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A fine Royal Worcester two-handled reticulated and 'jewelled' vase by George Owen and Harry Chair: of ogee form with foliate scroll handles, pierced around the shoulder and base and painted with floral garlands and gilt scrollwork, puce printed mark with shape no.1959 and date code for 1897, 14.5 cm high.
CERAMICS - MIXED LOT, SET OF FIVE ROYAL WORCESTER MOULDED BLUSH PORCELAIN SIDE PLATES, GRADUATED PAIR OF WEDGWOOD BLUE DIPPED JASPERWARE TEAPOTS, SIMILAR HOT WATER JUG, PAIR OF JAPANESE BLUE SATSUMA VASES, SWING HANDLED BISCUIT JAR, CROWN DUCAL BLUSH POTTERY PRESERVE POT WITH COVER AND INTEGRAL STAND, PLATES ETC.....
SET OF TWELVE ROYAL WORCESTER PORCELAIN 'Historic Jugs', COMPRISING; 'Chelsea Ewer', 'Sparrow Beak Jug', 'Poppy Jug', 'Ring-Neck Jug', 'Grainger Jug', 'Scratchcross Jug', 'Wishbone Jug', 'Cabbage Leaf Jug', 'Lamprey Cream Jug', 'Silver Shape Jug', and 'Chinese Ewer', 3 3/4" (9.5cm) high, approx, printed marks (12)
A LARGE SELECTION OF MASONS IRONSTONE RED PATTERN CERAMICS including vases, table lamp base, mantle clock, ginger jar and cover etc also a set of four Royal Worcester Orchard Collection plates, a selection of boxed collectors plates and two Royal Doulton figures entitled 'Pride and Joy' and 'Sugar and Spice'
AN ASSORTMENT OF AUCTION CATALOGUES including Bonhams - The Zorensky Collection of Worcester Porcelain, The Sampson and Horn Collection, Christie's - The Galerie Popoff Auction, session 1, 2 and 3, a selection of Sotheby's Important Collections of Fine English Porcelain catalogues, Longridge Collection, and the Lipski collection of Delft ware, Limehouse Porcelain etc
ELGAR EDWARD: (1857-1934) English Composer. A.L.S., Edward Elgar, three pages, 8vo, Forli, Malvern, 8th April 1895 (the day lightly struck through and altered to 10 in another hand), to Messrs. Novello & Co. ('Dear Sirs'). Elgar informs his music publishers that, by registered post, he has sent them Number Six 'of the set of six part songs for Chorus & Orchestra completing the set Mr. Tours kindly took charge of Nos. 1-5 which I left with him when I called at your establishment ten days ago' and further writes 'The collective title 'From the Bavarian Highlands' is intended to go on each number - there are subsidiary titles also. My idea was that the set should be published together in book form & that they should be also procurable separately'. The composer also states 'Nos. 1, 3 & 6 wd. make a very useful suite for orchestra alone, or for piano -duet or solo. I submit the work to you with confidence as I believe from the character of the music it will find easy acceptance in many quarters'. Elgar explains in a postscript 'The words only are partially arranged….from Volkslieder - the music is my own'. With a purple ink received stamp to the verso of the final page and with a few ink and pencil annotations (most erased) at the head of the first page. Some slight creasing and a few small pinholes, only very slightly affecting a few words of text but not the signature, about VG From the Bavarian Highlands (Op.27) is a work for Choir and Orchestra by Elgar. The set of six choral songs were composed by Elgar as a remembrance of a holiday he and his wife had spent in Upper Bavaria, mainly at Garmisch, in the autumn of 1894. The song lyrics were adapted to Elgar's music by his wife Alice to imitate the spirit of the dances from the folk songs Volkslieder and Schnadahupfler. Interestingly, Novello initially rejected the work and the songs were first published by Joseph Williams & Co. in December 1895. The songs were first performed just over a year after the present letter was written, on 21st April 1896, by the Worcester Festival Choral Society conducted by Elgar.
A group of Royal Worcester Kitty Blake items to include a shouldered vase with 1938 date mark and another squat vase with frilled rim, both decorated with leaves and berries design with signatures within the designs, together with a late 20th Century Royal Worcester Kitty Blake Brambles pattern cup and saucer, saucer marked as second quality, tallest 10cm. (4)

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