUTILUS SHELL VASES, the two larger examples (17cms high) in unusual colourways and numbered 101 to bases, together with two smaller examples (10.5cms high), all on coral and shell supports, printed green and puce marks to bases (4)Provenance: private collection Carmarthenshire, consigned via our Carmarthen OfficeComments: wear overall to gilding, minor nibble to shell on blue vase and to rim
ROYAL WORCESTER NAUTILUS SHELL VASE, on gilded coral and shell support, surmounted by a salmander or lizard, green printed and impressed marks to base, 22.5cms highProvenance: private collection Carmarthenshire, consigned via our Carmarthen OfficeComments: minor wear to gilding, no obvious major damage
ROYAL WORCESTER LOVING CUP, the cylindrical mug decorated with reserve of pheasant within gilt border, cobalt blue ground, printed puce mark to base, date code 1907, together with Grainger & Co Worcester two handled loving mug, decorated with reserve depicting river, bridge, boats and town within applied and gilt border, cobalt blue ground, printed mark to base, both 15cms high approx. (2)Provenance: private collection Carmarthenshire, consigned via our Carmarthen OfficeCondition Report:wear and scuffs, wear to gilding, no obvious major damage, small crack to upper handle on Royal Worcester example
RARE PAIR OF WORCESTER PORCELAIN SWAN VASES, the graduated puce ovoid vessels supported by three black swans with upheld wings and downswept necks, on lotus leaf triform bases, printed puce marks to bases, circa 1963, 21.5cms high (2)Provenance: private collection Carmarthenshire, consigned via our Carmarthen OfficeComments: wear to gilded borders, no obvious significant damage, firing flaws to bases
Assorted ceramics - to include, a Booths pot and cover gilt decorated with a peacock and roses, height 23cm, a Haviland & Co. Limoges part tea service, to include four cups, five saucers, a sugar bowl, five side plates, diameter 21.5cm and two oval plates, 27 x 21.5cm, a pink crimp top vase, height 17cm, four Royal Worcester small dishes, diameter 10cm, a Royal Worcester dish, diameter 14.8cm and a KPM dish hand painted with flowers, diameter 25cm.
mythologischen Szenen in Limoges-EmailmalereiÜber profiliertem Rundfuß amphorenförmiger Korpus mit gerundeter Schulter, in eingezogenen, durch reliefierten Perlfries gegliederten langen Hals und kelchförmige, weit ausschwingende Mündung übergehend. An der Schulter ansetzende, blattförmig geschweifte Henkel. Kobaltblauer Fond. Auf der Wandung umlaufender Figurenfries mit verschiedenen, mythologischen Szenen, auszugsweise nach Vorlage von Stichen von Jean Francois Janinet auf Grundlage von Reliefdarstellungen und Zeichnungen von Jean Guillaume Moitte, u.a. der Abschied einer spartanischen Mutter von ihrem Sohn, komponiert auf einer Ornamentkonsole aus Maskaronmedaillons mit stilisierten Akanthusranken sowie Tuchgehänge in feiner, weißer Emailmalerei nach dem Vorbild der Limosiner Maleremailarbeiten. Modell-Nr. F 133. Meissen. 2. Hälfte 19. Jh.; Schwertermarke. H. 43,5 cm. Die weiße, in mehreren dünnen Schichten aufgetragene und dadurch reliefartig erscheinende Emailmalerei hebt sich kontrastreich vom kobaltblauen Fond ab. Diese sich an Vorbildern der berühmten Maleremail-Arbeiten aus Limoges orientierende Malereitechnik wurde im 19. Jh. zunächst von Manufakturen wie Sèvres, Worcester und Minton ausgeführt und erstmals 1865 - angeregt durch den Modelleur Ernst August Leuteritz - auf Meissener Porzellanvasen angewandt. Im Jahre 1867 präsentierte Meissen auf der Pariser Weltausstellung eine im Limogesstil gefertigte Kratervase mit dem "Triumphzug Alexander des Großen". Zu den beliebten Themen zählten klassische, figurenreiche Darstellungen aus dem Bereich der antiken Mythologie, zumeist nach Kupferstichvorlagen von Relief- bzw. Bildhauerarbeiten, neben J. G. Moitte u. a. auch von dem berühmten dänischen Bildhauer des Klassizismus, Bertel Thorvaldsen.A large cobalt-blue ground two-handled porcelain vase with classical figural scenes probably after a basrelief by Jean Guillaume Moitte painted in white enamel. Crossed swords mark.Meissen. 2. Hälfte 19. Jh.
John Britton: 'Cathedral Antiquities of England', London, Longman, 1814-1836, 14 volume complete set (bound in six volumes), 301 full page engraved plates as called for (collated complete as per list of prints to each volume), these comprising views, elevations, plans, architectural details, added engraved title pages etc., plus several woodcut vignettes as listed, folding tables etc, additional woodcut vignette general title pages to each volume + separate printed title pages for each of the 14 volumes, these comprising Canterbury, 114pp, 26 plates; York, 96pp, 34 plates; Salisbury, 114pp, 31 plates; Norwich, 90pp, 25 plates; Oxford, 50pp, 11 plates; Winchester, 143pp, 30 plates; Lichfield, 74pp, 16 plates; Hereford, 74pp, 16 plates; Wells, 130pp, 24 plates; Exeter, 152pp, 22 plates; Worcester, 53pp, 16 plates; Peterborough, 88pp, 16 plates; Gloucester, 88pp, 20pp, 22 plates; Bristol, 74pp, 12 plates, 4to, uniform full levant morocco gilt, all edges gilt, bookplate of Anthony Robert Alwyn Hobson (1921-2014), book and bookbinding author and historian, head of book department and director of Sotheby's. From the collection of Father Peter Harris, with his bookplate also to front pastedowns (6)
(Bindings), 'The Tunes of the Clumber Hymnal as used in the Church of S. Mary the Virgin (the private chapel of His Grace the Duke of Newcastle) Clumber Park, Notts. / compiled and edited by George J. Tredaway, organist and director of the choir.', London, Novello, 1904, full contemporary crushed navy morocco gilt, gilt ruled and with decorative gilt illustration of the Virgin Mary and Jesus to front cover, spine with gilt ruled raised bands and gilt floral motifs in compartments, inner dentelles gilt, all edges gilt; together with Lees: 'The Laws of British Shipping and of Marine Assurance', 1865, "Training Ship Worcester" prize binding 1868, full blue morocco gilt (slightly worn), spine gilt in compartments, gilt anchor vignette to front cover (2)
A pair of Worcester knife and fork handles, circa 1760The hafts of pistol shape, painted with colourful Meissen-style flowers and insects, fitted with white metal ferrules, blade and prongs, the handles 9.6cm and 8.3cm long (2)Footnotes:ProvenanceGerald Moore CollectionPolychrome knife and fork handles are rarer than their underglaze blue counterparts at Worcester. A similar pair is illustrated by Sandon and Spero, The Zorensky Collection (1996), p.133, fig.113.For further information on this lot please visit Bonhams.com
A fine Worcester coffee cup and saucer, circa 1758-60Thinly potted and painted in vibrant enamels with scattered flowers, smaller sprigs and butterflies, with puce monochrome rococo scrolled borders containing finely painted 'sunburst' motifs, 11.5cm diam (2)Footnotes:ProvenanceBarbara Leake Collection, Bonhams, 12 March 2008, lot 171Gerald Moore CollectionA 'Blind Earl' dish with similar decoration is illustrated by Simon Spero, Worcester Porcelain: The Klepser Collection (1984), p.53, no.49. H Rissik Marshall illustrates a teabowl and saucer of the same attractive pattern, with the 'half a sun in splendour' border, Coloured Worcester Porcelain (1954), pl.6 no.86.For further information on this lot please visit Bonhams.com
A Worcester teacup and saucer, circa 1760-65Unusually painted with large medlar-like fruit issuing purple tendrils and leafy sprays of colourful flowers, with brown line rims, saucer 12.8cm diam, crossed swords and numeral 9 marks (2)Footnotes:ProvenanceGerald Moore CollectionFor further information on this lot please visit Bonhams.com
A Worcester creamboat, circa 1775 and a coffee cup, circa 1758The 'dolphin ewer' creamboat with crisp shell moulding and a lamprey handle, painted with flowers and scattered sprigs and leaves, a gilt line at the rim, 8.3cm high, the bell-shaped cup with a 'wishbone' handle, painted with a full floral bouquet in Meissen style and two smaller sprays, 5.8cm high (2)Footnotes:ProvenanceGerald Moore CollectionFor further information on this lot please visit Bonhams.com
A rare Worcester 'scolopendrium' coffee cup and saucer, circa 1772-75Of gently moulded hexafoil shape, embossed with five spiralling scolopendrium leaves picked out in green with black and gold veins, interspersed with flower sprigs and buds, the rims edged in brown, the cup with an entwined twig handle picked out in gold, saucer 13.7cm diam (2)Footnotes:ProvenanceGerald Moore CollectionIn the 1760s Worcester produced a version of this design, more closely related to the Chelsea original. By the 1770s the pattern was reinvented again, with the addition of gilding, colourful flowers and a double twisted handle to keep up with the fashionable French style of the period. Another cup and saucer from the Zorensky Collection was sold by Bonhams on 22 February 2006, lot 109.For further information on this lot please visit Bonhams.com
A Worcester basket, circa 1765-68Of circular form, the gently flared sides pierced with interlocking circles, the yellow exterior applied with pink florets, the interior painted with a colourful mixed flower spray, scattered sprigs and leaves, 14cm diamFootnotes:ProvenanceGerald Moore CollectionFor further information on this lot please visit Bonhams.com
A pair of Worcester baskets, circa 1770Of circular form, the flared sides pierced with interlocking circles, purple and green florets applied to the exterior, painted with leafy bouquets of colourful flowers, smaller sprigs and scattered leaves below the interior brown line rims, 19.4cm diam (2)Footnotes:ProvenanceGerald Moore CollectionFor further information on this lot please visit Bonhams.com
A Worcester teapot and cover, coffee cup and small mug, circa 1768-75The teapot painted with colourful flower sprays, below a red and gold crowsfoot border, 13.8cm high, the coffee cup painted in Mandarin style with fine Chinese ladies in a garden, a gilt scrolled panel reserving a puce landscape by the handle, 6.3cm high, the cylindrical mug with flowers and a gilt line rim, 6.5cm high (4)Footnotes:ProvenanceAlbert Amor, Treasure from Toronto Exhibition, 1993, no.39 (teapot)Stephen Hanscombe Collection (coffee cup)Gerald Moore CollectionThe painting style on the teapot is unusual and it has been suggested that this is an early example from the Giles workshop.For further information on this lot please visit Bonhams.com
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