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Lot 341
A CHAMBERLAIN’S WORCESTER PART DESSERT SERVICE, 18th Century, marked with underglaze in blue, each piece painted with fruit in baskets and with sprays of fruit all on a white ground and with rich blue borders with gilt filigree, comprising:- 29 fruit plates 21.5cm diameter- 4 shell shaped dishes 19.5cm wide- pair of oval dishes 27cm wide- 3 oval dishes 24cm, - 4 oval dishes 30cm wide and smaller (& another unmarked)- a pair of sauce tureens, covers and stands, 25cm wide
Lot 159
A 19th century Continental tea cup and saucer decorated with birds and flowers, a Royal Worcester tea cup and saucer painted with sprays of flowers on a blue ground, other cups, saucers and tea ware, together with an open-work ceramic basket painted green and decorated with flowers and birds.
Lot 550
A rare Worcester teabowl c.1756-60, printed in black then hand-coloured in famille rose enamels with two geese standing beside large flowering peony branches, 7.4cm dia. Provenance: the Robert and Celia Morris Collection, and paper label for the Weiss Collection, no. 162. Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part III, 22 February 2006, lot 256 for a similar fluted example.
Lot 277
Two English porcelain plates late 18th/early 19th century, one Flight, Barr & Barr Worcester, painted in the Oriental manner with a lady holding a parasol before an arched bridge within an elaborate formal border, impressed and printed factory marks, the other Derby and painted with pink roses and other flower swags, blue crowned D mark, 24cm max. (2)
Lot 585
A Worcester dessert plate from the Mrs Arthur James service c.1780, decorated in the Sèvres style with fancy birds beneath a windswept tree, within a circle of winged insects separated by gilt swags, the rim with an elaborate panelled design of gilt foliage, puce herringbone, turquoise diaper and purple cailouté, 21.7cm. Provenance: the Robert and Celia Morris Collection. Formerly in the collection of Sir Peter Crossman of Tetworth Hall, Cambridgeshire, and sold at Christie's on 5th November 2008. The plate is believed to have been part of a single dessert service that was formerly in the possession of Mrs Arthur James. An identical plate was sold as part of the R David Butti Collection at Bonhams on 10th May 2006, lot 79.
Lot 540
A Worcester bowl c.1770-75, the exterior printed in black with a continuous scene of the The Fox Hunt after a painting by James Seymour, the interior with a vignette of a hound with his spoils, the rim with flower sprays, 19cm. Provenance: the Robert and Celia Morris Collection. Formerly in the D V Pares Wilson Collection. Cf. Simon Spero, 18th Century English Transfer-Printed Porcelain and Enamels from the Joseph M. Handley Collection, p.104-105 for a similar example.
Lot 590
A Worcester baluster mug c.1755-60, finely painted in the Meissen manner with a large spray of flowers including pink rose, with moths and other insects in flight around single sprigs, some restoration, 13.6cm. This more botanical style of painting derives from Meissen's deutscheBlumen, although Worcester may well have drawn its inspiration from similar wares copied at the Chelsea factory.
Lot 500
A Lund's Bristol blue and white shell pickle dish c.1748, the scallop shell form painted with a Chinese vase containing tall feathers before an unfurled scroll, the rim with three motifs of further feathers loosely bound in ribbon, 9cm. Cf. Ray Jones, The Origins of Worcester Porcleian, p.249 for a similar dish. These have previously been attributed to Limehouse.
Lot 426
A small Worcester tea canister and cover c.1770, the ovoid form painted with panels of flower garlands within shaped panels on a blue scale ground, and a teabowl and saucer painted with a fan-panelled design of flowers on a wet blue ground, the canister's cover associated, 15.5cm max. (4) Provenance: the Jean Lucas Collection.
Lot 586
A Worcester octagonal soup plate c.1780, after a Chinese famille verte original, painted with a bird perched upon a fencepost beneath a pine tree entwined with flowering wisteria, a jardinière upon a table beside and a further bird in flight above, the rim with phoenix in flight between peony sprays reserved on a green ground, the underside of the rim with further peony sprays, a rim section broken out and restuck, 25.5cm. Provenance: the Robert and Celia Morris Collection. Formerly in the collection of Sir Anthony Tuke. Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part I, 16th March 2004, lot 76.
Lot 467
A Worcester blue and white trio .1755-60, comprising a coffee cup, teabowl and saucer, painted with the Prunus Root pattern, a teabowl painted with the Landslip pattern, and another painted with the rare Weeping Willow pattern, most with workman's marks, 12cm max. (5) Provenance: the Jean Lucas Collection. The Weeping Willow teabowl with a paper label for the Thistle Collection.
Lot 250
A Royal Worcester double-walled teapot and cover date code for 1883, probably by George Owen, around the spout and handle gilded possibly by Samuel Radford with delicate landscape scenes, the walls pierced with a honeycomb design and a band of shields, the neck and foot with a band of jewelling, printed marks, the cover restored, 21cm. (2)
Lot 527
A good miniature Worcester blue and white teapot and cover c.1760-65, painted with the Prunus Root pattern, one side with the main pattern of prunus issuing from holey rockwork, the reverse with a single flowering spray, open crescent mark to the base, 10cm. (2) Miniature Worcester wares painted with the Prunus Root pattern are believed to have been produced for the Dutch market.
Lot 641
A Worcester plate and a beaker c.1765-70, both richly decorated in the Kakiemon palette, the plate with the Phoenix pattern of a long-tailed bird in flight above flowering branches and other birds, the flared beaker with the Two Quail pattern, each with a dense red and gilt foliate rim, gold crescent mark to the beaker, 22.5cm max. (2) Provenance: the Robert and Celia Morris Collection. The plate formerly in the Perry Collection.
Lot 461
Five Worcester blue and white coffee cups c.1758-62, variously moulded with floral panels, vertical fluting and feather moulding, four painted with the Fisherman and Willow Pavilion pattern, one with the Feather Mould Floral pattern, with a Worcester saucer painted with flower sprays on a fluted ground, and a Liverpool coffee cup with similar decoration, minor faults, 11.6cm max. (7) Provenance: the Jean Lucas Collection.
Lot 247
A Grainger's Worcester vase and cover late 19th/early 20th century, painted by John Stinton with four sheep on a hillside, signed, and a Royal Worcester spill vase, painted by James Stinton with a cock pheasant, with a reticulated rim, printed marks, the cover probably associated, 22cm max. (3)
Lot 453
Three English porcelain blue and white milk jugs c.1760-70, one Richard Chaffers (Liverpool) and painted with a bridge linking small islands beneath tall trees, one Worcester and painted with the Cannonball pattern, the last Liverpool and painted with a low fence behind bamboo and rockwork, damages and repairs, 8.5cm max. (3) Provenance: the Jean Lucas Collection. The Chaffers jug formerly in the Watney Collection and exhibited at Philips, the Liverpool Exhibition, 1997.
Lot 545
A Worcester bell-shaped mug dated 1757, printed in black with a half portrait of Frederick the Great, titled King of Prussia, the reverse with Fame blowing trumpets, flanking pennants and victory motifs, signed in the print 'RH Worcester' for Robert Hancock, and with an anchor rebus for Richard Holdship, 12cm. Paper label for the Bailey Collection.
Lot 465
A Worcester blue and white trio c.1755-58, comprising a teabowl, coffee cup and saucer, moulded and painted in the Feather Mould Floral pattern, together with a coffee cup and large saucer in the same pattern, the coffee cups with elaborate scroll handles, workman's marks, the larger saucer with an open crescent mark, minor faults, 13.5cm max. (5) Provenance: the Jean Lucas Collection.
Lot 605
A Worcester circular basket c.1760-72, finely painted to the interior with an arrangement of flowers within a shaped blue scale panel, the interior sides with further flower sprigs below a panelled border, the exterior applied with flowerheads where the interlocking circles join, blue square seal mark, 20cm.
Lot 490
A Worcester blue and white butter tub with cover and stand c.1765, the circular form painted with the Candle Fence pattern, the low ornamental fence beneath a gnarled tree and large flowering peony, the cover surmounted with a large floral finial, open crescent marks, a chip to the finial, 16cm. (3) Paper labels for the Swift Collection.
Lot 612
A Worcester pickle leaf dish c.1753-54, of simple ivy leaf shape, decorated in polychrome enamels with sprays of flowering Oriental plants, the underside moulded with veining, minor chipping, 10.2cm. Provenance: the Robert and Celia Morris Collection. Cf. Bonhams, The Zorensky Collection Part III, lot 5 for a similar example.
Lot 420
Two Worcester hot water jugs and covers c.1765-75, of reeded form, one painted with a version of the Hop Trellis pattern, with berried swags among red and gilt trellis and turquoise scale borders, the other with the Two Quail pattern in Kakiemon colours, one handle restored, 12.5cm. (4) Provenance: the Jean Lucas Collection.
Lot 607
A rare Worcester fluted bowl c.1755-60, the flared form moulded with wide and narrow flutes, painted with the Red Crabs pattern in the Kakiemon palette, the two crustaceans looked over by a large scaly dragon, 11.8cm dia. Provenance: The Ronald Melvin Collection, sold by Simon Spero in 2007. Then the Crane Collection, Bonhams, 31st March 2010, lot 64. Illustrated: John Sandon, Dictionary of Worcester Porcelain, p.275.
Lot 456
A pair of Worcester cutlery handles c.1758-60, of pistol grip form, painted with the Rose and Floral Spray pattern, with a scimitar knife blade and two-pronged fork, and two Worcester butterboats, of geranium leaf form painted with flower sprays and flying insects, some damages, 20.5cm max. (4) Provenance: the Jean Lucas Collection.
Lot 432
Two early Worcester coffee cups c.1753-55, the reeded forms painted in famille verte enamels with sprays of flowering plants beneath continuous floral borders, each applied with a scroll handle, some damages, 5.5cm. (2) Provenance: the Jean Lucas Collection. One formerly in the collection of Bernard Watney.
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182975 item(s)/page